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Review: Following the release of the (rather good) multi-artist EP, Balance, Satya is back to serving up solo showcases - in this case a third label outing from sometime All Day I Dream contributor YokoO. He begins in typically warm and woozy fashion, wrapping rising and falling analogue synth sounds, cut-up vocal snippets and tech-tinged electronics around a deep-tech groove ('When I Wait Next To You'), before reaching for more minimalistic beats, trippy noises and wobbly, UKG style sub-bass on 'I Look at You'. 'I Want More of You', which boasts selected vocal snippets from a late-80s classic, is pleasingly dubby, dreamy and ultra-deep - the EP's most potent moment in our book. German duo Superlounge's accompanying remix is a little breezier and looser, despite the presence of locked-in tech-house beats.
… Read morePlayed by: DJ Mau Mau
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Review: It is impossible to pin down Roman Flugel. The German innovator has had more different sounds and aliases than most of us have had disco pellets. Here he is back under his own name on Berlin mainstay Rekids with four to-the-point yet still characterful techno cuts. 'Yes People' with both amp up the energy in the club but also trip out all those who hear it thanks to its caustic drums and mind-melting synths. 'Play Simple' is a double time weapon with spoken words morphing before your ears next to an insistent rhythm and sleek pads. 'Jam' is a wonky one with detuned chords tumbling about the mix over old school techno directness and 'Mysterious Delight' again cuts loose at the afters. This may be his best work in some time.
… Read morePlayed by: Skudge
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Year Of The Living Dead (2xLP + MP3 download code)
Cat: KOMPAKT 428. Rel: 24 Feb 21
Minimal House/Tech House
Review: San Fran's unstoppable and enduring tech house craftsman John Tejada is also super reliable. His sound is well established, but he always does enough with each new release to embellish it a little further. Returning now to his home label of Kompakt, he refines his palette to silky melodies, fuzzy pads and crisp beats that are superbly pleasing for both your ears and your heels. 'Sheltered' is a particularly classy cut of deft tech minimalism, 'Spectral Progressions' expires ambient broken beats with lush pad work and 'Panacea' picks up the pace in scintillant fashion. This might be his best work in years.
… Read more in stock $31.12
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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Review: Five years in, are we any closer to working out who exactly is behind Yama Music? All we know for sure is they deal in reductionist grooves with one eye on the Berlin after hours scene, and beyond that it's all down to the music. The eighth drop in the series deals in some absolute gold, leading in with the freaky, finely chiseled beat track 'Monomeros' which sounds like it was carved from a huge tree stump and set to work propping up the dancefloor. 'Oddies' meanwhile deals in smudged and surreal sounds from the outer edges of minimal house, with some cheeky synth flex adding some colour in between cloudy pads in the middle distance and plenty of dirt on the drums. 'Hide & Seq' slips into something slinkier as a comparatively crisp, bouncing beat worms its way into your subconscious accompanied by faint wisps of late morning melodies - true magic for discerning heads at the roll-on.
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Review: Container is a long-running project from Ren Schofield but he has hasn't released anything since back in 2021 when he delighted techno heads with his Creamer EP. His manic sound has recently taken him to some sold out shows around the world and now comes Tacker, a new album that fuses rock with electronic stylings on Alter. Nirvana's 'Oh, The Guilt', Mindflayer's album 'It's Always 1999', and the Rah Bras song 'Sooop Toe Pump Girls' have all been given as points of inspiration for this most brain-fizzing, hardcore collision of worlds.
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Review: For his latest trick, Karizma has decided to revisit 'Ya Dig', a killer cut from his 2013 album Wall Of Sound. Donning his Kaytronik guise, an alias often used for more tech-tinged (but no less soulful) productions, he delivers a remake rich in woozy, staccato synth sounds, lo-fi electronics, looped vocal snippets, flashes of soulfulness and beats as rubbery and righteous as you'd expect from the master of infectious rhythms. Over on the flip we get the previously unheard 'Feelin' Rite', where pal Osunlade's delay-laden vocals ride a crunchy, loose-limbed Afro-house beat and woozy, warming chords. It's the kind of track that you can get lost in, sonically, but is infectious and dancefloor-friendly enough to encourage proper heads-down dancing.
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Review: Underground minimal house heroes Stekke return to their beloved Sketches imprint for their first full length. As expected, this is a collection of seriously lean and understated grooves from the Brazilian duo, with the afterhours strictly in mind. Side A features the hypnotic and subtractive subtlety of 'Profonde', turn over and you have the candlelight dub expressions of 'Deux Jeux' followed by the moody majesty of 'New Wave'. Elsewhere, more hi-tech tackle awaits on the quirky microhouse of 'CV' or the Basic Channel style greyscale cycles of 'Infinity Groove'
. Tip!
… Read more. Tip!
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Review: Those who know, know how strong the Dutch electro scene has been since the early 90s and Netherlands label BAKK has a special compilation here with many excellent electro tracks to enjoy - no less than 11 tunes in total, spread across three pieces of wax. The list of artists is impressive, from Legowelt, Antenna, SFV Acid and more. This pack starts off with a stunner called 'Bos Ochtendmist' by Legowelt, a phased out and radiant futuristic theme song that's just downright beautiful! Rather than imitating any other city's history of the style's, these artists have their own style - see Aurora Halal's 'Spiral' as a great example, or Sfv Acid 's 'Urbanfury' which adds some nice IDM influences. The slow and deep bass on Tala Drum Corps's 'Gargoyle' is killer too. An early candidate for best electro comp of the year 2024.
… Read more in stock $33.20
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Review: Londoner Otik has been about for a long while now, but his Aus Music debut signals some serious tack-change when it comes to putting true respect on the name of an artist who deserves it. 'Xoul Trap' not only references a Skyrim game mechanic, but delivers four Uk-funky-ish dream-heaters to either quench or ignite the soul, depending on one's inclinations in the dance. The haunting vocal chops and thunderous kicks of the title track, the shuffling chords and speaker-rattling subs of 'Temptress', the washed-out synthesis and pumping 4/4 of 'Inertia,' and the shimmering UK Funky inspo of 'Unorthodox' render this a solid top-up to the rep of UK dance music on the international stage.
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Review: While NPM's first release, which dropped earlier this year, was a classical-tinged drone EP courtesy of Giulio Aldinucci, this follow-up from Brighton-based Mause explores a simultaneously melodious, skittish, picturesque and acid-fired sound that sits somewhere between ambient techno, IDM and Rephlex-style "braindance". He first opts for a deep and beautiful sound on the thoughtful 'LocriLogAcid Seq', before ratcheting up the tempo (and minor key melodies) on the sprightly 'SeqtuningMLogAcid'. Over on side B, 'Strimsang (Beacon 4)' bustles, bubbles and spits impressively to avoid easy categoriziation, while 'Sunday Multi Acid Seq20d' is high-grade IDM/ambient techno fusion that reminded us a little of Holovr's similarly 90s-inspired works.
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Review: Matt Edwards aka Radio Slave's Rekids label is back with something a bit different here: it is a debut release from Serbian duo XL Traxx who show off their fierce and jacked-up analogue sounds across three bangers. 'M-Bomb' is the early standout with a classic Chicago house vocal over raw, hard-hitting drums surely made with some proper outboard gear. 'E-Dancer' then offers the sort of loopy synth energy you would expect from a tune with such a name and then the bouncy house and catchy finger clicks of 'D-Edge' have slightly deeper vibes.
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Review: Southern Italian DJ/producer Uncrat follows up great releases on Moral Standards, Subsist and his own Proper Line label with this riveting new effort which signals that he's really hit the big time now - it's for Ellen Allien's mighty Bpitch Control. 'Xilo' is an adventurous main room workout that sets the scene perfectly before the direct execution of 'Efien' a slamming tribal techno tool mixed with gnarly acid squelch. Over on the flip, the dystopian electro beats of 'Gemini Leaks' mix it up a bit more, and closing it out is the strobe lit frenzy of 'SIT' with its Detroit style chord progression that will have you reaching for the lasers.
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XFL 003 (translucent green & black splattered vinyl 12")
Cat: XFL 003. Rel: 13 Dec 22
Minimal House/Tech House
Review: The second release on X Files. This waxy, splattered green and black 12' features 'two extremely dangerous peak time recordings that have been causing destruction on dancefloors the world over.' On the A-side, there's some proper heads down tackle in the form of bass-driven minimal cut 'Txxic' which samples a particular pop princess' hit track - guess which one? Over on the flip, the Rominimal vibes continue, well into the afterhours of course, on druggy microhouse cut 'Itta'. Tip!
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Review: Here's some fresh techno from Intercepts, a new project dropping three slabs of hi-def, immersive club material from three different un-named artists for adventurous souls. 'Track 1' moves at a slower tempo and deals in fractured rhythms, all the better to carry the huge swathes of atmospheric sound design. 'Track 2' rolls with a deceptive discoid funk which contrasts neatly with the looped up Berlin techno-friendly elements. 'Track 3' takes things even further out into experimental - but still rhythmical - territory, marking Intercepts out as a label with a strong sense of adventure and their own distinctive way of merging influences into something which may well tickle your ear drums.
… Read morePlayed by: Jeigo
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Review: Described as a release "made by wrong'uns, for wrong'uns", Wrong'uns 001 hears artists JoeJoeMojo, Oward, Rewi De Kooney and Mehlor join forces for some serious bassweight united. Exemplary 2-step, speed garage and bass compiled into a single EP for the modern zeitgeist, and packaged under the visage of a stoned, grilled bucket-hatter, the likes of 'Crackz' and 'Meet With The Devil' stick out like throbbing sub-bled ears, hardcore-continual conches for a next gen eager to prove their mettle.
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Review: To deliver their third release since debuting in 2018, from the less-than-prolific DXL Records has recruited Pressure Point, a producer who received plenty of praise for his earlier singles on Sol Asylum, Telharmonic Texture and All On Tape. The Wrong System EP is a quietly impressive return to form, with the little-known producer smoothly moving between intergalactic tech-house funk (the leaping, sci-fi sounds, shuffling drums and bubbly melodies of 'Timepiece'), mind-altering tech-house box jams (see 'Wrong Systems', with its chiming lead lines and hypnotic vibe), and tech-tinged deep house goodness ('Tom Cat'). The accompanying 'Spacetravel Mix' of 'Tom Cat' is also rather good, in part because it features what sounds like a broken modem having a meltdown over bustling machine drums, foreboding bass and soft-touch chords.
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Review: This new one by Ferro cycles through three rough and buzzing acid techno cuts, beginning with the jagged-fanged track 'Shoulder'; middling on the attention-grabbing and muddy 'Ay'; and ending on the gyratory palette-cleanser 'Wrong Chocolate'. Most evident is Ferro's ability to mire their music in garbly rhythms and off-kilter slop. The middle tune especially sounds like a mud-covered fish flopping around on an MPC's button bank. It's an impressive EP, sure to bring any given rave back down to Earth with its overall dirty realist sound.
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