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Items 1 to 50 of 948 on page 1 of 19
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ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module
ADDAC System ADDAC807A&B VC Stereo Summing Mixer Console & Inputs Console Module (attenuator/dynamics/mixer/panning/VCA/expander synth module)
Cat: 776434 Rel: 08 Sep 20
 
VC stereo summing mixer module, main console and inputs console in 80HP.
Notes: All you could ever dream of from an Eurorack console, and then some!

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings - 'cause you can never have enough switches!?

Module is sold together with the ADDAC807A, which also provides power. ADDAC807A price is for both the 807A and 807B.
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 1 in stock $1,600.80
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quote 776434
Noise Engineering Xer Mixa Summing Mixer Module (black)
Cat: 968007 Rel: 02 Oct 23
 
All-analogue, digitally-controlled mixer module - 32HP.
Notes: One of the most ambitious mixers in the Eurorack realm, Noise Engineering's Xer Mixa features a hybrid design with eight stereo inputs plus two stereo aux ins, digital control (including state save/recall), analogue summing and optional CV support via the Expando Expandi module. Immense.

Supplier's Notes:
All-analogue, digitally-controlled mixer with 10 stereo inputs, three stereo outputs, clickless mutes, save and recall, MIDI, and CV via expanders.

Xer Mixa is a mixer with 10 stereo-paired inputs, three stereo-paired output busses, tactile controls, and a 100% analogue signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 8 interactive fader-controlled channels and two aux inputs, all with clickless mutes. Configuration options abound for per-channel pan-law settings, pre- or post-fader sends, and channel settings are made simple with the screen. Settings can be saved into preset slots for easy recall for performances or sessions.

Xer Mixa is a compact 32HP, with a streamlined and easy-to-use interface. CV control over almost any parameter is available through the rear-panel connecting Expando Expandi, which adds CV 8 inputs to Xer Mixa. Connect up to two Expando Expandis for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are available together as a discounted bundle, or individually.

Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for an expressive mixer.
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 1 in stock $1,030.07
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quote 968007
Noise Engineering Xer Mixa Summing Mixer Module (silver)
Cat: 968008 Rel: 02 Oct 23
 
All-analogue, digitally-controlled mixer module - 32HP.
Notes: All-analogue, digitally-controlled mixer with 10 stereo inputs, three stereo outputs, clickless mutes, save and recall, MIDI, and CV via expanders.

Xer Mixa is a mixer with 10 stereo-paired inputs, three stereo-paired output busses, tactile controls, and a 100% analogue signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 8 interactive fader-controlled channels and two aux inputs, all with clickless mutes. Configuration options abound for per-channel pan-law settings, pre- or post-fader sends, and channel settings are made simple with the screen. Settings can be saved into preset slots for easy recall for performances or sessions.

Xer Mixa is a compact 32HP, with a streamlined and easy-to-use interface. CV control over almost any parameter is available through the rear-panel connecting Expando Expandi, which adds CV 8 inputs to Xer Mixa. Connect up to two Expando Expandis for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are available together as a discounted bundle, or individually.

Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for an expressive mixer.
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 1 in stock $1,030.07
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quote 968008
TipTop Audio The Analog Bundle S2: Octopus/3x ATX1/MIXZ/Z2040/Control Path
Cat: 1004146 Rel: 04 Mar 24
 
Bunble include Octopus, 3x ATX1, MIX7, Z2040 & Control Path modules
Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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 1 in stock $1,006.73
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quote 1004146
TipTop Audio The Analog Bundle S1: ART V/OCT CV To ART Converter/3x ATX1/MIX7/Z2040/Control Path Modules
Cat: 1004144 Rel: 04 Mar 24
 
Bundle includes ART V/OCT CV To ART Converter, 3x ATX1, MIX7, Z2040 & Control Path Modules
Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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 1 in stock $953.69
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quote 1004144
Jomox Mod FM 8-Voice FM Synthesiser Module
Cat: 967072 Rel: 14 Nov 23
 
8-voice 4-operator FM synthesiser module - 56HP.
Notes: This long-awaited FM voice module from Jomox is a self-contained synth in Eurorack format, patchable and compatible with other modules but capable of creating eight-voice polyphonic patches all on its own. Vastly powerful.

Supplier's Notes:
The Mod FM is a completely self-contained 8 voice FM synth in eurorack format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM, although the FM engine is digital of course.

Each voice has own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM has Midi in and out in TRS type A format and a USB C connector which handles Midi too.

Even without diving too much into complicated modular setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds.

Furthermore, the Mod FM offers a variety of external cv modulations in order to e.g. modulate each operator individually or control the FM envelopes.

The Mod FM is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but editings made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Modular is great but can be very complex, and you might be trapped in a system where you never reach again the desired sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

Because it gets pretty quickly uncontrollable if you turn all the knobs because of the feedbacks, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-VCA which is important for snappy sounds. The same transistor-VCA is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.
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MRP:$1,093.72 SAVE 16%
 3 in stock $917.62
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quote 967072
Jomox Mod FM 8-Voice FM Synthesiser Module (B-STOCK)
Cat: 993776 Rel: 01 Jan 90
 
B-STOCK: Small dent on faceplate edge, product in perfect working order
Notes: ***B-STOCK: Dent on the side, product in perfect working order***


This long-awaited FM voice module from Jomox is a self-contained synth in Eurorack format, patchable and compatible with other modules but capable of creating eight-voice polyphonic patches all on its own. Vastly powerful.

Supplier's Notes:
The Mod FM is a completely self-contained 8 voice FM synth in eurorack format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM, although the FM engine is digital of course.

Each voice has own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM has Midi in and out in TRS type A format and a USB C connector which handles Midi too.

Even without diving too much into complicated modular setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds.

Furthermore, the Mod FM offers a variety of external cv modulations in order to e.g. modulate each operator individually or control the FM envelopes.

The Mod FM is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but editings made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Modular is great but can be very complex, and you might be trapped in a system where you never reach again the desired sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

Because it gets pretty quickly uncontrollable if you turn all the knobs because of the feedbacks, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-VCA which is important for snappy sounds. The same transistor-VCA is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.
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MRP:$1,093.72 SAVE 17%
 1 in stock $908.86
Frap Tools Cunsa Quad Analogue Pingable Multi-Mode Resonant Filter/Saturator/Mixer/Oscillator Module
Cat: 945399 Rel: 28 Nov 23
 
A quadruple analogue pingable multimode resonant filter, saturator, mixer and oscillator module in HP.
Notes: Oof. Frap casually serve up one of the best filters we've seen in a long time. Quad multimode circuits with saturation and feedback give you extensive routing options. Delicious.

Supplier's Notes:
cunsa /'cu?nsa/ s.f. [dialect of Modena of uncertain etymology, probably from a Latin *comptiare, derived from comptus, participle of comere 'organize,' 'decorate'] i curing, seasoning (of foods), tanning (of leathers).

Seasoning is crucial for cooking. It is a process that enhances the flavors, glues the ingredients together, and even adds some unexpected kick.

From a gentle refining touch to a shovelful of spice, CUNSA is the perfect seasoning tool for your patches. It can sweeten a sour lead or beef up an insipid bass line, and anything in between.

And, just like a good oil, you can even taste it by itself!

CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.

It is Frap Tools' sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It's up to you and your cooking style!

It consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.

Four Analogue Resonant Multimode Filters

CUNSA features four state-variable filters that can be used independently or linked and mixed. Each filter provides three behaviors simultaneously: lowpass, bandpass, and highpass. Each behavior has a 12 dB/oct slope, except for the lowpass, which can be either 12 or 24 dB/oct.

Unique 'Character' Circuit for Feedback and Distortion

CUNSA handles feedback and gain staging with extreme control and versatility. Besides the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads. High clipping guarantees a controlled behavior with fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and make it scream.

V/oct Tracking and Quadruple Oscillator

Each filter responds to the V/oct signal with excellent tracking. It is thus possible to move the cutoff frequency along with the main melody or make CUNSA resonate with no input and transform it into a multiple oscillator. The V/oct inputs are seminormalled so you can control more filters with the same CV. Easy chords stabs!

Ping and Ring

CUNSA is ideal for percussive and organic tones. The Ping circuit offers a behavior similar to the BRENSO but AC-coupled. Instead of shooting the frequency to the moon with any trig, CUNSA gently responds to different incoming gates with a selectable decay curve. The Ping circuit can thus create natural decay sounds when fed with trigs or smoother envelopes with any other voltage, like a linear integrator with a custom decay.

Besides this, you can also feed the filter's audio input with trigs and make it ring at high Q settings.

Linked or Individual Filtering

The four filters can work independently or arranged in groups through seminormalled inputs and sum outputs. CUNSA can thus be a 4×1, 2×2, or a massive 1×4 filter. Even odd configurations are possible, like 1+2+1 or 3+1. Mono, stereo, or quadraphonic audio is at your fingertips.

Filter and Combo Behaviour

When the filter behavior is set to COMBINED, every control of the cutoff frequency also affects the input VCA, reducing the signal amplitude and saturation as it approaches the lowest range. It can make organic decays with the ping circuit or tame the low range at high Q and Character settings.

Four Seminormalizations for Group Use

Four inputs have a cascaded seminormalization: audio inputs, VCA CV, V/oct, and Ping. Every signal patched to a filter will thus feed also those at its right, making simultaneous use even simpler. To remove a seminormalization, simply patch a dummy cable to the corresponding input.

Analog Mixing Stage and Group Outputs

Every filter output can be routed to an analogue mix bus that sums the four filters and outputs them in three combinations: all, 1+2, and 3+4. These outputs allow for versatile audio processing. Just like we did with FUMANA, we added a gentle shelving EQ for the higher frequencies of the All output to provide additional timbral variety.

CV Inputs with Attenuators

Besides the seminormalled inputs, every filter features additional CV inputs for cutoff frequency, Q, and Character, each with a dedicated attenuverter.
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 9 in stock $905.96
Frap Tools Fumana Dual 16-Bands Spectral Editor Module
Frap Tools Fumana Dual 16-Bands Spectral Editor Module (envelope follower/filter/equalizer synth module)
Cat: 673006 Rel: 12 Feb 18
 
All analog dual filter bank - 42HP
Notes: The FUMANA is an all analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48dB/oct bandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signal to odd and even bands, both for main and/or modulator arrays. This, together with the 16 envelope followers connected to each band of the modulator filterbank, and the 16 VCA connected to each band of the main filterbank, allows the FUMANA to perform a single 16 bands or a dual 8 bands analog spectral transfer.

While the upper section provide access to each main filter's direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.

The tilt, as the name suggest, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.

The parametric scan, instead, works with three parameters: peak/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak/notch gain, frequency and slope, the FUMANA uses three parameters to set which is the centre band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.

In addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd bands and the even bands output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe/also with the "all bands output", using, for example the 333 module.

Since a spectral transfer tool may be used as a "vocoder-like-effect", the FUMANA provides an input for an external noise which may be used for unvoiced (fricative/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds.
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 1 in stock $899.59
Frap Tools Cunsa Quad Analogue Pingable Multi-Mode Resonant Filter/Saturator/Mixer/Oscillator Module (B-STOCK)
Cat: 994493 Rel: 01 Jan 90
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Oof. Frap casually serve up one of the best filters we've seen in a long time. Quad multimode circuits with saturation and feedback give you extensive routing options. Delicious.

Supplier's Notes:
cunsa /'cu?nsa/ s.f. [dialect of Modena of uncertain etymology, probably from a Latin *comptiare, derived from comptus, participle of comere 'organize,' 'decorate'] i curing, seasoning (of foods), tanning (of leathers).

Seasoning is crucial for cooking. It is a process that enhances the flavors, glues the ingredients together, and even adds some unexpected kick.

From a gentle refining touch to a shovelful of spice, CUNSA is the perfect seasoning tool for your patches. It can sweeten a sour lead or beef up an insipid bass line, and anything in between.

And, just like a good oil, you can even taste it by itself!

CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.

It is Frap Tools' sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It's up to you and your cooking style!

It consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.

Four Analogue Resonant Multimode Filters

CUNSA features four state-variable filters that can be used independently or linked and mixed. Each filter provides three behaviors simultaneously: lowpass, bandpass, and highpass. Each behavior has a 12 dB/oct slope, except for the lowpass, which can be either 12 or 24 dB/oct.

Unique 'Character' Circuit for Feedback and Distortion

CUNSA handles feedback and gain staging with extreme control and versatility. Besides the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads. High clipping guarantees a controlled behavior with fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and make it scream.

V/oct Tracking and Quadruple Oscillator

Each filter responds to the V/oct signal with excellent tracking. It is thus possible to move the cutoff frequency along with the main melody or make CUNSA resonate with no input and transform it into a multiple oscillator. The V/oct inputs are seminormalled so you can control more filters with the same CV. Easy chords stabs!

Ping and Ring

CUNSA is ideal for percussive and organic tones. The Ping circuit offers a behavior similar to the BRENSO but AC-coupled. Instead of shooting the frequency to the moon with any trig, CUNSA gently responds to different incoming gates with a selectable decay curve. The Ping circuit can thus create natural decay sounds when fed with trigs or smoother envelopes with any other voltage, like a linear integrator with a custom decay.

Besides this, you can also feed the filter's audio input with trigs and make it ring at high Q settings.

Linked or Individual Filtering

The four filters can work independently or arranged in groups through seminormalled inputs and sum outputs. CUNSA can thus be a 4×1, 2×2, or a massive 1×4 filter. Even odd configurations are possible, like 1+2+1 or 3+1. Mono, stereo, or quadraphonic audio is at your fingertips.

Filter and Combo Behaviour

When the filter behavior is set to COMBINED, every control of the cutoff frequency also affects the input VCA, reducing the signal amplitude and saturation as it approaches the lowest range. It can make organic decays with the ping circuit or tame the low range at high Q and Character settings.

Four Seminormalizations for Group Use

Four inputs have a cascaded seminormalization: audio inputs, VCA CV, V/oct, and Ping. Every signal patched to a filter will thus feed also those at its right, making simultaneous use even simpler. To remove a seminormalization, simply patch a dummy cable to the corresponding input.

Analog Mixing Stage and Group Outputs

Every filter output can be routed to an analogue mix bus that sums the four filters and outputs them in three combinations: all, 1+2, and 3+4. These outputs allow for versatile audio processing. Just like we did with FUMANA, we added a gentle shelving EQ for the higher frequencies of the All output to provide additional timbral variety.

CV Inputs with Attenuators

Besides the seminormalled inputs, every filter features additional CV inputs for cutoff frequency, Q, and Character, each with a dedicated attenuverter.
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 1 in stock $868.92
Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module Haken Audio EaganMatrix Synth Voice Module
Haken Audio EaganMatrix Synth Voice Module (digital/dual/stereo/effect/synth voice/MIDI/oscillator synth module)
Cat: 847880 Rel: 04 May 22
 
Sound engine for Eurorack that can be controlled by control vlotages and/or MIDI
Notes: A full-on digital modular system in a single module. Eight-voice polyphony, audio processing and CV/MIDI functionality, all customisable via the PC/Mac editor. Serious DSP power in 22 hp.

Supplier's Notes:
Integrate the power of EaganMatrix Sound Technology into your Eurorack! The EaganMatrix Module is a full-featured EaganMatrix Sound Engine for Eurorack, and can be controlled by control voltages and/or Midi. This versatile module can act as a sound source, a sound processor, a CV source (via connection to an external Control Voltage Converter), a Midi source, or a customizable combination of all these capabilities.

The EaganMatrix Module provides a truly versatile framework for both studio and live performance. Flexibility is key, due to its audio inputs and outputs, integrated CV inputs, external CV outputs (via Control Voltage Converter), and robust implementation of MPE and MPE+ Midi.

A single EaganMatrix Preset can give completely different sonic results, depending on how it is patched into a particular Eurorack ecosystem. Hundreds of System Presets are included with the EaganMatrix Module. In addition, an external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the gesturally highly sensitive Continuum, is now available to you in a Eurorack module. The EaganMatrix Module will quickly become a 'goto' component in your modular sound design and sonic composition.

Haken Audio's EaganMatrix Module offers:
Polyphony: Nominal 1, Maximum 8
Direct CV note control is limited to 1 voice at a time, but higher polyphony avoids voice stealing when EaganMatrix presets have long decays, and higher polyphony is often useful for Midi input.
4 Per-note CV Inputs: W, X, Y, Z
Gate (W) - Triggers at 1V, with max range -10V to +10V
Pitch (X) - 1V per octave, with programmable offset for Middle C; useful input voltages are a subpart of -10V to +10V (depends on the programmable offset selected)
Timbre (Y) - Function depends on EaganMatrix preset; voltage range is normally 0V to 5V, but -5V to +5V can be useful when combined with a programmable offset
Loudness (Z) - normally 0V to 5V, but -5V to +5V can be useful when combined with a programmable offset
4 Global CV Inputs: i, ii, iii, iv

Functionality depends on EaganMatrix preset; these CV affect all voices (notes from WXYZ and Midi); each global CV is normally 0V to 5V, but -5V to +5V can be useful when combined with a programmable offset
2 Analog Audio Inputs: Left and Right, or Mono
2 Analog Audio Outputs: Left and Right, or Mono Sum
-12dB switch selects between Eurorack Level and Line Level
Midi over USB
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets (USB-A cable included with purchase)
Universal 3.5mm Midi In (Type A, Type B, and TS)
Allows connection to other Midi devices without need of computer or USB (adapter to 5-pin DIN Midi In included with purchase)
Type B 3.5mm Midi Out
Allows connection to other Midi devices without need of computer or USB (adapter to 5-pin DIN Midi Out included with purchase)
i2c Port for Communication to the Control Voltage Converter
(a switch selects between 3.5mm Midi Out and i2c functionality)
12 Switches, 1 Rotary, and LED Matrix

A menu system allows stand-alone operation without need of computer, and provides monitoring for notes being played and CV input levels
The EaganMatrix is a modular digital synthesizer invented by Edmund Eagan, utilizing a DSP engine designed by Lippold Haken. This is the same EaganMatrix Sound Technology internal to the Continuum Fingerboard, the ContinuuMini, and Expressive E's Osmose keyboard. The EaganMatrix allows the user to finely craft their musical sound by digitally connecting audio and control modules via a patching matrix. The EaganMatrix Module contains a sophisticated digital modular patching world of its own, ready to interact with your other Eurorack modules to make musical results never before possible.

Power and size

The EaganMatrix Module requires +12V, +5V, ground, and -12V from your Eurorack enclosure.

A 16-pin standard Eurorack power cable is included with purchase.

Current requirements: 25mA at +12V and -12V. 300 mA max (190 mA avg) at +5V.

The processing power of the EaganMatrix Module is 2x, same as the ContinuuMini.

The EaganMatrix Module dimensions are 22 HP and 3cm depth.
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WMD Metron 16-Channel Trigger & Gate Sequencer Module
Cat: 709199 Rel: 08 Mar 19
 
16-channel trigger and gate sequencer module - 36HP.
Notes: Metron is a 16-channel trigger and gate sequencer for Eurorack with extensive functions, expansion possibilities and the tools you need to create long sequences with many variations in a very short time.

The sequencer allows pattern lengths of up to 256 steps, and the number of steps per channel can be varied to create interesting and varied rhythmic structures. These patterns can be quickly stored and exchanged between units via the SD card slot. Metron also offers a random function per step and a ratcheting function.

With the optional WMD Voltera, Metron can be expanded with four additional bipolar voltage outputs.

Features:

16 Channels of trigger and gate signals
intuitive drum sequencer
View 4 channels at a time and easily switch views
Single track view lets you zoom in on a single track and see 64 steps at a time
Up to 256 step pattern length
Different pattern lengths per channel
Five instantly recallable, editable variations
View and edit variations that are not playing for easy cue and non stop performance play
Save patterns to SD memory for easy recall on power cycle
No-stop loading from memory
Easy view memory previews lets you see a pattern before loading from memory.
SD allows for easy update as well as easy back up / file transfer from unit to unit
FX / Fills for instant / momentary variation
2 assignable inputs for external CV control
Tap in patterns with quantized recording with the buttons or external source
Quick copy / paste / clear functions
Internal clock with Swing
dedicated reset output
MIDI Preset mode lets you send MIDI messages to other modules on the Doepfer CV bus. (for use with WMD SSM, Malekko Voltage Block, and more)
Random Pattern Generation
Probability per step and group probability functions
Burst per step for ratchet / roll sounds
Custom Fill Patterns for instant fills
Trigger Mutes
Step looping
Manual gates
Power consumption: 180mA at +12V and 0mA at -12V

Depth: 31mm

HP : 36
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 1 in stock $771.22
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Black Corporation Deckard's Voice Semi-Modular Synth Module
Black Corporation Deckard's Voice Semi-Modular Synth Module (oscillator/VCA/envelope generator/noise/synth voice/filter module)
Cat: 743310 Rel: 24 Feb 21
 
Semi-modular synth module - 32HP
Notes: Deckard's Voice is an entry level semi-modular synth from Black Corporation for eurorack systems. Sharing the same paradigm and circuit as it's bigger brother Deckard's Dream, trimmed down for eurorack and supplemented with the flexibility available only in a modular format.

Features:

VCO with pulse, glitch saw and sine outputs
Dedicated LFO for PWM
Noise source
External audio input to a filter
Discrete hipass and lowpass filters with resonance and IL-AL-ADR envelope
LFO with sine, saw, ramp, square, smooth and stepped random output
Output VCA with ADSR envelope and velocity control over volume
ADSR (0-10V) and LFO (-5V/+5V) outputs
Master and line level outputs
32HP size
+12/-12V standard eurorack power
38mm deep
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 2 in stock $730.91
Flame Curves Analogue Moving Resonance Filter Bank Module
Flame Curves Analogue Moving Resonance Filter Bank Module (effect/equalizer/filter/sequencer synth module)
Cat: 690788 Rel: 05 Jun 18
 
Analogue filter bank with integrated modulation sequencer - 31HP
Notes: Flame Curves is an analogue moving resonance filter bank. It includes a twelve-channel analogue filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.

Additionally, the module features also a direct audio output and direct VCA input of each filter channel. Thus, it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.
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 1 in stock $723.48
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Frap Tools USTA 4-Channel Sequencer Module (black)
Frap Tools USTA 4-Channel Sequencer Module (black) (sequencer/clock generator/quad/quantizer synth module)
Cat: 731214 Rel: 15 Oct 19
 
4-channel sequencer - 36HP
Notes: USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
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 1 in stock $719.23
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Verbos Electronics Harmonic Oscillator Module Verbos Electronics Harmonic Oscillator Module Verbos Electronics Harmonic Oscillator Module
Cat: 805656 Rel: 18 Mar 21
 
Harmonic oscillator module
Notes: Inspirational west coast sounds from one of the masters. Additive oscillator with eight harmonics, direct outputs and powerful CV control to scan, tilt and mix the waveforms.

Supplier's Notes:
For the first time in Eurorack, this oscillator module provides outputs for the first 8 harmonics as sine waves. Also included are triangle, saw, square waves.

A voltage controlled mixer with various methods of address allows the user to scan, tilt and mix the harmonics from both panel and external voltage control. It is built on a discrete, all analog triangle core with an old school discrete transistor exponential converter. It has inputs for linear and exponential FM, the exponential with a reversing attenuator. Of course there's a 1 volt/octave trimmed CV input as well.

Power consumption: 120mA at +12 V and 90mA at -12 V

HP : 32
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 1 in stock $704.39
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1010 Music Bluebox Digital Mixer & Recorder Module With Effects 1010 Music Bluebox Digital Mixer & Recorder Module With Effects 1010 Music Bluebox Digital Mixer & Recorder Module With Effects 1010 Music Bluebox Digital Mixer & Recorder Module With Effects
Cat: 970244 Rel: 23 Oct 23
 
Mixer module with effects and multi-channel recording/playback - 30HP.
Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
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 2 in stock $687.41
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Frap Tools USTA 4-Channel Sequencer Module (black) (B-STOCK)
Frap Tools USTA 4-Channel Sequencer Module (black) (B-STOCK) (sequencer/clock generator/quad/quantizer synth module)
Cat: 982515 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
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 1 in stock $684.85
Empress Effects Zoia Euroburo Synth Voice Module Empress Effects Zoia Euroburo Synth Voice Module
Empress Effects Zoia Euroburo Synth Voice Module (CV modulation/effect/synth voice/utility synth module)
Cat: 845375 Rel: 17 Sep 21
 
A digital modular system that can be placed in your modular system, a real Russian nesting doll situation.
Notes: Endlessly customisable digital 'modular system within a modular system'. Includes more than 80 modules, allowing you to create effects, synths, control devices, oscillators, filters and much more.

Supplier's Notes:
What's a Euroboro?

The ZOIA Euroburo is a digital modular system that can be placed in your modular system, a real Russian nesting doll situation. We added a headphone output and a super-slim optional case so the Euroburo can live happily on your desktop or be easily mounted in a Eurorack case. Hence the euro + buro, pronounced "bureau"...get it!?

Create unique signature effects, synthesizers, sequencers and more while using 4 freely assignable CV ins and 4 outs to interface with other CV enabled devices. The additional headphone output and powered 9v case makes the module even more desktop friendly. With over 90 modules from CV utilities to audio effects, oscillators and envelopes to MIDI, the Euroburo can do almost anything to fill the gaps in your setup.

There's no need to worry about getting bogged down with endless menus or a cluttered interface. Creating patches and performing with the ZOIA is a tactile experience. Patching, deleting or moving modules and editing values can all be done quickly using the push-button grid and a flick of the encoder. With the addition of dedicated push buttons for the CV and Audio I/O, patching on the ZOIA has never been faster.
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 1 in stock $635.30
Endorphin.es Ground Control Drum Gate & CV/Gate Performance Sequencer Module (black)
Endorphin.es Ground Control Drum Gate & CV/Gate Performance Sequencer Module (black) (MID/sequencer/power/clock generator/controller/CV modulation module)
Cat: 821991 Rel: 07 Apr 21
 
8 drum gate & 3 melodic CV/gate performance sequencer module - 42HP
Notes: Long-awaited sequencer module from Endorphin.es, offering four tracks (three melody CV/gate, one for drum triggers) with lots of live performance options and MIDI support.

Supplier's Notes:
Ground Control is a 42 hp Eurorack performance sequencer announced at Superbooth 2019.

The sequencer has 4 tracks: three melodic tracks and a drum track consisting of 8 drum triggers and modulation/accent output. There are also dedicated mute buttons for each track, MIDI and USB-MIDI I/O, external CV and a 2-octave piano-style keyboard.

The keyboard serves for playing the melodies as well as entering the menus - in that method the module eliminates tedious menu diving.

Each track can contain 24 patterns, which can be played separately or chained together in any order. All those tracks are organized into 24 projects. The number 24 is associated to the 24 letters of the Latin alphabet.

Ground Control features a very stable internal analog and MIDI clocks preserving low jitter operation, which is crucial for tight sequencing.

The patterns are entered either in 101-style step input or live recording and can be adjusted using the 303-style editor.

The drum sections features a X0X-style sequencer.

Depth: 25 mm (with ribbon cable connected)
HP : 42
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Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module
Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module (dual/stereo/oscillator/synth voice module)
Cat: 945406 Rel: 06 Oct 23
 
An additive and wavetable synth voice module in 24HP.
Notes: Warp is a novel synth engine that combines the best of additive and wavetable synthesis.

In the center of Warp's control panel is a colorful XY LED matrix that represents the sound space from which Warp draws its sounds. This XY sound space consists of 32x16 frequency spectra. Each of Warp's four voices can move freely and independently across the XY space. It always uses the surrounding frequency spectra to calculate a wavetable based on 512 sine waves in real time using additive synthesis. By changing the position, wicked wavetable sounds are possible, playable with four voices and eight oscillators and navigable in two directions. An intuitive integrated editor allows playful modeling of your own frequency spectra.
With Warp's SPEC effects the frequency spectrum can be filtered and deformed in realtime before a wavetable is calculated. The wavetable can then be modified with WARP effects like wavefolder, PWM bend, overdrive and redux. The resulting wavetable serves as source for two oscillators per voice, which can be detuned and also synchronized to each other. Each voice is followed by a 12/24dB/octave high pass and low pass filter.

Warp offers an integrated editor, with which you can playfully draw and modify your own frequency spectra. The XY-Sound Space is seen as a canvas on which you can draw your own frequency peaks. Several drawing algorithms are available as tools to edit single or a group of harmonics in a musically meaningful way. There is also the possibility to derive frequency spectra from audio samples from the SD card or to put whole wavetable audio files into the XY sound space. Likewise, the XY sound space can be exported to the SD card as a wavetable audio file of any length and bit depth, so Warp can also be used as an intuitive wavetable generator for other synthesizers.

Also on board are two internal ADSR envelopes and two LFOs, which can be routed to a variety of internal destinations using a modulation matrix. To keep the overview, all modulations are color-coded and are additionally visualized by pulsating LEDs in the modulation matrix view.

Navigation through the menu is as intuitive as with our QUASAR module and is simply done via a push-encoder and a back button. The display always shows which function the four surrounding aluminum encoders currently have, and colored LEDs next to the encoders provide visual assistance. Likewise, the tuning of the module is done via a detented encoder, which adjusts the pitch either in fine steps, in semitones or in octaves. An octave switch is thus already integrated.

For all its feature-richness, Warp still remains a playable and performance-oriented instrument. The large potentiometers serve as macro controls to control several parameters under the hood at once. This keeps the instrument straight forward with a manageable number of controls, but they are all very expressive.
Likewise, the module offers the ability to save and load presets and also comes with audio files and presets on board. Thus, Warp is ideally suited for both detail-oriented sound design and hands-on performance.

In the standalone version, Warp is a monophonic four-voice synth voice that can also be used as an oscillator. With an expander module, it will also be possible to play Warp four-voice polyphonic via MIDI and CV/Gate in the future.

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.



Main functions
4 Voices & 2 oscillators using a hybrid additive-wavetable synth engine
Big knobs act as macro controls for underlying parameters and enable expressive Hands-On playability
Polyphonic with expander, monophonic as standalone unit
Usable as a full synth voice or as an oscillator module
Additive synthesis with 512 sine waves per oscillator = 4096 sine waves in total
XY sound space as a collection of 32x16 frequency spectra
Each voice travels independently across the XY space and uses the underlying spectra to synthesize a wavetable in real-time
Spectral FX are applied on the spectrum before a wavetable is generated
Wavetable FX are applied once the wavetable is generated, e.g. Wavefolder, PWM-Bend, Redux, Overdrive
Two Post-Filters per voice: 12/24dB Lowpass and Highpass with resonance control
Independent oscillator settings per voice, e.g. volume, pitch, stereo pan, detune, sync, X/Y position
Integrated modulation by 2x ADSR, 2x LFO with many waveforms
Modulation matrix view to see everything that is going on at once
Integrated editor for playful drawing of own frequency spectra
Algorithms for musically meaningful drawing of harmonics

Width: 24 HP
Depth: 30 mm
Current draw +12V: 205mA
Current draw -12V: 20 mA
Current draw +5V: 0 mA

** Includes 3mm screws, 16-Pin to 10-Pin eurorack power cable, USB cable for firmware updates **

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.
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 1 in stock $634.37
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Verbos Electronics Multi-Delay Processor Voltage Controlled 8-Tap Digital Delay Module
Verbos Electronics Multi-Delay Processor Voltage Controlled 8-Tap Digital Delay Module (delay/digital/effect/reverb/envelope follower synth module)
Cat: 690806 Rel: 25 Jun 18
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 1 in stock $631.19
Noise Engineering Loquelic Iteritas Percido Wavetable Oscillator Module (silver)
Noise Engineering Loquelic Iteritas Percido Wavetable Oscillator Module (silver) (digital/drum/envelope generator/oscillator/synth voice synth module)
Cat: 657487 Rel: 08 Aug 17
 
20HP drum synth voice module
Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.
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 1 in stock $630.12
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1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver)
Cat: 775085 Rel: 22 Jun 20
 
sampling module
Notes: Updated version of the excellent Bitbox sampler module offers more powerful sound processing and an improved touch screen. Improved effects and mixing with all the same creative power of the original.

Supplier notes:
Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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 1 in stock $616.34
Endorphin.es Furthrrrr Generator Dual Complex VCO Module With Waveshaper (yellow)
Endorphin.es Furthrrrr Generator Dual Complex VCO Module With Waveshaper (yellow) (oscillator/dual/stereo/function generator/LFO/noise/random module)
Cat: 579172 Rel: 07 Aug 15
 
Dual voltage controlled oscillator module with waveshaper module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module
Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module (clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer synth module)
Cat: 814424 Rel: 24 Feb 21
 
Clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer eurorack module
Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.
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Verbos Electronics Real World Interface 3-Channel External Processing Module
Verbos Electronics Real World Interface 3-Channel External Processing Module (controller/dual/stereo/envelope follower/expression/external/oscillator/utility synth module)
Cat: 945398 Rel: 16 Oct 23
 
A three channel external processing module in 18HP.
Notes: Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP
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 2 in stock $604.66
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1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (black) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (black)
Cat: 958547 Rel: 24 Jul 23
 
Sampler, looper, slicer and recorder module - 26HP.
Notes: Second-generation version of 1010's outstanding Bitbox sampler module, featuring improved processing power, higher-quality touchscreen and new effects.

Supplier's Notes:
Next Generation Sampling Module for Eurorack

The bitbox mk2 is a follow up to 1010's successful bitbox module. Do more with bitbox mk2's more powerful processor and improved touch screen. This module has all of the features of the original bitbox and adds effects and mixing capabilities that take advantage of the faster and more powerful processor.

Sample Playback

Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 3.5" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would

When you purchase a bitbox mk2, you will receive:

a bitbox mk2 Eurorack module
a microSD card with with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox mk2 Quick Start guide
a MIDI Adapter

Technical Specs

Supports 1 and 2 channel WAV files with 16, 24 or 32-bit resolution at any sample rate (48kHz preferred)
26 HP
Module dimensions including knobs: 5.25" x 5"x 1.75"
Depth behind front panel with ribbon cable: 1.25"
+12V: 400mA
-12V: 0mA
5V: 0mA
24-bit ADC and DAC

Inputs and Outputs

Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals
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 2 in stock $602.55
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Modbap Modular Trinity Digital Drum Synth Array Module Modbap Modular Trinity Digital Drum Synth Array Module Modbap Modular Trinity Digital Drum Synth Array Module Modbap Modular Trinity Digital Drum Synth Array Module
Modbap Modular Trinity Digital Drum Synth Array Module (digital/drum/MIDI/oscillator synth module)
Cat: 899976 Rel: 30 Nov 22
 
3 channel Digital drum synth
Notes: Based around the logical assumption that a decent drum pattern starts with kick, snare and hi-hat, the Trinity is a three-voice digital module designed to cover all the main elements. A lot of versatility in a nice format.

Supplier notes:
TRINITY is a 3 channel Digital Drum Synth Array packed into a 20hp eurorack synthesizer. Effectively, Trinity performs as 3 powerful drum voices packaged into one beastly drum module with a few tricks up its sleeve.

The name Trinity refers to the 3 drum channels and tips its hat to the core elements of any modern beat driven composition which is typically Kick, Snare and Hat. Trinity takes this simple idea and flips it on its head with 3 channels and an array of drum synth algorithms that use various types of synthesis (Analogue Inspired, Additive, FM & Noise) allowing for a wide array of drum design capability that achieves and reaches far beyond the conventional. Trinity's array of digital drum synth algorithms are very malleable by way of the 7 knobs and 4 mini-pots, each of which control a specific parameter and characteristic (Pitch, Sweep, Time, Shape, Grit, Decay, EQ, Clipper, Hold, Volume and Character) for each drum voice. Each drum channel has its own trigger and v/oct in addition extensive CV input options per channel.

Trinity takes its capabilities a few steps above and beyond most with the addition of its Cycle modes (Round Robin& Random) and Stack modes (2 Stacks & 3 Stacks).

Round Robin cycle mode cycles through the drum algorithm types one after another with each trigger. Random cycle mode randomizes the parameters of a channel's chosen drum algorithm type with each trigger.

Stack modes are inspired by the characteristics of chopped breaks where drums tend to overlap and fan out depending on the content of the chopped source material. Trinity's take on it? Stack modes allow 2 or 3 drum channels to be triggered by the primary channel's trigger and v/oct inputs. 'Stack Spread' allows for fanning the stacked drums out to taste.

Trinity's uniquely performable and switchable output matrix allows for the routing of each drum channel's output to the mix output, the individual drum channel output or both. This makes for easy performability, mutable output, parallel processing, or side chain source.

Lastly, Trinity's midi over USB connection allows for midi control over various parameters via one USB cable. USB midi makes integration a cinch by connecting one USB wire from Trinity to a groove-box or computer-instant integration.

All in all, Trinity packs a hefty punch and weighs in at 20hp, 11 knobs, 3 drum channels, 3 trigger buttons, 4 drum synth algorithms based on 4 different types of synthesis, 24 CV inputs, 3 way output switching with 3 individual outputs, a mix output and a midi over USB connection.
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Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module
Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module (filter/sequencer/dual/stereo/effect synth module)
Cat: 658753 Rel: 11 Sep 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 2 in stock $598.30
Make Noise/Soundhack Spectraphon Dual Spectral Oscillator Module
Make Noise/Soundhack Spectraphon Dual Spectral Oscillator Module (CV modulation/digital/dual/stereo/envelope follower/LFO/oscillator synth module)
Cat: 945799 Rel: 10 Jul 23
 
A dual spectral oscillator module coded by Tom Erbe of Soundhack in 34HP.
Notes: Based on a new digital hardware platform, the Spectraphon is a powerhouse spectral oscillator, capable of everything from analogue-style dual complex oscillators to FM and much more.

Supplier's Notes:
The Make Noise/Soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of Soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touche, but it takes a physical form more resembling the classic analogue dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. This hardware, engineered by Jeff Snyder and Tony Rolando, provides more i/o at higher resolutions, and a lower noise floor than we have ever had access to in a digital module, allowing us to unleash Tom Erbe's DSP code to a previously unattainable degree.

The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). In SAM, instead of oscillating at all times like an analogue VCO, sound at the Spectraphon's input is used to modulate the amplitude of a set of harmonics. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.

The Slide and Focus controls are mode-dependent: in SAM, they determine how the Spectraphon responds to sound at the input for Spectral AM, while in SAO, they are used to modulate the Array.

In either mode (SAM or SAO), the Partials control works as a combined amplitude and timbre gate for the Odd and Even harmonic output and the FM Bus will create high definition internal frequency modulation from the opposing side of the Spectraphon. The two sides can also interact via the internal FM Bus, the Follow and Sync modes, and by patching them together.

Width: 34hp

Power:
230mA @ +12V
55mA @ -12V

Module Depth (incl power cable): 36mm
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 1 in stock $593.00
Winter Plankton Zaps Percussion Synth Voice Module
Cat: 846858 Rel: 24 Mar 23
 
A percussion-line-synth voice designed for creating organic percussive sequences that can mutate over time.
Notes: Analogue synth percussion, melodic bleeps and mutating zaps are the name of the game from this clever module. Sequencing options allow you to introduce randomness and organic evolution of the sound.

Supplier's Notes:
Zaps is a percussion-line-synth voice designed for creating organic percussive sequences that can mutate over time.

It uses a combination of different techniques like controlled randomness, morphing, and storing (or locking) synth-voice parameters in externally sequencable CV-controlled slots.

The synth voice is a digitally-controlled-two-oscillator-FM and AM-analog engine with two envelopes and cross-modulation.

These are some of the things that can be done with it:

Sequence Preset Slots externally for changing percussion or synth lines
Add subtle randomness to any parameter for slightly changing sounds, or go wild for unpredicted surprises on every trigger
Morph sounds between Slots
Assign accent to any parameter for added expressiveness
Randomly generate full banks of sounds
Capture any randomly generated sound into a preset slot for further editing
Freeze/Revert the state of the module for careless editing during live performances
Live editing of a single or multiple Slots simultaneously for expressive tweaking
Generate melodic percussion or synth lines with the V/O tracked oscillators
Use CV-in control of any parameter or CV-out control for external modules (control FX-sends or automate external-synth parameters)

The synthesis board is an analog circuit with two VCOs, two envelopes, AM, FM, high-pass filters, and a two-channel mixer.

VCOs:

Triangle core VCOs with V/oct inputs and Fine and Coarse controls.
VCO 1 waves: Sine, Triangle, Sawtooth, and Square.
VCO 2 waves: Sine, Triangle, Sawtooth, Square, Double Sine, and White Noise.
VCO2 has two separate wave outputs, one for the AM and the other for the FM and the Mixer-Channel 2.

ENVELOPES:

Two AHR (Attack, Hold, Release) envelopes.
The hold time can be set internally or externally (Gate ON) for each envelope.
Envelopes can be faded from logarithmic to linear responses.
Each envelope can control the Pitch/Tone of the VCOs (Pitch Envelope), the amount of AM or FM (Envelope 1), the VCA for both channels (Envelope 2).

AM:

The amplitude modulation goes from VCO2 to VCO1.
It can be set in two ways: straight to VCO1 or through a VCA controlled by Envelope 1.

FM:

The frequency modulation goes from VCO2 to VCO1 and from VCO1 to VCO2 (XFM).
FM can be set in two ways: straight to VCO1, or through a VCA controlled by Envelope 1.

MIXER:

Two-channel mixer for the two VCOs.

HIGH-PASS FILTER

There are two HPFs. HPF1 filters the mixer output. HPF2 filters the white noise.

DIGITAL CONTROL

STRUCTURE:

Each project contains twelve banks; each bank contains twelve slots; each slot contains a sound.
All projects are stored on an SD card.

RANDOM:

Randomize values on a per trigger basis
Independent random control for each synth parameter
Set ranges to any random value for controlled randomness
Relatively attenuate all parameter-random amounts with a single global random fader
Populate slots or banks with randomly generated sounds

FREEZE/REVERT :

Take a snapshot of the whole project, modify it and go back to the original state.

MORPH:

Parameter interpolation between two slots on a per trigger basis.
Control the balance between the two slots with one fader - crossfade style!

CV ASSIGN:

Any of the six CV-connectors can be configurable as both inputs or outputs and set to different ranges (0/10V, 0/8V, -5/5V, 0/5V).
CV-inputs can be internally attenuated
Control almost any synth parameter, value, or setting on a per trigger basis. For example, Accent, Slot Selection, Morph assignments, Next/Prev Slot, Random Slot, Oscillator-Wave Selection, any of the synth parameters (Pitch, Release, AM, FM, Global Random...) or any of the random parameters (Random Pitch, Random Filter, Random Hold)
Output any parameter-CV values through any of the assignable I/Os
Alt-fader-CV output for controlling external parameters, like Send-FX for each slot.
CV-slot/Gate out - Useful for externally recording finger drumming!

ACCENT ASSIGN:

. Add dynamics by assigning the accent input to control any one of the synth parameters

COPY:

Copy Slots (also between banks)

SNAPSHOT:

Take a snapshot of the last sound heard (flatten the values for further editing), including the effects of CV-in, Morph, and Random. Very useful for easily creating banks from scratch!

EDIT ALL:

Action over faders has an effect on the twelve Slots. Use hints: Live tweaking, homogenize, "tame" a Sound Bank, or modify all Slot parameters while sequencing the Slots via CV-input.

FILE SYSTEM:

Save, Load, Name, and Rename projects, banks, sounds and sort them into folders.
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Plankton Electronics Spice Saturation Effects Module Plankton Electronics Spice Saturation Effects Module
Plankton Electronics Spice Saturation Effects Module (distortion/dynamics/fffect/envelope follower/filter/mixer/VCA synth module)
Cat: 934366 Rel: 24 Mar 23
 
A saturation effects module in 38HP.
Notes: Rackable (38HP eurorack) modular desktop unit.

8 CV inputs with led level indicators.

6 main functions: Prefilter / Digital / Analog / Mixer / Envelope Follower / Feedback

Prefilter: High Pass and Low Pass filters to shape the sound before being processed. Both controllable via fader + CV input.

Digital: 12 bit Bit Crusher / Bit mute, Biswap and Bit inversion + Sample Rate reducer. Both controllable via potentiometer and CV inputs. It also offer an analogue input control with led clip indicator and a low pass filter to smooth the output signal. All the code will be Open Source

Analog: 7 analog distortion circuits selectable with a rotary encoder + a sweet resonant state variable filter. Drive and Cutoff parameters are controllable via potentiometer and CV inputs. 2 of the circuits use the new Korg NU-TUBE.

Mixer: Dry and Wet controls to mixed the processed signal with the clean one of the input. Both controllable via fader + CV input.

Envelope Follower: A dedicated envelope follower with gain control and normal and inverted outputs to convert an incoming signal to an envelope. With its output you can control any of the CV parameters and shape the processed sound in many creative ways.

Feedback: a triple feedback section that sends the Wet input to the Prefilter, Digital and Analog sections. It's capable from a subtle resonance to a collapsed hardcore self generating tone.

Semi-modular architecture with pre-patched sections that can be restructured using patch cables. Each section (minus the feedback) can be used as an independent function from the rest.

Dimensions
38 HP

Current Draw
195 mA +12V
160 mA -12V
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 1 in stock $588.75
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ERM Polygogo Polygonal Stereo Oscillator Module
ERM Polygogo Polygonal Stereo Oscillator Module (oscillator/digital/dual/stereo synth module)
Cat: 734881 Rel: 11 Feb 20
 
oscillator synth module
Notes: A unique graphical take on an oscillator design, E-RM's brand-new polygonal synthesis approach is unlike anything else we've seen. Stereo oscillator capable of a huge range of timbres. Innovative stuff.

Supplier's notes:
The polygonal synthesis is a kind of graphical complex amplitude shaping method. With the help of the built-in modulation sources, polygonal synthesis in polygogo opens up a wide range of sonic possibilities from clicky pinged sequences to unique dark thunderstorms, bass lines, leads and colored noise.

This mighty stereo oscillator impressed the audience with its wide range of possible timbres. The idea of sculpting a shape on the screen of the module that then translates into sound works really well and invites the user to interact with the module.
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 1 in stock $578.15
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ADDAC System ADDAC112A&B VC Looper & Granular Processor Module ADDAC System ADDAC112A&B VC Looper & Granular Processor Module ADDAC System ADDAC112A&B VC Looper & Granular Processor Module ADDAC System ADDAC112A&B VC Looper & Granular Processor Module ADDAC System ADDAC112A&B VC Looper & Granular Processor Module
Cat: 811085 Rel: 07 Sep 21
 
VC looper & granular processor module - 45HP
Notes: One of the most impressive granular synthesis approaches in Eurorack, combining looping and granular effects with buffer sizes up to five minutes. Hugely creative and powerful dual-module setup.

Supplier's Notes:
There's a long history behind the granular concept and many reinterpretations of it's core principles, this is ADDAC's take on it.

In a loose description digital Granular refer to pieces of sound files being played at the same time with slight or completely different parameters originating what is commonly referred to as granular clouds. Normally there's a buffer size from which the granular engine snips it's pieces from and plays them according to the parameters set. This buffer size is normally small in size where grains are so small that can reach the hearing spectrum and be heard as a sort of ever changing complex wavetable, this is the principle behind granular synthesis.

ADDAC have added the possibility of long buffer sizes up to 5 minutes, allowing "softer" approaches to the granular principle using it as an effect that can generate from "accidental" effects like slight "stutters" to extreme processing and transformation of any incoming audio signal.

This module is conceptually deep but easy to grasp and operate as all controls are in its dedicated panel, all jack inputs and outputs have its own separate panel to allow no compromise when playing it's controls.

There are three main sections in this module:
Looper Engine: The Looper is where all the Real-Time recording happens. The audio input feeds the recording buffer, multiple controls allow to record and play loops into a list so that any sample in the list can be accessed at ay time and more acting as a standard looper
Granular Engine: The Granular acts upon the buffer of whatever LOOP is selected.
Output Mix The output mix allow individual control for the Dry Input, Looper Volume and Grains Volume.
Besides these main sections there's also a simple strip down MENU mainly used to LOAD and SAVE Banks, no Menu diving guaranteed.

For more detailed info, please refer to the User's Guide.

Audio Specs:
Audio input: Stereo, 16bit 44.1Khz
Audio output: Stereo, 16bit 44.1Khz

Tech Specs:
32HP + 13HP
4.5cm deep
240mA +12V
70mA -12V
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MRP:$677.87 SAVE 15%
 3 in stock $577.09
4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) 4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) 4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black)
4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) (oscillator/digital/LFO/synth voice synth module)
Cat: 648377 Rel: 29 Apr 19
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.
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 2 in stock $568.60
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Verbos Electronics Real World Interface 3-Channel External Processing Module (B-STOCK)
Verbos Electronics Real World Interface 3-Channel External Processing Module (B-STOCK) (controller/dual/stereo/envelope follower/expression/external/oscillator/utility synth module)
Cat: 985258 Rel: 01 Jan 90
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP
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 1 in stock $565.16
Erica Synths Drum Sequencer Advanced Drum Sequencer Module With 16 Trigger Outs (B-STOCK)
Cat: 977998 Rel: 01 Jan 90
 
B-STOCK: Box opened, light surface marks, product in perfect working condition
Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Inspired by Roland's TR-x0x sequencers, the Drum Sequencer brings that classic approach to Eurorack, offering a massive 16 trigger channels with gate and accent outputs, plus a CV/gate track for synths.

Supplier's notes:
X0X-style beat creation for modular systems - Erica's drum sequencer is based on the concepts of classic Roland TR rhythm composers. The module offers 16 trigger channels, twelve of which also feature accent outputs. Additionally, there is a CV and a gate track, meaning you can also notate a bass line or melody. The maximum pattern length is 64 steps. Extensive playback and random functions plus two LFOs help you with creating lively results. Large buttons provide a fantastic feel while programming patterns.
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 1 in stock $556.94
Verbos Electronics Control Voltage Processor Module (silver) Verbos Electronics Control Voltage Processor Module (silver) Verbos Electronics Control Voltage Processor Module (silver)
Verbos Electronics Control Voltage Processor Module (silver) (attenuator/CV modulation/mixer/slew limiter/envelope generator/function generator/utility/VCA synth module)
Cat: 725952 Rel: 25 Mar 19
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $554.81
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FORTHCOMING
Rides In The Storm SED-SCM Discrete Voltage Controlled Oscillator Module
Rides In The Storm SED-SCM Discrete Voltage Controlled Oscillator Module (envelope generator/external/filter/LFO/noise/oscillator/synth voice/VCA module)
Cat: 942310 Rel: 31 May 24
 
Discrete VCOs module in 36HP.
Notes: Discrete VCOs with three Subs, SYNC, Wavefolder, discrete VCA and VCF, Dual analog LFO (one also usable as VCO) into audio rate with Keytracking, huge Mixer section, Ring mod, Glide and Patchfield.

Power consumption: TBA

Rackspace: 36HP
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 May 24 $529.35
(No payment required now - pay when released)
Cosmotronic Vortex Thru-Zero Complex Oscillator Module
Cosmotronic Vortex Thru-Zero Complex Oscillator Module (oscillator/synth voice synth synth module)
Cat: 831106 Rel: 04 Apr 22
 
Complex oscillator featuring two independent VCOs
Notes: Wow. Oscillators don't come much more special than this. Two contrasting, fully independent VCOs with waveshaping and complex cross-modulations, plus the 'Thru Zero Trinity' of FM, phase and amplitude modulation. Beautiful.

Supplier's Notes:
Thru Zero Complex Oscillator

A new complex oscillator, featuring two independent VCO's. Both voices have a unique signal path and flavour. Complex cross modulations entangle them together, opening up completely new timbral territories.

Features include the Thru Zero trinity; Frequency, Phase and Amplitude modulation.

Each oscillator also has its own Low Pass Filter, which works great to mellow the harsher tones from complex intermodulations.

Each VCO has great tracking and temperature stability, there is no distinction between a carrier and modulator.

The FM bus lets you modulate the index of each individual voice, with linear and exponential inputs for external sources. There are also inputs for Sync in, with both soft and hard sync.

VCO 1

The left VCO signal chain starts with a shape function, that let's you morph between triangle and saw. This waveform is also available as a separate output.

Next is a sinusoidal wavefolder, which changes its response dramaticaly based on shape of the waveform. The circuit is based on a modified version of a design by Barrie Gilbert from 1977, popularized by Open-Music-Labs (used with permission).

This circuit also creates the possibility of Thru Zero Phase Modulation, here the depth is controlled with the third slider. The source is normaled to VCO 2, but external modulation sources can be patched in, and the depth can also be modulated with CV.

Lastly there's a 2-pole Low Pass Filter, before going out the MAIN output. All parameters can be CV controlled, and feature handy attenuators at the inputs.

VCO 2

The first slider is a continuous waveform shaper, that morphs from sine to tri to saw.

This waveform then enters the Thru Zero Amplitude Modulation (Ringmod) section. The slider sets the depth of modulation, with the source normalized to VCO 1. The depth can be CV controlled, and an external source can be patched as well. The result is also available on a separate output, pre wavefolder/filter (VCO 2 sine).

The third slider is a wavefolder, it's based around a novel wavefolding topology, with a unique and more aggressive sound compared to the sinusoidal folder of VCO 1.

The wavefolded signal goes into a 2 pole Low Pass Filter, and out of the MAIN output.

Dimensions
26 HP
27 mm deep

Current Draw
190 mA +12V
190 mA -12V
0 mA 5V
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$582.40 SAVE 10%
 7 in stock $524.16
Acid Rain Technology Constellation 8-Channel Pattern Generator Module
Cat: 872037 Rel: 06 May 22
 
Constellation is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms.
Notes: A serious trigger sequencer for generating complex, multi-layered rhythms. Eight channels of Euclidean pattern generation meet probability, modulation and CV control for real depth and power.

Supplier's Notes:
Constellation is all about rhythm. It is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms. Constellation takes a "parametric" approach to rhythm - there is no explicit step sequencing on the module, rather the rhythms are defined by euclidean (and more) parameters that build the rhythm mathematically.

Constellation aims to evolve the concept of euclidean rhythms far beyond the useful but repetitive patterns we often think of when we hear the term "euclidean rhythm". This is accomplished by by combining up to 8 individual euclidean patterns of different lengths and density. Each pattern may provide only a small component of the final output, but together create immensely musical and varied rhythmic material over a very long time frame - up to 999 steps! If each of those steps are 1/16 note in length at 120 bpm, that's a full 2 minutes of explicitly defined, yet non repeating rhythmic material.

In addition, Constellation's parametric approach allows any of these parameters to be modulated with CV through one of 8 freely assignable CV inputs. CV modulation introduces further ability for Constellation's rhythmic output to vary over time. Paired with a Maestro or Navigators, hours of interesting morphing rhythms are possible without the need for tons of step programming or the uncontrollable chaos of a purely generative approach.

When writing music, rhythmic interest is often built through the combination of repeating and non repeating elements that work together to anchor the overall feel but also keep the ear free from boredom over the duration of the piece. Constellation provides a unique set of tools to accomplish this goal and achieve rhythms that are intentional, unexpected and exciting to use as the foundation of your compositions.

28hp, 25mm deep
75mA +12, 18mA -12
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 1 in stock $517.68
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Erica Synths Drum Sequencer Advanced Drum Sequencer Module
Cat: 690935 Rel: 15 Jun 18
 
Advanced drum sequencer module with 16 trigger outs - 42HP
Notes: IThe Drum Sequencer is easy to use, classical X0X style live performance oriented sequencer module that provides the ultimate control over your system. Erica Synths Drum Sequencer might be the last modular sequencer for drums and basslines you will ever have to buy!

Features:
16x trigger outputs
12x accent outs
1x CV track with scales
1x Gate track
2x LFO with independent or synced to the BPM frequency
LFO attenuation per out
Max pattern length = 64 steps
Time signature per Track
Direction per track/pattern
Pattern length per Track
Shuffle per track
Probability per step
Retrigger per step
Time shift per step
Instant pattern switching
Solo/Mute tracks
Step/Tap record modes
8 Banks of 16 Patterns
Quick Copy/Paste per tracks & patterns
Pattern linking
Song mode
MIDI sync in with Start/Stop
External 4PPQ clock in
Firmware upgrade via MIDI SysEx??
Specifications and appearance are subject to change without notice for improvement.

Technical specifications:
Trigger amplitude: 5V
Panel Width: 42 HP
Module depth: 30mm
Power consumption: 152mA@+12V, 56mA@-12V
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MRP:$593.01 SAVE 14%
 2 in stock $511.31
Verbos Electronics Polyphonic Envelope Quad Attack-Hold-Decay Envelope Module
Verbos Electronics Polyphonic Envelope Quad Attack-Hold-Decay Envelope Module (envelope generator/function generator/quad module)
Cat: 895183 Rel: 31 Aug 22
 
Quad attack-hold-decay envelope module - 22HP
Notes: Explore modulation beyond the standard ADSR with Verbos's complex polyphonic envelope, opening up the potential of ADAsR and AHDsR slopes. Use the four envelopes independently or trigger sequentially in three separate modes.

Supplier's Notes:
The Verbos Polyphonic Envelope module is a set of four envelope generators which can be used together or independently. Cascade logic allows the four envelopes to trigger sequentially with subsequent envelopes starting at the Hold, Decay or End of the previous envelope.

Each envelope offers its own gate input, CV output and end pulse output, so it can be used in up to four-voice polyphonic patches. The three skew controls allow the times to change as each new envelope is switched on. All parameters can be voltage controlled.

Power consumption: 75mA at +12 V and 30mA at -12 V

HP : 22
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 1 in stock $507.07
Serge New Timbral Oscillator Module
Serge New Timbral Oscillator Module (oscillator/waveshaper module)
Cat: 757121 Rel: 15 Oct 20
 
Analogue oscillator module - 18HP
Notes: The NTO is Serge's legendary and most ambitious analog oscillator. It combines raw vintage sound with astonishing precison.

The new NTO by Random*Source has been developed in close cooperation with Serge. It took about 2 years to replace obsolete parts and bring the NTO to SMT with some optimizations (precision references and parts) for stability. It also features a new Pulse Out (square wave) in addition to the classic outputs.
The Serge New Timbral Oscillator (NTO) is the state-of-the-art VCO, featuring exceptional range, superb temperature stability, and accurate tracking. Dynamic depth frequency modulation and voltage control of waveform allow unprecedented control over a wide range of sound qualities.

Features:
Exponential 1V/Octave response
Accurate tracking, temperature stability, wide frequency range
Dynamic depth linear frequency modulation
Now with PULSE OUT
NTO on multilayer pcb with all SMT parts soldered in
PCBs in SMT, manufactured in Germany

Dimensions
18 HP
40 mm deep

Current Draw
115 mA +12V
80 mA -12V
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 1 in stock $507.07
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Rossum Electro-Music Evolution Variable Character Ladder Filter Module
Cat: 658749 Rel: 11 Sep 17
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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Make Noise Rene Cartesian 3D Music Sequencer Module
Cat: 703388 Rel: 15 Oct 18
 
World's first and only 3D Cartesian Sequencer for music synthesisers - 34HP
Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 6 in stock $502.82
AJH Synth Fixed Filter Bank 914 Industor Based Bandpass Filter Array Module (black)
Cat: 708095 Rel: 25 Jan 19
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 1 in stock $502.82
Hexinverter Mindphaser Analogue Dual Oscillator Module
Hexinverter Mindphaser Analogue Dual Oscillator Module (oscillator/CV modulation/waveshaper/ring modulator module)
Cat: 975739 Rel: 08 Nov 23
 
Next generation complex dual oscillator module - 30HP
Notes: Building on the familiar dual VCO core arrangement of Carrier and Modulator, Mindphaser is a complex oscillator which departs from this bit of ancestral DNA with a modern toolkit focused on searing, phase-modulated leads, percussive basslines and other-worldly effects!

A diverse palette of intermodulation and harmonic experimentation is offered through the Modulation Bus, its unique Waveshaper and the dedicated Thru-zero Phase Modulation Bus. An intuitive interface provides colour-coded visual feedback and responsive indication while performing in dimly-lit environments.

Two precision analogue oscillator cores

Precision, wide-range V/oct ramp cores, each ranging from deep subsonic to supersonic frequencies (ramp cores, and not triangular, deliver the ideal waveforms for analogue phase accumulation in the TZ-PM Bus)
Each core generates fundamental waveshapes which interact and mangle one-another through the complex Modulation Bus and TZ-PM bus
Simultaneous waveform outputs for each base shape
Dedicated button to toggle between RAMP or SAW for each core, inverting the phase of the ramp output
V/oct, linear FM and exponential FM inputs which are all independent of the TZ-PM functionality. The Carrier's FM occurs inside the core itself, separate from the TZ-PM bus.
DC-coupled linear FM

Carrier

The heartbeat of Mindphaser, focused on audio-rate generation. Drives the WAVESHAPER and TZ-PM bus. This core's frequency range spans the audible spectrum.

- An external hard SYNC IN forcibly resets the core, useful for punchy sequences, percussive basslines and drum synthesis -- or to sync to another VCO.

- Coarse and fine controls conveniently span the audible spectrum. Ranges further with external CV.

Modulator

An extremely wide range oscillator, spanning from deep LFO frequencies all the way up to supersonic sound! Four base waveforms and diverse internal routing options form a versatile palette of modulations for the CARRIER to feed on.

- Activating hard SYNC on the Modulator locks its core to the Carrier's heartbeat. The effect can be dramatic. Try this while phase modulating!

- Octave RANGE switch lets you quickly flick up and down between octaves. All the way beyond audio-rate and LFO speed octaves. Perfect for experimenting with different PM sidebands and taming the wide frequency range of the Modulator.

- Manual PW (Pulse Width) control and dedicated CV input for PWM.

Waveshaper

This isn't a classic waveshaper! Developed anew from the ground up, this waveshaper is focused on deep harmonic experimentation and audio obliteration. Each waveshaper parameter is capable of being "turned up to 11".

FOLD up to 5 octaves above the fundamental Carrier frequency. A ceiling forms at maximum, imparting additional harmonics.

FEEDBACK the waveshaped and phase-modulated audio through a signal path internal to the waveshaper.

AMPLITUDE modulation spans thru-zero, allowing for full-range ring modulation effects with bipolar CV or audio signals.

CLIP the final stage of amplitude with the switch to introduce a last stage of harmonics before the complex signal exits through the final OUT.

Switchable inverting attenuators on each CV input, for quickly inverting the behaviour of your modulation. The indicator illuminates red to tell you the attenuator has been inverted.

Two distinct waveshaping modes

A press of the shape switch toggles Mindphaser between RAMPOID (green) and TRIANGULAR (yellow) waveshaping modes.

These modes have a remarkable effect on the behaviour of wavefolding and overall character of the final complex OUT, in addition to TZ-PM Bus character.

RAMPOID mode folds more asymmetrically, with raucous, buzzing harmonic artefacts as you sweep and introduce TZ-PM

TRIANGULAR mode folds more symmetric, splitting the complex sine wave at its peak centre of the waveform. TZ-PM character is less raucous, and more smooth.

TZ-PM Bus

Thru-zero phase modulation in the ANALOGUE realm! Unlike its digital counterpart, analogue TZ-PM has its own character we've come to expect from analogue circuitry!

A dedicated, voltage-controlled phase modulation bus completely separate from the Mod Bus
Modulator's SINE wave normalled to the PM SOURCE input
SOURCE input allows you to modulate phase with any signal you patch in
Dedicated voltage-controlled INDEX (amount)
Manual phase lets you zero in (or not!) on the base phase before introducing modulation
Independent of the Linear FM circuitry in the Carrier core

Mod Bus

The internal modulation powerhouse, normally fed by the Modulator core, but external signals are patchable as well.

Select from the PULSE, RAMP/SAW or SINE output of the MODULATOR, or inject your own SOURCE to the bus.

Voltage-controlled INDEX behaves like a macro control when combined with various amounts and polarities dialled in at each CV destination.

Internal sends include the Carrier's classic Linear FM, Amplitude, Feedback and TZ-PM Index, with variable amounts and polarities!

Modulator waveforms internally feeding the Mod Bus behave unipolarly, for predictable modulation of every Mod Bus destination, without external patching. By patching in one of the Modulator's bipolar waveform outputs manually (or any external signal), you can override this behaviour.

Dimensions
30 HP
24 mm deep

Current Draw
110 mA +12V
100 mA -12V
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 3 in stock $495.40
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ALM Akemie's Castle Dual 4 Operator FM VCO Module
Cat: 584261 Rel: 15 Apr 16
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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Tags: VCO module
 2 in stock $492.22
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