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Review: The Second Summer of Love in 1988 saw house music change British youth culture forever - and Duane Pelt aka Sterling Void's "It's Alright" was an anthem from the period that truly encapsulated this magical time. Originally released on Chicago's DJ International in 1987, its life-affirming vocal performance by Paris Brightledge is still pognant to this day, backed by Void's powerfully evocative arrangement. To celebrate the 30 years since, Toolroom is proud to present a monumental remix package, alongside the fully remastered original. Baltimore legend DJ Spen & Reelsoul rework the track into a sublime expression in late night deepness and Manchester veteran Kevin Gorman dons the Adesse Versions alias again for a dusty and soulful rendition.
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Played by: Domenic Cappello, Felix Dickinson, Jepe, Sean, Owain Kimber (Owain K), Kone-R (Uncharted Audio), RUSTAM OSPANOFF., Dario Damerini, Marcoradi as Hear and Now, Dirty Channels, Mehdi, Superbreak, Kisk, Sean Brosnan, Marcelo Tavares(Deep Space Podcast), Juno Recommends Deep House, Demetrio Giannice (Enterbt Rec.), JKriv (Razor-N-Tape), Beaner, Steve Lee, NICOLA CONTE, Marcello Giordani, Fred P Black Jazz Consortium, A-Future, Chromatic Filters, Ricardo Miranda, Dualton, Djs: Most Charted - Deep House, Rivet, Hakim Murphy, Trevor Deep Jr, Nomumbah, Spencer Parker, Martin Brodin, Bradford James (DS Records), Danijel Kevic
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Cat: TR 11:11. Rel: 21 Apr 23
Minimal/Tech House
Review: REPRESS ALERT!: Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
… Read morePlayed by: Ian Blevins, Reece Johnson, BLM, Burnski, Miles Simpson, Robot 84, Catz 'n Dogz (Pets Recordings), Ikpathua, TrueSelf, Costelloe, FOLD, Corbi, Eamon Harkin, Mister Saturday Night, Piers Harrison, The7notes, Ezio Spoldi, RedSoul, Goshawk/Rhythm Plate, Billy Johnston, Thatmanmonkz (Shadeleaf Music), St. Bernard, Kayne Cross, Mark Graham (Contrast-Wax), James Ornate, Brothers' Vibe, DJ Bone, Satore (Hizou Deep Rooted Music), Marcelo Tavares(Deep Space Podcast), Autoreply Music, Juno Recommends Minimal Tech, Carl (Thug Records), Jorge Caiado / Conversion, Nicholas, KevinTsuba, Chamboche, Astral T (Astral Love Affair), OLDERIC, Michael McLardy, NICOLA CONTE, ManooZ, Cleymoore (Pluie/Noir), Jamie Trench, Cem G, OCH, TIJN, Melbourne Deepcast, Timmy P, Don Crisp, Fulbert, Samann (Traxx Underground), Askell (BORG LTD), Juno Best Sellers 2016, ACID MONDAYS, Spittal (Craigie Knowes), DUB STRIKER, Liam Geddes, Swink Music Records, Mike Sharon, Contrast-Wax, Nicola Brusegan, REbEL, Russ gabriel, Huerta, Ocu, AWOL, Rhythm&Soul, Fauvrelle, Mak & Pasteman, SY, Homework, The Organ Grinder, Aphrohead, Honey Soundsystem, Laidlaw
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Review: Toolroom welcomes exciting new prospect Max Chapman to their flagship label. He burst onto the scene three years ago with great releases on Elrow, Snatch, Viva and Lost. He teams up with up and coming maestro George Smeddles here for two quality jams on this great EP. "Zulu" on the A side is the kind of rolling and funky tech house that just reeks of White Isle hedonism and will appeal to fans of Lost, Material Series or Knee Deep in Sound. On the flip "Charger" will absolutely blow the doors off any venue with its pounding groove and wall of bass which you could imagine Marco Carola or Paco Osuna playing at peak time in the main room.
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Metodi Hristov - "Sofia"
Another Ambition - "Don't Cry For An Empty Sky"
Transcode - "Dying Light"
Nihil Young, Wlady - "Teonanacatl"
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Review: Digwah keeps it tough on this next drop on their own self-titled label. It's a ninth outing and in the time it has taken for those to come out, increasing numbers of people have been catching on to the label's work and making it a 'must check' in their mental lists. This one opens up with 'Couldnt Hate You' which has some Ian Brown vocals samples stitched into a glitchy and menacing beat. 'Open Ended' is just as twitchy and anxious with steely drums and brain frying synths all working hard to fire every synapse in your brain. Effective stuff.
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Vintage Vinyl 3 (hand-stamped heavyweight vinyl 12")
Cat: SCHATVV 03. Rel: 15 Jan 16
Minimal/Tech House
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Review: ** Camera's ready. Prepare for the Repress ** Curtis Jones is never one to rest on his laurels, as his staggering back catalogues as Green Velvet and Cajmere can attest but such is the force of his personality that a new release still feels like an event. "Bigger Than Prince" capitalises on Jones' knack for a vocal that lambasts the less earnest quirks of the dance music industry, while creating the hook to make the track a bomb in the same instance. Production-wise, there's a measured strut to the track with some choice growling bass synths and an underlying disco flavour that suits Jones just fine. On the remix front, Circus turn to The Martinez Brothers to hammer out a rolling, percussion focused version perfect for big room mixing, while Hot Since 82 turn out a similar line in boompty peak time damage.
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Review: Toolroom has gone from underground house label to one of the UK's most successful and large scale dance brands. They keep on serving up the sort of hits that become big festival anthems and this is another one, with new school Chicago artist Gene Farris paired off with ATFC for big, rollicking piano house sounds on 'Spirit of House.' 'R U' then gets more tech edged and sweaty on a big synth loop and walls of drums, while 'Tech House Kinda Thing' is a supersized tune designed to do plenty of damage. There is real funk and soul in the cut up and filtered vocal loops of closer 'Not Enough.'
… Read morePlayed by: Juno Recommends Funky House
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Review: Oh how we all miss Andrew Weatherall. Not only was he a masterful DJ who could lock you down for hours on end, but he was a producer who could bring his own brand of sleaze and filth to disco and techno. On top of that, he was always a voice of reason, of humour, of realism. Sad as his passing is, it's nice to hear from him again via this previously unreleased track on DISDAT. 'YW Eleven' is all distorted synths riffs alternated with beautiful chord progressions that make for another standout bit of apoco-disco. On the flip, Rhadoo reworks it into a superb bit of snaking and brain melting minimal tech house.
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Review: They don't call him the Stevie Wonder of house music for nothing: Kerri Chandler brings musicality and unbridled joy to everything he does. For this one, there is even more of a celebratory and raptors feeling than normal because of the appearance of Rev F. L. Brown. His impassioned, gravelly toned sermons are cut up and dropped into one of Kerri's timeless house beats, and the results are exceptional. HIs famous kicks punk as heavily as always, the chords are simple but effective, and the whole thing is sure to become a classic that can always be reached for to make a dance floor erupt. Take your pick of the different versions, because they all hit home.
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Played by: Maurice, Juno Recommends Minimal Tech
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Review: Soon as you drop the needle on PH Project's opener 'Blue Yellow Twist' here we guarantee you will be twisting your face in mock disc guts. The bassline is a filthy and old-school gem with organ chord stabs and spoken word snippets adding the irresistible sense of naughty house funk. DMA then bangs the box with cosmic synths and hints of 90s post-rave, Pilot System cruise on a chunky bit of bass-driven house and Frozilla & TJ go deep on far-sighted chords and bubbly bass. This is unpretentious, functional but fun house music from a small but already well-formed label.
… Read morePlayed by: Juno Recommends Minimal Tech, SY
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Review: Argentinian producer Rigzz is next up on the Eastenderz label with more those stylishly striped back and dubbed out tech house sounds. This impressive four tracker opens with the heavy bump of 'Fision' which is underpinned with gritty kicks. 'Cenit' layers up more rock solid drums with lively and loose synths to compiling effect. The tightly woven rhythms continue though 'Space3' which has modulated synths stitched into the arrangement for some cosmic vibes and 'Signals On Me' closes out with a fourth and final heavyweight rhythm that will appeal to both DJs and dancers
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Marseille based Rafael Cerato is known for his emotional techno sound that has been heard on top labels like Diynamic Music, Stil Vor Talent, and his very own Ritual. He's also become quite the staple on Marc Romboy's Systematic Recordings, which back in 2015 released his anthemic 'Sekater', a sublime expression in dancefloor drama which still sounds as good today. There's a 2022 Revisited version featured on here which is optimised for today's dancefloor, while the remix by Gruuv head honchos Audiojack over on the flip goes for a bouncy tech house rework.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Jacopo Latini is an Italian producer just breaking through with some choice releases on Mood Waves and Conceptual Moods. He's back on the former label with a lush new 12" of progressive house that leads in with the epic strains of 'Rumore Bianco' - the kind of track to get a crowd swooning thanks to its emotive, plaintive tone. 'Illusion' leans in a little more on the bassline, but there's no shortage of melodic flourishes on top and the subtle fleck of trance we're used to hearing in house music these days. 'Rumore Rosso' is a punchier affair, while 'Synthesy (Acid Dub)' sports a more explicitly 90s flavoured demeanour
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Review: London-based Japanese artist Junki Inoue founded Saisei last year with a stunning trio of releases featuring Kino-Moderno, COLOGNe and Suzukiski. Now the label sets out a more comprehensive mission statement for the sound they're exploring with this six-deep VA release featuring return appearances as well as some new faces. The overarching sound is one of 90s-flavoured techno with a melodic, melancholic quality as beautifully demonstrated by Palomatic on the stunning 'Under The Ground'. Interferon has enough punch packed into 'Blasting Soul' to stand up to some of the foundational Detroit techno gear, but crucially it's got plenty of heart to match its weighty impact. If you want to get a handle on how Saisei is progressing, or just need some fresh techno with soul and smarts, be sure to nab one of these gems.
… Read morePlayed by: Joe Montana
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Review: Last year, Mother Tongue Records released Madre Lingua, an album of all-star collaborations between broken beat and deep house musicians and producers helmed by Verona-based Brit Patrick Gibin. This 12" updates two of the tracks from the set, with Gibin once again to the fore. On side A, he joins forces with long-time friend and studio buddy Kaidi Tatham to remix EDB and Gary Superfly's 'Pressure'. Their tack is bouncy and synth-heavy, with spacey, out-there lead lines and intergalactic-sounding pads rising above a Maurice Fulton-as-Syclops style bassline and loose-limbed house drums. On the flip, Marc De Clive-Lowe remixes his own collaboration with Gibin and Tommasso Capelleto, 'Apollo', brilliantly joining the dots between spacey jazz-funk and ambient on a superb, beat-free 'Dreamscape' mix.
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Review: The all-new Akka & BeepBeep label from the US has dropped its two first EPs simultaneously and Joradesilver features on both. The other is a collaboration with Eddie Logix and this is a solo outing, Social Moment. It is a four-track electro exploration that kicks off with 'Who Want Me', a spacious funk workout with smeared synths and driving bass. The title track brings hints of Detroit to the arrangement and 'Mad Dog Mood' brings lashings of acid and techno to a pulsating low end while closer 'Find Another' rocks back and forth on feathery drums with fizzing melodica leads.
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Review: Fango lives in Venice in the middle of nowhere and works in a home studio when not practicing with his live band of the same name. He has been serving up his own take on techno for over a decade now and that vast majority of it has come on Degustibus Music.This is his first EP for a while and as ever it is well designed and atmospheric. All three cuts will work their magic on floors filled with serious techno heads and once more this is Fango in fine form.
… Read morePlayed by: Mimi, Marcelo Tavares(Deep Space Podcast)
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Review: Following up releases on Kaluki Music and Nothing Else Matters, Peterborough native Alisha joins the Eastenderz family to present the awesome Visions EP. The title track is proper UK flava with its roaring speed garage style sub-bass that's underpinned by a swing-fuelled rhythm, followed by the equally bass-driven and druggy late-night vibe of 'Hallucinate. On the flip, 'Burnen' is a minimal number that takes a wonkier direction yet still very much in-line with the label's style, and ending with the tough rolling main room tackle of 'Offenn'. All killer, no filler on this one - tip!
… Read morePlayed by: Derek Carr, Juno Recommends Minimal Tech
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Review: Sheffield sorts Adelphi Music Factory tend to release bold, peak-time ready workouts that subtly pay tribute to different aspects of the Steel City's dance music story - and often not those more familiar to people outside South Yorkshire. Their latest two-tracker naturally contains a few nods to 'Sheffeel' dancefloor obsessions, though arguably fewer than usual. 'Someone To Believe In', for example, makes use of samples from an R&B acapella (something that early bassline house producers in the city frequently did), blending them with a loopy disco-house workout. You'll also find echoes of the city's mid-to-late-90s house scene on the funky, bass-heavy and disco-tinged flip-side 'Riding High On Your Love', whose sub-bass is just as beefy as that found on all those early 90s, Rob Gordon produced 12"s.
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Review: Paranoid London are named as such for a reason: the English megacity really does instill a low-level sense of paranoia and dread. So why the hell not lighten up now and again? That's just what this dubious duo have gone and done with 'Suck A Dick'; replacing their usual EP-cover representation of Big Ben with a giant phallus, Paranoid London have successfully drawn an astute analogy between masculine dominance and the totalitarian dominance of the state. Featuring the unmistakable vocals of regular collaborator Mutado Pintado, it's a guaranteed floor-filler, unusually humorous for the pair's austere, distorted repertoire.
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Review: No one does edits like the one and only Dr Packer. Whatever he turns his hand to turns to dance floor gold. This tidy new 12" on Tinted sees him join forces with the Sonic Soul Orchestra for 'You're The One For Me' which features the iconic vocals of Colonel Abrams. The original is just feels good and soulful house music. The instrumental strips away the vocal then comes a Ross Couch mix that bounces with more piano energy and a Ricky Morrison remix with plenty of dazzling disco chords.
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Played by: Paul Starey
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Review: Italian label Micro Orbit takes its bow here in the form of a various artists' EP across a nice heavyweight 12". Aron opens up with 'Shift' which is a bubbly minimal house cut with aqueous synths and popping drums. Distilled Noise's 'Trenta' then layers up more silky synth sounds with underlapping bass waves lifting you off your feet. Idana ups the ante with more uptempo and quickened drums and bass loops that are detailed with gorgeously wispy melodies on 'Sunday' before Vern closes down with 'Orizont' which is the most sleek and tech-y cut of the lot. As far as first releases go, this is one that bodes well for the future.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: 'Pjanoo' is probably deeply lodged into the fabric of most young European ravers' brains, thanks to the track's immense ubiquity as a result of its use in various advertising campaigns and TV shows over the years. It's a sync licenser's dream, to say the least. It's also emblematic of Prydz' distinctive big room house style; immense white noise risers, crossrhythmic synth stabs, ultra-reverby snares on the last beat of the bar. The track was released a whopping 14 years ago in 2008. While not exactly timed well (no-one wants to soundtrack a global financial crash), it certainly doesn't fail to evoke a feeling of 'who remembers!?' Now, on this rerelease by Italian indie Dance On The Beat, come four indelible remixes from fellow dance artists: a weighty pop-drum & bass remix from musical giant High Contrast, a sort of new wavey French dream-house version from Fred Falke, and a more meditative deep tech rendition from Guy J.
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Distilled & Amplified: Vinyl Sampler 1 (limited 12")
Cat: 49N1EP 001. Rel: 09 Feb 23
Minimal/Tech House
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Review: Reportedly an alias for a former member of legendary, Factory Records-signed outfit The Duratti Column, The Cosmologist is a dub effects loving re-editor whose occasional vinyl missives are always worth checking. Volume five arrives nearly eight years after its predecessor and delivers two undeniably heavy concoctions. On A-side 'Spin', he delivers a deliciously dubbed-out, delay-laden rearrangement of a particularly percussive, NYC no-wave disco outing - all dense, pots and pans percussion, jaunty piano motifs and urgent vocals. Over on side B, 'Water' is a fine revision of an obscure, lesser-known, Kwaito-esque chugger - a kind of synth-sporting, mid-80s cover of (we think) Fela Kuti that sounds like a guaranteed dancefloor winner.
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Review: As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.
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