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Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."

Review: Six years after debuting, Global Underground's Select series has reached its seventh instalment. Like its' predecessors, the two-disc set offers a pair of non-stop mixes (created by an uncredited DJ or studio engineer), both of which are packed to the rafters with up-front, soon-to-be-everywhere cuts plucked from the worlds of tech-house, progressive house and techno. Expect tracks and remixes from the likes of Stephan Bodzin & Marc Romboy, Ame, Patrice Baumel, Gorge, Steve Bug, Fur Coat, Captain Mustache [sic] and Alan Fitzpatrick, plus a breathless, life-affirming flow and entertainment aplenty. As the old Ronseal advert used to proclaim, this does "exactly what it says on the tin".

Review: Since releasing his debut album 12 years ago, Solomun has become one of the world's most popular tech-house artists - a DJ/producer with a wonky but accessible style tailor-made for big rooms and debauched afterparties. His change in status is reflected on belated second album Nobody is Not Loved, which appears via major label MBG packed with guest stars including Jamie Foxx, Zoot Woman and Planningtorock. Wisely given his DJ roots, the Hamburg-based producer has made the set a non-stop mix that gently increases in intensity before mellowing out again right at the end. Highlights include the minimal-meets-deep soulpop opener 'Ocean', the Isolee-influenced melodic shuffle of 'The Center Will Hold', the tech-house-goes-electroclash sleaze of 'Tuk Tuk' and the moody, new wave-inspired darkness of 'Kreatur der Nacht'.

Review: For those who dig what was once called progressive house, the Balance series from Australian label EQ has always been a "must check". Most contributors tend to push the boat out, resulting in deeply melodic and otherworldly sets that blur the boundaries between true mix and full-on production. That's certainly the case here, as Spanish DJ/producer (and part-time TV sound designer) Henry Saiz carefully crafts two discs of prog-not-prog blissfulness. Saiz's sound is based on the fusion of IDM electronica and shuffling, early morning house, and that's the overriding theme here - giving the mix an enjoyably fluid sound and style.