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Notes: ***B-STOCK: Box damaged, product in perfect working order***


A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

TECHNICAL SPECIFICATIONS

LMF-2
Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Notes: Updated version of the hugely popular MSP3, now with Yamaha's Twisted Flare Port technology for improved low-end response. Small design with big sound thanks to 4-inch woofer and precise dome tweeter.

Supplier's Notes:
MSP3A powered monitor speaker provides faithful sound reproduction in a compact form

The MSP3, a compact reference monitor speaker loved for many years, has been renewed as the MSP3A. This new reference monitor is the first in this series to include our Twisted Flare Port technology and provides an even clearer and tighter low-end while also realizing faithful sound reproduction.

The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10 cm (4") woofer and a 2.2 cm (.87") tweeter, to achieve a clear and natural reference sound.

The cabinet features a refined, simple design and weighs a mere 3.6 kilograms (7.9 pounds), making it easy to reposition and carry to different locations. Just like its predecessor, this monitor has multiple input connectors and controls, and is compatible with a variety of optional brackets, making it useful for a wide range of uses. These include serious audio and music monitoring in settings from small-scale studios to broadcast and post-production suites, as well as monitoring audio from digital musical instruments and ICT devices, and surround sound playback.

Twisted Flare Port technology, which is included in the MSP3A for the first time in this series, is an aerodynamic sound control technology that we at Yamaha have created by leveraging our extensive subwoofer development experience. Using it, we apply aerodynamic sound analysis and flow visualization measurement technologies to pinpoint and control noise generation mechanisms. Noise-generating air flow turbulence at both ends of the port is suppressed by changing how the port widens from input to output and adding a twist to it. Suppressing turbulence reduces bothersome muddiness in the sound and lowers the amount of noise generated at the port ends. This strengthens the connection between the sound and main speaker and delivers clear, tight low frequencies along with pitch and rhythm.

Compared to the air turbulence generated by the "ordinary port" shown in pink on the left, turbulence is reduced and air flows smoothly through the Twisted Flare Port shown in blue on the right.

Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.

General specifications:

Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
Frequency response: (-10dB) 67Hz - 22kHz
Components- LF: 4" (10 cm) Cone, HF: 0.8" (2.2 cm) Dome
Crossover: 4kHz
Output power: 22W
Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
Input sensitivity- LINE 1 : -10 dBu, 10kO (RCA), LINE 2 : +4.0 dBu, 10kO (Combo)
I/O connectors- LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone)
Indicators: Power ON (Green LED)
Power requirements (May vary depending on region): 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
Power consumption: 30W
Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB)
Dimensions: W- 144mm (5-5/8"), H- 236mm (9-1/4"), D- 166mm (6-5/8")
Net weight: 3.6kg (7.9 lbs.)
Accessories: Power cord, Owner's manual
Packaging: Single
Flying and mounting hardware: 2 x M5 (Depth 15)
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: The 3rd generation of the Yamaha MG Mixer brings with it some neat updated features, great build quality and the same great sound and flexibility that we have come to expect from a Yamaha mixing console. Built with a sturdy metal chassis, the MG III series mixers are designed to last.

The MG-06X is a 6 channel mixer with 2 D-Pre Mic inputs for super-quiet operation. The MG-06X has +48v phantom power for condenser mics and XLR balanced outputs to ensure that no matter how big or small your operation is, the MG06X will act as the lynch-pin mixing desk that you can depend upon.

Also on the MG06X are a bank of Yamaha SPX effects to further enhance your sound with no need to add in additional processors.

Notes: Entry-level model in the FGDP range, billed as the ultimate finger drum pads. The portable, rechargeable FGDP-30 features a built-in tone generator and speaker, all controlled by outstandingly responsive pads arranged in an ergonomic format.

Supplier's Notes:
The ultimate finger drum pad

With ultra-sensitive Pads in an ergonomic layout perfect for finger drumming, the FGDP features a Tone Generator, internal speaker, and rechargeable battery that make it a true all-in-one instrument that you can play anywhere. Let your fingers make the rhythm!

Made for finger drumming

Thoughtfully designed layout and Pads for the ultimate finger drumming performance. From sampled acoustic drums that sound like they're right in front of you to powerful electronic sounds, beloved and curated by top professional artists, covering a wide range of genres. Yamaha promises uncompromising performance.

Optimised layout

Introducing a distinctive Pad layout meticulously designed for optimal finger drumming by prioritizing ergonomic comfort.

With the FGDP, you have the freedom to assign Voices to Pads according to your creative vision, but at Yamaha, we recommend the 3-finger style. Harness the power of your thumb for the kick drum, rely on the enduring middle finger for precise hi-hat control, and let your dexterous index finger bring to life the delicate nuances and intricate phrases of the snare.

The home position enables you to effortlessly execute fundamental rhythms, like 8th notes using just one hand. You can use your other hand to play on the other symmetrically laid out pads to unleash captivating back beats in 16th note or double kick styles.

Equipped with an ample number of Pads perfectly suited for finger drumming, the FGDP empowers you to deliver your finest performances, setting itself apart from conventional Samplers and MIDI Pads.

Expressive precision

Featuring cutting-edge Pads designed to capture every subtle nuance, the FGDP ensures that no detail goes unnoticed. With the powerful combination of the internal Tone Generator, you can deliver delicate performances encompassing ghost notes, impactful accents, flams, and lightning-fast rolls. Moreover, the Pads support Aftertouch, enabling unique drumming techniques such as cymbal choking by applying pressure to a Pad while holding it pressed. With the FGDP, your drumming possibilities are limitless.

Specifications

Size/Weight

Dimensions
Width: 223 mm (8-3/4 in)
Height: 49 mm (1-15/16 in)
Depth: 195 mm (7-11/16 in)
Weight: 1.0 kg (2 lbs. 3 oz)

Packing Box
Width: 282 mm (11-1/16 in)
Height: 108 mm (4-1/4 in)
Depth: 244 mm (9-5/8 in)

Pad section

Drum Pads: 18 pads
Number of Trigger Settings: Preset 12
User: Preset overwrite
After Touch: Polyphonic, Channel

Control Interface
Voice Guide: English

Tone generator
Tone Generator AWM2

Maximum Polyphony: 64 notes
Drum kits: Preset: 39 Kits, User: Preset overwrite
Voices: 1,212
Kit Edit: Yes (only some parameter)
Effects Reverb: 11, Chorus: 10, Variation: 23, Speaker EQ: 5

Click
Tempo: 30 to 300 BPM, Tap Tempo supported.
Beat: 1 - 16
Others: Patterns (1/4, 1/4T, 1/8, 1/8T, 1/16, 1/16T, Clave)

Functions

Registration Memory

Number of Buttons: 2
Preset: 1 Bank, User: Preset overwrite

Amplifiers and Speakers
Amplifiers: 2.5 W
Speakers: 4 cm × 1

Other

Connectors
Headphones: Headphones/Output (Stereo mini jack x 1)
AUX IN AUX IN (stereo mini jack × 1)
USB: USB TO HOST (Micro B)

Power Supply
Power Supply: USB power adaptor 5 V/1.5 A or greater USB BC specification compatible products (Sold separately)
Internal Battery: 1,400 mAh, 4.5 Wh 3 hours
Power Consumption: 4 W

Accessories
Included Accessories: Owner's Manual, USB cable

Notes: Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.

Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.

Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: User-friendly mid/side processing module. Tweak the stereo image or split a stereo signal into mid and side elements then route out to other modules for further processing before summing back together. Powerful.

Supplier's Notes:
Minsk is a stereo image processor. It is a hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair. It allows for separate treatment of the mid and side components, which affects the depth and width of the auditory scene. Minsk offers both manual and voltage control of the stereo width, as well as two dimension effects for enhancing the existing stereo image or creating a faux stereo image based on the stereo or mono input source. Minsk is especially handy during the preparation of a vinyl release or before a club concert, because it can eliminate out-of-phase low-end frequencies (high pass filter at 300Hz with the filter slope 12dB/oct, 50Hz with the filter slope 24dB/oct).

Dimensions:
6 HP

Current Draw:
140 mA +12V
40 mA -12V
0 mA 5V

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: The tiny but mighty Eurorack power supply with all the bells and whistles

Micronova is a miniature power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

This bundle includes:

an assembled Micronova
an assembled Micronova busboard
a Micronova front entry kit

Please note that the front entry requires assembly. It's a delightfully easy kit, but make sure you know what you're getting into!

A suitable AC-DC power adapter is required. We have adapters available for domestic customers. International customers please take a look at the manual for guidance and recommendations.

Check out the manual to get to know Micronova and all of the delightful ways you can integrate it into your case.

100 mm x 30 mm x 13 mm
15-20V, 1.5A
+12V @ 1A
-12V @ 300mA
+5V @ 500mA
Daisy chainable
Busboard included
Front entry kit included

Notes: Based on a famous circuit from a classic "Rodent-based" 1980's high gain distortion pedal

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 5mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Ableton Push 3 Black also features heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Ableton Push 3 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 12,50 kg / 27.5 lbs
Outer Dimensions (W x H x D): 45.6 x 43.2 x 18.3 cm | 17.9 x 17.0 x 7.2 inch
Inner Dimensions (W x H x D): 38.2 x 31.9 x 6.8 cm | 15.0 x 12.5 x 2.7 inch
Material: Heavy duty construction of 5 mm thick plywood
Protection: Improved powder coated and anodized hardware

High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Secure stacking due to stackable ball corner

Fits

Ableton Push 3

Notes: Room #40

Marshall Mojo in a Box

Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Over the years, Tsakalis have had many different types of Marshall amps on their workbench, some for repairs and others for customisation. Being huge fans of the sound of these classic amplifiers, Tsakalis decided to try and capture its mojo - the true essence of the soul of this sound - and carefully place it in a little box. Thus the Room #40 was born!

Using JFET technology, Tsakalis tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Tsakalis emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP & JCM800).

Finally, the Presence control was incorporated to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Product Height (cm): 5.600
Product Width (cm): 7.300
Product Depth (cm): 12.300
Product Weight (kg) 0.314

Box Height (cm): 6.500
Box Width (cm): 0.300
Box Depth (cm): 14.800
Boxed Weight (kg): 0.385

Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448

Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: The Z2040 is TipTop Audio's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP
Depth: 42mm
Power: +12V 20ma / -12V 20ma

Notes: CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

Notes: Reverse-engineered from the original machine, our BD909 is an identical recreation of the original all-analog drum circuit of the TR-909. We've added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory - all tightly packed into an 8HP module. The BD909 sound differs from our BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass Lines to deeply fill up the low end while the kick drum rides on top - creating a clear and punchy mix.

The BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent and Level. We have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, we've added a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune your 909 kick with your bass lines. Next, we added control knobs for the tuning attack and extending tuning decay - each one affects the other, allowing for very intuitive and interactive sound shaping - this feature opens up numerous "sweet spots", and provides the ability to center the energy peak at different parts of the sound. Finally, we offer additional punch and distortion by giving complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.

Beginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909's flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive - and everything in between.

Notes: Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.

With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Each channel of MapVolt can operate in either Polarizer or Attenuator mode, allowing manual control via knobs or CV signals. In Polarizer mode, it functions as a Voltage Controlled Attenuator-Inverter, granting control over signal level and polarity. Additionally, it can be used as a Four-Quadrant Multiplier or Ring Modulator for audio signals, with the processor input serving as the carrier signal and the polarizer's CV input acting as the modulator.

In Attenuator mode, MapVolt operates as a VCA, providing control over signal levels. Its VCA CV input range of +5/-5 makes it well-suited for amplitude modulation (AM) with other +/-5V waveforms.

MapVolt is equipped with dedicated Voltage Offset knobs for each channel, which can be controlled via CV. If no input is patched into the Processor input channel, the Voltage Offset knobs can be used as Offset Generators.

With its dedicated mixing stage, MapVolt enables the combination of both channels into a shared output. Furthermore, if one of the processor channels is inverted, it allows for the subtraction of one signal from the other.

Dimensions
6 HP
33 mm deep

Current Draw
65 mA +12V
65 mA -12V

Notes: Simple, powerful and high-quality voice recording solution, ideal for interviews, videography and podcasting. Clip on the lavalier microphone and record directly into the tiny battery-powered unit in high-quality 32-bit float resolution.

Supplier's Notes:
Small Appearance, Big Impact.

Videographers love the Tascam DR-10L Pro portable recorder with clip-on microphone as an easy and unobtrusive solution for capturing audio for video. Combining the clip-on convenience of a lavalier microphone with an ultra-compact portable recorder, this form factor solves many of the problems content creators often face. It's a superior solution for busy events such as weddings and on-location film shoots.

While traditional wireless microphone systems can pose workflow concerns, the rock-solid performance of a Tascam wired lavalier recorder is proven and assured. Simple plug-and-go operation also makes the DR-10L Pro an easy backup system for your typical voice recording setup.

The DR-10L Pro's 32-bit float recording technology lets you capture a whisper, a scream and everything in between with impeccable fidelity, ultra-low noise and no need to fine-tune gain levels. Support for wireless timecode sync with Atomos products, the ability to wirelessly control up to five recorders from the app*, plus long battery life and generous storage capacity make the DR-10L Pro ideal for professional applications.

*optional AK-BT1 required for app control and wireless timecode sync

Ultra-compact and lightweight, the DR-10L Pro is the perfect solution when stealth is a priority. Fitting in the palm of your hand and weighing just 65 grams, this recorder is easy to hide at film shoots, weddings, stage performances, and other projects where invisibility is crucial.

The included belt clip attaches easily and securely to clothing, allowing you to capture great audio without compromising your talent.

Using the DR-10L Pro's standard 32-bit float recording mode, two analogue-to-digital converters (ADCs) capture sound over an enormous dynamic range without distortion or excessive noise. This means that videographers can avoid having to discard recordings due to poor levels. With 32-bit float resolution, there's no need to adjust input gain levels, so you can set up faster and be confident that you're recording excellent audio in every situation.

The included TM-10L microphone captures clear, detailed audio while handling high sound pressure levels without distortion, making it the perfect lav mic for 32-bit float recording with the the DR-10L Pro.

Whether you're recording people at a wedding reception, a busy convention or a lengthy ceremony, the DR-10L Pro is ready for service as long as you are. There's no need to worry about changing batteries during recording: the DR-10L Pro personal recorder runs on just two AAA batteries for up to 24.5 hours*.

In addition, files are saved on the microSD card approximately every 20 seconds during recording to minimise the risk of data loss due to unexpected power cuts.

*Lithium batteries

With the optional AK-BT1 Bluetooth dongle, up to five DR-10L Pro recorders can be controlled wirelessly from iOS, iPadOS and Android devices using the free DR-10L Pro CONNECT app. The app allows videographers to check device status*, view the recorded waveforms in real time and create up to five presets. A preset can be applied to a single recorder or to all controlled units at once. You can also use the app to name devices for easy identification, for example "Bride", "Groom", and so on.

With the optional AK-BT1 Bluetooth dongle, the DR-10L Pro is ready to wirelessly synchronise timecode with supported Atomos products. Timecode allows videographers to perfectly align audio with video, even when there is no audio on the camera.

Timecode is critical for videographers when dealing with multi-camera video shoots, saving valuable time in post-production.

*Audio monitoring via app is not supported

Whether you're in a dark environment or outdoors in the sun, the DR-10L Pro's highly visible OLED display lets you confirm settings at a glance.

You can check your battery level, recording status, and input levels directly from the display, and all advanced functions are just a few button presses away.

The DR-10L Pro lavalier recorder has a headphones output for easy monitoring. You can listen to the input before or during recording, and also check the quality of your recordings immediately without having to first transfer them to a computer.

The DR-10L Pro comes bundled with a free version of RX Elements, a groundbreaking audio repair and noise reduction tool from iZotope. RX Elements gives videographers powerful audio restoration capabilities that need to be heard to be believed, from seamlessly removing coughs and background noise to reducing wind roar and ambient noise. Live video shoots for weddings, on-location interviews, and documentaries can present countless post-production challenges, and RX Elements gives videographers the tools they need to overcome them.

Specifications

Storage media and file formats

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (64-512 GB)

Recording and playback formats:
WAV: mono/poly (BWF format), 44.1/48 kHz, 16-bit, 24-bit, 32-bit float
MP3: 44.1/48 kHz, 128/192 kbit/s (recording) 32-320 kbit/s (playback)

Analogue audio inputs and outputs
Microphone input: 3.5-mm mini TRS jack (with screw lock)
Maximum input level: -11 dBu
Gain range: 7.5-38 dB
Input impedance: +/-2 kO
Included microphone: TM-10L
Sensitivity: -42 dBV/Pa
Maximum sound pressure level: 115 dB SPL
Supply voltage: 2.3 V
Analogue output (Headphones jack): 3.5-mm mini stereo jack (dual mono audio output)
Maximum output power: 10 mW + 10 mW (THD =0.1 %, 32 O)

Audio performance
Frequency response (input to recorded data): 20 Hz - 20 kHz, +0/-1 dB
Distortion: 0.01 % (1 kHz, input level -21 dBV)
Dynamic range: +/-105 dB

Power supply and other specifications

Power supply
2 AAA batteries (alkaline, NiMH or lithium rechargeable, sold separately)
USB bus power from a computer

Power consumption (batteries): 0.3 W (maximum)
Current consumption (USB bus power): 0.1 A (maximum)
Dimensions (W × H × D): 53 mm × 51 mm × 21 mm (excluding protrusions)
Weight@ 65 g (with batteries), 43 g (without batteries)
Permissible operating temperature range: 0-40 -C

Battery operation time
Conditions: WAV recording at 48 kHz, 32-bit float, mic connected, headphones not connected, limiter off, mono file, continuous operation, in hours:minutes (JEITA CP-2905)
Alkaline battery (Evolta)
16:30: No Bluetooth connection
16:00: Bluetooth connection

NiMH battery (Eneloop)
11:30: No Bluetooth connection
10:30: Bluetooth connection

Lithium battery (Energizer Ultimate Lithium)

24:30: No Bluetooth connection
23:00: Bluetooth connection

Note: Operation times may vary depending on the recording media being used. Reduced battery life when using headphones.

Notes: The Five Amp is a throwback to SynthRotek's original 5A Power Supply with some upgrades. It uses a quality 12V power brick for the +12V power regulation instead of a +12V converter. The plus side of doing it this way is that whatever amperage the -12V and +5V rails are not using can be used by the +12V rail, which always draws the most of the three.

Five Amp comes in three different power configurations. It is recommend that you select an option based upon your -12V rail draw. For a rule of thumb, Red (with red LEDs) will power a single row of 84 or 104HP, Green will power two rows of 104HP, and Blue will power three to four rows of 104HP.

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:
Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:
Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: Inspired by the early vintage string synths of the '70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.

Specifications:

Controls

Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume

Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included

Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V

Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)

MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)

Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)

Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)

Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.

Notes: Great for live performances! The Cosmic ECHO Squared is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 stomp switches, Blast and Warp.

The "Squared" version of the pedal is tailored to live guitar and keyboard performers. It has all the features of the original plus:

Expression pedal input over Rate
Warp and Blast ("Zone" on the Cosmic Echo) are now momentary stomp switches
Blast amount knob now accessible externally

Features:

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

4 knobs: Feedback, Mix and Rate, Blast Amount. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Stomp switch that gives a bright, "small speaker" tone.

Blast button: Stomp switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Blast intensity is adjusted with the Blast Amount knob.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 1590XX case.

Dimensions (L x W x H): 5 3/4" x 4 3/4" x 2 1/8" (146mm x 121mm x 54mm)

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included)

Notes: Steinberg's studio starter bundle includes audio interface, headphones, microphone and a software package to get you started making music or recording podcasts. A studio in a box.

Notes: Constructed with 100% aluminium die casting, this two-tier sleek and robust keyboard stand weighs a mere 3.06kg, making it an incredibly lightweight and portable option. Designed to support keyboards with up to 76 keys and weighing up to 60kg, it offers the reliability and strength for musicians on the go. Easy to set up and dismantle, this stand is a perfect choice for those looking to blend functionality with simplicity.

Features:
Maximum height: 1,300mm
Capacity: 69.8kg
Weight: 8.19kg
Includes: 1 angled base and 1 straight, 1 pair of 45mm straight arms, one pair of 38mm arms

Notes: Constructed with 100% aluminium die casting, this two-tier sleek and robust keyboard stand weighs a mere 3.06kg, making it an incredibly lightweight and portable option. Designed to support keyboards with up to 76 keys and weighing up to 60kg, it offers the reliability and strength for musicians on the go. Easy to set up and dismantle, this stand is a perfect choice for those looking to blend functionality with simplicity.

Features:
Maximum height: 1,300mm
Capacity: 69.8kg
Weight: 8.19kg
Includes: 1 angled base and 1 straight, 1 pair of 45mm straight arms, one pair of 38mm arms

Notes: Another typically creative offering from the good people at Soma, the Metaconformer is a MIDI router and thru box with some nice touches, including Combiner mode to join monophonic instruments into one big polyphonic patch.

Supplier's Notes:
METACONFORMER is a smart MIDI router and thru box.

The METACONFORMER has 2 independent MIDI inputs and 4 MIDI outputs. One of the outputs can be configured as a sync signal source.

Today METACONFORMER supports 3 modes of processing MIDI messages:

Splitter mode allows you to split the keyboard of one MIDI channel into several zones. Notes from each zone are sent to only one instrument. This allows you to simultaneously play several instruments at once, listen to the interaction of timbres without having to switch the MIDI channel.

Combiner mode allows you to combine several monophonic instruments into one multitimbral polyphonic instrument. This works the same way as a polyphonic synthesizer's algorithm when it activates its voices. Only instead of voices with the same dynamics and parameters, you can play completely different timbres, which greatly expands the possibilities for creating interesting harmonies and rhythms.

Translator mode allows you to play the sound core parameter by pressing notes. Each received note is translated into a CC message corresponding to the desired parameter. This mode allows you to play with sound parameters, rather than simply enter them by rotating the knob. This mode works great with granular delays, resonant filters and paraphonic oscillators.

Power supply: DC +5V via USB
Current consumption: 20 ma max
Dimensions: 148 x 50 x 20 mm
Weight: 0.15 kg

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: SolidGoldFX EM-III- Compact Delay Powerhouse

Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.

Building on SGFX's Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III's wide-ranging yet ultra-intuitive control set, warm analogue-voiced echoes, precise and modern delay, as well as experimental and futuristic sound designs, are all just a single stomp away.

At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.

The EM-III also sports delay modulation introduced via the Flutter control. Keep it at centre position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.

The colour knob allows you to engage both high-pass and low-pass filtering. Dead-centre you have a pristine full-frequency digital delay.

Dial it to the left and you cut the highs, creating warm, murky analogue-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.

EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.

Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.

Designed to inspire and evoke emotion, EM-III can sound as pretty and cheerful or as dark and macabre as you wish.

Tune up, plug in and immerse yourself in the EM-III experience.

Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Notes: The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess.

Rich, Energetic Soundscapes

AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference.

The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history.

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping.

Comprehensive Tone-Shaping Controls

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes.

While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed.
You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you'd like to achieve the desired speed.

Let's talk about LFO Offset

AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry.

The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset.

The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

Notes: While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummelling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup.

Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII's dual Texture and Colour tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish.

All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away.

Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you're looking for a musical yet powerful fuzz capable of levelling Tokyo! Here's to the new Standard Fuzz.

Notes: In the age of digital recording people often reminisce about the golden days of analog tape and the warmth of those spinning tape reels. Many people have spent a lot of money trying to re-create those classic tape like qualities in pieces of hardware.

Dan Snazelle of SNAZZY FX missed something else about tape - the sound that would come out of the stereo on those days when the tape got stuck in the machine, dying a slow and melodic death. He also missed the magic of playing a favorite recording through an old cassette boom-box that had so much warble it was hard to tell what song he was listening to. So Dan decided to design a device that, when pushed to its limits, would sound like the tape was spinning out of control. But he also wanted to make sure the box could take that sound and make it more musical, and, at times, more subtle too.

THE WOW AND FLUTTER can bring you into this warbly world and far, far, beyond.

You might be thinking, what am I going to do with a busted tape machine? Well, that's where things really get interesting - because this box can be used in many, many ways. Depending how hard you hit the Threshold and Warp controls, you can dial the malfunction back to where it creates subtle vibrato, or with shorter delays you can achieve pleasing chorus or pseudo flange-like effects. Turn the Warp up a bit more and you can get far-out pitch shifting, rubber band delays, and plastic portamentos. Turn the Warp up to max and what you'll hear is just plain insanity.

THE WOW AND FLUTTER is an incredibly versatile device. It is certain to add an extremely unique texture to your playing or your productions. Run stems or mixes through it to add an out-of-this-world quality. Thicken up synth parts in an instant or use it on vocals to add mystery. With your guitar you will be amazed at how many different colors can be achieved with just this one box.

Notes: Profile Streaming Set

USB-C microphone with cardioid condenser capsule, integrated features, and boom arm for enhanced Podcasting and Streaming applications.

The Profile USB Microphone is where performance meets accessibility. Featuring a cardioid condenser capsule, this USB-C powered microphone puts audio quality and design above all else.

Created for Podcasting and Streaming, the Profile has three fundamental controls; Gain Control to adjust the level of the microphone, Mix Control to balance the microphone with your device audio, and Volume Control to set your head phone monitoring level.

The Profile features an adjustable tilt function with a self-locking joint so you can aim the mic directly towards the sound source. Depending on your needs, the Profile includes either a table stand for compact convenience or a boom arm for optimal positioning.

Plug-and-play simplicity

Setting up a podcast session or live stream can be overwhelming but capturing pristine audio doesn't have to be. With the Profile, one simple connection is all you need to achieve the sound you're looking for. Powered by USB-C, the Profile puts audio quality and ease-of-use first without the need for an interface or complex software. Your device will automatically recognize the Profile, truly making it a plug-and-play experience.

The sound you're looking for

If you're just getting started or you're a seasoned pro looking to simplify your setup, the Profile delivers a natural, warm sound that accentuates the body and presence of the human voice. Built around a German engineered capsule, this cardioid condenser microphone provides a sound that will impress both you and your audience, right out of the box. And to ensure you're getting the best sound the multi-function LED ring turns from green to orange to indicate when your signal is too hot.

Control at your fingertips

Software has its place... but the ability to control your sound with the twist of a dial makes all the difference when you're in the moment. Gain Control allows you to adjust the sensitivity of the microphone, effectively setting the level for your session. Mix Control allows you to balance the levels between your microphone and your device audio so you can monitor what matters to you. The dedicated Volume Control gives you quick access to easily adjust your headphone level while a soft-touch mute button allows you to silence your microphone discreetly.

Form and function

Quality audio is all about microphone placement. The Profile Streaming Set features a boom arm with a sleek and modern design, ideal for on-camera applications. Integrated cable management and an included 3 m USB-C cable provide flexibility with positioning and help to remove clutter from your workspace. For best results, place the Profile within 15 cm (6 in) of the sound source to ensure clarity and warmth in your sound.

Features

Powered by USB-C (macOS/iPadOS/Windows/Android)
Adjustable tilt function (self-locking joint for optimal positioning)
Mute button (with LED ring to indicate when engaged)
Gain control (with LED ring to indicate power and audio clipping)
Mix control (for balancing microphone and device level)
3.5 mm headphone output (for audio monitoring)
Headphone volume control (for adjusting the volume of the headphone)
Cardioid capsule (for off-axis rejection of sound)
Robust metal housing and premium finish
3-point self-locking boom arm (with cable management and adjustable desk clamp)


Delivery includes

Profile USB Microphone
Boom Arm
USB-C Cable (3 m)
Mic pouch
Quick guide
Safety Guide with manufacturer's declarations

System requirements

Windows: 10.0 or later
macOS: 10.15 or later
Android: 9.0 or later
iPadOS*: 14 or later
(* Compatible with USB-C enabled Apple devices)

Specifications

Overall device

Operating temperature: 0 -C to +40 -C (32 -F to 104 -F)
Storage: -20 -C to +70 -C (-4 -F to 158 -F)
10 to 95 %, non-condensing
Dimensions Microphone: O 50 x 152 mm
Boom arm: 780 mm (horizontal reach)
Connectors: USB Type-C (USB 2.0 Full-Speed), 3.5 mm TRS
Cable length 3 m (Profile Streaming Set)
Power supply: 5 V $, max. 200 mA

Weight

Microphone: 350 g
Boom arm: 820 g

Microphone
Transducer principle: Pre-polarized condenser microphone
Pick-up pattern: Cardioid
Sensitivity at max. gain
Sensitivity at min. gain
-10 dBFS at 80 dB SPL
-50 dBFS at 80 dB SPL
Max SPL
Min. gain
Max. gain
125 dB SPL
85 dB SPL
Frequency range: 20 to 20,000 Hz
Equivalent noise level
Min. gain
Max. gain
34 dB(A) SPL
28 dB(A) SPL
Sampling rates 44.1, 48 kHz
Sampling resolution 16, 24 Bit

Headphone output

Connector 3.5 mm TRS
Min. output impedance 16 O
Frequency range: 20 to 18,500 Hz
OS Interoperability
Windows 10.0 or higher
macOS 10.15 or higher
Android 9.0 or higher
iPadOS * 14 or higher (* Compatible with USB-C enabled Apple devices)