Review: In what is surely an unexpected collaboration in the field of house and techno, Mosaic mastermind Steve O'Sullivan teams up with Ricardo Villalobos for a hypnotic trip through minimal landscapes that plays to both of their strengths. The rock-solid rhythm of "Sullric" surely belongs to O'Sullivan while the rich, subtle layers of samples, tones and other such sonic decorations come straight from the Villalobos school of production. The two mixes on this 12" only have minor differences - whichever side you drop things will get considerably deeper than they were previously. Of such ingredients are classy, immersive techno joints made.
Review: Commonly found rocking out on Unison Wax, Constant Sound and Pleasure Zone, Diego Krause is a certified mover and shaker in the minimal house scene, and he's on fire with this latest round of missives for Blind Box. "Malice" leads the charge with a plethora of eerie synth textures flexing organically round the sturdy beat, while "Monolith" slips into a slinkier groove while keeping the tripped out tone tweaking at the forefront of our minds. "Return" brings a tougher, fist-pumping rhythm section with a snaking syn-cussion tones trickling throughout, providing Blind Box with plenty of material to sink their gnashers into on the remix.
Review: Following the excellent instalment from DJ Skull, Mentha continues to gather pace as a house and techno label of note with this sublime offering from Hakim Murphy. While the Chicago native may be known for some bruising hardware house and techno a lot of the time, he's showing his more sensitive side on this release with delicate tracks that head into deep techno waters. The title of the EP says it all, as nimble, expressive beats merge with soothing, aqueous pad tones for a most satisfying of listening experiences. Fans of early deep techno a la B12 and Stasis will find much to enjoy here.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.
Review: Edward's graceful take on modern house and techno is a perfect fit for Trelik, and the German producer sounds comfortable as he unfurls swooning threads of otherworldly music for the tripped out dancefloor. The "Ogermania Mx" of "Mikko" is a hazy, string soaked affair pitched somewhere warm and dreamlike, but there's plenty of energy churning away in the lower register. "Lottery" is a more twitchy affair for darker times, all moody bass bounce and looming drones around a shuffling set of percussion. "Groaning Ghosts" is the techiest of the bunch, and there's a whole lot of freaked out sound design swirling around in the mix as well. This is simply stunning, highly advanced dance music from a modern day maestro.
Review: Robin Ball has been on a roll of late, flaunting his wares on the Memory Box label amongst others. He makes a second outing on Groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. There's atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on "Mr Mumble". The B side features the steadiest material in the shape of two versions of "Satin" that tap into the housier end of Ball's output.
Review: Doing things properly and building up a DIY phenomenon from their base in Zurich, the Les Points crew have brought a fresh, daring originality to the house and techno scene with their gritty outboard approach and a wide range of stylistic tendencies. Taking a break from releasing on their own label, Audino, Barbir, Louh and Nicola Kazimir have been invited to the evergreen Trelik to broach their music to a wider audience. From the blissful space techno groove of "Anubis" to the tightly wound beats of "Housepacer" and on to the cranky acid funk of "Ripstyle", this is yet another distinctive transmission from the plucky Swiss crew.
Different Channels (feat Andrea Olarte - Jonas Saalbach remix)
Review: Taken from the highly praised debut from Maurice Aymard album Between Stars we present the first remix EP featuring new as well as more seasoned remixers such as Roberto Rodriguez, Sasse, Miguel Puente and Jonas Saalbach. On The A-side Sasse takes a dark Detroit path on his remix of 1994, adding throbbing sub bass and soaring strings for a 5 AM dancefloor workout. Miguel Puente houses up Dead feat Colorado and the result is a very emotional house ride. Roberto Rodriguez drops a beautiful slow jam of 1994, full of nuances of deep house, acid and soulful vibes, perfect for the warm club night in the middle of the winter. Jonas Saalbach from Einmusika transforms Different Channels into a hypnotic and dark journey for the modern dancefloor, making a perfect closing for this fine EP
Review: It's been a while since we last heard from Flord King, who has popped up on Junk Yard Connections as well as regularly featuring on Lyssna. It's the latter label he returns to now, and he's got some focused, stripped down club fare to impart. "El Klassiko" is a shuffling, funky minimal house jam with some wriggling melodies and a subby bass throb, while "Avocado In Blue" does a quirkier turn with some crafty synth flex that really stands out from the crowd. "Bob" too is a distinctive cut with some detailed layers of dubby ripples and errant computer debris quivering and shaking over the mellow pads and steady beat. "Deep Diff" twists out some cheeky bass and an overall emotive mood that ends the record on a poignant tip.
Shintaro D - "Kohisikarubeki" (Mr KS remix) (13:07)
Review: The Jus Groove It label is, of course, all about deep house music, and who better to help them in their quest than Djebali? The French producer is on exceptional form with the reduced but utterly seductive remix of Rhythm&Soul's "Andromeda's Dream", making dubbed out melodics and a mean bassline do all the work to deadly effect. Shintaro D gets reworked by Mr KS on the flip, and things get a little freakier with some errant synth wobbles and a minimal groove making for a distinctive, ear-snagging end result. It's definitely a record of two halves, and fortunately both halves are excellent.
Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions. "Ardl Dub" is a dense, shuffling minimal house production primed for working into a long and flowing set, while "Lexiwedin" showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. "Sequence" takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam.
Review: Ted Krisko and Eric Rickers hail from Detroit, and their distinctive brand of snappy, playful electro and techno has already landed them releases on KMS, Visionquest and others. Now they land on 20/20 Vision with the devilishly fun "One LFO," an unremitting acid jam shot through with crafty drum programming and enough robotic lubricant to get the rustiest joints greased up and moving. Fellow Detroit champs Luke Hess and Delano Smith shore up on the flip with classy remixes, Hess waving his dubby strains over the original in inimitable form and Smith taking things deep, smooth and just a little spooky.
Review: Burnski's debut album DNA dropped on Constant Sound last year, and now the label have called upon a strong cast of characters to do the remix duty on some of the LP's key tracks. Parisian trio Mandar bring a heart-melting tone to "Another Source" without losing their insistent shuffle, while Diego Krause strips things down with a functional broth of minimal minded business. The original mix of "Another Source" gets a fresh outing, and very fine it sounds too. That leaves it to Laura Jones to twist out a hypnotic electro version of "I Like You".
Review: In the field of minimal house reissues, this is a big deal. Perlon main man Dimbiman doesn't appear on wax often, but when he does he makes it count. This early release on Baby Ford's seminal Pal SL was originally out in 1998, when minimal house was a vague concept at best on the most outer reaches of dance music. "Iso Grifo" itself remains a masterclass of spine-chilling space and perfectly strange sonic matter, while "Lava" pushes the notion of reduction dance music to its absolute limit. "Round" is an even more immersive affair that hides many subtle layers within its seemingly simple construct. Quite simply groundbreaking stuff, and highly sought after so don't sleep on it.
Review: Baby Ford's minimal minded label is back in action with some psyched-out goodness from Alex Celler. The long-serving Greek producer has many strings to his bow, but this release finds him tapping into his foundational sound as a steady ticking groove carries a richly produced bed of chimes and tones for the deepest moments in the dance. Where "Feudade" is a lilting, soothing trip, "Vis A Vis" heads into a more mysterious headspace peppered with nagging rhythmic trysts, crafty licks and fulsome bass to get the synapses popping. It's exactly how stripped down house music should be done, inventive to the last and yet utterly danceable.
Review: Purism leaps into action once more, this time welcoming a strong cast of lesser known characters that fit right into the adventurous approach to house and techno that the label has forged its reputation on. All these producers make their first appearances here, but you wouldn't know it listening to the quality of the tracks on offer. Rafael Kasma's "Static Rope" is a quintessential grooving house jam with some killer filtered chords, while Munir Nadir brings the twitchy minimalism vibes on "Milagro". Jackie is on a sultry, jazzy deep house tip with "Lune" and Mag0 rounds things off with the cheeky, quirky funk of "Spectrum".
Review: Cong Burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. It's surprising they haven't done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from Chekov before pirouetting into one of Duckett's illustrious abstractions around the techno blueprint. Label regular Lack is back on side B with the stern and punchy "Track 3," and then Haddon finishes the record off with "Anabiosis," a densely textured, slow creeping trip of a track.
Review: MDA Analog's scant discography points to just a few essential items from the mid 90s and one 12" in 2004, but those records made enough impact to now be highly sought after. Having returned earlier this year with the welcome reissue of "Shine", now they're turning their attention to "Pride", another 1996 jam that originally appeared on Nova Zembla. "Pride 2019" does a fine job of updating the original into a slower, funkier house framework, while the original "Pride 1996" has a pleasing rowdiness to offset the melodious harmony of the synth work. "Choose To Live" is a new production that applies a full-fat frequency range, from powerful basslines to swirling chords up top, while "Running Away From Home" creates a heady brew of hi-tech soul for astral travelers.
Review: Grow returns with the record Isotelus Rex by Denis Kaznacheev, complete with a remix by Daze Maxim. The title track Isotelus Rex, a 14 minute work, true to grow's eccentric nature, a track at once playful and deeply neurally stimulating, sure to shake one's body and intrigue one's mind. Wonderful decaying tones, subtly jazzy, intricate electronic communications interrelate over an irresistible bass and percussive performance, a groove which will make your swing. B1 is Daze Maxim's remix, with a more ethereal approach to Isotelus Rex, it begins through a beautiful synth. Then grows a fast and intricate bass arrangement, providing a confidently vibed way though the cosmic landscape, also another great track for the dance floor, as the same physical swing as in original is felt strong. B2 Proetida, the second original work by Denis Kaznacheev of the release, is of raw, almost rude, attitude, a strong bass descends in steps, a determined momentum, the driving force of an industrious process.
Review: The SlapFunk crew have been enjoying plenty of attention lately, and quite rightly. Their pumped up house sound is hard to refute, taking the heads down trippiness of minimal house and beefing it up with classic jacking sounds for an infectious party mixture. Samuel Deep gets the message, bringing just the right kind of swing to "MOOV!" to get bodies popping all over the joint, while "Keek Iz" rides the same beat but in a lower register. "42915 Beatz" is just as drum led, but there's a little more fidgety sonic interplay popping off around the drums. Ingi Visions pops up on the B2 for the distinctly more eerie "Tekniq", placing an icy string synth refrain at the heart of the track with chilling results.
Review: "Completing a quick fire trio of new EPs, Constant Sound hits release number six with a pair of new tracks from VRSION that come with a dance floor friendly remix from Persuader. VRSION is a German producer who has already made a big impact with his release on Craig Richards' excellent The Nothing Special label. Following up that in fine style is the opener here, 'Torn', which is a hurried and urgent track that sits on the divide between house and techno. It is driven and slick, rubbery and hypnotic but has plenty of nuance and funk in its well programmed drums. Some occult sounds and wordless vocals embellished the whole thing and it really is the sort of track that blows dance floors apart and will stand out in any set. 'Capricorn Meet Leo' then toys with kinked drum patterns, rattling percussion and fathom deep bass that sucks you right into VRSION's world. It's a restless place where harmonies ride up and down the scale, cause claps come at you from odd angles and dark vocals add a sense of paranoia. Remixing this one is Persuader, who does so with a stripped back sense of restrain. he retains the original's weirdness, but layers in serene pads and tripped out atmospherics that really make it ripe for playing at 4am. This is the most adventurous release yet for Constant Sound, and is sure to prove one of its bets as a result."
Review: REPRESS ALERT: This return of Ferox records sees an enthusiastic response from all. The label has forthcoming releases from many original Ferox artists and some new recruits and collaborations along the way. This, the first release in 5 years, sees label head-honcho Russ Gabriel in action under his Too Funk guise. From the first 'Return Of Too Funk EP' to the later 'Hotel Ibis' and Derrick Carter's remix of 'Venus Fly Trap', Russ's Too Funk grooves have been jacking dance floors on both sides of the Atlantic since 1995. This latest offering, 'Phase 3', is a 45 rpm two tracker of House goodness only available on vinyl. No clear favourite has emerged from the two sides, among the selective few that have heard it. Like much of the wealthy Ferox catalogue before it, this is proper House Music with an electric twinge.
Review: Turkish producer Mutlu San steps up to Lessizmore as yet another example of the Belgian label being incredibly on-point when it comes to signings. The emergent talent from Istanbul has a luxurious sound that taps into the minimal vein while offering a richer spread of textures and moods than your average micro roller. "Deep Sea Mosaics" is certainly a highlight, and it's left to Tolga Fidan to do the reducing on his remix of the track. "Phylum" sees San team up with his production partner in Bartaub for a more linear beat track, but with "Subglacial Funk" he nudges a little more of that unpredictable magic into the mix without losing the dancefloor essence of the track.
Review: The Unblock label hits its seventh release with a split EP featuring rising talents Tato and Tijn. The sound on the 12" fits right in with the previous transmissions from Tuccillo, Tomoki Tamura and more besides, taking a quirky approach to stripped down house and techno dynamics to create intriguing party fodder for inquisitive dancers. Tato's "Estic" does a wondrous job of twisting up tribal percussion with a snaking minimal groove, while "Lusyourmaind" brings a cheeky housey shuffle to the proceedings while keeping things a little mysterious in the same breath. Tijn's "Stranger Things" is a light and airy minimal house jam that contrasts neatly with the hook running through the centre of "Piano Tool".
Review: Sudd Records has been going for some time as a digital-only label, but now they make the leap to vinyl with the help of Detroit champ Gari Romalis. "Abstraxx (Linear Mix)" kicks off the record in a heady fog of undulating pads, the smoke positively drifting out of the speaker cones over a simple, deep-as-you-like drum pattern. "Dark Ryda (Sunset Mix)" gets a little more funk in its rhythm, but the same mellow mood prevails, almost reaching dub techno levels in its atmospheric chord swells. "Heat (Bout That Life Mix)" takes things out of the darkness and into a lighter frame of mind, but Romalis is still firmly in the deep end of the deep house pool with this final cut on the record.
Review: To date the Electronic Leatherette releases have featured a whole spread of noirish synth brandishing producers on two split 12"s, including Heinrich Dressel and Plant43. This third trip out into the grubby climes of the wave-inspired scene comes courtesy of Exhausted Modern and CCO, both of whom know a thing or two about channeling sinister monosynths and brittle drum machine rhythms that bridge the gap between the DIY 80s and these hardware abundant times. Exhausted Modern's "Loss Of Self-Identity" is especially strong, while CCO's "Serendipity " struts with a satisfyingly deep and nagging acid twist.
Review: New York techno mainstay Reade Truth has skirted around widespread recognition with a long-standing commitment to underground techno approaches recognised by those that know as some of the best in the business. This release sees him dust down the first release on his label Path, 20 years after it originally did the business. It's high time tracks like "The Path" that get a fresh airing - the dynamic, detailed approach to drum programming and warm acid undulations sound as relevant now as they did back then. "319" is a more reflective jam that heads into emotive, moody territory that highlights the breadth in Truth's sound, before "Give Me Insanity" round things up by taking it super-deep thanks to expansive pad sweeps and shimmering hats aplenty.
Review: Since 2015, Bucharest-based producer Andrei Ciubuc's been releasing one EP per year and, while we'd like to hear more from him, they've all been similarly dope. This is no surprise, as the artist hails from what is now surely the headquarters of contemporary tech-house, but it's important to point out that he's definitely at the top of that food chain. "Strei2" comes through on the young and ambitious Cuplet label, and bursts through our charts with a powerful, wonderfully minimalistic groove that has a certain industrial flair about it, buzzing and twisting head-first into a whirlpool off strangely jazzy sonics and complex percussion patterns - a real floor burner. "Cel Putin", on the flip, oozes a magnetic, dub-filtered tone from all angles, and its bubbling drums are the perfect solution to any oversized sound system wishing to be taken to overdrive. Pressed up on heavyweight vinyl, too.
Deft/Ambiq/Reggy Van Oers - "Blue Jasmine/Loka/Toxic Underground/Loctivity"
Plastikman/The Persuader/Van Bonn/Arnold Tempo/Donnacha Costello/Deepchord - "Consumed/Pinnharan/Abroad/Quarion Was Digging For Water/Grape A/DC14(A1)"
Sopis/Joris Voorn/Lau Frank/Audio Werner & Jichael Mackson/Roland Klinkenberg - "Listen To The Whispers/Where Have You Gone/7am/Schlaam/L'Esprit De L'Escalier" (feat Mr Brean/Jody Hannah remix/part 1/Dachshund remix)
Howling/Christian Fennesz/Julien Aubert/Martin Aquino/Chrsitian Fennesz/John Terjada/Glacial - "Signs/KAE/Feelmar/Red Pavement/Euclides/Two 0 One/Entropy" (Gaspard De La Montagne remix/Halo & Alex Fuente remix)
Joris Voorn/Giash - "Fall/Space Odyssey" (Nobody Home Dream Interpretation mix)
Cobblestone Jazz - "Drawn From The Side Of Crime"
Sounds Like Us/Donnacha Costello/Sagat/Roland Klinkenberg - "Little Helper 163-4/Backachie/Body/Departures"
Monobox/Tadeo/Robert Hood/Reggy Van Oers - "Realm/Deep Space/A.M. Track/Mavie"
Joris Voorn - "Looks Fake Obviously"
Nasty Habits/Anton Pieete/Tom Day & Monsoonsiren/Joris Voorn - "Shadow Boxing/Next Year/Love Is Rare/Dreams/Left" (Mosca's Skaep Niwt version/Roland Klinkenberg remix)
Wolfgang Voigt/Rekord 61 - "Empathie/Sverh" (Radio Slave FYM remix 2)
Sebastian Mullaert/Swann Decamme/Art Of Tones/Awanto 3/Joris Voorn - "Direct Experience/Go Away/Unstopped/Bubbles Made Me Cry/Mugged" (Dan Bexley & Chad Bostock remix/The Revenge remix/Anton Pieete remix)
Joseph S Joyce/nobody Home - "Vendata/Entheogen" (Sebastian Mulleart remix)
Application/Jake Chundnow/Stefan Vincent - "Front End/Prelude To Shona/The Void She Left" (Pye Corner Audio remix/original/original)
TCF - "D7 08 2A 8D 2A 37 FA FE 17 0E 62 39 06 81 C8 A1 49 30 6F ED 56 AD 5E 04"
Review: Nobody could accuse Joris Voorn of lazily knocking out a big standard DJ mix on his first contribution to Fabric's long-running series. The long-established Dutch producer has used the opportunity to showcase his studio skills, combining elements from no less than 65 different tracks to create a unique musical journey that brilliantly blurs the boundaries between a DJ mix, album, and remix set. Musically, it's pretty much what you'd expect - deeper, woozier cuts morphing into tougher, harder fare as the set progresses - but it flows wonderfully well. Due to the nature of its' construction, even familiar tracks from the likes of Robert Hood, Plastikman, Deepchord and Voorn himself become vibrant new pieces, as he brilliantly melds them with up to four other cuts at the same time. It works as a mix, but as a showcase for Ableton Live's potential it's out of this world.
Review: For Those That Knoe is proud to present some of the freshest and timeless sounds the UK has to offer from Numonika, sounding as good now as they would have done when recorded ten years ago. Three tracks from the original demo CD have been selected, compiled, re-mastered and pressed by For Those That Knoe onto a special 12" for collectors and club DJs alike.
In true Knoe fashion, release 4/1 is a compilation of tracks unearthed from a CD squirrelled away for a decade in a dusty loft. The CD in question was loaded with unreleased and untitled material from the owners of and producers for two of the UK's rarest and sought after tech house labels rinsed by DJs such as Craig Richards in the late 90s.
Review: Romanian producer Iuly.B has been turning out his wares on all the right labels, from Visionquest and Claque Musique to Memoria and Fuse London, and now he's been tapped up by Burnski's Constant Sound label to unfurl a vision of minimal house in 2018. At this stage the influence of early deep techno is as powerful as any kind of modern stripped down house sound, and that comes through in abundance on the shimmering, ambient-tinged "Spaceport". "Dynamics" maintains the celestial trajectory of the record, but with a more looped up, bleep-led approach, while "Meditate" draws upon some of the more familiar tropes of minimal house. "Spherical" finishes the EP off with another set of ethereal pad tones and a crisp, snaking beat for adventurous dancefloor trippers.
Review: After the success of the first release by Ivan Iacobucci, Holic Trax sublabel Monoklo now enlists Berlin-based Martin Lewis for three hot tracks featuring a remix from label boss man and Japanese don Tomoki Tamura. No nonsense opener 'The Wax' is a supple, rubbery roller with sparse stabs accompanying the infectious groove. "Poetry" then sinks down into a more warming and human groove, with smeared synths bringing colour and heat to a loose house groove, before Lewis shows his skills at choppy techno with "Drumcatch". Tomoki Tamura also remixes this latter track, stripping it right back to a suggestive, infectious final groove with feather light percussion, skewed chords and involving sub bass that laps at the heels of the track.
Review: Jack's House Recordingslaunched by long serving island resident DJ and producer Clara Da Costa, is a new label born out of Ibiza, which also boasts a successful weekly prime time live radio show that focuses mainly on exclusives and vinyl releases, broadcasted on the award winning Ibiza Sonica. Jack's House also hosts parties at the worlds most famous club, Space for Carl Cox. This first release comes from the talented and well respected, Alex Arnout from Dogmatik Records. Alex has had numerous releases over the years on many other respected labels such as One Records and the Fuse imprint. He is also known for launching, nurturing and finding good talent. This 4 track EP fully demonstrates Alex's versatility in the studio by offering 4 distinctive quality productions which can only be described as true house, and underground house music, made with integrity.
Review: The Untold Stories: Protagonist Series. Records dedicated to the stories of some venerable but unsung historical figures. The first of the Protagonist Series was created by Sil, and gives a glimpse into the spirit of the first such figure: Tadeush Konrad. Sil, the pseudonym of Kirill Sylantev, who is more widely known for his work in the duo Easy Changes, now begins solo productions. For the UNTLDPRO series his work dedicated to Tadeush Konrad is of confident vibe, with much swing and rich with soulful flashes from times past. This work is then remixed by Ztrl and Hubble. First comes the Ztrl remix, with energetic bass and a wealth of tones interrelating to great hypnotic effect. Then on the B-side Hubble's remix, an extended work, a floating journey of warm organic sounds, concludes the story and the spirit of Tadeush Konrad.
Review: It's early days for Jakob Panthel and his Faune alias, but he more than steps up to the plate as London label Ornate Music invite him to present his vision for immersive, techno tinged deep house. "5.34 AM" is aptly named, the undulating chord pulse at the heart of the track aiming for the woozy hour of the dance before dawn breaks through. "Reduit" is a more sprightly affair, using similar ingredients but pushing a brighter line in synths amidst the raw drums. "Grindewald" meanwhile heads out into more ambient techno territory with its plush pads and snaking arpeggios, soothing the feisty club-ready energy of the previous two tracks.
Review: Leading minimal label The Untold Stories are at it again, and after their star turn from STL recently they've now invited down another legend in the shape of Franco Cinelli. The original is classic Cinelli, pivoting around crisp, clean percussive lines and the bare essential atmospherics. Nektar Agu steps up for a remix that continues the minimalist theme, but adds some looming bass tones into the mix that pushes the track into a dubbier headspace. It's another slab of refined, stripped down tackle for the reductionist dancefloor, as you would expect from The Untold Stories.
Review: The Untold Stories shine a light on another lesser known practitioner from the field of adventurous minimal techno. Sebastian Eduardo has been previously spotted on Crosiere Musique and Kommuna Tapes, so you can be assured of his quality, but this EP makes the perfect opportunity to hear just how rich his sound is. "Twelve D Soul Connection" shimmers with deft synth interplay and a dense fabric of crooked percussion. "UI Enhancement" channels the spirit of old-skool micro house to great effect, and then "Lyhne's Death (But The Flowers Are Laughing)" brings a tougher techno undercurrent to the trippy pings and wavy pads that dart around the top of the mix. The whole record is a richly detailed trip well worth your attention.
Review: Stunningly beautiful double-pack from OCH for Autoreply Music's 20th release. Following on from output on renowned labels like PAL SL, Trelik, Bass Culture he returns to Autoreply with seven tracks of playable perfection. By focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks "Samarkand Sulci" and "Snarecrow" that the original jackin' house/techno sound will always have plenty of life and soul. "Don't Fight It" is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of "Enceladus" wouldn't be complete without live delays and distorted pianos. Check Out "Morning Glory" for a surprise contender for this years balearic soundtrack or "C Ring" for ultimate warmth. Tracks for every situation and not to be missed!
Review: One of the founders of Uaudio and Sperimentazioni Sonore, Battista has been bouncing his outsider house style around labels such as The Trilogy Tapes and Warm Sounds, sometimes solo and sometimes in tandem with likeminded souls EMG and John Swing. Now he parks up on Florida label SPORTS with some more crooked delights that ably demonstrate the creative potential still to be found in the house realm if you approach it with imagination. "Infinite Possibility" is a weird, jazzy cut that reaches into the cosmos, and it's utterly magnificent. Saverio Celestri does a marvelous job of remixing it too, turning out a smoky, Motor City indebted version. "Let Me See" may have a more forthright beat, but there's still enough individuality in the choice of chords and samples to make this a stand out house record.
Review: From Body Parts and Sleep Is Commercial through to Suruba and Uzvar, Ludovic Vendi has proven himself to be a leading light in the experimental corners of the minimal techno scene. He steps up to London label Hoxton with a diverse three-tracker that takes in atmospheric downtempo sound design on "Horizons" before heading into more propulsive broken beat territory on "Lost In Sequences". On the B side "Chymere" strikes a more familiar shuffling 4/4 note as it winds through all manner of tripped out sound effects, providing the most dancefloor friendly jam on the record.
Review: UK label AER returns with a 3 track EP. Back on the controls is British label boss Miles at the helm, giving us a journey of varying textures. After releases on Aesthetic Audio, ART, Ornate amongst others, Miles esteemed reputation for discerning House & Techno both as a DJ & producer ensure this release is another pure piece of artistry. Not one to compromise, Miles delivers yet again. 'Obliquity' is a dub techno slice of hypnosis! Emancipate gives us a beautiful string rendition amongst haunting lead lines, while 'Whispers' goes beyond the deep, down into ethereal emotive territory, giving the full release a nice snapshot spectrum of this mans work. Superb release.
Review: 100Hz have consistently snuck out 12"s since the early 90s, but their productivity is at an all time high and their Modugroove label is the perfect vessel to get more of their smartly crafted tech house treats into the ears of discerning DJs and dancers everywhere. This second release on their label kicks off with the atmospheric twinges of "Klon 6 Step", a sizzling, simmering cut for transcendental moments on the floor. "Wild Fudge" is a snappier affair peppered with folky string plucks that sound fresh in the club track context. "Infrastructure" takes things on an emotive tip with a range of strong melodic leads, and "Tinky Tink" ramps up the unease with a creeping jam for the less salubrious end of the night.
Review: Having kicked off his Etheric label with the Origins EP earlier this year, Leonardo is back with more adventurous machine music for the spiritually inclined dancefloor. "The Offering" has a dark and moody tone thanks to the snaking synth line wriggling its way through the track, perfect for eyes-down submission as the strobe blinks slowly. "Symmetry" is a more open affair, all soft top chimes and vapour blasts pinging around an easy electro beat, while "The Afterlife" strikes somewhere in the middle with a tougher, club-minded sound that still favours a sunnier sound palette. "Droplets" is the consummate B2, shrugging off the dancefloor rules of the previous tracks to trip out in a dubwise atmosphere that further strengthens the quality of what Leonardo is up to.