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Review: 'Who Killed Marilyn?' is an early track written by Glenn Danzig when he was with the Misfits. Originally recorded in 1979 with the Misfits but due to financial issues with pressing vinyl copies at the time, was then re-recorded again in 1991 and released under Glenn Danzig's name. An important song in the history of the legendary figure, this is the first time this single has been issued on the CD format. Also included is an additional version of each track remixed and remastered by Danzig himself.

Notes: MOOER has been impressing musicians with its unique effect pedals for over a decade, and the new MVP3 Loopation is set to continue this trend. It's a versatile and feature-packed pedal designed to enable musicians to create seamless loops with their voice and instruments and is part of MOOER's recent VP series which provides versatile support for microphone input.

Loopation provides 11 save slots for recorded audio loops, with 8 of these slots featuring 5 minutes of recording time, and the other three having 10 minutes. Slots can be selected with the simple 'song' dial, and once audio has been recorded, the files will automatically save onto the device. The pedal offers two recording modes: real-time, and auto.

Recording in real-time mode is activated when the right footswitch is pressed, in the same style as traditional loop pedals. In contrast, the auto mode enters standby when the right footswitch is pressed and begins recording once signal is detected, stopping recording with another press.

However, the looping functions don't stop there. Pressing the right footswitch commences file playback, and during playback, another right footswitch press will enable dub mode, which will continue until the footswitch is pressed once again. Playback can be halted with two quick presses of the right footswitch, or alternatively by switching to a different save slot.

When playback is stopped, users can delete all recorded layers by holding the right footswitch for 1 second, or by holding the second 'stop' footswitch press. Finally, users can undo their dubs by holding the left footswitch whilst an overdub is playing and can complete this motion again to restore this deleted layer. If the musician wishes to reverse the audio file, this can be achieved through a single left footswitch press.

Loopation provides both XLR and 1/4" inputs, which can be used in either 'mixed' or 'individual' mode. Users can toggle between these modes by holding the right footswitch while plugging in the power supply. In mixed mode, both inputs will be active, which can be balanced using the 'mix' dial, whereas, in individual mode, the input signals will be isolated to their respective outputs. The master dial allows users to adjust the overall volume of both outputs.

Amazingly, Loopation augments these features further with built-in reverb and tonal effects. By holding the 'tone' button whilst rotating the 'master' dial, the reverb volume can be adjusted. The tone button can also be used independently to switch between the pedal's three tone modes: flat, warm, and bright.

Finally, Loopation offers a gain adjustment knob, a 48V phantom power switch tailored for internal microphone amplification, a grounding switch, a line-in switch, and a DC 9V 500mA power input. When combined with the impressive looping features of the pedal, musicians are left with a complete toolkit for full compositional processes, whether this is in the studio, at home, or during a live performance.
11 loop memory slots with up to 70 minutes of recording time
Unlimited overdubs within each memory slot
Features for overdubbing, deleting, undoing, redoing, and reversing recordings
Built-in volume-adjustable reverb module
Dial for adjusting volume balance between XLR and 14" input
Master volume dial
Dual-functionality LED button
Two multi-functional footswitches
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch
Line in toggle switch
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Review: Not every live album makes the impact Vital did. Recorded at London's Marquee Club on 16th January 1978, it hit shops six months later, by which time the group had split (for the second time), making this more of a capsule of the past than was probably intended. It also turned heads for the often radical re-design of older tracks in the set list. The troupe had been known for on-stage intensity, but this tour was particularly ferocious. Captured using a 24-track mobile unit, the second of two performances in the UK capital was committed to tape, and then mixed down into Vital at Foel Studio by Guy Evans. After some serious magic was worked to clean up a sax track that suffered a technical fault, the finished product encapsulated the huge energy and atmosphere that defined the original date.

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Review: The eighth full-length from Floridian pop-punk legends New Found Glory marked their first as a four-piece following the controversial ejection of founding guitarist Steve Klein, and would serve as a creative reappraisal of the band's sonic trajectory at that time. Reverting from the accessible easycore of 2011's Radiosurgery, the follow up Resurrection would land in 2014 with a monumental chug-fest of anthemic breakdowns gelled to the type of earworm pop hooks ghost writers could only dream of penning. Featuring guest vocals from Anthony Raneri of Bayside on 'Stubborn' and (a pre-global success) Brendan Yates of Turnstile on the blistering closer 'On My Own'; Resurrection proved beyond a shadow of doubt that just because they were on the ropes, did not mean that New Found Glory would go down any other way than swinging, while what initially appeared to be their potential swansong, ultimately became a rejuvenation (or resurrection) as the band have continued to put out new albums all the way up to this day.

Notes: Neat little interface module to help pad controllers play nicely with Eurorack. Hook up a device like a Launchpad or APC and jam out rhythms with retriggering options, dynamic control and MIDI sync.

Supplier's Notes:
Triggerpad is a dynamic trigger/gate sequencer in eurorack format on only 6hp. A USB MIDI controller with an 8×8 grid like Launchpad or APC is used to display and edit the patterns (see the list of compatible controllers). The user experience is tailored to live performance and detailed composition: dial in simple rhythms or complex polyrhythms, retrigger at audio rate, create dynamic percussions with velocity triggers or use longer pulses to create steppy modulations.

By using USB MIDI controllers that you might already have and maybe not use anymore, we avoid producing more plastic. Give your old gear a second life!

Dimensions & consumption

Width: 6hp
Depth: 39mm
+12V: 120mA (without USB MIDI controller connected)
-12V: 20mA
5V: 0mA
USB MIDI controllers consume up to 150mA on +12V

Connectivity

8 dynamic trigger/gate outputs (0-10V)
USB MIDI Host
Clock in
Clock out
Reset in
Reset out

Compatibility

Launchpad Pro Mk3
Launchpad X
Launchpad Mini Mk3
Launchpad Mini Mk2
Launchpad Pro
Launchpad Mk2
Launchpad S
APC Mini Mk1
APC Mini Mk2