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Review: Beyonce's Cowboy Carter is a bold and poignant exploration of American roots music, marking a departure from her previous works while asserting her dominance across genres. Inspired by her 2016 experience at the Country Music Association Awards, where she faced criticism and racism despite her Texas roots, Beyonce delves into Louisiana Cajun country, the rivers of Alabama, and the streets of Memphis, reimagining Americana, folk, and country in her own image. The album serves as a powerful statement on the erasure of Black contributions to country music and American culture, with Beyonce reclaiming her rightful place in the genre's history. Through collaborations with legends like Dolly Parton and Willie Nelson, as well as emerging Black country and rock musicians, Beyonce highlights the enduring legacy of Black artists in shaping these musical forms. Cowboy Carter is both a sonic journey and a cultural commentary, blending elements of folk, country and rock with Beyonce's signature style and vocal range. From the haunting cover of the Beatles' 'Blackbird' to the electrifying trap beats of 'Ya Ya,' the album showcases Beyonce's versatility and musical dexterity. No doubt, 2024 will be another strong year of Beyonce led by this album.

Review: Norwegian indie talent Girl In Red kicked off her musical journey by sharing her home-recorded tunes as a teenager back in 2017. She has since become renowned for her raw lyrics and for delving into the everyday struggles and intricacies of relationships and has won a legion of fans, not least among them Taylor Swift,who invited her out on tour. Her breakout moment came with the viral sensation 'I Wanna Be Your Girlfriend,' followed by the enchanting 'We Fell in Love in October' in 2018. Fast forward to 2021, she unveiled her debut full-length album and soared up the charts. Now she is back with I'm Doing It Again Baby which comes on limited gatefold red vinyl and is full of more of her guitar-driven melodic indie-pop sounds and singalong hooks.

Review: Manic Street Preachers' Lifeblood may have initially been the black sheep of their discography, but time has granted it a newfound appreciation. Initially met with lukewarm reception and overshadowed by its predecessors, the album's blend of glacial electronica and elegiac themes now stands as a testament to the band's willingness to evolve. Revisiting the album reveals its intricate textures and thematic depth. The production, influenced by Tony Visconti's work with David Bowie, creates a timeless atmosphere that resonates with listeners. Lyrically, Nicky Wire delves into personal and political history, offering introspective reflections on grief, disillusionment, and the passage of time. Tracks like 'The Love of Richard Nixon' and 'Empty Souls' explore themes of loss and societal unrest with poignant lyricism. Ultimately, Lifeblood may have been misunderstood upon its initial release, but its significance as a unique chapter in the Manic Street Preachers' journey cannot be denied. As listeners revisit the album with fresh ears, they'll discover a work that defies expectations and deserves recognition as a compelling and evocative piece of art.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Alice in Chains' Jar of Flies from 1994 is a masterful album that showcases the band's versatility and songwriting prowess across an acoustic-driven collection of tracks. They deliver plenty of haunting melodies and introspective lyrics that make for a deeply immersive listen. There is a real melancholic beauty to 'Nutshell' while a gritty intensity pervades 'No Excuses.' Each song offers a glimpse into the band's emotional depth and musical complexity, always with raw emotion and captivating performances that make this one a standout release in Alice in Chains' discography.