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Cat: 660457 Rel: 29 Aug 17 • View all Synth modules
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $308.70
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Cat: 749780 Rel: 29 Aug 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $330.75
Cat: 660454 Rel: 29 Aug 17 • View all Synth modules
 
14HP Eurorack fuzz & overdrive synth module
Notes: You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $358.36
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quote 660454
FORTHCOMING
Zoom V6 Vocal Processor Pedal
Cat: 750416 Rel: 31 Oct 19 • View all Effects pedals
coming soon $376.72
Zoom H6 Handy Recorder With Cubase LE 6 Audio Production Software & 2GB SD Card (portable digital recorder + audio production software)
Cat: 495822 Rel: 05 Aug 13 • View all Handheld recorders
 
Portable digital recorder with world's first interchangeable mic system
Notes: The new Zoom H6 is a 6 input, 2 output handheld recorder, which can record up to 24bit, 96KHz audio. Zoom already has a good track record of producing high quality handheld audio recorders with their previous H4n and H2n devices.

The H6's real stand out feature is its all new interchangeable capsule system. The H6 ships with two different capsules - an XY coincident pair and a mid side mic, for continuously variable stereo width. There are also two extra attachments that can be purchased separately: an XLR/TRS Input, which offers two more inputs for external mics, and a shotgun mic.

There are four XLR / TRS combi inputs on the body of the H6, so adding the XLR/TRS Input option would allow six external microphone to be used, which could be very useful in location recording situations.

The H6 is battery powered and Zoom claim over 20 hours of operation is possible on a single set of four AA batteries.
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 1 in stock $322.15
Cat: 727131 Rel: 13 May 19 • View all Synthesisers
 
49 key edition synthesiser with music production software suite
Notes: Improving an already-winning formula of superb sound quality, huge power (including 128 note polyphony!), a sleek compact chassis and a great price, MX49 Version 2 adds iPad, iPhone and iPod touch audio/MIDI class compliancy.

Yamaha's MX Series synthesisers feature carefully-selected sounds taken from the award-winning Motif XS. But the MX49 isn't just a synthesiser; it also bridges the gap between hardware and software. Its class-compliant USB audio/MIDI connection massively simplifies music production with your favourite DAW, whether you use macOS, iOS or Windows.

Handy DAW and VST controls are built into the MX49, perfect for using with the included software for macOS and Windows: Cubase AI, YC3B Organ Synthesiser VST and Prologue Analogue Synthesiser VST.

And, for producers using iOS, the MX49 Version 2 will unlock both Steinberg's Cubasis app and Yamaha's own FM Essential synthesizer app for iOS.

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 1 in stock $403.70
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Cat: 739074 • View all Studio mixers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multi-effects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or colour to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

The preamps are where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custom made MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany miked instruments during performance, avoiding the clipping that can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favourite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

MG XU models are bundled with Downloadable Steinberg's Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.
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 1 in stock $404.55
Cat: 519646 Rel: 23 May 14 • View all Studio mixers
 
16 channel analog mixing desk with effects and bundled audio production software, rackmount kit included
Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multi-effects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or colour to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

The preamps are where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custom made MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany miked instruments during performance, avoiding the clipping that can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favourite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

MG XU models are bundled with Downloadable Steinberg's Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.
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 2 in stock $409.10
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Cat: 519645 Rel: 11 Apr 14 • View all Studio mixers
 
16 channel analog mixing desk with metal chassis and rack mount kit included
Notes: The Yamaha MG16 Analogue Mixer. Road Tough. Studio Ready.

The Yamaha MG16 is part of the third generation of renowned MG Series mixers. These compact mixing desks focus on giving you high quality sound for a wide variety of mixing environments. The Yamaha MG16 has the same mic pre amps as their high-end pro mixers. The new MG Series provides serious quality with the reliability and performance capabilities the series is known for.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.
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 2 in stock $365.92
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Cat: 655355 Rel: 29 Jun 17 • View all Synth modules
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 1 in stock $432.84
Waldorf Pulse 2 Analog Synthesizer (monophonic synthesizer)
Cat: 446342 Rel: 25 Sep 13 • View all Synthesisers
 
Analog monophonic synthesiser with large LCD display and stainless steel knobs
Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).
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 1 in stock $412.64
Cat: 370595 Rel: 20 Oct 09 • View all Synthesisers
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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MRP:$453.67 SAVE 22%
 2 in stock $351.88
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Cat: 467331 Rel: 05 Sep 12 • View all Synthesisers
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 1 in stock $349.98
Cat: 662842 Rel: 18 Sep 17 • View all Synth modules
 
Dual filter module with flexible routing & excellent audio properties - 24HP
Notes: There is almost no modular system without at least one filter-module. You can look at them as the stars within the giant Eurorack-jungle. twinVCFilter is such a star as well. A dual filter module with flexible routing and excellent audio properties. It covers a huge range of different applications without the slightest effort.

Features and Routing:

Each filter section of twinVCFilter works as low- or highpass-filter with a slope of 12 dB/octave or as bandpass-filter with 6 db/octave. Signals can be directed in three ways through the module:

- Serial: The incoming signal passes both filter sections in a row.
- Dual: The filter sections act completely separated of each other. As if they were two individual filter modules.
- Parallel: The incoming signal passes both filters at the same time.

With these routings you can i.e. generate bandpasses or notches with variable slopes and different resonance settings or doubling the filter's slope. These are the more obvious combinations but there is a lot more to discover.

The convenient link-feature allows to couple cutoff- and resonance of both filter sections for straightforward stereo use in dual mode.

Mix section:

The flexible signal-routing is supplemented by the mix-section. Here you can crossfade both filter sections manually or by control voltages. Seamless movements from low- to highpass-filter, is as easy as crossfading from half to doubled slope. Of course you can mix two completely individual signals or toggle between them by using a rectangle-LFO-modulation.

Resonance:

Resonance is a key factor in the context of sound-shaping and sound-generation using a filter. Therefore we carefully trimmed twinVCFilter's resonance to be as musically and stable as possible. You can apply subtle frequency-dependent emphasis to signals and tear them up to self-oscillation. The latter generates a solid sine-wave which is an excellent base for percussive sounds. Possible cross-modulations significantly enhance the sound-generator features. By the way: If you are missing a vibrato-LFO in a patch, twinVCFilter can do the job.

twinVCFilter offers a huge set of features to form impressive soundscapes. It can take subtle influence to signals or massively truncate frequencies. It leaves nothing to be desired. Despite, for those who need additional possibilities we especially designed the tVCF-Extension module.
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 2 in stock $335.69
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Cat: 433131 Rel: 19 Aug 11 • View all Effects units
 
Desktop spring reverb
Notes: Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulation sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
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 2 in stock $430.69
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Cat: 433132 Rel: 19 Aug 11 • View all Filters
 
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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 1 in stock $336.78
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Cat: 700724 Rel: 07 Sep 18 • View all Synth modules
 
Scan & Pan Module with 4 channel mixer 14 HP
Notes: Each channel has a mono input and a gain control. The level can be set manually with a fader and modulated by a CV. Furthermore there's a panning function with a manual potentiometer for determinig the channel's panorama position and a CV input for modulating it.

In the dark highlighted, right part of the module we find the L and R outputs as well as the scanning function:
The "Center" parameter is used for selecting a channel, while "width" also selects the adjacent channels. For instance if channel 2 was selected with center control and remain static if is possible to fade in and out chennels 1 and 3 (or even 4).
It can be interesting to use this function with different wave forms of an oscillator but also with totally different signals. It can be even more exciting if the channels have different panorama positions which means the channels which are faded in appear in different stereo field positions.
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 2 in stock $413.42
Cat: 700723 Rel: 28 Aug 18 • View all Synth modules
 
Dual multi-envelope generator - 22HP
Notes: Reimagining the envelope generator, several shapes of 4 stage functions are available simultaneously on each of the two parts in the Multi-Envelope. From the same set of controls and voltage control inputs, each shape has its own dedicated output. All at the same time... Delay Attack Decay Sustain Release, Attack Hold Decay Sustain Release, Delay Attack Hold Release and (on the upper generator) Attack Decay Attack Release. End pulse outs allow chaining and looping. Gate and Trigger inputs can be used alone or together to control re-trigger characteristics. The "shape" control blends continuously from linear ramps to RC curves typical of East Coast Synthesis, without changing the overall time. The upper generator also has gate outs that are high during each stage.
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 1 in stock $409.10
Cat: 725952 Rel: 25 Mar 19 • View all Synth modules
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $490.06
FORTHCOMING
East Side Story (40th Anniversary)
VARIOUS
Cat: EASD 9999. Rel: 25 Oct 19
 
Soul
coming soon $397.21
Cat: 690787 Rel: 31 May 18 • View all Synth modules
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $306.54
FORTHCOMING
TouellSkouarn Ar Merc'het Brao Dual Filter & Overdrive Module
coming soon $372.40
FORTHCOMING
TouellSkouarn Ar Merc'het Brao Dual Filter & Overdrive Desktop Effects Unit
coming soon $383.19
Cat: 688915 Rel: 25 Jun 18 • View all Synth modules
 
Open-source, cartridge-based, digital sound processing & generating platform
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.
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 1 in stock $419.88
Cat: 590406 Rel: 10 Nov 15 • View all Synth modules
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 2 in stock $330.30
Cat: 677052 Rel: 15 Feb 18 • View all Synthesisers
 
Pocket Operator synthesiser set, including PO-32 Tonic, PO-33 K.O, PO-35 Speak, 3 cases & 3 sync cables
Notes: Complete set with all three micro synthesizers from the Pocket Operator Metal Series. PO-32 Tonic drum machine, PO-33 K.O micro sampler and PO-35 vocal synthesizer, including pro cases and mini cables for a complete jam set-up in perfect sync.

The third-generation pocket operator family is now complete. Introducing new silver and copper members, both with golden features. Sample anything, anywhere, with the new pocket operator PO-33 K.O! Record and synthesize voices using eight different engines with PO-35 Speak. Add the unique character of the PO-32 Tonic drum machine to complete your solid metal set-up.

Making electronic music has never been this much fun.

PO-35 Speak:

Vocal synthesizer and sequencer with built-in microphone for 8 different voice character sampling.

PO-33 K.O:

Micro sampler with 40 second sample memory and built-in recording microphone.

PO-32 Tonic:

Drum synthesizer and sequencer with unlimited sounds from micro-tonic VST (sold separately) through data transfer.
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 1 in stock $321.66
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Cat: 743514 Rel: 01 Jan 90 • View all Studio mixers
 
***B-STOCK: Box opened, product unused***
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 1 in stock $301.16
Cat: 681410 Rel: 06 Jun 18 • View all Studio mixers
 
Powerful multi-channel, multi-zone mixer in a compact 3U rack mount design
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 4 in stock $362.68
Cat: 681412 Rel: 06 Jun 18 • View all Studio mixers
 
Powerful multi-channel, multi-zone mixer housed in a compact 2U design
Notes: The TASCAM MZ-223 offers versatile multi-zone audio routing, mixing, and segregation of several audio sources simultaneously. Source content can include music, spoken word (microphone), phonograph, and more and are easily controlled via familiar sliders and assignment controls on the front panel. Designed for easy integration in virtually any system, the TASCAM MZ-223 is ideal for small format install applications such as moderate sized hotels, restaurants, meeting rooms, schools, or any situation that demands independently routed audio.

Flexible I/O:

The MZ-223 allows multiple audio sources to be mixed, segregated, and routed to three (3) independent zones or destinations using familiar volume sliders and assignment buttons. Input signals can be inserted via five (5) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs. A total of ten (10) sets of RCA-type inputs are provided. Channels one and two can be set to accommodate phono-level signals for use with a turntable. In addition, located conveniently on the front panel, two mic-compatible XLR inputs are available.

Multiple Zone Outputs:

The independent three-zone outputs each have a combination of balanced professional XLR or RCA unbalanced configurations for long runs or connection to common residential power amplifiers or speakers. This flexibility, for example, allows music to be routed to zone one, ambient noise or natural sounds to zone two, a separate music track or a voice announcement can be routed to zone three, while the convenient "talkover" function will automatically lower any mixed channel source so the microphone can be heard while speaking.

Easy, Immediate Control:

Familiar volume sliders, routing switches/buttons, EQ knobs, and mute buttons for the microphones make the MZ-223 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event capturing easy. The TASCAM MZ-223 delivers simple operation and maximum audio routing flexibility, all in a compact, affordable package.
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 1 in stock $344.33
Cat: 624114 Rel: 11 Oct 16 • View all Handheld recorders
 
Road-ready, studio-quality 192Khz/24bit compatible linear PCM recorder
Notes: TASCAM's top-of-the-line Handheld Digital Recorder, the DR-100mkIII boasts a signal-to-noise ratio exceeding 100dB, delivering the best audio performance in the history of TASCAM portable stereo recorders. Designed to meet the needs of the most demanding audio designers and engineers, this new model combines robust reliability, an updated user interface and studio quality sonic performance to deliver a truly breath-taking audio experience.

The DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. The DR-100mkIII uses two independent AK4558 ADC converters. By eliminating interference between left and right channels, signal-to-noise ratio is maximized and audio fidelity is improved. In addition, each of those AD converters can work in a Dual ADC mode. The two AD converters work in tandem then combine their results for a 109dB S/N ratio, beating the (already excellent) 102dB S/N ratio achieved when recording in standard mode. Note: As the S/N ratio when recording exceeds the S/N ratio of the entire circuit, data recorded in dual mono ADC mode will be limited to a 102dB S/N ratio when played back on the DR-100mkIII. This does not affect the S/N ratio of the actual file, which is maintained at 109dB S/N.

The XLR/TRS inputs, used to connect external mics, deliver the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder. HDDA (High Definition Discrete Architecture) mic preamps are also included to maintain a pristine audio signal path throughout. The TASCAM DR-100mkIII is a newly designed microphone housing for the directional mics is based on exhaustive research of previous TASCAM handheld recorders and achieves the perfect marriage of protection and performance. Similarly, the omnidirectional stereo microphone setup features a sound pressure level tolerance of 125dB SPL - able to withstand virtually any audio environment.

The TASCAM DR-100mkIII supports high definition recording at both 96kHz/24bit and 192kHz/24, ensuring that remote recordings achieve the same sonic fidelity as their studio-born counterparts. With a dual battery structure that features a built-in high-capacity lithium-ion battery as well as with hot-swappable AA batteries, operation is possible for extended periods of time and is ready to go when you are. Additionally, the DR-100mkIII can be rapidly charged by connecting an AC adapter and even support USB Bus power from an external battery pack commonly used to charge mobile phones and tablets.

TASCAM's exclusive Dual Level Recording function simultaneously records a secondary backup file at a lower gain level than the primary recording. This safety file, recorded at a 12db lower level protects your recording session from unexpected volume spikes and accidental overload. Marrying light weight with long-term reliability, the TASCAM DR-100mkIII's tough aluminium body ensures many years of trouble-free use. The precision of the built-in clock is crucial when digital recordings made on what device are to be used in conjunction with materials recorded on other devices, such as when combining digital audio and video assets. To ensure stability, the DR-100mkIII utilizes the same Temperature-Compensated Crystal Oscillator (TCXO) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device which must maintain its precision in support of high-quality recording.

Used in a variety of combinations, depending upon the selected function, the DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. When working on location, decisions must be made quickly and efficiently, and an intuitive and consistent User Interface is critical. By gathering feedback from users of the original DR-100 and the mkII, we have been able to add a variety of usability enhancements designed to streamline workflow and help audio professionals achieve success quickly and efficiently.

The user interface has been designed to maximize visual confirmation, and includes a large LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs for features such as record levels and status and easy-to-read legends on the casework. Dedicated hardware controls have been implemented for the most commonly accessed features to enable quick, positive operation in the field. Dual format recording function allows simultaneous recording of both uncompressed WAV(BWF) and MP3 files. This provides the user with instant access to both the original, full resolution master file and a compressed MP3 file (with a much smaller file size) for easy emailing or posting to social media sites.
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 1 in stock $321.36
Tascam DP 32SD Digital Portastudio (B-STOCK) (digital multitrack recorder)
Cat: 709925 Rel: 06 Oct 14 • View all Multitrack recorders
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tascam's DP-32SD Digital Portastudio records an unmatched 32 tracks to solid-state media. Up to eight tracks can be recorded at a time through its combination XLR and 1/4" combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input. A color LCD and channel strip knobs make mixing fast and creative. With its great sound, powerful features and easy operation, the DP-32SD is Tascam's biggest Portastudio yet.

The DP-32 has 12 selectable tracks between MONO or STEREO. Use a STEREO track for recording synthesizer, or set the track to MONO when recording guitar or vocal. Not only that, you can create ideal settings for each track. (set #9 to #12 STEREO, then set #13 to #22 MONO) If all tracks are set to MONO the DP-32 becomes a 20-track multi track recorder.

The DP-32, even with the high number of tracks, is one of the easiest multi-track recorders in the market to use. The The DP-32SD has 20 track-faders and one master fader. You can control any track with ease.

The DP-32SD has a 3.5" LCD screen and select self-illuminated buttons, making it easy to view your entire creative process. Some of the illuminated buttons include (SOURCE, SELECT, REC, MUTE).

The DP-24/32 have similarly employed rotary knobs to control qualities such as EQ, Effect Send and other related features.

The DP-32SD uses SD/SDHC media. These cards provide secure shock resistance due to the absence of any moving parts. The file format in the DP-32SD is FAT 16 or 32. You can transfer the recorded files to your computer via USB.

The DP-32SD has 8 XLR-TRS combo inputs. You can record up to eight sources at one time.

The equalizer for each track and each input are independent from other effects. Record like any professional studio with EQ for each individual track.

Use up to 8 dynamics effects at once, one for each input source. For example, utilize the built-in compressor effect for your bass, guitar and drums tracks. In addition, the DP-32SD have multiple guitar and mixing effects.

The DP-32SD is equipped with mastering effects for finihsed-sounding mixes. There is no need for computers when recording and mixing. The mastering effects section includes a Multi-Band Compressor, EQ, Noise-Shaping Dither, and a Normalize Effects. You can create a high-quality 2-track master file for transfer to your computer to burn a CD or share online.

The headphone amplifier provides easy monitoring in loud environments such as a rehearsal studios or live performance.
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 1 in stock $400.93
Cat: 690780 Rel: 26 Jun 18 • View all Studio accessories
 
Dual cassette deck for playing, dubbing, or recording 1 or 2 cassettes
Notes: TASCAM's new 202mkVII dual cassette deck is the latest generation of the company's professional cassette recorders. Coveted for their reliable performance, comprehensive feature set, and audio quality, the 202 series has long been the leading choice for recording studios, houses of worship, audio/music enthusiasts, and other professional applications.

The 202mkVII's most noteworthy new feature is a rear-panel USB output that enables recording and archiving cassettes to digital media. A front-panel 1/4-inch, high-impedance microphone input with dedicated level control enables live input to be mixed with Tape 1 audio and recorded, in real time, to Tape 2 for karaoke and voiceover applications. The mic input also can accept line-level signals. In addition to the USB output, the rear panel provides stereo analogue line-level input and output on unbalanced RCA connectors. A 1/4-inch stereo headphone output with dedicated level knob is conveniently located on the front of the unit.

The dual twin-head cassette decks can record and play back independently, including recording simultaneously to create two tapes with the same source. Among other applications, this enables simultaneous creation of a master tape and a copy for distribution, skipping the need to duplicate the master tape. The two decks also provide real-time dubbing at the touch of one button. Tape 1 offers pitch control (+/-12%) and Tape 2 has a Return to Zero function.

The TASCAM 202mkVII offers two playback modes. Normal playback, as expected, routes sound to the line outputs and headphone output. In Special playback mode, you can monitor the sound from one tape using headphones, while the other tape plays through the line outputs, making it easy to cue another tape. A noise-reduction feature (the equivalent of Dolby B) reduces hiss during playback.

The 3U rack-mountable, professional tape deck supports recording and playback of Type I (normal) and Type II (chrome) cassette tapes, as well as playback with Type IV (metal) tapes. A dedicated wireless remote control is included.
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 1 in stock $393.38
Cat: 640489 Rel: 01 Jan 90 • View all Hi-fi speakers
 
Pair of twin 7" driver floorstanding hifi speakers - light oak finish
Notes: The Tannoy Mercury series has been satisfying the audio demands of hi-fi and home theatre enthusiasts for nearly two decades. Over the years, Mercury has consistently received international praise for exceptional performance combined with outstanding value for money.

Following in the multi-award-winning footsteps of its predecessors, the new Mercury 7 series offers, yet again, improved performance, enhanced styling and a wider choice of finishes to coordinate with a broad range of interior decor.

Delivering unrivalled power and musical entertainment, this new Mercury flagship is bigger, more powerful and more dynamic than ever.

Suitable for larger listening rooms or where high volumes are required, Mercury 7.4's 44 litre twin-ported cabinet, dual 178 mm (7 inch) mid/bass drivers and refined 28 mm (1.1 inch) soft dome tweeter pack a mighty punch.

To further enhance imaging and produce the widest soundstage, the drivers are positioned in a D'Appolito driver configuration. By placing the tweeter centrally between the two bass/mid drivers, the speaker's dispersion characteristics are smoothed through the critical crossover region resulting in a highly articulate musical performance on or off the loudspeaker's main axis. This eliminates the traditional 'sweet spot' to deliver peak performance across more seats in your listening room.

As befits a flagship of any TANNOY loudspeaker series, the Mercury 7.4 boasts class leading peak power handling at 300 Watts and extremely high 93 dB/Watt efficiency making it suitable for the broadest range of partnering equipment.
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 1 in stock $355.13
Cat: 719645 Rel: 18 Jul 19 • View all Synthesisers
 
Modular synthesiser starter rack
Notes: A complete AE modular system in a one-row Rack; containing the following modules:

- MASTER
- 2 OSC/D
- VCO
- NOISE
- LFO
- SVFILTER
- ENV
- 2VCA
- 2ATT/CV
- MIXER
- SAMPLE&HOLD
- DELAY

The case is extendable; via a joint kit (not included) another case of this width can be attached at a free angle; the bus is connected via a short connector cable between both cases.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 2 in stock $377.79
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Cat: 731219 Rel: 15 Jul 19 • View all Synth modules
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 1 in stock $451.19
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Cat: 655881 Rel: 08 Aug 17 • View all Synth modules
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 2 in stock $451.20
Cat: 710993 Rel: 21 Nov 18 • View all Music production software
 
Latest edition of the award-winning digital audio workstation - Pro Version
Notes: Cubase Pro condenses almost three decades of Steinberg development into the most cutting-edge DAW anywhere. Used by star producers and musicians for composing, recording, mixing and editing music, Cubase Pro combines outstanding audio quality, intuitive handling and a collection of highly advanced audio and MIDI tools. Whether you record an orchestra, a huge live rock show, or a band in the studio, Cubase Pro is sublime in every sense of the word.

Cubase 10 delivers many impressive new features in a remarkably powerful software package. It includes many new tools to enhance your creativity and speed your workflow. There is also a new, modern user interface and enhanced audio quality. Cubase 10 makes music production more inspiring, intuitive and flexible than ever before.

Cubase 10 is packed with many improvements in different areas, including:

- Contextual menus for events have been streamlined to improve workflow and user experience
- Adding tracks, setting up routing and adding multiple tracks at once is now easier than ever
- Direct Offline Processing now supports effects chain presets (Pro)
- Performance on systems with more than 14 cores has been significantly improved
- The algorithm of the Hitpoint detection feature has been improved, offering enhanced results
- Resampling quality has been improved to deliver the best possible audio quality
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 3 in stock $477.52
Cat: 743610 Rel: 23 Sep 19 • View all Synth modules
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $398.30
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Cat: 658626 Rel: 08 Jan 18 • View all Synth modules
 
Versatile percussion synth voice module
Notes: The Entity Percussion Synthesizer is a complete and versatile voice module, geared for designing a huge array of percussion, bass and lead sounds and well suited for processing external audio sources.

The design consists of a high fidelity resonant band pass filter, two voltage controlled decay envelopes, multi-mode noise generator, a high fidelity VCA and a voltage controlled diode wave multiplier. Every parameter on the Entity Percussion is voltage controllable.

Features and controls:

SOUND SHAPING:

BODY control simulates the tightness of a drum head. From soft and muted to flabby and bass heavy.

PITCH affects the frequency of the resonant filter. The nominal control range is from about 8Hz to 2.2kHz. This range is expanded upon use of internal and external control voltage sources.

HARMONICS increases the number of overtones heard via the main resonant sound source. Subtle to extreme. A substantial function of the Entity PS.

RING controls the resonant decay time, independently from the modulation controls. Both short and plucky and very long rings are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

OUTPUT section controls the resonator volume level and the overall output level when NOISE-FILTER mode in enabled. MIX switch selects processing the internal resonator, external source via the EXT IN jack or a mix of both, greatly enhancing the sound capabilities of the Entity PS.

NOISE generator inspired by the Quantum Rainbow 2, with three select-able noise modes - WHITE, PINK and FILTER. FILTER mode routes the noise into the resonator's signal path - to be processed through the resonant filter, harmonics processor and main VCA.

N-LEVEL independently controls the volume and CV level of the noise VCA.

MODULATION:

Two voltage controllable decay envelopes are provided to modulate the frequency and/or volume of the resonator and noise. DECAY controls the FM/VCA decay time of the resonator, N-DECAY controls the VCA decay time of the noise generator.

DELAY provides voltage controlled delay of the resonator DECAY envelope with respect to the noise (N-DECAY) envelope - a useful feature for creating various snare, clap and snap sounds and layering internal and external sources.

FM LVL is a bipolar attenuator for controlling the frequency modulation depth of the resonator. The switch below selects the internal resonator decay envelope, a mix of the decay envelope and external FM CV source, or the external FM CV source only.

DUCK output jack provides an offset and inverted copy of the resonator DECAY envelope for ducking VCAs and other modulation duties.

Additional Features:

PING! button to demo sounds without a trigger source.

RGB LED for visual feedback of trigger, FM and output waveform

All parameters are voltage controllable.
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 2 in stock $324.90
Cat: 658624 Rel: 18 Aug 17 • View all Synth modules
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $311.95
Cat: 598313 Rel: 13 Jan 16 • View all VST instruments & samplers
 
Virtual synthesiser instrument, with new audio import feature, 400 new DSP waveforms for the oscillator & over 3,000 new patches
Notes: After many years of development, Spectrasonics are thrilled to announce that Omnisphere 2! This is the first v2.0 of any Spectrasonics instrument and it's truly a gigantic one! Check out the new feature list and the video introduction by Spectrasonics Founder and Creative Director, Eric Persing.

Vast New Synthesis Possibilities:
- Audio Import - Use your own audio file as a soundsource in Omnisphere
- Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
- Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
- Powerful New Granular Synthesis algorithm
- Deeper FM/Ring Mod capabilities for aggressive timbres
- 8 New Filter Types - New Power Filters, Vowel, Resonators
- New Unison Drift models Analog Polysynth behavior
- Expanded Modulation with new sources and many more targets
- Polyphonic LFO and Modulation Envelope options
- Soundsource Reversing

Now includes over 10,000 sounds!
- More than 3,000 New patches and soundsources from acclaimed Spectrasonics Sound Design Team
- New Omnisphere EDM library with cutting-edge, modern sounds
- New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
- New category of Phrase-based Soundsources for granular synthesis
- Hundreds of new Circuit Bent Soundsources
- Many Innovative new Psychoacoustic Soundsources
- New Melodic Cave Stalactites Soundsources
... and much, much more!

New Interface:
- Redesigned Wider User Interface with many improvements
- New Show Modulation pane opens modulation routings/sources on left side
- New Mini-Browser available at all times
- Larger Full Browser Design

Enhanced Browsing Experience:
- Sound Match feature instantly locates any related sounds in the library
- Sound Lock allows endless useful variations by locking sound aspects while you browse
- Easy Sound/Project Sharing for collaborators and third party libraries
- Greatly Improved sound organization system
- Fast Progressive Loading allows rapid auditioning
- Browse Patches by Mood
- Expanded Genres
- Browse by Oscillator type
- Boolean search options

New Arpeggiator Features:
- Note transposition for step seq-style patterns
- Arp pattern lock while browsing
- Speed Offset control allows slow down/speed up effects
- New modulation capabilities

25 New FX Units:
- Innerspace
- Quad Resonator
- Thriftshop Speaker
- Classic Twin
- Bassman
- Hi-Wattage
- Rock Stack
- Brit-Vox
- Boutique
- San-Z-Amp
- Stompbox Modeler
- Metalzone Distortion
- Toxic Smasher
- Foxxy Fuzz
- Analog Phaser
- Analog Flanger
- Analog Chorus
- Analog Vibrato
- Solina Ensemble
- Vintage Tremolo
- Envelope Filter
- Crying Wah
- Stomp-Comp
- Precision Compressor
- Studio 2-Band EQ

Flexible New FX Features:
- 16 FX units per patch
- Full matrix modulation of every FX slot
- New Aux FX rack per patch with Pre/Post fader sends
- Hundreds of New FX Presets and Racks
- Lock FX while browsing

Improvements/Special Features:
- Live Mode with key splits
- Enhanced Orb with Attractor mode
- Tweak Trilian Custom Controls Interface inside Omnisphere
- Global Clock Speed (Halftime, Doubletime, etc)

- and more!
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 3 in stock $364.83
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Cat: 732823 Rel: 05 Sep 19 • View all Synth modules
 
Nutube-based distortion module - 18HP
Notes: Gloriously grimy valve distortion for Sonocurrent's Eurorack debut. Subtle saturation through to filthy self-oscillation via Korg's low-power Nutube triodes. Nasty but nice.

Supplier notes:
The M T2D dual triode distortion is a Nutube-based distortion module for the Eurorack format, offering two independent channels which can be patched separately for parallel processing, stereo, or multiple sources, or used in series for more complex distortion of a single source (or simply extreme distortion settings).

Spectral tilt filters before each triode stage alternately boost or cut high and low frequencies for different harmonic emphasis. These filters also affect the feedback loops, and can interact in very interesting ways with high feedback settings. The individual tube bias controls can also have a strong influence in combination with high feedback levels, in addition to more subtle shaping of the distortion when feedback levels are low.

Independent control of input level, tube bias, feedback level, and dry/wet mix is available for each channel, with CV inputs for the bias and mix controls. The CV inputs for the mix controls also have dedicated attenuators. A global plate voltage switch offers two different character options, for either smoother distortion or more severe clipping.
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 3 in stock $355.13
Cat: 638972 Rel: 02 May 17 • View all MIDI controllers
 
Hardware & software mixer with integrated UAD control
Notes: Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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 2 in stock $369.50
Cat: 704150 Rel: 28 Sep 18 • View all Effects pedals
 
Tracer City with true analog multi-mode resonant filter
 1 in stock $376.72
Cat: 520258 Rel: 19 Feb 14 • View all Studio headphones
 
Professional closed back headphones with 40mm drivers
Notes: Building on over 85 years of audio experience, the SRH1540 Premium Closed-Back Headphones deliver world-class audio performance, comfort and durability to listeners of all kinds - professional engineers, musicians and audiophiles.

Developed with premium materials and precision engineering, the SRH1540 utilises 40mm neodymium drivers for an expansive soundstage with warm bass and extended highs.

The SRH1540 Premium Closed-Back Headphones feature an expansive soundstage for clear, extended highs and warm bass. Developed with aluminum alloy and carbon fiber construction, the lightweight and durable design also features Alcantara ear pads for maximum sound isolation and comfort. An included storage case, replacement set of ear pads, and an additional dual-exit cable ensure years of uninterrupted listening enjoyment.

In the box:
Additional pair of Alcantara ear pads
Two detachable cables
Threaded 6.3 mm gold-plated adapter
Zippered hard storage case
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 1 in stock $379.96
Cat: 599661 Rel: 09 Feb 16 • View all Vocal microphones
 
The world's first dual-diaphragm dynamic handheld microphone with accurate & flat frequency response, minimising the need for processing
Notes: Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone.
The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology.
Here are a few more of the technological advancements that make the KSM8 Dualdyne a game-changer in live sound:

- Unmatched control of proximity effect means a huge sweet spot
- Accurate, flat frequency response greatly minimises the need for EQ and processing
- Truest cardioid polar pattern available controls bleed for a more natural sound

77 Years in the Making:
The KSM8 Dualdyne. A dynamic microphone revolution that only Shure could stage.

- 1939: Shure develops Unidyne cartridge technology, which rejects sound from the rear of the microphone to reduce signal feedback.
- 1966: Shure advances dynamic cartridge technology with the Unidyne III cartridge in the SM58r, featuring the pneumatic shock mount, which drastically reduces handling noise.
- 2016: Shure Dualdyne cartridge technology provides unmatched sonic accuracy in a dynamic cartridge while all but eliminating proximity effect.

How it Works:
Lined with hydrophobic woven fabric for exceptional protection against wind, plosives and water, the KSM8 Dualdyne grille is durability redefined.

Protecting and stabilizing the active diaphragm during plosives and impact, the DSS greatly reduces high-frequency handling noise.

Controlled proximity effect vastly increases the working distance without on-axis coloration, delivering the most accurate frequency response available in a dynamic microphone.

An elaborate architecture of tuned cavities, specific resistances, and precisely machined components is fully integrated into the cartridge's acoustic properties, dramatically reducing handling noise without loss of low-end response.

Includes zipper bag, microphone clip, and user guide.
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 1 in stock $398.30
Cat: 718779 Rel: 01 May 19 • View all Earphones
 
Dynamic in-ear monitoring headphones with studio sound - clear
Notes: The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It's miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours.

More punch, more transparency, more control:

The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single dynamic high-performance driver - with a diaphragm measuring only 7mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.
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 1 in stock $307.63
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Cat: 674410 Rel: 28 Jun 18 • View all Vocal microphones
 
Low mass, 2.5-micron aluminium ribbon microphone with bidirectional pickup pattern
Notes: Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums.

The VR88 features a low mass, 2.5-micron aluminium ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic preamplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars.

The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case.

With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson's commitment to bringing you the very best microphones.
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 1 in stock $307.63
Cat: 658753 Rel: 11 Sep 17 • View all Synth modules
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 2 in stock $472.77
Cat: 732306 Rel: 09 Sep 19 • View all Synth modules
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 4 in stock $409.10
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