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Cat: 718736 Rel: 27 Feb 19
 
Multi-mode filter with four filter types - 18HP
Notes: The Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

- Quad Core Stereo Analogue
- Multi-Peak with clean resonance
- Fast response encourages deep FM
- Radiate spaces stereo image and animates associated channel
- High Q settings are under damped, excitable and ring by gate or trigger
- 2 modulation inputs aid patch exploration
- Stereo VCA, pre-filter with gain
- Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
- Smile Pass filter response unique to QPAS
- Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available
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 2 in stock $358.16
Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 5 in stock $321.69
Cat: 633762 Rel: 05 Jan 17
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 4 in stock $320.62
Cat: 596644 Rel: 18 Dec 15
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 3 in stock $304.53
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Cat: 641949 Rel: 18 Apr 17
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 1 in stock $329.20
Cat: 677587 Rel: 29 May 18
 
Granular sample player/DSP platform - 20HP
Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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 1 in stock $396.75
Cat: 732315 Rel: 11 Sep 19
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 6 in stock $329.21
Cat: 589505 Rel: 10 Dec 15
 
Innovative resonant filter synthesiser module - 26HP
Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.
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 3 in stock $428.92
Cat: 732833 Rel: 25 Jun 19
 
stereo delay module
Notes: Erica Synths Black Stereo Delay is a hi-fi stereo delay with lot of unique features, based on our custom DSP engine. Developed in collaboration with Tim Pechersky aka TeemKaa of Useful Circuits. Tape, digital and ping-pong modes of delay, hold with overdub and delicate delay time and feedback control in combination with CV and trigger control over various parameters make this module not only great effects unit in your modular system, but also - an instrument on it's own.
Features:
" Stereo delay with adjustable delay time
" Tape, digital and ping-pong delay modes
" Tap and clock synchronization of delay time
" Reverse delay mode
" Hold mode (samples up to 20" of audio) with Add (overdub) feature
" Trigger control over Hold, Add and Reverse
" CV control over delay time, dry/wet mix and feedback
" Feedback path soft limiting compression
" Add to hold soft limiting compression
" Adjustable stereo delay spread
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 1 in stock $320.63
Cat: 718794 Rel: 18 Apr 19
 
Distortion module with Plasma technology - 16HP
Notes: Gamechanger Audio is a Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion.

Similar to the Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence - you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character!

The Eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per Eurorack standards we added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional Eurorack PSU ribbon cable and the power consumption is around 150mA.
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 2 in stock $321.69
Cat: 740273 Rel: 02 Oct 19
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$410.49 SAVE 17%
 4 in stock $342.07
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Cat: 688859 Rel: 10 Sep 18
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 1 in stock $470.74
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Cat: 673002 Rel: 13 Dec 17
 
Random control voltage for Eurorack, featuring multi-channel noise source & two sophisticated random sections
Notes: The SAPEL is a random control voltages source for Eurorack modular systems. It is composed of two main sections, one that generates audio noises, in 4 different versions, and another which includes two specular random clock, random voltages and clock sources.

Noise outputs are colour coded, based on the noise colours, and include:

- Blue (+3dB/oct spectrum)
- White noise (0dB/oct spectrum)
- Pink noise (-3dB/oct spectrum)
- Red noise, a.k.a. Brown or Brownian (-6dB/oct spectrum).

The random voltage and clock section features four uncorrelated random CV generation paths, divided in;

- Fluctuating random voltage;
- Quantized random voltage with 2n stages tuned in semitones referred to 1V/oct scale;
- Quantized random voltage with n+1 stages tuned in octaves referred to 1V/oct scale;
- Non quantized sample & hold.

It is also possible to set a probability distribution with a potentiometer, and apply (or do not apply) the chosen distribution setting to each of the four paths independently.

Furthermore, each of the two random sources section features an independent built-in clock generator, with clock output and random clock output, which can be used in "more than" or "less than" mode. It is possible to use an external clock signal as a clock source, bypassing the built-in one. In addition to that, it is also possible to hand trigger the clock via a manual sample & hold button, which can be also modulated by gate signals.
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 2 in stock $419.27
Cat: 690924 Rel: 21 Jan 19
 
Fully analogue multipurpose movement manager - 18HP
Notes: The FALISTRI is a fully analogue multipurpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided in two big parts: in the upper two thirds of the panel take place two specular function generators, while the lower third is composed by a dual cascaded frequency divider, a linear slew limiter and a four-quadrant multiplier.
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 2 in stock $368.87
Cat: 739126 Rel: 16 Jul 19
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - black faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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 3 in stock $481.47
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Cat: 620696 Rel: 10 Aug 16
 
Analog compressor and tone shaper synth module in Eurorack format - 18HP wide
Notes: Analog coloring compressor module:

- 100% analog signal path and sidechain feedforward compressor
- Unique (log based RMS) detector
- Output routed through a specially selected Edcor transformer with highly desirable saturation qualities.
- Three carefully designed analog circuits to impose specific character on the output signal:
- TUBE adds non-linear distortion providing second order harmonics
- TAPE adds symmetrical distortion providing both even and odd harmonics
- XFRM modifies the transformer feedback circuit, giving a boost to low bass content
- All three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain
- Sidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.
- External sidechain input allows triggering of the compressor with external sources.
- Link IN/OUT allows two Jellysquashers to be chained together for stereo operation.
- Full CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.
- Wet/Dry control allows for "New York" style compression where there is a blend of the dry and compressed output signal.
- LED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.
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 1 in stock $321.69
Cat: 688915 Rel: 25 Jun 18
 
Open-source, cartridge-based, digital sound processing & generating platform
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.
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 1 in stock $417.13
Cat: 581798 Rel: 04 Jan 16
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 1 in stock $303.18
Cat: 687380 Rel: 20 Aug 18
 
Versatile Eurorack module inspired by Roland Systems-100m's output synthesiser
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 531 MIX:

Inspired by the SYSTEM-100m's 131 output module, the SYS-531 brings an updated approach with convenient and modern features. With six high-quality inputs, each with level slider, pan knob, and performance-friendly mute button, the SYS-531 is your central hub for mixing mono or stereo (PRE only) signals. It has high-fidelity sound with low noise, ensuring that your modular rig sounds its best. The six pan knobs are CV controlled so you can create space and dimension, and achieve interesting stereo effects. There's even a boutique-quality stereo preamp, so you can bring in mic or line level signals -and abusing this preamp's gain knob gives you pleasing overdriven tones. The headphone section has an easy-to-reach, dedicated volume knob as does the multi-format output section that lets you use both 1/4"and 1/8" cables. There's even an LED level indicator for visual feedback.
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 1 in stock $407.49
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Cat: 687377 Rel: 19 Jun 18
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 2 in stock $320.63
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Cat: 584261 Rel: 15 Apr 16
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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 4 in stock $476.11
Cat: 733026 Rel: 02 Nov 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 1 in stock $375.32
Cat: 671550 Rel: 29 Nov 17
 
VCO module featuring four precision oscillators - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination:
- Upper position: exponential frequency modulation (XM)lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- Min. 10 octaves range (with appropriate external CV)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (selectable via jumper)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 1 in stock $394.61
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quote 671550
Cat: 669145 Rel: 28 Jan 18
 
Complex multi-tap delay - 18HP
Notes: The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille-feuilles, liquid and resonant effects.

Have you ever got tired of the monotonous repetitions that your standard delay pedal/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!

The Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!
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 1 in stock $340.99
Cat: 670606 Rel: 11 Jan 18
 
6-channel performance mixer with three band EQ, mute & pan - 28HP
Notes: Hexmix System is a six channel performance mixer specially designed for Eurorack.

The system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.

The mixer has a strong inspiration in classical DJ mixers, providing sharp EQ's for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.

The unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.

The system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a conventional tabletop mixing deck.

This is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.

Inputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA, you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.

Each Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.

Gain is set to unity, so it will act as an attenuator of the input signal. Mutes are clickless, as they are vactrol based. This circuit provide some decay on the mutes, rather than a sharp cut.

Switches have latch position and momentary ones to unmute the channel, providing some really nice performative capabilities.

EQs are quite sharp (12dB) inspired in classic DJ mixers to aggressively cut selected frequencies.

Master section has its own EQ and volume control for the mix of all channels. Master EQ is software than individual channel's (6dB) and it's meant to provide control over the final mix.

It's possible to change output level from line to synth with a switch located in the back.

This will be pretty useful when used in combination with Hexpander, that provides a balanced out at line level. Like this it's possible to have a mix at synth level to re-route the master signal while having an output to PA.
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 2 in stock $437.51
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quote 670606
Cat: 655355 Rel: 29 Jun 17
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 1 in stock $429.99
Cat: 731930 Rel: 21 May 19
 
analogue synth module with simultaneously waveform outputs
Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs
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 1 in stock $334.56
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quote 731930
Cat: 601493 Rel: 22 Apr 16
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 5 in stock $317.41
Cat: 658749 Rel: 11 Sep 17
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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 1 in stock $320.63
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quote 658749
Cat: 658753 Rel: 11 Sep 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 2 in stock $469.67
Cat: 732306 Rel: 09 Sep 19
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 4 in stock $406.41
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quote 732306
Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
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 9 in stock $401.05
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quote 732317
Cat: 743610 Rel: 23 Sep 19
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $395.69
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quote 743610
Cat: 658626 Rel: 08 Jan 18
 
Versatile percussion synth voice module
Notes: The Entity Percussion Synthesizer is a complete and versatile voice module, geared for designing a huge array of percussion, bass and lead sounds and well suited for processing external audio sources.

The design consists of a high fidelity resonant band pass filter, two voltage controlled decay envelopes, multi-mode noise generator, a high fidelity VCA and a voltage controlled diode wave multiplier. Every parameter on the Entity Percussion is voltage controllable.

Features and controls:

SOUND SHAPING:

BODY control simulates the tightness of a drum head. From soft and muted to flabby and bass heavy.

PITCH affects the frequency of the resonant filter. The nominal control range is from about 8Hz to 2.2kHz. This range is expanded upon use of internal and external control voltage sources.

HARMONICS increases the number of overtones heard via the main resonant sound source. Subtle to extreme. A substantial function of the Entity PS.

RING controls the resonant decay time, independently from the modulation controls. Both short and plucky and very long rings are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

OUTPUT section controls the resonator volume level and the overall output level when NOISE-FILTER mode in enabled. MIX switch selects processing the internal resonator, external source via the EXT IN jack or a mix of both, greatly enhancing the sound capabilities of the Entity PS.

NOISE generator inspired by the Quantum Rainbow 2, with three select-able noise modes - WHITE, PINK and FILTER. FILTER mode routes the noise into the resonator's signal path - to be processed through the resonant filter, harmonics processor and main VCA.

N-LEVEL independently controls the volume and CV level of the noise VCA.

MODULATION:

Two voltage controllable decay envelopes are provided to modulate the frequency and/or volume of the resonator and noise. DECAY controls the FM/VCA decay time of the resonator, N-DECAY controls the VCA decay time of the noise generator.

DELAY provides voltage controlled delay of the resonator DECAY envelope with respect to the noise (N-DECAY) envelope - a useful feature for creating various snare, clap and snap sounds and layering internal and external sources.

FM LVL is a bipolar attenuator for controlling the frequency modulation depth of the resonator. The switch below selects the internal resonator decay envelope, a mix of the decay envelope and external FM CV source, or the external FM CV source only.

DUCK output jack provides an offset and inverted copy of the resonator DECAY envelope for ducking VCAs and other modulation duties.

Additional Features:

PING! button to demo sounds without a trigger source.

RGB LED for visual feedback of trigger, FM and output waveform

All parameters are voltage controllable.
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 2 in stock $322.77
Cat: 660457 Rel: 29 Aug 17
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $306.68
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quote 660457
Cat: 731219 Rel: 15 Jul 19
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 1 in stock $448.22
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quote 731219
Cat: 590406 Rel: 10 Nov 15
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 2 in stock $328.13
Cat: 557456 Rel: 19 Dec 14
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 2 in stock $472.90
Cat: 569524 Rel: 30 Jun 15
 
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 3 in stock $458.95
Cat: 743521 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $320.63
Cat: 581793 Rel: 04 Jul 16
 
Dual Voltage Controlled Oscillator (VCO) synth module - 16HP wide
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $333.23
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quote 581793
Cat: 745784 Rel: 09 Sep 19
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
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 1 in stock $316.33
Cat: 589504 Rel: 02 Nov 16
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 3 in stock $389.25
Cat: 734878 Rel: 09 Jul 19
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 2 in stock $417.02
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FORTHCOMING
Befaco VCMC Voltage Controlled MIDI Controller Module (assembled)
MRP:$410.49 SAVE 17%
coming soon $342.07
Cat: 670607 Rel: 10 Jan 18
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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MRP:$410.49 SAVE 19%
 4 in stock $331.35
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Cat: 731184 Rel: 02 Oct 19
 
5U version of the Ataraxic Iteritas
Notes: Ataraxic Iteritas Magnus is an extension of the first Eurorack module, the Ataraxic Translatron. AIM starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AIM. Ataraxic Iteritas Magnus is the 5U version of the Ataraxic Iteritas. Guaranteed to make the fax machine jealous on an even bigger scale.
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 1 in stock $445.02
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Cat: 690948 Rel: 19 Sep 18
 
Synth voice module for ultimate acid basslines - 14HP
Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.
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 1 in stock $339.92
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Cat: 731183 Rel: 30 Aug 19
 
5U version of the Noise Engineering dynamic wavetable oscillator
Notes: Cursus Iteritas Magnus is an oscillator that works from a dynamically generated wavetable. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. Cursus Iteritas Magnus parametrizes a wide variety of sounds, but because the sounds are all based on orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds

Cursus Iteritas Magnus is the 5U version of Cursus Iteritas.
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 1 in stock $414.98
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Cat: 705246 Rel: 08 Nov 18
 
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $320.62
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