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Items 1 to 50 of 2,950 on page 1 of 59
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FORTHCOMING
Mackie Element Series EM-91CU USB Condenser Microphone Mackie Element Series EM-91CU USB Condenser Microphone Mackie Element Series EM-91CU USB Condenser Microphone Mackie Element Series EM-91CU USB Condenser Microphone Mackie Element Series EM-91CU USB Condenser Microphone Mackie Element Series EM-91CU USB Condenser Microphone
 
condenser microphone
Notes: Based on Mackie's much-loved EM-91C Condenser mic, this USB version offers the same studio-worthy warmth and clarity you expect with the convenience of USB connecitivty. No knobs, no buttons, just incredible sound without the fuss.

Suitable for remote/work learning, podcasting, live streaming.
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coming soon $52.34
FORTHCOMING
Mackie PF-100 Pop Screen For Element Series Microphones
 
Pop screen for Mackie Element microphones
Notes: Perfectly placed pop screens permeate pleasant, popular, positive payoff. Got a bunch of spit on your screen yet?

The PF-100 is a no-brainer for recording or streaming dialogue, singing, and any other vocal activities. Just slide it over your mic and instantly reduce those nasty pops that sentences like the one above make happen. This keeps your audio much more even and consistent as well as protects your mic from all that saliva.

Use it with ANY EleMent series mic!

EM-91CU
EM-USB
Carbon
Chromium
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coming soon $15.55
FORTHCOMING
Mackie Element Series Chromium Premium USB Condenser Microphone Mackie Element Series Chromium Premium USB Condenser Microphone Mackie Element Series Chromium Premium USB Condenser Microphone Mackie Element Series Chromium Premium USB Condenser Microphone Mackie Element Series Chromium Premium USB Condenser Microphone Mackie Element Series Chromium Premium USB Condenser Microphone
 
USB condenser with built-in 2-channel mixer
Notes: This mic is a true beast for your home studio with tons of I/O and control for an array of different uses. Offering pristine sound with 4 selectable polar patterns and out legendary Onyx Preamp circuitry. On top of that, you get a 1/4" instrument input that you can mix with the mic. Want to play along with a track? Connect anything with a headphone output to the 1/8" Aux in and hear it in your headphones.

Suitable for home studio use, podcasting and content creation.
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coming soon $200.68
FORTHCOMING
Mackie Element Series Carbon Premium USB Condenser Microphone Mackie Element Series Carbon Premium USB Condenser Microphone Mackie Element Series Carbon Premium USB Condenser Microphone Mackie Element Series Carbon Premium USB Condenser Microphone Mackie Element Series Carbon Premium USB Condenser Microphone Mackie Element Series Carbon Premium USB Condenser Microphone
 
USB condenser microphone with 5 polar patterns
Notes: When you want maximum flexibility, Carbon delivers. In addition to the same connectivity and EM-USB, Carbon offers 5 selectable polar patterns, all sweetened by the legendary Onyx Preamp circuitry. Use it with its sleek included stand or mount it on a boom via its standard screw mount.

Suitable for content creation, live streaming and mobile recording.
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coming soon $151.60
FORTHCOMING
Mackie MC-100 Professional Closed-Back Headphones Mackie MC-100 Professional Closed-Back Headphones Mackie MC-100 Professional Closed-Back Headphones Mackie MC-100 Professional Closed-Back Headphones Mackie MC-100 Professional Closed-Back Headphones
 
Professional closed-back headphones
Notes: Whether you're referencing your mix in the studio or producing your next track, MC Series Headphones allow you to take the Mackie studio sound, trusted by artists around the world, wherever you go.

Whether you are tracking in the studio, mixing on your laptop, or even holding a boom on a set - having accurate, sturdy headphones are essential. Building on our studio monitor legacy, MC Series headphones offer the clarity and accuracy Mackie is known for in professional designs. All models feature large custom drivers for clear, distortion-free sound with ergonomic headbands and ear pads for hours of listening comfort in the studio or on the go.

Wear them all day- Nothing is worse than headphones that don't feel great to wear. With plush earpads and headbands, MC Series headphones keep you focused on your music.

Premium sound anywhere- When inspiration strikes, you can act on it, MC Series headphones feature durable, portable designs that aren't just made for the studio.

Your new studio standard- MC Series headphones are truly professional designs made to keep up with the demands of engineers, talent, and everywhere in between.

High-performance drivers- Custom-designed precision drivers are where it all starts. MC Series headphones use large drivers for the best possible headroom and bass response.
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coming soon $29.17
FORTHCOMING
Presonus AudioBox Studio Ultimate Bundle 25th Anniversary Edition Deluxe Hardware & Software Recording Collection
Notes: Everything you need to record and produce- and beyond.
Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USBr 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonusr' best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocalsiand we even included all the necessary cables and a desktop mic stand.

AudioBox USB 96: Simple, reliable, and portable.
The AudioBox USB 96 is the heart of the AudioBox Studio Ultimate Bundle. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze.
No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Sound you can trust. Eris 3.5
PreSonusr Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They're compact enough to fit almost anywhere, but still offer robust I/Oiyou can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone.
Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone and desktop stand. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones.
PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Make your own magic.
PreSonus audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That's why Studio One Artist is included with Presonus every audio interface.Not only that, the Studio Magic Suite of software is also included with Presonus audio interface products.
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MRP:$346.83 SAVE 17%
coming soon $289.02
FORTHCOMING
Sensel Piano Overlay For Morph MIDI Controller Sensel Piano Overlay For Morph MIDI Controller Sensel Piano Overlay For Morph MIDI Controller
 
Overlay
Notes: Make music on the go or in the studio with the Piano Overlay. It features 24 keys, octave-shift, transport controls, velocity sensitivity, and more. Combine up to four devices to create a full size piano! Pitch bend on every finger for unique control over your synths and sounds.
The MIDI protocol is USB Class-compliant and has MIDI Polyphonic Expression (MPE) and Bluetooth MIDI

*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Piano Overlay or the Music Maker's Bundle.

Music Software Compatibility
The Morph is compatible with any music software that listens to MIDI controls.
Free licenses for Arturia - Analog Lab Lite and Bitwig Studio 8-Track are included free with the Morph.
Our user guide includes instructions for:
Ableton Live
Apple GarageBand
Apple Logic
Bitwig Studio
Cycling '74 Max
Image-Line FL Studio
Presonus Studio One 2
Propellerhead Reason

The Morph is also compitable with these iOS Apps:
Apple GarageBand
SunVox
FunkBox Drum Machine
Steinberg Cubase, Avid ProTools, MOTU Digital Performer, Cakewalk SONAR, Cockos Reaper, Renoise, Traktion, etc. will also listen to The Morph, along with any music software that listens to MIDI controls.
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MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Buchla Thunder Overlay For Morph MIDI Controller Sensel Buchla Thunder Overlay For Morph MIDI Controller Sensel Buchla Thunder Overlay For Morph MIDI Controller
Notes: The legendary expressive controller, the Buchla Thunder, now comes to the Sensel Morph in an exclusive new partnership with Buchla U.S.A.

The Buchla Thunder Overlay exclusively features a new preset system to the Morph. By holding the preset button and tapping on one of the nine numerical keys, you can easily and instantly switch between nine mappings without needing to open the SenselApp. Need to go from an instrument controller to a virtual mixer? Want to swap between scales? Presets add a seamless extension of expressive control possibility to the Buchla Thunder Overlay.

The Buchla Thunder is uniquely well-suited to a variety of instruments - from synthesizers with rich and evolving timbres, to acoustic samples that benefit from a more human touch, to hardware synthesizers like the legendary Buchla Easel. You can witness the richness of expression in the videos above.

The MIDI protocol is USB Class-compliant and supports MIDI Polyphonic Expression (MPE) and Bluetooth MIDI.

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MRP:$83.76 SAVE 24%
coming soon $63.25
FORTHCOMING
Sensel Music Production Overlay For Morph MIDI Controller Sensel Music Production Overlay For Morph MIDI Controller Sensel Music Production Overlay For Morph MIDI Controller
Notes: Tune up your electronic music chops with Sensel's customizable MIDI control surface. The 16 pads, bass synth keyboard, and slew of knobs and sliders equip you with all you need for your next hit. Pitch bend and after-pressure make this an essential tool for beats and sound design.
The MIDI protocol is USB Class-compliant and has MIDI Polyphonic Expression (MPE) and Bluetooth MIDI
*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Music Production Overlay or the Music Maker's Bundle.

Music Software Compatibility
The Morph is compatible with any music software that listens to MIDI controls.
Free licenses for Arturia - Analog Lab Lite and Bitwig Studio 8-Track are included free with the Morph.
Our user guide includes instructions for:
Ableton Live
Apple GarageBand
Apple Logic
Bitwig Studio
Cycling '74 Max
Image-Line FL Studio
Presonus Studio One 2
Propellerhead Reason

The Morph is also compatible with these iOS Apps:
Apple GarageBand
SunVox
FunkBox Drum Machine
Steinberg Cubase, Avid ProTools, MOTU Digital Performer, Cakewalk SONAR, Cockos Reaper, Renoise, Traktion, etc. will also listen to The Morph, along with any music software that listens to MIDI controls.
Read more
MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Azerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Azerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Azerty Tactile Keyboard Overlay For Morph MIDI Controller
Notes: Turn the Morph into a wireless keyboard with one of our 3 keyboard overlays. Boost your mobile productivity with tactile key action, function keys, media controls, and customizable shortcuts. Use the SenselApp to adjust for Windows and Mac layouts, so your muscle memory stays intact!

Features:
Soft and quiet, with mechanical feedback - feels fantastic to type on
Wireless Bluetooth connectivity with PC, Mac, iOS (iPhones, iPads) and Android
Hotkeys for PC/Mac
Trackpad below space bar

Specs:
Weight: 0.4 lbs | 182 g
Dimensions: 9.5 x 5.5 x 0.3 in | 24 x 14 x 0.8 cm

*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with QWERTY, Morph with AZERTY, or Morph with DVORAK.
Read more
MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Drum Pad Overlay For Morph MIDI Controller Sensel Drum Pad Overlay For Morph MIDI Controller Sensel Drum Pad Overlay For Morph MIDI Controller Sensel Drum Pad Overlay For Morph MIDI Controller Sensel Drum Pad Overlay For Morph MIDI Controller
 
Overlay
Notes: Everything you need in a portable package. The Drum Pad Overlay is designed for an authentic drumming experience. Fingers, hands, sticks, and mallets are fair game for making beats. When you drop the Drum Pad Overlay on the Morph, it kicks into fast-scan mode to capture everything no matter how fast you're drumming! Includes 7 large pads with 13 programmable zones.
The MIDI protocol is USB Class-compliant and has MIDI Polyphonic Expression (MPE) and Bluetooth MIDI
*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Drum Pad Overlay or the Music Maker's Bundle.

Music Software Compatibility
The Morph is compatible with any music software that listens to MIDI controls.
Free licenses for Arturia - Analog Lab Lite and Bitwig Studio 8-Track are included free with the Morph.
Our user guide includes instructions for:
Ableton Live
Apple GarageBand
Apple Logic
Bitwig Studio
Cycling '74 Max
Image-Line FL Studio
Presonus Studio One 2
Propellerhead Reason

The Morph is also comptable with these iOS Apps:
Apple GarageBand
SunVox
FunkBox Drum Machine
Steinberg Cubase, Avid ProTools, MOTU Digital Performer, Cakewalk SONAR, Cockos Reaper, Renoise, Traktion, etc. will also listen to The Morph, along with any music software that listens to MIDI controls.
Read more
MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Innovator's Overlay For Morph MIDI Controller Sensel Innovator's Overlay For Morph MIDI Controller Sensel Innovator's Overlay For Morph MIDI Controller
Notes: Quickly and easily design fully custom layouts with drag-and-drop tools in the Sensel App, export and print on paper, and then secure paper under the transparent Innovator's Overlay.

Quickly iterate with the Innovator's Overlay before you 3D-print your custom design to make sure its just right.

With Sensel's open-source API, the Innovator's Overlay provides an ideal medium for your creations.
*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Innovator's Overlay.
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MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Video Editing Overlay For Morph MIDI Controller Sensel Video Editing Overlay For Morph MIDI Controller Sensel Video Editing Overlay For Morph MIDI Controller
Notes: Put simply, the Video Editing Overlay (VEO) is a specialized keyboard for video editing, designed to simplify your workflow.
But it's also so much more. Navigate with ease using the jog wheel and force-sensitive shuttle controls. Speed up your workflow by reducing complex multi-finger shortcuts to a single tap. Use Sensel's default mapping or create your own custom mappings.
Go here for reviews about the VEO, and visit our blog post for more details.
*The VEO is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Video Editing Overlay.

Software Compatibility
By default, the key commands on the VEO are mapped for with Adobe Premiere Pro. However, it can also be easily remapped in the SenselApp to adapt to any editing suite, such as Final Cut Pro, Luma Fusion, or DaVinci Resolve.
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MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Morph USB & Bluetooth MIDI Controller (standalone) Sensel Morph USB & Bluetooth MIDI Controller (standalone) Sensel Morph USB & Bluetooth MIDI Controller (standalone) Sensel Morph USB & Bluetooth MIDI Controller (standalone) Sensel Morph USB & Bluetooth MIDI Controller (standalone) Sensel Morph USB & Bluetooth MIDI Controller (standalone)
 
USB & Bluetooth MIDI controller
Notes: Swap overlays to change from music, writing, gaming, and more. USB or Bluetooth means the Morph works anywhere. Experience a new level of expression with 20,000 pressure sensors at your fingertips. Whatever your passion, you can make it with Morph.

Comes with:
Sensel Morph
One overlay of your choice: Piano, Music Production, Drum Pad, Buchla Thunder (+$20=$269), Innovator's, Video Editing, Keyboard, Gaming
License to Arturia's Analog Lab Lite synthesizer software
License to Bitwig's Studio 8-Track music-creation software (when purchased with a MIDI overlay*)
USB Cable

The Sensel Morph uses Sensel's patented PressureGrid technology: a high-resolution, multi-touch, pressure sensing touch technology with a sensitivity range of 5g to 5kg and a tracking accuracy of ~0.1mm.

Compatibility: Windows, OS X, iOS, Android, Linux, Arduino (see final product image for more details on compatibility)
Dimensions: 240 mm x 169.5 mm
Active Area: 230 mm x 130 mm
Thickness: 6.75 mm
Weight: 0.4 kg
Latency: 2 ms - 8 ms (mode dependent)
Resolution: 6,502 DPI
Connectivity: USB, Bluetooth LE, and Serial
Power: USB, Rechargeable Battery
MIDI: USB Class-compliant, MIDI Polyphonic Expression (MPE), Bluetooth MIDI
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MRP:$352.07 SAVE 33%
coming soon $234.48
FORTHCOMING
Sensel Travel Case For Morph MIDI Controller (light gray) Sensel Travel Case For Morph MIDI Controller (light gray) Sensel Travel Case For Morph MIDI Controller (light gray)
Notes: Stay organized and mobile while protecting your gear.

The Morph travel case is a convenient way to carry and protect your Morph, overlays, cables, iPad, paintbrushes and any other accessories that you use along with your Morph. Fits a Morph, iPad and 5+ overlays with ease.

Contains:
A padded exterior to protect your Morph from bumps and bruises
An interior sleeve to securely hold your Morph (and iPad)
Interior straps to hold cables, paintbrushes, drumsticks
An external zippered pocket for additional storage.

Specs:
Weight: 0.7 lbs | 319 g
Dimensions: 11 x 8 x 1.4 in | 28 x 20 x 3.4 cm
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MRP:$31.41 SAVE 17%
coming soon $26.16
FORTHCOMING
Sensel Gaming Overlay For Morph MIDI Controller Sensel Gaming Overlay For Morph MIDI Controller Sensel Gaming Overlay For Morph MIDI Controller Sensel Gaming Overlay For Morph MIDI Controller
 
Overlay
Notes: Remember all the times when you'd press harder on the game controller buttons hoping it would make you go faster? We do. In fact, those moments were at the top of our minds when we were creating the Gaming Overlay. Now, you can use pressure, gestures, and the simple layout of the device to beat your opponent and add that extra missing dynamic to your gaming.
*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with Gaming Overlay.

Compatibility
The Gaming Overlay acts as a USB game controller, so it is compatible with anything a standard gamepad is. While most devices support this standard, not every game does, so you may need to use emulation software for some games. You can find more details in the Morph user guide.
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MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller Sensel Qwerty Tactile Keyboard Overlay For Morph MIDI Controller
Notes: Turn the Morph into a wireless keyboard with one of our 3 keyboard overlays. Boost your mobile productivity with tactile key action, function keys, media controls, and customizable shortcuts. Use the SenselApp to adjust for Windows and Mac layouts, so your muscle memory stays intact!

Specs:
Weight: 0.4 lbs | 182 g
Dimensions: 9.5 x 5.5 x 0.3 in | 24 x 14 x 0.8 cm
Read more
MRP:$44.50 SAVE 17%
coming soon $37.08
FORTHCOMING
Sensel Travel Case For Morph MIDI Controller (blue) Sensel Travel Case For Morph MIDI Controller (blue) Sensel Travel Case For Morph MIDI Controller (blue)
Notes: Stay organized and mobile while protecting your gear.

The Morph travel case is a convenient way to carry and protect your Morph, overlays, cables, iPad, paintbrushes and any other accessories that you use along with your Morph. Fits a Morph, iPad and 5+ overlays with ease.

Contains:
A padded exterior to protect your Morph from bumps and bruises
An interior sleeve to securely hold your Morph (and iPad)
Interior straps to hold cables, paintbrushes, drumsticks
An external zippered pocket for additional storage.

Specs:
Weight: 0.7 lbs | 319 g
Dimensions: 11 x 8 x 1.4 in | 28 x 20 x 3.4 cm
Read more
MRP:$31.41 SAVE 17%
coming soon $26.16
FORTHCOMING
Sensel Travel Case For Morph MIDI controller (pink) Sensel Travel Case For Morph MIDI controller (pink) Sensel Travel Case For Morph MIDI controller (pink) Sensel Travel Case For Morph MIDI controller (pink)
Notes: Stay organized and mobile while protecting your gear.

The Morph travel case is a convenient way to carry and protect your Morph, overlays, cables, iPad, paintbrushes and any other accessories that you use along with your Morph. Fits a Morph, iPad and 5+ overlays with ease.

Contains:
A padded exterior to protect your Morph from bumps and bruises
An interior sleeve to securely hold your Morph (and iPad)
Interior straps to hold cables, paintbrushes, drumsticks
An external zippered pocket for additional storage.

Specs:
Weight: 0.7 lbs | 319 g
Dimensions: 11 x 8 x 1.4 in | 28 x 20 x 3.4 cm
Read more
MRP:$31.41 SAVE 17%
coming soon $26.16
FORTHCOMING
Sensel Dvorak Tactile Keyboard Overlay For Morph MIDI Controller Sensel Dvorak Tactile Keyboard Overlay For Morph MIDI Controller
Notes: Turn the Morph into a wireless keyboard with one of our 3 keyboard overlays. Boost your mobile productivity with tactile key action, function keys, media controls, and customizable shortcuts. Use the SenselApp to adjust for Windows and Mac layouts, so your muscle memory stays intact!

Features:
Soft and quiet, with mechanical feedback - feels fantastic to type on
Wireless Bluetooth connectivity with PC, Mac, iOS (iPhones, iPads) and Android
Hotkeys for PC/Mac
Trackpad below space bar

Specs:
Weight: 0.4 lbs | 182 g
Dimensions: 9.5 x 5.5 x 0.3 in | 24 x 14 x 0.8 cm

*This overlay is designed to be used with the Sensel Morph. So if you don't already own a Morph, pick up the Morph with QWERTY, Morph with AZERTY, or Morph with DVORAK.
Read more
MRP:$44.50 SAVE 17%
coming soon $37.08
Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair) Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair)
Cat: 666506 Rel: 14 Dec 17 • View all Studio monitors
 
3.5-inch powered studio monitors with Kevlar Woofer & 1-inch silk-dome tweeter
Notes: Tiny format but big sound from these entry-level Presonus monitors. Surprisingly punch bass response from a 3.5-inch bass driver. A good starting point for newcomers to production.

Supplier's notes:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Kevlar woofers deliver a cleaner overall sound:
Every Eris-series studio monitor utilizes a custom-woven Kevlar low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.

Smooth high end and wide sweet spot:
The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.

Easy-to-use controls:
A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.

Connect to virtually any line-level source:
With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, 1/4-inch TRS and RCA inputs, as well as front-panel 1/8-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:
Like all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.
Read more
 More than 10 in stock $85.61
Click for better price!
or call +44 20 7424 1960
quote 666506
FORTHCOMING
Intellijel MIDI Expander 1U Module
Cat: 785362 • View all Synth modules
 
MIDI expander module
coming soon TBA
FORTHCOMING
Intellijel XY I/O 1U Module
Cat: 785358 • View all Synth modules
 
Conncector for Intellijel products
Notes: Use this module to tap into the 3-pin LINK connector used in several Intellijel products, including Mixup, Pedal I/O and the Palette and 2nd Generation Audio Jacks Board in a 7U case.

The XY I/O uses two 3.5mm TRS jacks, which accept insert cables to provide send/return capability to a pair of Pedal I/O's, or additional stereo inputs (or outputs) to a pair of Mixups, or one of each.

A third 3-pin Link connector on the back panel allows the X and Y jacks to access the L/R (or Send/Return) jacks on a single connected module or case without needing a stereo cable.
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MRP:$23.56 SAVE 10%
coming soon $21.27
FORTHCOMING
Mackie DB-100 Desktop Microphone Boom Arm
Mackie DB-100 Desktop Microphone Boom Arm (desktop microphone boom arm)
 
Desktop microhphone boom arm for Mackie Element microphones
Notes: Complete your content creation battlestation with this snazzy desktop boom arm. Simply clamp it to your desk, attach the mic, run your cable with the included straps and boom, you're good to go. Easy to adjust and Built-Like-a-Tank, this is a must have accessory for your EleMent mic.

It's the perfect companion for (almost) all EleMent microphones!

Compatible with: EM-91CU, EM-USB, Carbon

Please note: The microphone is not included in this purchase, it si shown for demonsatration purposes only.
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coming soon $75.24
Tangible Waves AE Modular FMOS FM Synthesis Module
Cat: 786477 Rel: 16 Oct 20 • View all Synth modules
 
Synthesis module
Notes: FM synthesis for the AE!

The FMOS is a new digital oscillator that brings FM synthesis to the AE modular! It offers the basic FM synthesis with one oscillator and one modulator, running both with sine waves or triangle waves. The modulation depth and frequency ratio of the modulator can be set with a knob and additionally by CV control. If you want pure sine waves, this is for you too - simply set the modulation level to 0.

The module is based on a simple 8-bit microcontroller and an adapted design of Jan Ostman.
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MRP:$53.66 SAVE 17%
! low stock $44.71
Tiptop Audio Stackcable 30cm Mini Jack Patch Cable (red)
Cat: 595787 Rel: 19 Jan 16 • View all 音响线材和电源适配器
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
Read more
 More than 10 in stock $5.99
Erica Synths Syntrx Analogue Synthesiser (UK plug)
Cat: 750753 Rel: 16 Oct 20 • View all Synthesisers
 
Analogue synthesiser
Notes: Since its beginnings Erica Synths has promoted experimental electronic music and has developed instruments that enable musicians to explore it.

When it comes to standalone instruments, one of the most encouraging instruments in experimental music was Synthi AKS, so Erica Synths have teamed up with engineers from Riga Technical University to develop a synthesizer with a user interface inspired by Synthi AKS.

SYNTRX [sintrex] is developed from scratch all analogue synthesizer (no part of schematics is cloned from Synthi AKS) with digitally controlled patch matrix. Unlike most of patch matrixes around, that mechanically connect signals, our 16x16 matrix utilizes 32 (!!!) 16 channel analogue switch ICs AS16M1 (made in Latvia, Alfa RPAR) and is a mixer/buffered multiple with 3 level attenuation (gain 1, 0,6 and 0,3) in connection points. It has 256 patch memory, automatic patch switching in performance mode or via MIDI messages.

SYNTRX has 3 highly accurate VCOs that track great over 8 octaves, noise generator with "colour" filter, resonant VCF, ring modulator, spring reverb, looping envelope generator, joystick controller, input amplifier with adjustable gain for microphone to line level signals, 3 VCAs, output signal filter, analogue CV/audio signal level indicator and built in speakers. Extra features, not found on Synthi AKS, are Sample & Hold circuit with individual clock, octave switch for VCO1, synchronization of VCO2, AD mode on the envelope generator, as well as MIDI that accepts CV, Gate, Modulation wheel messages and program change messages for the matrix control. The SYNTRX comes in aluminium enclosure with ash tree side panels.

SYNTRX will inspire users to explore the space and travel to previously undiscovered audible realms.
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quote 750753
Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument Native Instruments Maschine+ Standalone Production & Performance Instrument
Cat: 789907 Rel: 16 Oct 20 • View all Drum machines
 
Sampler & drum machine & synthesiser
Notes: MASCHINE+ is a sampler, a drum machine, a synth, and an on-stage superpower. In short, it's whatever you make it. Leave the laptop behind, jam with your other gear, and create beats in minutes with a wealth of on-board sounds, instruments, and effects.

It's the iconic MASCHINE workflow, with fewer strings attached.

Standalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment - from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.

As well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth - pretty much anything you can think of if you flex your sound design skills.

Whether you're digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else - more sounds means more creative ways to make music.

Bring real expression to live performances with intuitive control over your music - tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesizer rolled into one.

Clips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you've fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.

Play and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.

MASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.

Need more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits.

AUDIO INTERFACE SPECIFICATIONS

Line-In
Full Scale Level: +18,6 dBu
Dynamic Range: 100 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.1 dB
Crosstalk L/R: -96 dB

Mic Input (max gain)
Full Scale Level: -32 dBu
Dynamic Range: 90 dB
THD+N: 0.01 %
Frequency Response:: 20Hz-20kHz +/- 0.4 dB

Mic Input (min gain)
Full Scale Level: -3.4 dBu
Dynamic Range: 102 dB
THD+N: 0.004 %
Frequency Response:: 20Hz-20kHz +/- 0.15 dB

Line Out
Maximum Output Level: +18.0 dB
Dynamic Range: 102 dB
THD+N: 0.003 %
Frequency Response:: 20Hz-20kHz +/- 0.5 dB
Crosstalk L/R: -100 dB

Headphone Out:
Maximum Output Level: 29.4 mW @ 33 Ohm load
Dynamic Range: 102 dB
THD+N: 0.007 %
Frequency Response:: 20Hz-20kHz +/- 0.35 dB
Crosstalk L/R: -60 dB

Dimensions: 322 x 301 x 51 mm / 12.68'' x 11.85'' x 2.01''

Weight: 2.50 kg / 5.51 lbs
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MRP:$1,438.37 SAVE 18%
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quote 789907
Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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MRP:$365.16 SAVE 31%
 More than 10 in stock $251.33
Mutable Instruments Shades Attenuator Offset Mixer Module (2020) Mutable Instruments Shades Attenuator Offset Mixer Module (2020) Mutable Instruments Shades Attenuator Offset Mixer Module (2020)
Cat: 794969 Rel: 14 Oct 20 • View all Synth modules
 
attenuator / offset / mixer synth module
Notes: 2020 update of this versatile three-channel mixer/attenuverter. Versatile and effective, updated with a fresh look to match Mutable's other modules.

Supplier's Notes:
The mixer/attenuverter that does not get in the way.

Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Shades' outputs are daisy-chained, allowing adjacent groups of 2 or 3 channels to be mixed together.

This 2020 revision matches the design language used in the most popular and recent Mutable Instruments modules like Marbles, Plaits or Rings.

Useful in every patch.

Mix audio sources or CVs.

Add offsets to CVs, or change their polarity.

A companion for other modules.

Transpose the output of a sequencer without compromising V/O tracking.

Attenuate/invert CVs sent to modules which do not have attenuverters on their CV inputs.

Control with a knob parameters of other modules that are only accessible through CV inputs (like Just Friends' RUN or the Dixie's PW).

6HP
25mm
+12V:15mA
-12V:15mA

Specifications:

Input impedance: 100k.

All inputs DC-coupled.

Low-distortion audio op-amps and thin film 0.1% resistors improve transparency in audio mixing applications, and allow exact unitary gains for precision summing of pitch CV signals.

Stable and precise voltage reference, independent of power supply fluctuations.
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MRP:$116.48 SAVE 23%
 More than 10 in stock $89.98
Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone Reloop sPodcaster Go Professional USB Podcast Microphone
Cat: 783826 Rel: 16 Oct 20 • View all Vocal microphones
 
USB podcast microphone
Notes: Quality and flexibility are more important than ever for musicians and podcasters nowadays. The professional USB condenser microphone continues the successful sPodcaster series in an outstanding retro design and is built in a portable and slim aluminium housing.

Both the dubbing of musical instruments and the recording of speech and vocals, whether on the road or in project studios, are recorded in studio quality with high-quality A/D converters, thanks to the integrated audio interface (class compliant). Thanks to the advantageous cardioid polar pattern, the system is directed towards a sound source, so that ambient noise and feedback are largely cancelled out.

The 3.5 mm jack connector on the back panel allows you to connect headphones or speakers to listen instantly to the recording. All of the computer's audio output is thus played back via the sPodcaster Go's audio interface and can be comfortably adjusted using the volume buttons. A USB connection between PC or Mac is plug 'n' play without any additional driver installation and also supplies the microphone with power.

The tabletop stand, pre-mounted on the underside of the microphone, folds completely to transport the sPodcaster Go in a space-saving manner. Alternatively, the table stand can be unscrewed to allow attachment to a conventional stand with M10 threads. The sPodcaster Go's rugged construction makes it well-prepared for the daily challenges of mobile use.

The Reloop sPodcaster Go includes a matching USB cable and a functional carrying bag.

Professional USB condenser microphone for portable podcasting
Perfect for recording on the go and smaller studio environments
Integrated USB audio interface (class compliant)

Technical Data
Voltage: USB feed, 5.0 V
Sensibility: -65 i5 dB @ 1 kHz
S/N ratio: -59 dB
Frequency range: 50 Hz - 18 kHz
Plug&Play compatible with Windows Vista, XP, 8 and Mac OS X
Connection: USB
Dimensions: 148 x 65 x 56 mm
Weight: 350 g
Incl. USB cord, table stand and software
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quote 783826
UDG Creator Universal Audio Apollo X4 Hardcase (black) UDG Creator Universal Audio Apollo X4 Hardcase (black) UDG Creator Universal Audio Apollo X4 Hardcase (black)
UDG
Cat: 795490 Rel: 16 Oct 20 • View all Studio accessories
 
Hard case for Universal Audio Apollo X4
Notes: A Digital DJ/ Producer looking for a professional, durable case solution for your Universal Audio Apollo X4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Universal Audio Apollo X4, these cases are perfect for the travelling DJ/ Producer that needs to protect their equipment.

Color: Black
Weight: 0,77 kg / 1.694 lbs
Outer Dimensions (W x H x D): 27.8 x 20.2 x 7.6 cm | 10.9 x 7.9 x 2.9 inch
Inner Dimensions (W x H x D): 23.8 x 16.2 x 6.6 cm | 9.4 x 6.4 x 2.6 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits Universal Audio Apollo X4

Please note: The Audio Apollo X4 is not included in this purchase, it is shown for demonstration purposes only.
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MRP:$36.65 SAVE 17%
 2 in stock $30.53
Electro Harmonix Mainframe Bit Crusher Effects Pedal
Cat: 793996 Rel: 12 Oct 20 • View all Effects pedals
 
Bit crusher pedal
Notes: Clever take on bit crushing, sample rate reduction and all-round lo-fi goodness. Crunchy retro digital sounds with a neat option to tune the sample rate to the key of your song.

Supplier's Notes:
Buzz. Beep and bloop. Electro Harmonix are high on the lo-fi sounds of "old-school" games, toys and terminals and the Mainframe Bit Crusher takes us back in time to when Pac Man and Donkey Kong ruled the arcades, to when the Commodore 64 was high tech.

It provides sample rate reduction ranging from 48kHz to 110Hz. A little background- the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second.

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MRP:$219.88 SAVE 18%
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Apogee Symphony Desktop Audio Interface Apogee Symphony Desktop Audio Interface Apogee Symphony Desktop Audio Interface
Cat: 762366 Rel: 13 Oct 20 • View all 音响和MIDI接口转接盒
 
audio interface
Notes: This desktop version of Apogee's high-end Symphony interface offers the same pristine sound quality found in the flagship Symphony I/O Mk II, but in a more compact form factor.

Supplier's Notes:
Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.

By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.

Symphony Desktop not only delivers the music industry's most sought after and respected sound quality with its Symphony I/O Mk II pedigree, it offers the inspiring and elegant usability of the iconic Apogee Duet and Quartet.

Apogee FX Plugins included with Symphony Desktop:

Symphony EQ - Native and hardware versions
Symphony Compressor - Native and hardware versions
Symphony Reverb - Native version

Mic Preamp Emulations included with Symphony Desktop:

British Solid State - Class A console sound - Inspired by the Marinar "Round can" input transformer and discrete transistor design of the Class A Neve 1066 mic preamp.
American Tube - Lush, 50s Tone - This emulation offers the lush, larger-than-life sounds of the 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range.

In the Box:

Symphony Desktop
12V DC power supply
USB Type C to A cable
USB Type C to C cable
Quick start guide
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MRP:$1,700.13 SAVE 17%
 2 in stock $1,412.42
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quote 762366
Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020) Mutable Instruments Veils Quad VCA Module (2020)
Cat: 794967 Rel: 09 Oct 20 • View all Synth accessories
 
mixer / quad / utility / VCA synth module
Notes: Veils provides four VCAs with an adjustable response curve and offset control.

Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels to be mixed together.

The cornerstones of modular patches.

VCAs are absolutely essential in a modular system, for example for:
Shaping the amplitude or timbre of a tone with an envelope.
Animating a mixture of several oscillators.
Controlling the amount of filter modulation with a random source or a touch controller.
Applying an envelope on the linear FM signal hitting an oscillator.

An updated classic.

More compact footprint (10-HP), with sliders instead of knobs for the main gain/CV control.

Gain indicator LED.

Positive offset control (0 to 8V) for direct use of bipolar modulation sources.

10HP
25mm
+12V:50mA
-12V:50mA

Specifications:

All inputs DC-coupled.

All inputs handle audio-rate signals.

Input impedance: 100k for all inputs.

Gain scale: a +5V CV translates to a gain of 1 (0dB), both in linear and in exponential mode.

Large gains above +20dB (sufficient for amplifying line-level signals) achievable in exponential mode.

Offset control adding an adjustable voltage from 0 to 8V to the gain CV.
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MRP:$198.94 SAVE 16%
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UDG Creator Novation Launchpad X Hardcase (black) UDG Creator Novation Launchpad X Hardcase (black) UDG Creator Novation Launchpad X Hardcase (black)
UDG
Cat: 795486 Rel: 16 Oct 20 • View all Keyboard hard cases
 
Hard case for Novation Launchpad X Controller
Notes: A Digital DJ looking for a professional, durable case solution for your Novation Launchpad X controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Novation Launchpad X controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Colour: Black
Weight: 0,99 kg / 2.178 lbs
Outer Dimensions (W x H x D) - cm: 30.2 x 30.2 x 4 | inch: 11.9 x 11.9 x 1.6
Material: Durashock molded EVA foam
Protection: Protective egg-crate foam prevent damage from vibrations & shocks

Soft fleece interior: Extra's
Easy grip zipper puller
Convenient carry handle
Fits Novation Launchpad X Controller

Please note: The Novation Launchpad X is not included in this purchase, it is shown for demonstration purposes only.
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MRP:$48.43 SAVE 17%
 1 in stock $40.35
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Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller Nux NMP-2 Dual Foot Controller
NUX
Cat: 784822 Rel: 14 Oct 20 • View all Effects pedals
 
Dual foot controller
Notes: Dual foot switch controller for on-the-fly control of guitar effects and amplifiers. Dual mono or stereo jack compatible with individual latching/momentary options for each switch. Designed for use with NuX pedals and compatible with many other types of equipment.

LED indicator per pedal
Latching or non-latching selectable
Compatible with NUX Loop Core Deluxe, JTC Drum & Loop PRO and Cerberus

The box for this item contains :

NuX NMP-2 dual foot controller

Power supply: 9Vdc (5.5 x 2.1mm, centre-negative) optional for LEDs
Dimensions: 96 x 50 x 46mm
Weight: 200g
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MRP:$45.81 SAVE 14%
 1 in stock $39.26
Mackie MP-360 Professional In Ear Monitor Headphones Mackie MP-360 Professional In Ear Monitor Headphones
Cat: 762130 Rel: 13 Oct 20 • View all Earphones
 
in-ear monitor headphones
Notes: Superb in-ear monitoring option from a trusted brand. Audiophile-quality sound and up to 40dB isolation to ensure clarity. Ideal monitoring for vocalists.

Supplier's Notes:
When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition) RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition)
Notes: Black version of RME's premium stereo AD/DA converter, offering exceptionally accurate conversion for mastering and critical listening applications.

Supplier's Notes:
RME's reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC).

Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).

Analog or Digital - Options Galore
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.

Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME's latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.

High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
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MRP:$2,210.56 SAVE 24%
 1 in stock $1,673.08
Frequency Central Logic Bomb Dual CV Addressable Boolean Logic Module
Cat: 795615 Rel: 16 Oct 20 • View all Synth modules
 
Boolean logic/utility synth module
Notes: Logic Bomb is a Boolean logic module with two independent but identical sections.

Both sections feature addressable Boolean logic, with a choice of any one of:

NOT A

NOT B

AND

NAND

OR

NOR

XOR

XNOR

Logic gate type may be chosen either via knob or via CV input.

When addressed via CV, the knobs become attenuators. CV range is 0V to 5V.
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quote 795615
Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply)
Notes: Filtro is a 4 pole HP/LP VCF. Its performance-oriented design makes it a playable FX unit that allows for dynamic use of its features both in studio or live environments. Switchable HP/LP mode, tap tempo and a wide range of LFO waveforms provides a large variety of filter effects.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$413.58 SAVE 15%
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quote 791735
Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply)
Notes: The Spring Amp II allows using spring-reverb tanks with standard audio mixers. It combines a HiFi amplifier for spring reverb tanks with a 2 pole VCF that can be used to shape and equalize the spring's output. Different kinds of spring tanks can be used with Spring Amp II offering a wide selection of possible reverb tones.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 1A, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.



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MRP:$399.18 SAVE 14%
 2 in stock $342.46
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quote 791745
Maxon FWA-10 Fuzz Elements Water Ten Series Fuzz Pedal
Cat: 783307 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: Reproducing the sounds of the EH Big Muff has become a cottage industry within this cottage industry of effect building. Yet with dozens of circuit variations and wildly inconstant component selections, it's virtually impossible to cite any one particular Big Muff incarnation as the most desirable version to pay homage to.

The FWA10 Water narrows the playing field by taking the authentic Ram's Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water's powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water's EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram's Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek's.

The FWA10 Water: Why settle for one Muff, when you can have them all?

TECH TALK:
The FWA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783307
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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quote 783432
Maxon FA-10 Fuzz Elements Air Ten Series Fuzz Pedal
Cat: 783271 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: The FA10 Fuzz Elements Air accurately recreates the distinctive square wave clipping and octave harmonics of one of history's most desirable dirt boxes, the Super Fuzz.

The original Super Fuzz was created by Shin-Ei, but saw later incarnations under brands such as Apollo, Shaftesbury, JAX, Tiesco, Memphis, and most famously, Univox.

It was used on countless recordings in the late 60's & 70's, most notably the Who classic Live at Leeds. Long out of production, the Super Fuzz saw resurgence in the 90's during the Grunge & Alternative Rock era, appearing on the Beastie Boys' Gratitude, Mudhoney's Big Muff Super Fuzz album and Monster Magnet's stoner-rock classic, Superjudge.

The Super Fuzz used dual germanium diodes and a unique full-wave rectification circuit to produce sizzling upper octave harmonics as well as subtle lower harmonics that filled out the guitar sound.

The FA10's analog circuitry nails the Super Fuzz's crushing, compressed tone with surgical precision, and includes the two position Tone switch to toggle between flat and scooped EQ curves. These settings produce wildly different sounds, offering stark contrast to one another and effectively making the FA10 two pedals in one.

A unique aspect of the FA10 is its ability to reproduce rhythm or lead lines with equal clarity, yet without changing settings on the pedal.

Featuring authentic Vintage tones and modern features, the Fuzz Elements Air is the perfect vehicle to make your playing soar.

TECH TALK:
The FA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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Maxon CS-550 Stereo Chorus Pro Vintage Series Pedal
Cat: 783420 Rel: 15 Oct 20 • View all Effects pedals
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS550's "straight-outta '79" chorus effect is bold and resonant without sounding harsh. Unlike the sterile chorus sounds of the 80's, the 550 has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS550's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS550 can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A rear-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS550 is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the 550 thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS550 features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS550 is about as close as you're going to get to the legendary Boss CE-1 chorus/vibrato sound, and also offers many additional sounds unattainable with that vintage gem.

TECH TALK:
The CS550 circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102.

The Delay Time control exhibits an inverse relation between the delay time and the frequency shift of the chorus - as the delay time increases, the frequency that is shifted decreases. This inverse relation creates "double level" and "cancellation" peaks and notches at particular frequency points to create an amazingly realistic, three-dimensional chorus effect. In addition, the Delay Time control is interactive with the Rate and Depth controls, so that if you increase the Depth, the Delay Time range increases, and if you increase the Speed, the Delay Time changes faster.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS550 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

* Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is receommended.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack (2)

Output: 2Residual Noise: -100 dB (Level, VR Min)

Maximum Output Level: +5 dB

Delay Time: 0.8 mSec 6.3 mSec

LFO Speed: 0.4 Hz 8 Hz

Controls: Delay Time, Depth, Speed, Mix-Level

Switch: Normal/Effect

Power Voltage: DC10 V (AC-adaptor)

Current Consumption: 21 mA (10 VDC)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: Maxon AC210N Adaptor (9VDC/200mA)

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon DS-830 Distortion Master Vintage Series Pedal
Cat: 783425 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: Despite its modest array of controls, the DS830 is one of the most flexible distortion boxes you will ever encounter.

The DS830 can generate insane amounts of gain while still retaining remarkable evenness and transparency. Yet far from being a one-trick pony, the DS830 is also capable of lightly overdriven blues tones and even semi-clean solo boosts at lower Gain settings.

Clarity and punch may seem like self-canceling traits, yet the DS830 provides both. The high-gain settings don't force a particular color on your tone - a great trait if you're pleased with your particular guitar/amp combination.

The DS830's dual tone controls are surgically effective and highly interactive. The Bass knob contributes low-end muscle that makes a combo sound like a stack and turns a full stack into a wrecking ball. The Treble control dials in just the right amount of bite without excessive top-end sizzle. Between the two, you can get everything from penetrating bite to an obese square-wave bordering on fuzz.

This additional tone-shaping makes the DS830 ideal for use with Bass Guitar, generating an edgy, aggressive tone that retains the note clarity and character of your instrument.

For full-bodied distortion with an amp-like feel and a huge variety of useable tones, the DS830 Distortion Master is unrivaled in its sonic range.

*Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is recommended.

TECH TALK:
The DS830's gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a degree of "chewiness" to the pedal's voice.

The DS830 features a complex tone control which acts like an active two-band filter by changing the gain of the treble and bass frequencies going into the Op Amp. The Bass and Treble controls are highly interactive and complementary. For example; turning up the Bass doesn't just add low-end, but will also help to smooth out any harshness in the Treble frequencies.

The DS830 features buffered, Mechanical bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB (VR Max)

Residual Noise: -110 dB (Level, VR Min)

Maximum Gain: +59 dB (VR Max) (At 1 KHz)

Controls: Gain, Bass, Treble, Level

Switch: Normal/Effect

Current Consumption: 8 mA (9 V)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783425
Maxon OSD-9 OD Soft Distortion Nine Series Pedal
Cat: 783330 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: In 1977 Maxon released their first effect pedal - the OD880 Overdrive/Soft Distortion - and the world would never be the same.

Employing a passive distortion circuit based around the 741 Op Amp (also used in the popular DOD 250), the OD880 was coveted for its warm and natural overdrive tone. The 880 was perfect for use as a transparent booster to take a tube-amp over the edge, offering singing blues tones unrivaled by other boxes.

Japanese guitar legend Char made the OD880 famous as his booster-of-choice, causing original versions to skyrocket into the $600 range on the vintage market.

In the early 90's Maxon reissued a limited edition run of the OD880. Yet with no distribution outside of Japan, this model went largely unnoticed by the rest of the world, leaving its amazing tone a secret to all save the discerning collector.

Now Maxon has once again resurrected the OD880 in the form of the OSD-9 Overdrive/Soft Distortion.

The OSD-9 offers a warm, open-sounding overdrive with a mild high-end roll off. It reacts smoothly to input level changes, offering a highly interactive response to player dynamics. Perfect as a stand-alone dirt box or for pushing an amp, the OSD-9 can also be stacked with other OD's to add clarity and character to their tone.

The OSD offers up all these classic sounds in Maxon's indestructible, industry standard 9-Series chassis. Modern-day utility features such as mechanical true bypass switching and a voltage regulator have also been added to provide smooth, consistent performance.

Over 30 years after the original OD880 was released, the OSD-9 promises to bestow the legendary tones of its predecessor upon a new generation of discerning players - are you ready?

TECH TALK:
The OSD-9 signal path starts with a 2SK246 jFET buffer which provides high input impedance and low output impedance into the 1st Op Amp - a UA741CP. The UA741CP is a vintage style 741 single Op Amp with superior resistance to latching up (distorting in a non-musical way) - it is not as "precise" as modern IC's, giving it a more vintage, warmer, "analog-ish" response.

This 1st Op Amp is set up to provide a 20 to 120x gain in signal.

After the 1st Op Amp we have a pair of diodes to ground, just like classic boxes such as the MXR Distortion+, Pro Co Rat and Boss DS-1. From here it's into another UA741CP with an amplification factor of 10 to boost the signal back to a high enough level to drive the input of an amplifier if necessary - a feature that the Distortion+ and DS-1 do not offer.

From here the signal is routed to a 4558 Op Amp unity gain amplifier, a volume control voltage divider, and then another unity gain 4558 to provide a low impedance output.

The OSD-9 uses a NJM2374A Voltage converter to stabilize the operating voltage at 9 VDC regardless of the voltage level coming off the battery, providing a smoother, more consistent operation and tonality.

The OSD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE OSD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the OSD-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 41.5dB (700Hz)

Equivalent Input Noise: -107dB or less (IHF-A)

Control: DRIVE, LEVEL

Operating Voltage: 9V

Power Consumption: 14mA/DC 9V, 14mA/DC 10V

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life: Manganese dry battery 17 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery 34 hours 25deg C / 77deg F (Panasonic 6LR61G)

Option: Maxon AC adaptor (Maxon AC210N for North America)* All specifications are subject to change for improvement without notice or obligation.
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quote 783330
Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 15 Oct 20 • View all Effects pedals
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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quote 783398
Maxon AD-999 Analog Delay Vintage Series Pedal
Cat: 783426 Rel: 15 Oct 20 • View all Effects pedals
 
Analogue pedal
Notes: The AD999's Delay tone is pure analog heaven - rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC's for 900 milliseconds of warm, organic analog tone. These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.

Yet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.

The repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.

While there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. When players wax poetic about the mojo and mystery of analog delay - THIS is what they are talking about.

TECH TALK:
A high impedance input buffer passes signal to a Compander stage that acts as a compressor/expander, bringing the input signal up to an ideal level and keeping it there as it decays. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The eight x Maxon MC4107D BBD delay IC's are controlled by 2 of the 3 clock drivers in the pedal. These drivers are running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD999 its big, warm delay sound.

The delayed signal hits another Compander to level everything out and then goes to a mixer/amplifier that blends the clean and delayed signals and provides a low impedance output.

The AD999 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Residual Noise: -95 dB (input shorted, IHF-A weighted)

Delay Time: 40 mSec 900 mSec

Control: Delay Time, Repeat, Delay Level

Switch: Normal/Effect (4PDT mechanical true bypass)

I/O: Input, Output (Mix in mono, Wet only in stereo), Dry Output

Current Consumption: 46 mA at 9VDC / 48 mA at 10VDC

Dimensions: 117 (W) x 150 (D) x 60 (H) mm

Weight: 600 Grams
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quote 783426
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