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Review: Remote working is not new - artists have collaborated by exchanging files since Internet connection speeds allowed it - but few have pursued it more enthusiastically than Sons of the Sun, a duo made up of South East London beat-maker/multi-instrumentalist Maverick Quest and Texas-based singer and rapper JTronius. The duo initially met online and decided to spark up a Transatlantic collaboration. The results, as showcased on this fine debut album, are rarely less than inspired. Casually joining the dots between future soul, synth-powered P-funk, Afrobeat, jazz and hip-hop, it's a set that oozes musical quality from start to finish. At times it sounds a little like Plantlife or Thundercat, at other times like a hip-hop head's take on 21st century London jazz; throughout, you'll be royally entertained.
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Review: Alex Green and Damon Kirkham's debut album has been a long time coming. It follows an action-packed decade that's seen them morph from drum & bass punishers to dubstep fusionists and, more recently, bass music experimentalists. With such experience behind them, it's perhaps no surprise that Resolution 653 is an eclectic set. What's more surprising is the expansiveness of their approach. Within the album's 13 tracks lies glass-clear electronic futurism, brain-warping acid tracks, murky dusbtep, slo-mo 4/4 sweetness, hard edged electro bounce, off-kilter IDM and, naturally, 140 BPM bass bangers. As a summary of where British bass music's at in 2011, it's unsurpassed.
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VARIOUS
DMC Chart Monsterjam #44 (Strictly DJ Only) (mixed CD)
Cat: DMCMJCHART 44. Rel: 23 Sep 20
Funky/Club House
in stock $2.36
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Review: The big beat era was responsible for many musical crimes, but there remains a handful of tracks from that period that still sound fantastic 15 years on. The Prodigy's 'Beathe', one of the headiest, heaviest and most incendiary moments from their pioneering rock-rave fusion album Fat of the Land, is amongst that group. This reissued CD single places the edited single version of the track alongside three killer bonus cuts: a riotous, raucous, all-action live version of their anti-Criminal Justice Bill collaboration with Pop Will Eat Itself, 'Their Law'; a suitably gnarled and excitable version of classic single 'Poison' recorded live at the Tourhout & Werchter Festival '96, and 'The Trick', a bouncy and chunky, hip-hop tempo B-side that doffs a cap to Death in Vegas and Meat Beat Manifesto.
… Read morein stock $2.55
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Review: It won't have passed you by that the world's longest running (and most commercially successful) rock band is back. The big news, of course, is that the Rolling Stones have recorded their first album of new material in 18 years, Hackney Diamonds, which will appear in stores and online next month. To whet the appetite of fans old and young, they've served up 'Angry' - a one-track CD single that has been manufactured in relatively limited numbers. To be fair to the old timers, it's genuinely 'prime' Stones fair - all gnarly rhythm and blues riffs and sprawling solos (courtesy of Keith Richards, of course), yelp-along vocals from the effervescent Mick Jagger, and a suitably sturdy rhythm section. A return to form, as many critics have already pointed out.
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Cat: RLR 001. Rel: 18 Mar 24
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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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The Killing Moon: The Singles 1980-1990 (low-price CD)
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Cat: MDL 03CD (B-STOCK). Rel: 27 Jan 15
Deep House
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Having built their reputation through 12" singles for the likes of Crosstown Rebels and Poker Flat, Dan Berkson and James What deliver their debut album, on their freshly minted imprint Modelmaker. Interestingly, Keep Up Appearances is an altogether warmer, melodious and more evocative set than you'd perhaps expect, with a smattering of rich downtempo cuts joining a solid selection of dancefloor-friendly deep house. You can hear a classic dub techno influence in cuts such as "Keep Up Appearances" and "Shadow Theory", while the acid-flecked, soul-soaked "Make It True" sounds like classic Osunlade. Best of all, though, are the more forthright efforts, with the ragged "Seraphim" standing out.
… Read moreHaving built their reputation through 12" singles for the likes of Crosstown Rebels and Poker Flat, Dan Berkson and James What deliver their debut album, on their freshly minted imprint Modelmaker. Interestingly, Keep Up Appearances is an altogether warmer, melodious and more evocative set than you'd perhaps expect, with a smattering of rich downtempo cuts joining a solid selection of dancefloor-friendly deep house. You can hear a classic dub techno influence in cuts such as "Keep Up Appearances" and "Shadow Theory", while the acid-flecked, soul-soaked "Make It True" sounds like classic Osunlade. Best of all, though, are the more forthright efforts, with the ragged "Seraphim" standing out.
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Cat: ENOCDX 6. Rel: 31 Jul 09
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