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Review: Melody Of The Soul continue to explore their melodically charged strain of minimal tech house on this fourth release on their label, which leads in with the prog-tinted seduction of 'Night Owls'. It's subtly epic, charged with sweeps of orchestration which tease at a big drop to come. 'Flame' has a slightly more intimate, heads-down approach, but it's no less detailed and dynamically produced. 'Igako' explores some pop touches in the context of a bigger room sound which still holds fast to the slick tech house framework and 'Ask The Universe' takes a more delicate approach with pattering percussion and melancholic piano which will set any set off on a sentimental trip.
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Review: Barac is one of the torchbearers for the contemporary minimal scene and a figurehead of the Romanian scene. He shows why he is healed in such high regard with this new three-track EP which kicks off with 'Hypnotic Grayscale,' a nice sleek and elegant minimal roller carefully detailed with aloof vocal sounds. 'Everything That Is Seen' is bright and subtly uplifting with wispy melodies adding a celestial touch and 'He Restored My Soul' then brings a little more otherworldly charm with its woozy pads and smeared vocals over floating and liquid rhythms.
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Review: The secretive Only Music Matters label rolls out its seventh EP here and it's from an unknown producer or producers who seem to have a love of tech house. Opener 'AAA001A' is a warped cut for freaky 'floors with trippy vocal details and gloopy beats and bass. 'BBB001B' is more airy and light in its silky minimal rhythms but is detailed with some paranoid pads that keep you on edge while 'BBB002B' rides a nice gritty, propulsive beat and has some wonky, detuned keys adding colour. Another great outing from this low-key but high-quality label.
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Review: Baby Ford is back being reissued again and we couldn't be happier about it. Few have ever matched the matter levels he achieved when it comes to deep minimal and tech house fusions. This latest on his own Trelik takes the form of three classic cuts from two much sought-after EPs - Built In and All That Nothing. The title cut is a shimmering and sublime fusion of rubbing low ends and icy hi-hats. 'All That Nothing' then picks up the pace with more dub influences and swaying drums and 'Plaza' has a tech house edge that makes for more driving grooves.
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Cat: CMSR 016. Rel: 24 Jun 24
Minimal House/Tech House
Review: Tetsu Shibuya, better known as simply Tetsu or BRISA is a Japanese producer and DJ known for works on the iconic Japanese Jazzy Sport imprint, King Street sub-label Nite Grooves and his own BRISA Music. Leading the EP is title-track 'Stir', in collaboration with Turbojazz BRISA delivers a classic slice of deep house built upon layers of bright stab sequences and loose organic percussion. Detroit's beloved Jon Dixon turns his hand to 'Stir' next, encapsulating the soul of his hometown in reshaping fragments of the original composition. The original of 'Reverie' opens the B-side, laying down a broken rhythm, low-pitched vocal hooks and elongated bass grooves for a more bruk tinged feel. Byron The Aquarius then extracts the core of 'Reverie' and spins it into bumpy, subtly nuanced house workout. Lastly the third original 'Flux' rounds out the release, shifting deeper in funkinfused realms with a playful plucked bass groove and heavily swung drums.
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Review: Functional house experts Toolroom are back with Toolroom Sampler Vol 11 which is again packed with maximal club cuts for big dancefloors. Martin Ikin's 'Make U Sweat' is indeed sweet tech that never stops pumping under libidinous vocals. Flashmob's 'My Body' is loopy and manic tech with peak time intent and Nathan Barato and Matheo Velez offer up the macho grooves of 'Weapon.' Last of all, Jenn Getz & Alfie offer another slight tweak on try Toorloom sound with the grey and gritty white knuckle beats of 'Vibration.' A great EP for working DJs looking for instant impact.
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Review: East End Dubs's Eastenderz label has carved out its own sonic niche in a world where dub, garage, tech and hose all collide. The label has always found superb artists who tap into that and now it is Dennis Quin who offers up his own take on the template. After ounce opener 'Check The Message' comes the sweat inducing 'Done To Me' then dubbed out and low slung 'Power Surge' which is playful and packed with irresistible vocals and drum bumps. 'Thru With You' shuts down with cheeky garage vibes and naughty bass.
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Cat: TRXVS 002. Rel: 24 May 24
Minimal House/Tech House
Review: Mighty big-room house label Toolroom Trax is back with a sampler EP to showcase what it is all about and where it is at right now. It's a no-frills affair full of tough grooves starting with the Spanish vocal flair of Nausica's 'Se Pone Loca'. D Ramirez shows he still has the skills to pay the bills with the electro house energy of 'Yeah Yeah' then Sllash & Doppe offer up some trippy and hooky vocal sounds on 'Kyrenia'. Saison closes down with a nice vocal roller in the form of the hands-in-the-air gem 'Satisfy The Need.'
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Review: Moroccan favourite Kosh tops up a new trifecta of releases for his own Convergence label with this latest edition of 'Enslaved'. Melodic electro-acid tempered by vocoder lines (the 'Vox Mix'), speedy 4x4 trance ('Supernova') and deeper-down-the-rabbit-hole tabfests ('Above & Beyond'). Clearly, there's something here for everyone; even a delectable topping of bonus beats on the A2, which works just as well on its own as it does with its vocoded vocal centrepiece.
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Review: This EP marks a coming together of two electronic music institutions as the ever-consistent Traumer lands on the always innovative FUSE. The sound designs here are next level as you would expect of this producer, and that's true right from the off. 'Nectar' is a fleshy, liquid, unbalanced dub tech cut to start with and 'Lemerci' then dials into a more heady and back-room-deep house with balmy pads circling around the beats. There is a more astral edge to the cosmic tech of 'First School' and 'Rodage' rounds out with nice bubbly and rubbery drums and effective claps that get those hips swinging.
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Review: Purple Print has become a strong player in the minimal scene in a short space of time, with the likes of Sepp, Delaj, Bisharat and Vid all offering their considerable wares into the growing catalogue since 2021. Their compilation 12" was just as on-point in 2023, and now they're back with a second volume which is not to be missed. Avidel leads the way with the seductive, vocal laced groover 'Someone', while Lukea follows up with a dub techno-tinted workout entitled 'Crescent Moon'. Octave and Nicolas Duvoisin do some smart r&b sampling for undulating roller 'Wanna Be Down' and Zenk creates a sparkling sunrise reverie with 'Dreaming In A Shell', a stripped back but detailed and distinctive workout which ends the record on a high note.
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Review: Art Gang Records bursts onto the scene with Volen's Stinger Pinger EP, shows the LA-based producer's highly energetic and intergalactic sound. The three original tracks are excellent dancefloor numbers perfectly suited for the dark-lit rooms of underground clubs. 'Go' kicks things off with a great groove and techy atmosphere, offering a fun and futuristic dancefloor workout complete with infectious melodies. 'Last Tab' follows suit with its heavy acid house stomp, delivering a relentless assault on the senses. On Side-2, the title track 'Stinger Pinger' is successful with its deep rhythm machine programming, catchy hooks and jackin' beats, sure to keep the crowd moving till dawn. Markus Sommer's Gary Ablett Double Drop remix of 'Stinger Pinger' adds a groovy twist to the original, offering a fresh take that complements Volen's raw energy perfectly. Overall, some really strong dance tracks that are poised to win over techno and house crowds old and new.
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Review: After a superb debut release, Forgotten Coordinates is back with a follow-up from the eponymous artists behind the label and once again this is a tasteful excursion into the realms of minimalism and tech. 'Be Good To Me' pairs a snappy tech house drum and clap combo with some spaced out and intergalactic pads and a stone code classic vocal that will cause dance floor carnage. Things get punchy for 'Let's Get This' with its warped low ends and amped-up beats all seven to get you on your toes and vibing. Two classy and effective tunes for sure.
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Cat: AODVA 1. Rel: 03 May 24
Minimal House/Tech House
Review: Here we are introducing new label Art of Dark and its AODVA Series, a platform showcasing a diverse array of artists, especially those who are newcomers to the music scene. For its inaugural release, the series spotlights four different artists with their own distinctive sound and who are all set to go on to big things, at least if you ask us of the evidence of this. Log_In kicks off with 'Antivirus' which spins you out on nice cosmic tech vibes and screwy alien synth lines, while Landed's 'Anaesthetic' is a retro-future tech house pumper with neon lines and a tight bassline. Matthew Hartshorn's 'Computers' gets as digital as you would expect from the name with the sound of malfunctioning motherboards over sleek beats. Jamie Dodger shuts down with the more edgy percussion and rapped vocal sleaze of 'Yes Yes Release The Stress'.
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Review: Electric Tools Vol 1 ignites with a four-track electro explosion, showcasing the talents of four very strong producers for one electric 12". Side-1 kicks off with the dynamic collaboration of Latent & Retrolog on 'Super Villain,' a fusion of electro and breakbeats adorned with captivating samples and a bassline that hits hard. Bok.p follows suit with 'Creator,' channeling early UK techno and bleep-styled vibes reminiscent of the golden era, evoking nostalgia akin to classics like 'Rhythm is a Dancer.' Flipping to Side-2, Lamalice presents 'AAS,' a melodic journey through early 90s techno, intertwining lush melodies with driving beats for a nostalgic yet forward-thinking experience. Closing the EP, Dixia Sirong's '23rd Step' offers a catchy blend of early 90s trance and techno, guaranteed to transport listeners to the heyday of electronic music. Electric Tools Vol 1 is a great example to the enduring appeal of techno, seamlessly blending retro influences with contemporary production techniques to deliver an electrifying listening experience that will leave fans craving more.
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Review: The latest on Djebali's label comes from M High, who knows exactly how to step up to the flavour of Parisian minimal tech house Djebali has made his name on all these years. 'Try To Make' is a perfect opener, riding on a sweetly swung groove with heavy, subby bass down low and Mood II Swing style dub chords chopping in up top. 'Othirty' is a more delicate affair with some psychedelic sound sweeps which really elevate the track into exciting new realms - something which could send an after hours dance spiralling. 'Stripped' locks back into that heads-down bounce from the first track and then the 'M Groove' mix of the track slips some extra funky percussion into the blend to make it a sassy strutter for the ages.
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Review: Subb-an's latest EP on the Sub Series imprint, titled Conscious, marks a dynamic return for the artist, displaying an evolution towards heightened musical and spiritual awareness. The EP features five equanimous club tracks, each distinct in its style and vision. 'Liquid Sun' kicks off the journey with a blend of deeper vibes and uplifting tones, offering a track that should appeal to a wide audience. 'Contact' follows with its chord-driven, house-styled groove, adding a layer of depth to the EP's sonic landscape. Other highlights include, 'Wobble', which dives into a late-night deep groove, exuding a playful energy that keeps the dancefloor moving. Throughout the EP, Subb-an demonstrates his ability at creating intricate rhythms and hypnotic basslines, weaving an immersive experience for listeners akin to his amazing DJing sets. From garage house to brooding acid, each track is carefully crafted to leave a great experience on the dancefloor.
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Review: Montreal outfit Flabbergast tap into something brilliantly leftfield on this new EP for Adams Bite. Opener 'Peppermint Poodle' is a grubby and bubbly minimal tech house cut that is defined by a characterful Northern voice speaking about a love interest and various other things. It's wonderfully weird and sure to get anthem status soon. 'Manger Du Bon Manger' is more languid and late night, 'Mou D'Etat' is a deep and zoned out cut with odd samples and trippy sound designs and 'Dans L'Oeil' rounds out with a synth laced cruiser for 5am wig outs.
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Review: Bassex Records emerged as a niche haven for electronica enthusiasts in the mid-90s, championing and, more importantly, blending genres like trance, breaks, acid and techno, the label's initial influence remained confined to the West Coast. However, as trancey breakbeats gained traction in Europe over the past 15 years, Bassex has ascended to cult status. Rebirth was label owner Mike Knapp and DJ Jason Blakemore (DJ Trance) and this compilation specifically gathers a few very desirable gems from three different releases by them and places them here. Bassex Selections is an important window into the label's enduring legacy and snapshot of the west coast scene circa 1994.
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Review: The second drop on Storytellers comes from the mighty Mihai Pol, one of the brightest lights in the Rominimal scene right now. 'Tell Me' sets the record off in superlative fashion, toying with th plushest synth work and crafty, dubbed-out sound design all gliding across the top of the crisp, undulating rhythm section. It's delicate and impactful in equal measure, much like the other three tracks on this knock out EP. From 'Transcendence's moody keys to 'Warlord's cheeky nods to rave and the wriggly surrealism of 'Addicted', it's the sound you want in your bag to satisfy discerning heads and the wider party public alike.
… Read more in stock $15.83
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Cat: GIEGLINGLP 12REMIX. Rel: 22 Apr 24
Deep House
Review: Lawrence's Epiphany Remixes, a release from the German record label Giegling, presents four distinct interpretations of the title track. Each remixer brings a unique approach to the original piece, resulting in a diverse and captivating soundscape. Zoe Polanski's version transforms the track into a crystallized melody, creating a cold yet beautiful atmosphere. Lowtec's remix explores deep techno, delivering a smooth and dreamy ambiance with a touch of sadness. M Pittman Ladder's interpretation adds a gritty, chunky bassline, while Tobias' remix elevates the tempo, creating a pulsating and mechanical percussion elements. These remixes showcase the versatility of Lawrence's original composition, demonstrating how different artists can reinterpret and reshape it to create new and engaging experiences.
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Cat: GIEGLINGLP 09REMIX. Rel: 22 Apr 24
Deep House
Review: Contemporary tastemakers Geilgling return with a set of remixes of material from Leafier Legiv's recent album, Mirror. First up it is German minimal maestro Isolee who flips 'Fade' into some of his signature sounds - smeared synths and abstract designs all weave together over a minimal beat to make for something seductive and late night. Polish loop master Jan Jelinek then flips 'Fade' into a slow motion shuffle with bright, celestial shards of melodic light and downbeat, melancholic vocals over a chugging beat. Last of all is a mix of 'Jing' that is all broken loops, chopped vocal fragments and hallucinogenic synths.
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Review: Omakase, which is the name of a style of Japanese dining that means literally 'I leave it up to you' and gives full control of a meal to the chef in question, is also now an ever more vital minimal label. This is its third outing and one with Antraum at the helm. It kick off with 'Hyaku' with its bluesy vocal samples and lazy, infectious drum loops, then has 'Shichi' has more silky and spaced out pads and smooth grooves. 'Rei' is a dreamy one with balmy chords making for a trippy late night day dream and is the sort of track that will zoned out dance floors at 5 am. A tasteful EP for sure.
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Review: Sascha Dive, the German DJ and producer, has firmly established himself as a force to be reckoned with in the electronic music scene. His signature style, a blend of techno and tech house, has earned him a dedicated fanbase and accolades from industry peers. 'Lost Inside This Sound' captivates with its evolving melody and infectious house groove. 'Backs To Scream' showcases a deeper, more introspective side, with a hypnotic bassline that sets the dancefloor ablaze. 'Time Is Flying' evokes a sense of euphoria with its bouncy rhythm and soaring chords. Finally, 'Space Odyssey' transports listeners to a cosmic realm with its ethereal soundscape. His ability to create tracks that are both dancefloor-friendly and sonically captivating solidifies his reputation as a master of the craft.
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Review: Digwah keeps it tough on this next drop on their own self-titled label. It's a ninth outing and in the time it has taken for those to come out, increasing numbers of people have been catching on to the label's work and making it a 'must check' in their mental lists. This one opens up with 'Couldnt Hate You' which has some Ian Brown vocals samples stitched into a glitchy and menacing beat. 'Open Ended' is just as twitchy and anxious with steely drums and brain frying synths all working hard to fire every synapse in your brain. Effective stuff.
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Review: Jay Bliss brings his classy tech house touch to this sixth EP on the Berg Audio label. It begins with the title track which is a futuristic mix of silky and serene synth lines and smooth but propulsive drums. 'Pressure' rocks back and forth on a metallic loop and layers up the balmy pads, while 'Rocket Science' has a more textured feel and zippy little synth details that bring plenty of intrigue. 'Stellar Flux' closes out with another comically inclined fusion of dynamic drums and heady synth patterns, this time with a playful neo-disco undertone.
… Read more in stock $17.13
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Review: LOCKLEAD's Kemickal Affairs EP delivers four tracks designed to ignite dancefloors with an electrifying blend of house vibes. Side-1 kicks off with 'Zero's Delight,' a spirited and slightly jackin' house anthem that sets a fun and sexy tone. Following up is 'State Of Peace,' delving into a more techy and minimal groove, perfect for those seeking a deeper, more introspective vibe. Flipping to Side-2, the title track 'Kemickal Affairs' takes the listener on a journey through a deeper groove, reminiscent of 90s era house sounds but infused with a contemporary energy. Closing out the EP is 'Morning Krew,' characterized by its pumping bassline and seamless fusion of house and tech elements. With its dynamic range and infectious rhythms, Kemickal Affairs is destined to work well on any club floor.
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Review: Few labels do minimal as well as Trelik and in terms of artists, Edward is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.
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Review: Mosaic main man and peerless UK dub techno titan Steve O'Sullivan has paired off against Fletcher for this latest heavyweight 12". As ever the foundations are solid on the opener 'Passenger' - smooth drums and bass perfectly sit with one another, but this one really comes alive with the most impossibly subtle but inescapably uplifting little chords that suggest that no matter what shit you have going on in your life, things will be OK. It's a classic amongst many on this label. 'With That' is another tight, compelling and tech tinged dub roller with real bite and drive, and 'Treading Water' then blisses you out with its liquid chords and sense of endless infinite groove.
… Read morePlayed by: Mental Vibe Construction
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Review: Parisian producer Franck Roger lands on Nu Groove with 'Cosmic Tree' EP, a four-track outing of deep house perfectly at home on the legendary NYC label. Still going strong almost 35 years after its inception, it's nice to see the label is still welcoming fresh talent: Roger delivers a sultry, sauna-dunked steam on 'Part Of My Soul', one of the most contented-sounding house tracks we've heard in a while, thanks in part to the vocal stylings of Rimarkable; then there's the more repetitious ardour of 'Radik'Hall', 'Cosmic Funk' and 'The Music', all of which revel in the purely seductive potentialities of deep house production. "The music just turns me on!"
… Read morePlayed by: Replika | Common Mode
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Scribbled: Lowtec Extendend Mixes Spec 04.3 (hand-stamped 12")
Cat: WORKSHOPSPECIAL 043. Rel: 17 Apr 24
Deep House
Review: For their next outing, Workshop has served up some DJ friendly, re-mastered and extended versions of 'Scribbled,' which is a cult deep house delight that first came more than 20 years ago back on Out To Lunch. It has everything a timeless deep hose track should - lo-fi and blissed out drums, melancholic ambient pads, a cute little vocal hook and delicate spieling of percussion to keep things from getting too horizontal. All three versions are superb.
… Read morePlayed by: Replika | Common Mode
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Cat: AALP 003EF.
Minimal House/Tech House
Review: The captivating journey that is US-based house legend Satoshi Tomiie's 'Magic Hour' album on Abstract Architecture persists here with Magic Hour Disk #3: Wave Dub, its third dancefloor-focused instalment. This latest addition comprises four tracks, further enriching the compilation that embodies three years of Satoshi's artistry and commitment. The house sounds are the and elegant, with deft synths and cosmic melodies doing the colour and emotion to his effective grooves. Additionally, the release features two remixes by DJ Honesty, who adds an extra layer of depth and variation to what is a nice and deep, dubby EP from Abstract Architecture.
… Read morePre-orders at Juno
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Review: AF 1268 welcomes a true UK tech house don in Rob Pearson for its second release, and another fine one it is too. Once again he mixes up his slick infectious grooves with acid twitches and tripped out sonic motifs that make for tunes as effective on the mind as they are the body. 'It Works' is a slinky opener with low slung bass, 'The Darkhold' is more driven with dubbed out low ends and 'Far Far Out' gets a lil' freaky for the after party. 'Moderno Nocturno' (with Kirsten Sees) is a gritty and metallic tech cut with real snap in the drums. A superb EP that offers plenty of DJs and dancers.
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Review: Angatu is a new label out of Brazil that uses the occasion of its first release to shine a light on plenty of next gen talents going from the South American hotbed. Word is that Claus Voigtmann and tINI have already been rocking joints of this EP so you may well be familiar with them. Minority Retort opens up with a slinky and futuristic pair of tech house tunes that are sure to get the seasoned duo plenty of attention over here in Europe soon. Criminal Issues also makes a vinyl debut here with the floor-facing 'Nxt2Me' and on the flip are a trio if tunes from Lucas, who has over a decade of experience in the game.
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Review: Pressure Traxx secures the sounds of acclaimed minimal master and Romanian mainstay Dan Andrei on this fine new 12", Clockworks. The title track opens up and is coarse and rich in texture, with slapping hits taking centre stage while languid guitars slowly garner your attention. 'Theme For What' is another unusual one, this time with trippy melodies and tumbling drum loops, while 'Geek Groove Odyssey' layers up pulsing bass and bleeping sonar synths into a serene cosmic trip. 'Out Of Mood' is another tense tech cut with edgy synths keeping you in suspense as the dark drums march on.
… Read morePre-orders at Juno
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Review: BQD Trax's 404th EP pairs two veterans off on the same 12". Phil Evans and Dana Ruh take one side each of this nice analogue offering. Evans goes first with 'In Time' which is coated in nice dusty pads and frayed medic edges with a grinding melody that brings some funk to the deepness. 'I'm Down' is another rugged deep house cut with loose kick patterns and swirling pads. Ruh then brings her signature smoky basement house sounds to 'S41' with its rickety percussion and warm infusing of supple synths. 'S45' shuts down with dubbed-out drums and molten chords that serve as a perfect early evening warm-up.
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Acamar EP (reissue) (translucent orange vinyl 12")
Cat: IV 59R. Rel: 12 Apr 24
Minimal House/Tech House
Review: Nine years after they dropped one of their most well-known and pivotal EPs, Frankey & Sandrino reissue it on the mighty Innervisions. Their Acamar EP arrived in 2015 and really took the pair behind it up a level with its meticulously crafted house sounds, serene melodies and general sense of electronic elegance. It perfectly defined the Innervisions sound back then and still very much aligns with it now. 'Acamar' is a free-roaming cut for blissed-out 5am listening and tranced-out dancefloors. 'Lukida' has a slightly more whimsical feel and elastic bassline. This version comes on nice orange vinyl.
… Read more in stock $18.42
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Review: Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.
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Review: Take Me For A Ride is the latest from Luuk Van Dijk on his own label Dark Side Of The Sun. The title track is a peak time tech house workout that is lively and energetic. Reminiscent of house at raves during the mid 90s, the combination of the vocals and rhythm makes this a fun track to listen to. The remix adds a New York house sound to it for a nice alternate version depending on how your set is trending. For the B-side, 'Doin' It' is a more mellow, dreamy and laid back affair while 'Sexy Motherf*cker' is a mid-set groover, all making for a versatile 12" that house music heads should get plenty of plays out of.
… Read more! low stock $15.31
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Review: The Paris based Velvet Spirit releases its fourth EP. After appearing on their third releases, the label had to have a release specifically dedicated to Numero 6 solely. If you are looking for something different then check out the head turning 'Midnight Treat'. Electro like you may have not heard. The Indy Jane mix of 'Are You Sure' is particularly nasty (in all the right ways), while on the second side, 'Vicious' is a clever and unique take on tech house that injects a bit of electro in it while 'Bloodline' is the smoothest cut of the lot. Quite eerie in a new wave way, you have to hand it to Numero 6 for making something quite unique.
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Review: TV Hill Records starts things off rough and curiosity-rousing, with a technical itch from OG AG (Andrew Grant) in collaboration with fellow producer Dimneonsum. A mid-paced deep techno calculator, 'What's Up Everybody' pares back any semblance of emotion for pure robotic urgency, with every sound moving in juddering clockwork lockstep in an abstracted world of pure, preservative mathematic topology. Opener 'San Fran' pits nervous FM loops against an equally anxious Shepard-tonal riser, while calmer moments such as the beatless 'Drakey' still disquiet with their eerie glassiness. One for the bleepy heads, the only humanistic element is the revelatory vocal sample on 'Found Out'.
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Review: Dan Formless' "Fried All Day" is a minimalistic tech house track that becomes the second release for the upstart label Bank of Switches. The original track is characterized by its repetitive beat, sparse instrumentation, and hypnotic atmosphere. The title 'Fried All Day' evokes a sense of exhaustion and overindulgence, which is reflected in the track's strangely hypnotic rhythm and quirky sounds. The Alex Arnout remix takes a more driving approach, with a more upbeat and melodic approach. Overall, this record is essential for lovers of minimal tech house and techno. Showcasing Dan Formless' unique and uncompromising style he is bringing the fun back to dance music enthusiasts with this one.
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Review: tINI has always been at the forefront of tech house, often with her own party brand, as well as killer productions and engaging sets at some of the scene's most tasteful parties. Here she steps up to the fledgling Mood Waves label for The View, and EP that finds her stretching herself into all new territory once more. 'Welcome Luz' is crunchy, stomping cosmic tech with sci-fi motifs. 'EX-PECT' has whimsical pads paired with more silvery and metallic drum sounds and after the more mechanical grace of the a-side, 'What's Her Name?' gets loose with rubbery bass and bendy synth leads while '2020' shuts down with some downtempo post club trippiness.
… Read morePlayed by: Evan Michael
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All & All Vol 5 (hand-stamped 12" in hand-stamped sleeve)
Cat: REPEAT 25. Rel: 03 Apr 24
Minimal House/Tech House
Review: Repeat's 'All & All' series is doing a great job in documenting the immense contribution that UK tech-house pioneer Terry Francis has made to the electronic underground. The genius of Francis's work of the late 90s and 2000s is how it presented a form of purist tech-house that drew as much from classic US deep house as the stargazing futurism of techno. This fifth instalment in the series boasts three decidedly deep excursions. Side A sports 'Loving You', an ultra-dreamy and immersive affair from 2001 that wraps deep house elements around a typically chunky and hypnotic groove. Over on the B-side, the echoing male vocal snippets, sumptuous pads and bubbly electronics of 'Strong Woman' are followed by the slightly more dubby (and even dreamier) brilliance of 1999's 'Love In'.
… Read more in stock $17.64
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Review: Kolter, hailing from Cologne, Germany, delivers a fresh - we don't use the word lightly - new four-tracker, 'That Was Fresh'. Centring nominally on the infamous literal breakbeat vocal sample, this EP plays out as a contemporary take on the breakdances and funk backbeats come electronic dance bangers of yore. Beginning with an impossible-missioned eponymous A-sider, before moving into flat beat electro house of 'This Is It' and the cascading metro-synths of 'Feel', before finally concluding on the retro trance rejoinder, 'I'm Fine, Thanks!', there's really something here for everyone.
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Review: This EP's four tracks explore a range of styles within the house genre, from driving grooves to more ambient-tinged. The A-side opens with 'Mind Floating' (Ruffy Pagan Renip), a hypnotic track with a deep bassline, psychedelic synths and a driving beat, followed by 'Chcem Strongly' (Ruffy Surf N' Turf), a more relaxed and ethereal track with cosmic ambient techno and early trance influences. The B-side features two remixes of 'Mind Floating'. The Special Character Peaky Renip remix is a chord-heavy take on the original, while the original 2010 Secret version is a more electro-oriented interpretation. Carnedd Dafydd is a strong release from Luv Jam and Maria Slovakova, showcasing their versatility and skill as producers. The heavy balance of psychedelic and chill out is premier.
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Review: UK DJ and producer Justin Robertson is back with his latest 12" record 'Deadstock 33s', the fourth release on the up-and-coming Pamela Records label. This record is filled with groovy little tracks that blend various genres into one. 'In Minus Shadows' has a nice psychedelic campfire funk to it, with the dub-like 'Cup Of Silence' and the electro sounds of 'Of Ghosts' completing the package. Eclectic and unique dance music - very cool tunes here.
… Read morePlayed by: DJ ROCCA
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Cat: RFXN 001. Rel: 08 Apr 24
Minimal House/Tech House
Review: RFXN kicks off life with a new single from David Agrella which has seen early support from Ricardo Villalobos. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The original is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.
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Review: The unstoppable Fuse continues its X series with a meeting between Italian veteran Alex Neri and next generation Florence-rooted hero Mennie. The sound is big, bold and 90s on this EP, with 'Reality' setting the tone perfectly with its trance-informed arps, sensual rhythm section and 'outer space' speech samples. 'Find Me' has a slightly more intricate techno make up to its synth work, while 'Rockets' shrugs off the grandiose synths for a tougher rhythm track sprinkled with acid. 'Watch Me' completes the picture with a rawer, nastier workout that maintains that old-stool flavour the duo have laid down on this deadly release.
… Read morePlayed by: Rave Energy
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Cat: CRDS 77. Rel: 27 Mar 24
Minimal House/Tech House
Review: Swiss label Creaked has decided to give over a full 12" to remixes of HRDVISION's 'Captivated Heart' and the results are varied and impressive. It is the cultured electronica of Nathan Fake that kicks things off with some widescreen synth drones, She Spells Doom then brings some twitchy tech house and Shanx goes for something laced with alien effects, gurgling synths and swampy beats. Efemme brings some acid laced minimal funk and Sinistarr brings compelling broken rhythms and icy urban metropolis vibes. HRDVISION himself also steps up with a Hrdvsiovsiivosvsiosvin remix to close out in mad fashion.
… Read morePlayed by: DJ Mau Mau
in stock $15.05
