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Review: Yoruba has always done tech house with a difference - a genuine sense of spiritually and Afro groove permeates the music it put out. A prime example of that is this new collaboration between Oveous and Don Kamares. The former lays down spoke-sung lyrics that muse son legacy and being true to yourself. They're stream of conscious and never stop as the production from Kamares shines. It's a deep house cut with lithe drums and shiny synths that move about the mix and grow in stature. If you prefer to keep it more striped back, a flip-side instrumental will do the trick.

Review: Edit labels never seem handier than when the sun is out and the dancing moves outdoors. There is something about a beefed-up classic or tweaked disco cut that just works when we are all at our most fun-loving. Te Pina label is here to help on that front with a tenth EP of exquisite edits. 'Morrison Hotel' is low-slung house with samples of The Doors and skewed leads all powered by a fulsome bassline. 'Crab' is a funky disco number with chunky drums and claps.

Review: Caserta is legendary digger Kon's long time engineer, and he sure does have a wealth of tricks up his own sleeve. Here he gets to tackle his own super 7" on the Bridge Boots label and first off he serve sup a lovely take on a Stevie Wonder tune. 'Stevie?' (Caserta Sunday Saint mix) has mid-tempo grooves rolling away nicely beneath exquisite synth work and a well-treated vocal from the man himself. JoDaCe steps up on the flip for a Saturday Sinner mix that is more driving and ready for the club. The bass is rugged, the vocals more looped and freaky, the effect just as brilliant but in different ways.