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Notes: Embark on a sonic journey of modulation with the RoundHouse, Colortones luscious multi mode tremolo pedal featuring three tweakable Modulation Modes, Reverb, Drive, Tap Tempo and Momentary Speed Multiplier

Modulation Modes

Optical Tremolo
Harmonic Tremolo
Vibe

Choose the Optical Tremolo mode for a classic, vintage tremolo sound with warm and smooth waveforms. The Harmonic Tremolo mode adds a more complex and modern sound that adds depth and dimension to your playing. Finally, the Vibe mode emulates the classic psychedelic sound of a rotating speaker, perfect for adding a unique flavour to your guitar sound.

With the addition of Tap Tempo and a Momentary Speed Multiplier, you can easily dial in the perfect tempo and add creative rhythmic variations to your playing.

The Reverb and Saturation (Grain) controls at the input of the modulation engine can be dialed in to excite the pulse and sustain of the effect.

Additional controls include: - Mode - Speed - Depth - Boost - Reverb - Grain - Phase - Waveshape Select - Momentary Speed Multiply and Tap Tempo.

Controls

Modulation mode switch

Select between:
Optical Tremolo
Harmonic Tremolo (Magnatone style Harmonic Tremolo)
Vibe

Wave shape switch

Select between Triangle, Sine and Square Wave. (Square is not selectable in Vibe mode)

Speed

Adjust Speed of the modulation

Mix

Adjust the Mix / Depth of the effect with the Dry signal

Reverb

The Reverb knob controls the intensity/mix of reverb added to the input feeding the modulation circuit. It is a classic Silverface amp style reverb with a static decay time.

Grain

Increasing the Grain amount adds an analog tubelike pre-saturation to the effect. At max it boosts/compresses the level slightly adding a soft overdrive.

Phase

Adjusting the Phase knob from its center position will change the duration of the 'on time' either towards the beginning or end of the wave cycle resulting in the modulation 'pulse' feeling more asymetrical or staccato.

Boost

Add or Cut the output Level by +- 4db

Tap

Manually set Tempo with by Tapping the Footswitch. Set to 1:1 Tempo.

A sustained hold on the Tap switch activates the Speed multiplier which, while depressed, ramps the speed up to a multiple of the current setting. At slower modulation speeds the ramp time is relatively slow, emulating a mechanical rotary speaker changing speed.

Bypass

Activates Relay Based Soft Touch True Bypass

Tech Specs:
True Bypass
Current Draw: 140mA
Input Voltage: 9V DC (center negative)
external power supply not included

Notes: Collaboration with Yeffry Ruta Mare in graphic design and Los Laberintos in screen printing.
Drum Machine with sounds and rhythms of Cumbia Programmed on the Arduino platform and based on the Bleep Drum from Bleep Labs.

4 Sounds: Kick, Guiro, Cow Bell and Conga
2 with Pitch control (Cow Bell and Conga)
4 sequences of 32 steps each

You can record sequences in real time just by playing them.
Clock input to synchronize with other machines.
Tap Tempo

. Play: starts playing the sequence, if you press it again the sequence stops.
. Rec: start recording what you play, if you press it again, return to play mode
. Ctr + some pad: switch between the 4 available sequences
. Ctr + play: the sequence plays in reverse
. Play + rec: delete the sequence
. Ctrl + tap: puts the battery in sync mode, receives the pulse through sync conector
. Tap: tap tempo

Power (power) You can power the Hanan Cumbia through a micro USB cable and a charger or with a 9-volt power supply (negative tip), the same used for effects pedals.

The project is based on the Bleeplabs Bleep Drum. Hanan Cumbia uses the same Creative Commons Attribution-ShareAlike 3.0 license.

Notes: The Cali oscillator is a new and improved version of the classic Buchla 258 wave shaping oscillator with an additional pulse width modulated output. The oscillator features the classic Sine to Square and Sine to Saw wave shaping with dedicated CV control. The Cali Oscillator differs from previous versions of the 258 in that it has a 3-way position switch rather than 2-way. This new middle position features a bonus waveform that will shape from a pulse into a kind of triangular trapezoid shape. The shaping control is more unpredictable in this middle position and the switch reacts to body contact when the wave shape is set low - it can be thought of as an extra bonus waveform, great for producing glitchy sounds! There are dedicated inputs for linear and exponential FM and the Cali also adds a Pulse output with it's own width control and PWM CV input. The behaviour of the pulse output can be affected by the position of the waveform switch and wave shape control. The module features Coarse and Fine frequency controls and an LFO mode, LFO range is accessed via an LED pushbutton that also acts as the LFO speed indicator - the button will light up when the waveform moves through its positive cycle. Because the wave shape modulation is independent of pitch this oscillator is very useful for creating complex timbres whilst retaining musical pitch.

Features

Sine to saw/square waveform output with cv over wave shaping

Pulse output with voltage controlled PWM

Linear FM with attenuator

Logarithmic FM with attenuator

Bonus 'trapezoid' output

Coarse & fine controls with LFO mode

Includes power supply isolation on frequency controls


Width: 12 HP
Depth: 22mm

Power
+12V = 37mA
-12V = 34mA

Notes: Gorgeous vintage-style through-zero FM here, featuring five simultaneous waveform outputs, pulse width modulation, soft sync and a dedicated LFO mode.

Supplier's notes:
The EN129 Thru Zero Oscillator is an all analogue triangle-core VCO specialising in frequency modulation. Analogue through-zero FM modulation produces a wide array of timbres particularly useful for bell like or percussive sounds. Through zero linear frequency modulation can be precisely dialled in thanks to a dedicated CV input attenuator and through zero offset control. Logarithmic FM is also available via it's own dedicated input with attenuator and both FM inputs have an LED to indicate incoming voltages. Simultaneous analogue wave outputs include: Sine, Triangle, Sawtooth, Square and Pulse wave with Pulse Width Modulation. The PWM control goes to zero at either end of it's range, which is very useful for creating rhythmic sounds with voltage control. Furthermore the PWM control doubles up as wave shape modulation for the Sawtooth wave - gradually altering the waveform until it shifts half a cycle. The EN129 features Coarse and Fine frequency controls as well as an LFO mode. LFO range is accessed via an LED pushbutton that also acts as the LFO speed indicator - the button will light up when the waveform moves through its positive cycle. A new addition of a Soft Sync Input allows the phase of the oscillator to be controlled by an external oscillator for an even greater range of timbres.

The EN129 is based on the pioneering work by Douglas Kraul and Bernie Hutchins. You can read the original Electronotes article from 1981 that the design is based upon here.

Features:

Soft Sync Input
Thru Zero Linear FM
Logarithmic FM
Zero to Zero PWM
Sawtooth Wave Shape Modulation
Simultaneous Outputs for: Sine, Triangle, Saw, Pulse & Square
Coarse & Fine Controls with LFO Mode
Includes Power Supply Isolation on Frequency Controls
Power consumption: 51mA at +12V and 47mA at -12V

Depth: 22mm

HP : 12

Notes: The updated "Skiff friendly" design of the mml filter now features bipolar "Attenu-verters" for the cv controls as well as an all new red mode!

This new mode activates a feedback distortion circuit capable of actually changing the pitch of the notes coming in to the filter in a musical way that adds instant variety to acid basslines, creates weird and strange alterations to drones or adds some nice overdriven distortion to whatever goes into it!

The multi-mode ladder (mml) filter is based on the classic transistor ladder low pass filter by dr. Robert a. Moog. This filter updates the classic 4-pole ladder design to provide band pass and high pass filter responses as well as the traditional low pass filter. There are 2 bipolar controls with attenu-verters for the cut-off frequency plus a cv input for the resonance.

The core of the circuit features a fully discrete transistor design with an op-amp buffered output, this allows soft saturation of the input signal to get the classic overdriven tones of the ladder filter. A bass compensation circuit has been included to retain the bass response in low pass mode when the resonance is increased. The bass compensation also helps to improve the response of the high pass filter.

The red mode is activated/de-activated by holding the mode button for 0.3s. In this mode the filter cut-off, input volume and resonance all interact and the effect is to produce alterations to the incoming frequencies. The pitches of the audio coming into the filter also affect the alterations as well selecting between low pass, band pass and high pass filter modes whilst in red mode.

Features

Low pass, band pass and high pass modes.
Red mode feedback distortion.
CV controlled resonance.
Added low frequency compensation.
Soft saturation of input.
2 x bipolar attenuverter CV inputs.

Width: 6 HP
Depth: 25mm
Power: +12v = 50ma / -12v = 39ma

Notes: The Timbre is a 6HP Eurorack module based on the wave folder section of the Buchla 259 oscillator as implemented in the Music Easel.

The wave folder adds extra harmonics to input signals that have low harmonic content to create rich and interesting timbres. Typical input sources to use would be Sine and Triangle waves but you are welcome to try other sources as well! The Dannysound Timbre adds an extra input to the Buchla design to allow 2 oscillators to drive the wave-folder simultaneously - this dramatically increases the range of possible tones that can be generated and allows the folder to go wild!

Features:

Osc1 / Osc2 Mix - Adjusts the mix between the Oscillator 1 and 2 inputs, also acts as an attenuator if only one input is used.
Timbre Control - Adjusts the overall amount of wave fold
Timbre CV - Bipolar (attenuator) controls the Timbre CV input
Symmetry - Adds an offset to the input so that the top half of the wave begins to fold earlier
Blend - Mixes between the clean and effected sound

Power consumption: 46mA at +12V and 48mA at -12V

Depth: 25mm

HP : 6

Notes: The Looping VC-ADSR is a 4-stage, loop-able, envelope generator based on the ENVGEN 8C IC from Electric Druid. The individual sections of the Envelope (Attack, Decay, Sustain, Release, Level and Time) can all be individually controlled via CV.

The module has 5 MODES of operation that can be selected via the pushbutton LED switch with the status indicated by the five LEDs above:

Normal Envelope - Gate signal at the GATE/TRIG input, fires the ADSR.
Trigger Mode - Trigger signal at the GATE/TRIG input fires the AD portion of the envelope. The sustain control determines the final value the envelope rests at after the decay portion has ended.
Gated Looping Envelope - ADSR loops whilst gate signal is high.
Looping Envelope - ADSR loops regardless of gate signal.
LIN response (Hold switch to select between LIN/EXP Mode) - Sets the envelope response to be Linear. The response is Exponential when the status LED is off.
When the envelope is looping, all 5 controls affect the output. Attack and Decay operate, as one would expect. The Sustain control sets the minimum voltage the decay part of the envelope will decay to. The Release sets a release time from the end of the Sustain period to the beginning of the next cycle. When the Sustain is set to 0 you can use the Release control to add a delay between the Attack and Decay cycles.

In Normal Envelope mode the Sustain CV input can be used with an LFO source to add amplitude modulation that gradually increases as the Envelope transitions from the Attack/Decay part of the envelope into the Sustain part. The Level CV is also a useful point for amplitude modulation or can be used for Velocity Sensitivity via CV.

The Time CV is set so that increasing voltage shortens the overall envelope time to better mimic the sounds of percussive instruments.

Features:

5 Modes of Operation: Gate Input ADSR, Trigger Input ADS, Gated Loop, Constant Loop and EXP/LIN Envelope Responses
CV over: Attack, Decay, Sustain, Release, Level and Time
Works with Gate or Trigger Signals from +5V to +12V
CV Input Range 0V to +10V
Output CV Range 0V to +10V


Power consumption: 28mA at +12V and 18mA at -12V
Depth: 25mm
HP : 6

Notes: The Dannysound VU Meters is designed to be used with 2 x Dynamics modules. The modules connect internally via 2x3 pin ribbon cables. The meters provide a visual representation of various signals within the Dynamics modules making settings easier.

Features:

External input sockets for monitoring external sources.

Switch to select high or low meter sensitivity or off if the clicking needles get annoying!

Monitoring of the compression/expansion amount.

Monitoring of the unprocessed input level.

Monitoring of the compressor/expander output level.

Power consumption: 0.03mA at +12V and 83mA at -12V at and 3mA at +5V
Depth: 51mm
HP : 8

Review: Undeniably one of the most prolific anime soundtracks of all time, Yoko Kanno's band SEATBELTS was formed just to record this 1998 OST for Shinichiro Watanabe's smash success 'Cowboy Bebop'. Following the adventures of the crew of Bebop, a bounty hunter ship that chases criminals and turns them into the Inter Solar System Police for reward, Kanno's zany fusion of rock, blues and jazz oozes cool. The opening track 'Tank!' has been hugely influential, informing innumerable title sequences, from 'Danganronpa' to 'JoJo's Bizarre Adventure'. Focusing, as the Japanese often do, on Americana hallmarks, there is a distinct New York slant in the horns with some Afro-Cuban percussive influences as well, most notably on 'Rush' from the first 'COWBOY BEBOP' album. This boxset serves as a comprehensive rundown of all things SEATBELTS, an 11-vinyl boxset featuring all 7 albums the band have made for the legendary franchise housed in a box with art from the show.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***

Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP

Review: Celebrating its 30th anniversary this year, the third and final album from Nirvana should require little to know introduction. Repressed, remastered and redefined over and over again, the Steve Albini-produced, mainstream-eschewing swansong has only grown to become one of the ugliest left-turns the 90s grunge scene ever spat out. This super-deluxe three decade celebratory edition comes with two live concerts recorded in Los Angeles in December '93 and Seattle in January '94, five previously released B-sides, six bonus live cuts, as well as a removable front-cover acrylic panel with the album's iconic Angel; a 48-page hardcover book with unreleased photos; a 20-page newly designed fanzine; a Los Angeles tour poster lithograph by hot rod artist Coop; replicas of the 1993 record store promo Angel mobile, three gig fliers, two ticket stubs for Los Angeles and Seattle, an All-Access tour laminate, and four cloth sticky tour backstage passes: Press, Photo, After Show, and Local Crew!

Notes: Drums4 is a 4 voice, sample based percussion sound generator.

Each voice can select its sound from a 48 sample global bank, samples are curated from the manufacturer's collection of percussion sources used in their music.

Each sample can be tuned and has an individual output for independent processing , and there's also a simple mixer that controls levels to the main mixed output.

Operation is simple and intuitive, the selected sample is remembered after power down for each of the 4 voices.

Incoming triggers are displayed on each voice LED indicator.

Controls:
for each voice:
-PITCH potentiometer : for tuning sound over a wide range.
-SAMPLE SELECTOR encoder : allows choosing among 48 global samples , setting is
remembered after power down
-MIX potentiometer: adjust blending of each voice to the mix output

Connectors:
for each voice
TRIGGER jack : trigger or gate input , accepts a wide range of sources from 5v to 12v
OUT jack : individual sound output for voice
CV jack : allows external control of voice pitch, 0 to 5 volts range, over voltage protected.
Main Mix jack: summed output of mixed voices, controlled with mix pots.

Specifications:
width : 12HP
depth: 28 millimeters
Power consumption: 130 milliamps +12v , 10 milliamps -12v

Notes: This new pedal in Maneco's line is a versatile fuzz device , true stereo and with powerful tone shaping capabilities.

Main features:

True Stereo operation
Silicon Transistors gain stage.
Big Muff tone stack
Buffered clickless Bypass
Input gain for fine tuning distortion quality, also adapting for wide range of input signals
Bass, guitar , drum machines and synthesizer friendly
9v standard power supply, center tip negative

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Excellent quality portable turntable from the legendary Stanton brand. Rechargeable batteries, Bluetooth streaming and recording direct to USB. Ideal for portablism.

Supplier's Notes:
Stanton STX

Limited edition portable scratch turntable

Razor sharp cuts, right away

The STX is the only portable turntable that comes with a factory-installed mini Innofader Nano crossfader. Designed to last over 4 million cycles, this buttery-smooth fader and can be easily swapped between left and right positions to accommodate both left-handed and right-handed scratch styles. The independent crossfader Cut-In and Curve knobs deliver an unrivalled level of crossfader customization, allowing DJs to precisely calibrate the crossfader to suit their own style. This level of customization, along with the ultra-stable platter and tonearm, makes it easy to achieve the absolute cleanest cuts possible.

Scratch whenever, wherever

Second only to a sharp, ultra-precise crossfader, ease of portability is vital for a portablism-focused turntable. High-quality rechargeable Lithium-ion batteries are included with the STX, providing enough portable power for hours of mobile use. The batteries can easily be charged by connecting the unit to a computer or wall charger using the USB C input. For extended scratch sessions, the USB C input can also be used with external power sources for even more cutting time. To top everything off (literally), the latching lid also functions as a stackable, latching base, bring the STX to standard turntable height.

Well-connected for creators

Performing with beats and loopers is as simple as connecting a smartphone wirelessly with Bluetooth or with the 1/8" stereo input. The USB port with one-touch recording makes it fast and easy to record high-quality session audio for social media content creation, while the stereo RCA outputs allow you to connect external mixers and speakers for live performances.

Performance ready

The modification culture is alive and well in the portablism world. Since the inception of this art form, we've seen ingenious designs and customizations. The most popular and utilitarian mods are already included on the STX, including a Start/Stop button, an on-board speaker, and a pitch slider with Ultra-Pitch selection switch. These key features allow for inspiring performances right out of the box and provide a solid foundation upon which DJs can further customize to match their own unique portablist style.

Features

Mini Innofader Nano crossfader installed
Independent Crossfader Cut-In and Curve controls
Rechargeable batteries (included)
USB C input for charging batteries and for external power connection
Bluetooth and 1/8" stereo input for smartphone looper apps
Direct-to-USB recording
Built-in speaker
Pitch slider with Ultra Pitch option
Stackable latching lid
Start/Stop button
33 1/3, 45, and 78 RPM switch
Stereo RCA outputs
1/4" and 1/8" headphone jacks

Technical Specifications

Connections

(1) RCA line-level output (stereo pair)
(1) 1/4" (6.35 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo input
(1) USB-C port (charges the internal battery)
(1) USB-A port (USB flash drive recording)
Speeds 33 1/3, 45, 78 RPM (45 RPM adapter included)

Power

(2) 3.7V Li-ion batteries
Dimensions (width x depth x height)

13.0" x 13.0" x 4.0" (3.25" without cover attached)
330.2 x 330.2 x 101.6 mm (82.6 mm without cover attached)
Weight: 5.3 lbs./2.4 kg

Notes: The MOP-D10 is a multi-output power source that was developed by EHX engineers to provide a player with noise-free pedal operation. It features ten isolated 9VDC outputs that handle the most popular power requirements: 4x100mA, 2x250mA, 2x300mA and 2x400mA.

From its premium analogue power path featuring low-noise linear regulators to its custom-wound toroidal transformer, the MOP-D10 is designed to let a pedal user achieve a sonically pure signal path. Unlike many other multi-output power supplies which rely on switching power conversion, the MOP-D10's transformer-based power conversion is significantly less susceptible to spurious noises leaking into the audio path. An AC Voltage Selector Switch also ensures the MOP-D10 can be used with a range of voltages commonly found around the world.

Each of the MOP-D10's outputs is center-negative and all output power jacks are isolated from each other. The dimensions of each output connector are 5.5mm x 2.1mm. The unit is supplied with a 6' detachable power cord and ten 24" long DC power cables equipped with one straight and one right-angle end. It also includes hardware for pedalboard mounting.

Professional pedalboard power solution with ten isolated 9VDC outputs: 4x100mA, 2x250mA, 2x300mA and 2x400mA
Provides a premium analogue power path with low-noise linear regulators
Custom-wound toroidal transformer delivers exceptional isolation and clean power
Relies on transformer-based power conversion which is superior to switching power conversion
AC Voltage Selector Switch allows the MOP-D10 to be used with a range of voltages commonly found around the world
All output power jacks are isolated from each other for noise-free operation
Comes with ten 24" long DC power cables equipped with one straight and one right-angle end
Includes hardware for pedalboard mounting

Specifications

Dimensions (in): 7.87
Year Released: 2021

Notes: The perfect companion now comes in a smaller package - introducing Sidekick JR by Crazy Tube Circuits!

Drawing inspiration from the original Sidekick pedal released back in 2019, the aim was to create a compact pedal that combines the most widely used time-based effects, suitable for any gear setup seeking 80s tones and beyond.

From the jangly, ambient, and shimmering sounds of New Wave, Shoegaze, and Synth Pop to the wet tones of Hair / Glam Metal. Crazy Tube Circuits' Sidekick JR offers even more sounds / algorithm selections compared to the original unit.

The modulation effects / algorithms take inspiration from classic 80s stompboxes. The "Ensemble" algorithm replicates warm and mild modulated chorus sounds, while the "dimension" algorithm enhances the 3D image of your sound without the typical chorus warble. The "flanger" algorithm draws from a classic flanger pedal set up as a slow chorus with mild feedback added for a more metallic sound.

The Echo / delay section provides the sweet and vibrant sound of a tape echo with a freshly installed tape running through a colourful preamp, or the pristine repeats of an 80s digital delay rack unit.

The Reverb section in Sidekick JR is inspired by definitive examples of 80s reverb rack units and offers two algorithm banks. Bank A includes all-time classic reverb sounds like "plate," "spring," and "hall," while Bank B features signature 80s reverb sounds like "gated," "exciter" (Crazy Tube Circuits' trademark big-hall reverb algorithm with almost infinite reflections and decay), and octave-up "shimmer."

To provide full flexibility in the smallest enclosure possible, Crazy Tube Circuits has devised a smart switching setup. The delay and reverb effect sections of Sidekick JR operate independently from each other, and the modulation is assignable to any of these sections as standard. With the addition of the XT footswitch (available separately), the modulation section becomes entirely independent and can be switched on/off (true bypass) on its own.
Crazy Tube Circuits' Sidekick JR also features a power-up bypass/engage pre-set function for the onboard footswitches. This feature allows users to select the state the pedal will go to when the power supply is plugged in. It's particularly useful for individuals who use remote pedal switchers /loopers, as they can set the power-up state of the pedal once and then operate it from the controller.

Notes: Expandable 4 channel VCA based stereo mixer with tone shaping and FX bus.

Chipset:

For this item, Frequency Central offer a CHIPSET which contains the following:

3 x LM13700

For all other components required, please see the build document.

Features:

4 x input channels, each featuring LEVEL, HIGH, LOW, FX send, PAN, MUTE and CV control of level.
FX send and stereo return + FX phase jumper
Left and Right Eurorack level inputs (2 x 3.5mm sockets)
Left and Right line level outputs (2 x 6.35mm sockets)
Scribble strips!

Strips is also expandable! You can add a second strips, connected to the first via a 16 pin to 16 pin cable. The cable powers the second Strips and gives you 8 channels to play with. The second Strips accesses the first Strips FX bus. When using in expanded configuration, the FX send/return and main outputs for the second Strips are not available. Here's how!

FX phase jumper - because not all FX that you might use in the FX loop are in phase with respect to their input/output. The phase jumper allows you to compensate for this and avoid weird phase cancellations.

Product Specifications

12V draw: - 43mA
5V draw: - 0mA
-12V draw: 43mA
Depth: 39mm

Notes: Altar is a 3-pole state variable discrete filter.

Its discrete core is a brand new design made of modern discrete transistors. The filter can morph continuously from Bandpass to Lowpass to Highpass via CV.

By changing the input gain the character of the filter can go from very clean and vocal to a more distorted acidic sound.

Technical details

Eurorack 3U module
12HP wide
33.5mm deep (including connector)
Max power consumption: +12V: 37mA | -12V: 32mA | +5V: 0mA

2 inputs, In I with variable gain, In II with fixed gain
1 output, state variable with the Color setting
Voltage controlled Resonance
Voltage controlled Colour

Notes: The Erica Synths Black Reverb is a versatile hi-fi stereo FX module with lots of unique features based on Erica Synths' custom DSP engine. The reverb sources are selectable Tape, BBD and "dirty BBD" digital; emulations with three modes, each - Room, Hall and Cathedral. Delicate room size control, feedback, feedback tone and stereo spin controls allow for designing extremely delicate reverberation effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.

Features:

Reverb based on Tape, BBD and digital delay lines
Three room sizes
Manual and triggered FREEZE with 1V/oct tracking
10 preset patches
CV control over size, feedback, tone, dry/wet mix and preset selection
Adjustable stereo spin

Specs:

Max audio input level before clipping 16Vptp
CV input range (full span) -5V - +5V
Sampling frequency 48kHz, 24bit
Audio codecs -108 dynamic range, -98dB THD+N
Power consumption 120mA@+12V, 39mA@-12V
Module width 12HP
Module depth 35mm

Notes: The Erica Synths Black Stereo Delay is a hi-fi stereo delay with a lot of unique features based on our custom DSP engine. Tape, BBD and digital delay emulations with three modes, each accompanied with delay time, feedback, feedback tone and stereo spread controls allow for designing extremely delicate effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack. Delay effects are developed by Dutch company www.112db.com

Features

Tape, BBD and digital delay types
Three modes for each type
Tap and clock synchronization of delay time
10 preset patches
CV control over delay time, feedback, tone, dry/wet mix and preset selection
Adjustable stereo delay spread
The modules run on new Erica Synths DSP hardware and the effects are developed in collaboration with Dutch company 112.dB who make some of the most beautiful sounding effects.

Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest-quality components are used, all inputs and outputs are protected against undesired overvoltage. Erica Black Series consist of range of modules that are needed to put together entire synth.

Technical specifications:

Max audio input level before clipping: 16Vptp
CV input range (full span): -5V - +5V
Sampling frequency: 48kHz, 24bit
Delay time: 3..3000ms
Audio codecs: -108 dynamic range, -98dB THD+N
Power consumption: 120mA@+12V, 39mA@-12V
Module width: 12HP
Module depth: 35mm

Notes: The HOUR GLASS Dual Compressor Pedal - Unlock timeless sustain and endless creativity with dual, independent circuits inspired by the legendary Ross compressor.

It is your ticket to extended sustain and unparalleled tonal control.

From warm, natural compression to soaring sustain, the HOUR GLASS opens up a world of sonic possibilities for you to explore.

Choose from Fast, Medium, or Slow Attack time options to tailor the HOUR GLASS's response to your playing style, and use the Treble toggle switch to select Flat, Medium, or High boost options to help shape your high-frequency tones.

Set one compressor for your single coil guitars, the other compressor for humbucker guitars and have precise tone and dynamic shaping when you switch guitars! Both compressors can also be engaged simultaneously for endless sustain!

Discover the freedom of expression with two independent circuits, that maintain the transparency of your guitar's tone. Precision controls for Level, Sustain, and Blend on each circuit allow you to sculpt your sound exactly as you desire. Built to withstand the rigors of time and the road, the HOUR GLASS is your reliable companion on every musical journey.

Unleash your creativity, transcend genres, and experience endless sustain with the HOUR GLASS Dual Compressor Pedal - Where Sustain has No Boundaries!

Notes: Red version of Cyclone's excellent bass synth, replicating the sound of the iconic Roland TB-303. Fully analogue synth with modernised sequencer and classic acid sound.

Supplier's Notes:
A full analogue synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favourite synths!

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original).

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Specifications

Bass Bot TT-303

VCO

Monophonic
Waveforms: Sawtooth or Square
Frequency Range: 20Hz-850Hz

Main Controls

Tempo Knob
Volume Knob
Track/Pattern Bank Selector Knob
Mode Selector Knob
Power On/Off Switch

Audio Controls

Tuning Knob
Filter Cutoff Frequency Knob
Filter Resonance Knob
Filter Envelope Modulation Amount Knob
Filter Envelope Decay Knob
Accent Amount Knob
Waveform Selector Switch

Data Storage

User Patterns: 432 (9 banks of 48 patterns)
Pattern Lab Patterns: 108 (9 banks of 12 patterns)
Preset Patterns: 108 (9 banks of 12 patterns)
User Tracks: 9

Operating Modes

Pattern Write | Loop Edit |Pattern Lab | Arpeggiator
Pattern Play | Preset | Track Play | Track Write | MIDI

Per-step Modifiers

Down Octave | Up Octave | Accent | Slide
Mute | Hammer | Rest / Tie

Pattern Features

Pattern Length: 1-64 steps
Per-step modifier assignment
Time scales: 16th note, 32nd note, 8th note triplet,
16th note triplet
Assignable pattern LED color
Pattern Copy / Paste functions
Intelligent procedural pattern generator
Pattern-based Arpeggiator
Pattern Mutate function

Track Features

Visual track programming system
Maximum Length: 144 bars | Per-bar transpose option

Global Features

Shuffle Amount | Slide Time | Gate Length |
Illuminated buttons: 26
Tap Tempo Input | Automated VCO calibration |
System LED colour |
MIDI In / Out channels

Outputs

Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
VCO Waveform (1/8", Sawtooth: 5Vp-p, Square: 3.7Vp-p)
Control Voltage (1/8", 1V/octave, range 1V 5V)
Gate (1/8", 0V 12V)
Accent On (1/8", 0V 5.5V)
Clock (1/8", DIN Sync compatible, 0V 5V)
Start/Stop (1/8", DIN Sync compatible, 0V 5V)
MIDI Out / Thru

Inputs

Filter In (+4dBu nominal, 100kO input impedance)
Power (9VDC, 300mA) | MIDI In

PC Functions

Cyclone Studio application for PC & Mac enables Bass Bot software update and user data backup & restore using MIDI/SysEx transfer.

Physical

Dimensions: L310mm x W130mm x H35mm
Weight: Unit 783g (Boxed with accessories) 1.332kg

Included Accessories: 100-240v Universal Power Adapter | Near Invisible Force Field | Case Transporter | Printed User Manual

Available Accessories: 7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter

Notes: ***B-STOCK: Box opened/damaged, but product is in excellent condition and in perfect working order***


Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: The Austrian Audio MiCreator is a new type of creative tool. Equal parts high-quality condenser microphone and simple audio interface with USB-C r connectivity, MiCreator gives you the flexibility to create what you want-how you want. Just plug in and start recording in top-notch audio quality instantly. Or expand your setup using MiCreator's additional input to achieve stereo recordings, record an additional sound source, and more. And whether you're recording at home or on the go, you can create with confidence thanks to MiCreator's ultra-durable metal housing. So, whether you're looking for a capable plug-and-play microphone or a multifaceted production tool, MiCreator simplifies your creative process and delivers no-compromise results.

MiCreator System

Unleash your creativity

MiCreator Satellite

TRRS microphone with headphone jack
Custom Condenser Capsule - Record in top notch audio quality
Max SPL: 130 dB SPL - Record even very loud sources
FlexTilt mechanic - Easily position the mic head for optimal recording
Full metal housing - Longlasting and durable
Headphone jack
Exchangeable & customizable face plates for an individual and personalized look


MiCreator Y-Lav
Lavalier microphone with headphone jack
Pairs seamlessly with MiCreator Studio to unlock powerful creative flexibility
Connected via the Link Connection (In/Out jack on the MiCreator Studio)
Record high-quality audio for video projects and more
Connect a second pair of headphones via the built-in headphone jack

Cubase LE

free Steinberg software included

Cubase LE is the perfect introduction for aspiring music producers and composers. It's a powerful yet easy-to-use DAW that gives you everything you need to create professional music. With its intuitive interface and comprehensive features, Cubase LE is the perfect way to learn the basics of music production. Cubasis LE for iOS devices is unlocked when MiCreator Studio is connected to an iOS device.

WaveLab Cast

free Steinberg software included

WaveLab Cast is the ultimate audio production and podcast software for Mac and Windows. With its powerful features and intuitive user interface, WaveLab Cast makes it easy to create professional audio content. Whether you are an experienced podcaster or just starting out, WaveLab Cast has everything you need to create great sounding podcasts.

Technical Specifications
Digital Resolution: max 48kHz/24-Bit
Digital Connector: USB-C - USB Audio Class 1.0/2.0 compliant
Directional characteristic: Cardioid
Frequency range: 20 Hz - 20 kHz
Sensitivity:- 35dBFS/Pa (low gain)/-15dBFS(high gain)
Hardware Gain Switch: 0dB (low)/20dB (high)
Equivalent noise level: 22 dB SPL (A) (high gain)
Max SPL: 130 dB SPL (low gain)
Output Power: 45mW (32Ohm Load)
Dynamic Range: 89 dB(A)
In/Output TRRS: for instrument cable, 2nd headphone or MiCreator Satellite or Y-Lav
Dimensions: 155 x 60 x 37 mm
Weight: 370g

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: Eventide's Riptide pedal is the result of extensive research into overdrives and Uni-vibes. With stereo overdrive and Vibe, each effect features dual voicings versatile enough for funky bright tones to explosive and warm lead tones.

The Vibe knob delivers classic Hendrix-style Uni-Vibe to full-on vibrato perfect for modern soul and lo-fi tones. With the power to engage each effect individually, swap the order, and store presets, Riptide makes it easy to get caught up in the excitement.

Drive features a balanced distortion with superb dynamics and touch sensitivity. Use the "Green" voicing for a classic transparent overdrive or activate the "Red" voicing for a tight modern overdrive.

Features:

Five presets loaded at your feet with dozens more available by software update in Eventide Device Manager
Dual-action Active Footswitch is latching or momentary
Rear panel Guitar/Line Level switch for matching impedances with guitar, synths, FX loop, or DAW interface
Map any combination of parameters to an Expression Pedal
Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing
MIDI over TRS capable
Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry
Catch-up mode helps dial in your sound when toggling between presets/parameters
Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: Great value from this compact digital mixer. Pocket-sized four-channel design with one mic input and three line inputs. DSP effects include reverb, shimmer, delay, compression, limiting and EQ.

Supplier's Notes:
GigMix 4-1 mini Digital mixer, porting the engine from the StompMix 4, the GigMix 4-1 is built with a powerful 32-bit 100Mhz DSP engine and a compact lightweight pocket size package. The GigMix 4-1 mini digital mixer offers a full featured, highly intuitive four channels Digital Mixer with a Color Display. 4 effects level control for Reverb and Shimmer. Assignable Delay effects. The DSP engine provides a compressor, limiter, Mid sweepable EQ, Highpass Filter, Notch Filter, Phase reverse to each of the 4 inputs. Analog inputs consisted of 1 Class A solid-state Mic pre-amps and three 1/4" TS line/Instrument inputs. Two sets of stereo Mix outputs are selectable between a 1/8" TRS jack and 2 1/4" TRS jacks with output level control knob . 2 assignable switches, 1/4" TRS Balanced outputs. 10 Memory for easy recall and set up. Mic Stand mounting accessory is also available. The size/functionalities of the Gigmix 4-1 mini digital mixer makes it the great pocket live gig mixer to your guitar/vocal setup.

Features

4-Channel Mini Digital Mixer
10 user scene memories.
Colour display
Input Level Monitoring
1 Class-A Mic inputs with TRIM (CHAN 1)
3 LINE/INSRT inputs with Level Control(CHAN 2, 3 and 4)
Independent Reverb, Shimmer effect on each channel
2 notch filter available on each channel
High Pass Filter and Phase Reverse on each channel
Noise Gate and Compressor on each channel
3 Band EQ with Sweepable MID on each channel
Max 1 second Delay with Tap Tempo (assign to one Channel at a time)
Assignable A/B switch functions (MUTE channels, EFX by-pass, Tap Tempo, Scene change etc)
Output 1 (L/R TRS 1/4" jacks) - Balanced
Output 2 (Stereo TRS 1/8" jack)
Output 2 can be used for Headphones
Main MIX and AUX MIX
Scenes Change - via A/B switches
Metal chassis
AC/DC power supply included
Support 9VDC to 12VDC power inputs (500mA, 2.1mm *Center Positive*)
Designed and assembled in USA

Review: The Black Sabbath Hand Of Doom box set provides the ultimate collection for fans who opt to live in a world where the group never had any other vocalist apart from Ozzy Osbourne. Providing picture disc represses of all eight LPs released during the original frontman's tenure from 1970 to 1978 (2013's reunion album 13 is not included), the collection boasts the self-titled 1970 debut, the same-year follow up Paranoid, as well as the iconic slew of Master Of Reality (1971), Vol 4 (1972), Sabbath Bloody Sabbath (1973), Sabotage (1975), Technical Ecstasy (1976) and Never Say Die! (1978). Limited to 3000 copies (which isn't a large amount when considering how vital Sabbath's early material still is to this day) and complete with a large coloured poster, fan service rarely gets as ideal or essential as Hand Of Doom.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!

Notes: Customized to hold the Pioneer DDJ-REV5 Controller and a 19'' rack mount device (1U) such as a wireless microphone system, power strip or storage drawer. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road. The included 19" rack mounting brackets allow individually fastening of a 1U 19" unit (or smaller devices) at the front underneath the controller.

Fits

Pioneer DDJ-Rev5

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminium profiles and spring loaded latches
Incl. gliding laptop platform (removable)
Incl. two 19" rack mounting brackets to fix 1U devices underneath the controller
Full padded interior keeps controller well-protected
Detachable front cover/panel
Incl. recessed wheels for easy transportation
Solid rubber feet

Specs

Outer measures: 82,4 x 50,7 x 22 cm
Inner measures: 73,6 X 36,3 X 5 cm (Controller-compartment)
Weight: 17 kg

Notes: Dizygote is an A-side/B-side digital oscillator with a built-in envelope generator. The A-side builds harmonies with a square waveform and frequency modulation. the b-side distorts a sine waveform with phase modulation.

Inputs:

Trig - button and gate in to trigger oscillator amplitude envelopes
Switch - button and gate in for toggling between the a and b sides
Length - knob and CV in for changing the envelope length
Mod - knob and CV in for changing the phase and fm modulation amounts
Mfreq - knob and CV in for changing the phase and fm modulation frequencies
Freq - knob for setting the oscillator frequency
V/oct - voltage per octave CV for modulating the oscillator frequency

Outputs:

Out L and out R - audio output
Env - CV envelope out

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra-portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:
Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces
1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.
* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Specifications
Input: 6.35 mm (1/4") TS, 2 MO
Output: 6.35 mm (1/4") TRS, 100 O
Headphone: 3.5 mm (1/8"), 32 O
Screen: 1.28" Touch Screen
USB: Type C for charging or OTG recording
Bluetooth version: 5.0
Bluetooth: Bluetooth audio playback and App control
Wireless control: 2.4G
Wireless footswitch: supported
Battery capacity: 3000 mAh
Battery life: 5 hours*
MIDI Port: 3.5 mm (1/8")
Charging requirement: 5VDC / 2 A (10 W)
Charging time: 2.5 hours for full charge*
Dimensions: 120 x 64 x 21 mm (LxWxH)
Weight: 152 g
Accessories: Quick-Start manual, USB-C to USB-A cable, 3.5 mm jack to 5-PIN MIDI-connector

*Charging time and battery life are based on lab test data.
Disclaimer: Parameter updates will not be notified separately.

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands-free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:

Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces 1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.

* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Notes: With the Zomo Flightcase D-Live-2 NSE, you expand your DJ gear with a reliable partner that securely houses and stylishly showcases your Denon DJ SC Live 2 DJ controller. This high-quality flight case stands out for its robustness and elegance, and it belongs to the trendy NSE series - Night Style Edition, which is known for its unique aesthetics and durability.

As the ultimate protector for your DJ controller, the D-Live-2 NSE flight case takes on any challenge, whether you're traveling by car or flying. These resilient cases are ready to face any challenge and keep your valuable equipment safe from the harshest stage conditions.

Constructed from 9mm thick laminated plywood, this flight case offers an extra dose of stability. It withstands shocks, scratches, and effortlessly meets the demands of touring life. Sturdy ball corners and particularly robust, black lacquered aluminium profiles complete the durable construction and give the case an attractive and long-lasting aesthetic.

The handling of the D-Live-2 NSE flight case is incredibly easy. Before every performance, you can quickly and effortlessly remove the lid and front panel, even when the DJ controller is still inside the case. You'll always be ready to go and can fully focus on your performance.

The Zomo flight case not only excels in terms of practicality but also boasts an attractive appearance. The elegant NSE edition in black immediately catches the eye and enhances your professionalism. The convenient butterfly latches ensure secure handling by enabling easy opening and closing of the lid.

You can rely on high durability and optimal fit, providing your DJ controller with the space it deserves - safe, protected, and stylish.

Features of Zomo Flightcase D-Live-2 NSE:

Perfect fit: The Zomo Flightcase D-Live-2 NSE is tailor-made for the Denon SC Live 2 to ensure optimal protection and precision fit. Your DJ controller is always safe and well-protected.

High-quality construction: The flight case is made of laminated 9mm plywood, guaranteeing a robust and durable structure. It withstands both shocks and scratches.

Additional protection with interior padding: Interior padding protects your DJ controller from damage and unwanted influences, providing a secure and protected storage space.

Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even when the DJ device is still inside the case. Ideal for quick access before and after performances.

Elegant and eye-catching design: The Zomo flight case captivates with its elegant design in the black NSE edition, drawing all attention and emphasizing your professionalism as a DJ.

Robust butterfly latches: They ensure a secure closure of the flight case while remaining easy to use. They also offer the option to attach an optional lock for additional security.

Transport-friendly: Integrated handles make it easy and comfortable to transport the flight case.

High lifespan: The flight case's sturdy ball corners provide additional protection against shocks and vibrations, contributing to its high lifespan.

Technical Specifications:

Suitable devices: 1x Denon DJ SC Live 2
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 11.3 kg
Exterior dimensions: 716 (width) x 483 (depth) x 206 (height) mm
** The devices shown and/or mentioned in the photos are NOT included!

Suitable devices: Denon DJ SC Live 2
Suitable brands: Denon
Laptop shelf included: No

Notes: With the Zomo Flightcase PM-A9 NSE, Zomo present you with a tailor-made flight case for your Pioneer DJ DJM-A9 DJ Mixer. This special Night Style Edition (NSE) brings an elegant, dark look and gives your DJ setup an impressive aura. This advanced equipment flight case combines extreme durability with the highest functionality and excels in any tour routine.

The robust, black-painted aluminium profiles and extra sturdy ball corners of the Flightcase PM-A9 NSE ensure unparalleled durability. Additionally, they create an appealing, classy design that stands out in any environment. Another protective factor is the high-quality interior padding, which keeps your Pioneer DJ mixer safe from damage, scratches, or other external influences.

The modern, stylish design of the Night Style Edition skilfully showcases your equipment and perfectly complements the overall concept of the Zomo Flightcase in terms of professionalism and design. The butterfly clasps are not only easy to handle but also ensure a secure fit of the lid. For additional security, all NSE equipment cases can be locked with an optional padlock.

The Flightcase PM-A9 NSE is made of high-quality laminated 9mm plywood, making it particularly scratch and impact resistant. This demonstrates that Zomo Flightcases are guaranteed to be tour-ready and effortlessly withstand even the most demanding tour routines.

A special feature of the Zomo Flightcase PM-A9 NSE is the removable front panel, which allows easy access to the inputs of your DJ mixer during your performance without having to remove the DJ gear from the case.

With the Zomo Flightcase PM-A9 NSE you have the perfect solution for the safe transport and the professional use of your DJ mixer.

Features of Zomo Flightcase PM-A9 NSE

Provides secure protection against shocks, scratches, or external damages
High-quality construction and craftsmanship for the highest standards
Extra sturdy design
Modern design
Sturdily constructed interior padding
Convenient ball corners provide optimal shock protection
Quick-lock butterfly latches
Integrated handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 14.4 kg
Exterior dimensions: 461 (Width) x 563 (Depth) x 209 (Height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: No

Notes: With the Zomo Flightcase Rane Four, you get a custom-made flight case for the Rane FOUR. The Zomo Flightcase Rane Four is part of the exclusive NSE (Night Style Edition) collection, known for its aesthetic appeal and exceptional durability. It's not just a case; it's a statement - a statement of quality, design, and function.

Made of robust, laminated 9mm plywood, this case is designed to withstand the tough everyday life on and off the stage. It's reinforced with wide, black-painted aluminum profiles and extra sturdy ball corners, giving it high resilience. Whether you're on the road or in the air, the Zomo Flightcase Rane Four is ready to protect your valuable equipment.

The interior of the case is lined with high-quality padding to protect your controller from scratches, defects, or other damages. This way, you'll always be on the safe side, regardless of spilled drinks or unexpected drops.

But the Zomo Flightcase Rane Four is not just practical - it also looks fantastic. With its sleek, advanced design in the deep black NSE edition, this case is a real eye-catcher. The front panel can be easily and quickly removed, allowing you to access your controller's inputs even when the case is closed.

The Zomo Flightcase Rane Four is more than just a case - it's an investment in protecting your equipment. With its elegant design and robust construction, it's the perfect addition for any DJ who doesn't want to compromise on quality and style.

Features

Zomo Flightcase Rane Four
Protects devices from scratches, defects, or other damages
High-quality construction and craftsmanship
Extra sturdy design
Elegant design in deep black NSE edition
High-quality interior padding
Ball corners provide effective protection against shocks and impacts
High-quality butterfly latches for quick locking
Convenient carrying handles
Removable lid
Front panel is detachable for easy access to the device
Technical Specifications
Compatible devices: 1x Rane FOUR
Exterior material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 15.2 kg
External dimensions: 837 (width) x 532 (depth) x 207 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: No

Notes: The Zomo Flightcase PM-A9 Plus NSE is the ideal case for your Pioneer DJ DJM-A9 mixer. The unique Night Style Edition (NSE) gives this flight case an impressive, jet-black appearance that convinces not only with its robust quality but also with its stylish look.

As a renowned manufacturer of DJ cases, Zomo ensures that its products are suitable for both road and air transport. Therefore, the DJM-A9 equipment flight case is well-equipped to handle all DJ gigs effortlessly. Excellent internal padding reliably protects your equipment from damage, scratches, or external harm and also prevents the mixer from slipping.

The PM-A9 Plus NSE flight case is made of solid, laminated 9mm plywood, giving it high shock and scratch resistance. The extra-wide, black lacquered aluminum profiles and the sturdy ball corners ensure high durability, which is essential for professional use.

In case you need access to the mixer's inputs during your performance, the front panel can be quickly and easily removed even when the DJ gear is still inside the DJ case. A special feature of the PLUS version of this flight case is the integrated, pull-out laptop shelf. It provides a secure hold for your notebook during the performance, enhancing the case's practicality.

The Pioneer DJ equipment case in the dark NSE edition not only offers professional quality but also captivates with a classic appearance that is guaranteed to catch everyone's attention. The butterfly latches ensure a secure hold of the lid and allow for easy opening and closing. For additional protection, all NSE flight cases can be secured with an optional padlock.

With the Zomo Flightcase PM-A9 Plus NSE, you'll get a professional DJ case that leaves nothing to be desired in terms of quality, design, and functionality.

Features of Zomo Flightcase PM-A9 Plus NSE

Protects your equipment from negative influences
Premium quality and craftsmanship
Most stable construction
Contemporary design
Brilliant shelf for laptops
Well-crafted internal padding
Genius ball corners for optimal shock protection
High-quality butterfly latches
Convenient carrying handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Integrated pull-out shelf for 1x notebook up to 17 inches
Outer material: 9mm plywood
Color: Black (NSE)
Weight: 15.2 kg
External dimensions: 497 (Width) x 563 (Depth) x 220 (Height) mm
** The devices depicted and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: Yes

Notes: Simple, straightforward and effective. The XVI-M offers 16 high-resolution faders, 16 programmable buttons and MIDI output over USB or TRS. Solidly built metal enclosure promises durability.

Supplier's Notes:
XVI-M MIDI Controller, 16 Faders, 16 programmable buttons, 14bit resolution

XVI-M Desktop is a 16 channel desktop MIDI control surface.

Features:

Long throw LED 60mm faders
USB MIDI, MIDI TRS#1 and MIDI TRS#2 outputs
USB Powered (USB C, Cable included). Stand alone adapter available but NOT included
14bit (MIDI Pitchbend) resolution faders. Can be set to any 7 bit CC or NRPN/RPN
Online parameter editor: https://misw.us/editor
Fader output can be routed to USB MIDI, TRS MIDI A or TRS B
3 color programmable button can be momentary, 1 state toggle, 2 state toggle, or 3 state toggle with each state sending a MIDI msg
Durable metal case
Includes:

XVI-M Control Surface
USB C to USB A cable (2m)
1.5m TRS A to MIDI DIN cable

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 70 Hz - 22 kHz
Frequency response (-3dB): 85 Hz - 20 kHz
Crossover: 3.2 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 100 dB SPL
Components: HF: 0.75" Dome, LF: 3.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 132 mm (5.2"), R Side: 132 mm (5.2")
Height: L Side: 223 mm (8.8"), R Side: 223 mm (8.8")
Depth: Side: 189 mm (7.4"), R Side: 177 mm (7.0")

Net weight: L Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Tiny but powerful studio monitors from Yamaha's hugely popular HS range. Impressive bass response all the way down to 60 Hz despite their compact dimensions. Here in their white colourway.

Supplier's Notes:
High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Review: American blues-slanted rock band the Black Crowes put out their second album The Southern Harmony and Musical Companion back in May 1992. It was the first time Marc Ford had featured on lead guitar in place of Jeff Cease who was sacked the year before. It also marked the first time Eddie Harsch joined on keys and set a record at the time for being the first album to feature four rock number ones, and the album itself also climbed to the top spot in the Billboard 200 album chart. Its mix of blues and Southern styles often sees the album being included in lists of the best rock albums of all time.