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Notes: RackBrute 6U

Armoured Eurorack carrier

RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.

Artists may have a bodyguard; modules deserve armour-plating.

RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.

When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.

Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.

With RackBrute 6U, even the most headstrong modules fall into line.

Uniting your forces under the same banner
May all modular units meet at the rallying point and be ready for further orders!

The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analogue monosynth flagship supported by a fleet of complementary modules?

This technology is the brainchild of our secret research department, but we wanted it to be patent-free so that all our allies could adopt and benefit from it. The modular music battleground is likely to get crowded with an ever-growing variety of Link-enhanced system.

You are not alone on this mission. You have your trustworthy equipment to keep you company.

Equipment checking!

All present and correct, ready for inspection. We trust you'll find everything to your liking.

Go, go, go!

Don't worry, RackBrute 6U will keep mishaps at bay.

The success of your operation depends on your sensitive material arriving in perfect working order. RackBrute 6U is up to the challenge. The handle, the chassis, the threaded nut strips, each of its strategic components is made aluminium or steel. RackBrute will carry your setup no matter the context, not matter the weight, the distance and the destination. The built-in spacers will also make sure that no collisions occur when transporting two RackBrute units or a RackBrute and MiniBrute 2. Maybe you also want to keep your modular away from prying eyes. Then, trust the optional RackBrute Travel Case for more covert missions.

RackBrute 6U is the complete transport solution for when you need to take your show on the road.

What's in the box:

Box content
RackBrute 6U unit
Power cord

Instrument dimensions
Size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm)
Weight: 8.3 lbs. (3.76 Kg)

Main Features

Eurorack format, 176 HP
Aluminium Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA)
Up to 900mA on 5V
Power rail with
Noise filtering
32 standard power slots
20-slot zone with up to 800mA on +12V and -12V
12-slot zone with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration

Notes: Legendary sound meets the generation of mobile musicians: With the reface Mobile Mini Keyboards, Yamaha introduces a small revolution. Based on legendary synthesizer models like the DX7 or CS series, the company presents four compact instruments, which play to their strengths on the road, on stage or even in the studio. reface is perfect for songwriters, sound designers, live performers and those looking for access to an instrument which allows them to react when inspiration strikes. The online collaboration with musicians around the globe via Yamaha's 'Soundmondo' sound community and the easy connection to notebook, Apple iPhone and iPad are making the four models ideal for being creative together. Battery power and integrated stereo-speakers make the reface quartet ready to play at all times.

From Pink Floyd to Michael Jackson to U2 - with over 40 years in synthesizer history, Yamaha influenced Rock and Pop music like no other instrument manufacturer. Legendary models and series like the CS Control Synthesizer or the DX7 are an inherent part of music history. Time for a small revolution: With the reface Mobile Mini Keyboards, Yamaha presents a range of ultra-mobile synthesizers and a stage-piano that impress with their compact design and web-based sound-exchange. They build the bridge between the sound tradition of the legendary prime fathers and the cooperative music production over the internet.

It started as a sketch of a young Yamaha design team: Under the concept name "reimagined interfaces of classic Yamaha keyboards" the group presented a series of four compact instruments, in which every single one celebrates the personality of a legendary Yamaha instrument - but with a character of its own reimagined for today's 'on-the-go life style'. The concept also integrates a web-based sound exchange between musicians and allows a cooperative sound design. With the introduction of reface, this vision becomes reality.

At home, in a studio, in a park or on a train - the compact design and the powerful integrated stereo speakers allow inspiration in seconds - without any equipment to set up. Creativity can be realised anywhere: Thanks to the battery power, all reface Mobile Mini Keyboards are ready at any time - even when there is no power socket nearby. The setup is done in seconds, even the connection to notebook, iPhone or iPad for the recording and saving of sounds.

All four reface models are presenting themselves as a creative toy for sound design. But despite their compact design, they are professional instruments that are inviting to play. All models feature Yamaha's brand new 'HQ' Mini-Action keyboard with 37 keys (3 octaves). The user interfaces were designed separately for each instrument introducing features such as drawbars for the reface YC organ and the capacitive Multi-Touch surface on the reface DX.

reface YC: Electric Combo Organ - Rich, punchy sounds are its area of expertise: The reface YC offers additive synthesis paired with a unique power of expression using nine drawbars and virtual rotary speakers. The instrument combines five different models of organs, the sound is created using a special "Organ Flutes Tone Generator". In addition to the possibility to carry around five organs in a single piece of hardware without breaking your back, the reface YC delivers the authentic spirit of playing an organ using the smallest user interface possible.

All four reface models offer a rich potential for creative sound design - and the opportunity to get in touch with the whole world: With Soundmondo, Yamaha created an online hub connecting the reface community all over the globe. Soundmondo offers creative possibilities to create, share and discover sounds. The connection is established intuitively using a special Web MIDI technology for Google Chrome. As soon as a reface model is plugged in, it offers the possibility of direct synchronisation. Voices and set lists can be stored in a private area as well as shared with the community.

Quick and easy storage as well as management of sounds with iPhone and iPad: The free reface iOS app for Apple mobile devices makes data transfer extremely simple. A name, a picture and multiple tags can be applied to stored voices; they can be sorted in different ways as well. Search functionality is also included. Using a set list, voices can be arranged in a specific order and recalled one after the other. Another impressive feature is the possibility to exchange voices using QR codes: A distinctive code can be generated from any stored voice and can then be shared using the different options available with iOS. It can for example be sent via email or read using the camera of another iPad to import it into the app.

Notes: Second-generation version of Boss's excellent looper gives you five stereo tracks, four simultaneous effects, hands-on control and full MIDI support. Ideal for live use but also a creative studio tool.

Supplier's Notes:
Looping Magic at Your Fingertips

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world's most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

More to Love

The RC-505mkII retains everything that made the original so loved and adds a wealth of new features to make the looping experience even more creative and free flowing. The faders provide longer throw for finer adjustments, and they also have a more solid feel under the fingers. And each track now has dedicated FX and Track buttons, making it easier to colour and control your loops in the heat of the moment. Undo/redo has also been enhanced with a Mark Back function that lets you instantly jump back to a previous loop state while performing.

Customize Your Workflow

While the original RC-505 was very customizable, the RC-505mkII takes things to the next level with a vast range of user-configurable controls. You can assign various CTL parameters to the FX and Track buttons and trigger them with a press, hold, or double-click. Pressing the Undo/Redo button reveals a secondary layer, doubling your options. Two external control jacks are also available for connecting footswitches or expression pedals, and each has its own dedicated set of parameters. Crave even more? Then tap into the Assign screens to set up 16 different targets for hardware control and MIDI operation.

More Sonic Colours for Inspired Looping

Sonic variations help make loop performances more compelling, and the RC-505mkII provides a greatly expanded FX palette to colour your sounds during recording and playback. There are 49 Input FX and 53 Track FX types to choose from-including powerful new vocal harmony effects-and you can use up to four in each section at once. Going further, groups of four Input FX and Track FX can be stored in four banks for quick recall, along with toggle or momentary button settings for each type. A step sequence function is also available in some FX to automate parameter changes for dynamic real-time movement.

SPECIFICATIONS

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Recording/Playback
Number of Tracks: 5
Data Format: WAV (44.1 kHz, 32-bit float, stereo)
Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)

Rhythm Type: 200 types or greater
Rhythm Kit: 16 types

Effect:
INPUT FX: 49 types
TRACK FX: 53 types
MASTER FX: 2 types
Memory: 99
Nominal Input Level: MIC 1, 2 INPUT: -40 dBu/INST 1, 2 INPUT: -10 dBu
Maximum Input Level: MIC 1, 2 INPUT: 0 dBu/INST 1, 2 INPUT: +7 dBu/+20 dBu (selectable)
Input Impedance: MIC 1, 2 INPUT: 3k ohms/INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable)
Nominal Output Level: MAIN OUTPUT: -10 dBu/SUB 1, 2 OUTPUT: -10 dBu
Maximum Output Level: MAIN OUTPUT: +7 dBu/SUB 1, 2 OUTPUT: +7 dBu
Output Impedance: MAIN OUTPUT: 1 k ohm/SUB 1, 2 OUTPUT: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT: 10 k ohms or greater/SUB 1, 2 OUTPUT: 10 k ohms or greater

Controls:
TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders

Display:
Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max
INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type
USB port: USB B type
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: AC adaptor
Current Draw: 1.0 A (with phantom power), 0.9 A (without phantom power)
Accessories:

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately):
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

SIZE AND WEIGHT

Width: 420 mm/16-9/16 inches
Depth: 234 mm/9-1/4 inches
Height: 67 mm/2-11/16 inches
Weight: 1.8 kg/4 lbs

Notes: The Neutron Flux 8 Pole Variable Character Filter is a 12hp skiff friendly eurorack filter module with a stereo analog core and digital control over it. The controls are familiar filter module controls (cutoff, bipolar FM, mode, drive) with some added spice and no complexity.

The special stuff is in these controllable features:

Character: This control blends between five vintage influenced classic filter characters: Fat, Crisp, Liquid, Sour and Mean. Coming later in a firmware update, the Neutron Flux will also have two user banks for more specialized filter characters which can be replaced via audio update.

Overdrive: You can switch the drive circuit to have a +20dB boost and have the drive pot to sweep from clean via warm saturation to extremely hard distortion.

Stereo: This control spreads the cutoff between L and R channels and induces drift. This way a mono signal can be split into wide stereo.

Two 4 pole filter cores: These can be run in stereo, mono to stereo or chained as a 8 pole mono filter for almost LPG-like steep slope. Both of them have their own drive circuits so you can have the overdrive stage in the front, in between or both.

The module can be used in many different ways. It can do classic LP/HP/BP filtering. It can self-oscillate in different waveforms. It can provide analog warmth and process something coming out of your DAW. It can act as a stereo distortion. It can spread your mono signal to a wide spatial stereo soundscape. It can do formant stuff and other wild characters. It can do audio-rate deep FM (1V/oct and FM CV's are all analog).

Power consumption: 250mA at +12 V and 100mA at -12 V
Depth: 25mm
HP: 12

Notes: Kraken is a physical modelling snare drum with a wide range of sounds.

With 32 different shell models, nose algorithms and different distortion types as well as a pitch shifter, the snare sound can be customized as desired.

The additional CV inputs (velocity, accent, decay) can be used in conjunction with a sequencer or other modulation sources to create realistic drum patterns. With the optional pitch shifter at the output, reminiscent of old smapler and pitch shifter pedals, the tonal possibilities can be expanded even further.

Features:

Integrated distortion
Digital and analogue noise sources
Pitch shifter
100% digital synthesis, no samples
Great variety of sounds
Two trigger inputs, which produce a realistic "rimshot" sound when used simultaneously

Power consumption: 61mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: Updated version of Xaoc's Moskwa sequencer module includes customisable gate/trigger sections, independent randomisation sections, built-in quantiser, slew limiter and preset storage.

Supplier's Notes:
XAOC Devices Moskwa II - compact feature-packed sequencer with preset memory and trigger patterns.

Designed with live performance in mind, Moskwa II takes inspiration from vintage analog sequencers and greatly expands on their functionality surpassing our original Moskwa rotosequencer, while retaining the same size, basic panel structure, and operation principles.

At the core of the module is an 8-step CV sequencer and a parallel 8-step gate/trigger sequencer. But there's more, much more. Besides these basic functions, Moskwa II offers more unique, advanced features like eight independent programmable gate/trigger pattern generators (one for each step of the sequence). You can treat them like sequencers within the sequencer offering another eight microsteps for each main sequence step. This allows for programming complex gate/trigger rhythmic patterns (e.g. step repeat, additional pauses, microshifting or swing effect).

Moskwa II features two independent randomization sections that give the user advanced control over the optional chaotic/random change of various sequence parameters (e.g. step order, slew and trigger probability and more). A programmable custom trigger sequence can be up to 256 steps long! Topping it all off, Moskwa II can store eight presets to be loaded at any time. All these functions allow Moskwa II to generate sequences much longer and much more complex than those produced by traditional 8-step sequencers.

Compared to the first Moskwa, Xaoc have also added a transport button for manual starting/stopping of the sequence, range control for CV output, and a flexible quantizer. Two Moskwa II units can be joined for chained operation doubling the number of available steps and preset slots. Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Specifications:

- 20hp, skiff friendly
- current draw: +40mA at +12V, 0mA at -12V

Notes: A whole lot of module for the money. Eight-track trigger sequencing with built-in drum synth, sample player and MIDI. Amazing value for studio use or live performance.

Supplier's Notes:
Trigger sequencer with audio and midi

TUKRA is an 8 track eurorack trigger sequencer with drum synth, sample player and midi.

This module can be an 'all in one' solution for drums, but also has great integration capabilities with other gear (eurorack modules, drum boxes, DAWs, midi devices and midi surface controllers).

There are no submenus, all functions and views are accessible all the time.

Brief overview:
- Up to 64 steps per pattern, 64 patterns, 64 parts and 16 songs per project. 64 projects in the microSD card.
- Play mode, clock divider, length & choke settings independent per track & pattern.
- Step value (can be used for modulation, to define the midi velocity, midi note & drum synth pitch or sample selection).

Ins & outs:
- 8 trigger/gate, clock & reset outputs. Clock & reset inputs.
- 4 CV inputs with offset potentiometers (so they're manual controls when no CV is plugged in).
- Audio L & R out (6 additional ones with the expander for independent track output).
- Front panel midi TRS in & out, and USB host for midi controllers.

Midi and audio:
- Midi note and channel configurable per track & song, midi note and velocity can be set by the step value.
- Drum synth, noise with envelope and 'one shot' sample player (factory and user banks) per track.
- Flexible sample selection (each track can play up to 128 samples).
- Mixer with volume, balance, reverb, bit crusher, filter cutoff, resonance and type (smoothly crossfades LP - BP - HP).

Modulation:
- CV & assignable midi CC plus 8 internal LFOs, 3 stepped random sources and step value.
- Modulation matrix for almost all parameters.

Rhythm variation:
- Probability for step, gate and roll.
- Euclidean Rhythm Generator.
- 'Ramifications' generative tool.
- Live view with solo, mute, fill, roll, invert pattern, reverse play direction and rotate.

Time:
- High precision clock source and low latency.
- External sync (via trigger, midi TRS or USB).
- Triplets and swing (aka 'shuffle'), triplet and swing can be generated from a straight clock input or midi clock.
- Micro grid edit, each step has 6 micro steps (24 ppq).
- Half and double tempo functions.

Notes: Updated version of IK's impressive iLoud monitors featuring real-time DSP correction to compensate for the acoustics of your lab.

IK's iLoud Micro Monitors stunned an industry. Producers and engineers at every level marvelled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5", 6" and even 8" monitors.

The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today's modern studio.

Once you hear iLoud MTM, you'll find it hard to ever go back to traditional big-box speakers.
Reference-class, ultra-linear response:

The first job of any studio monitor is to deliver accurate, un-coloured sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers' performance, delivering results simply not obtainable with traditional analogue designs.

Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course, it's loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for.

Extended low-end to rival larger systems:

iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3" speaker that "defied physics". But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles.

iLoud MTM debuts IK's new patent-pending Physical Response Linearization (PRL) system, that uses a precise model of the enclosure's design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system's performance in real time. The result is a stunningly "firm," balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM's size.

Deep bass is solid and firm - you won't believe sound like this comes from a monitor so small.

A new phase in accurate sound reproduction:

Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK's two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you've never heard.

You'll hear instruments and dialogue as if it's happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM's price, and has to be heard to be appreciated.

Symmetrical MTM design for superior imaging and precision:

iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5" high performance woofers and one 1" high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can't be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers "disappear" and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort.

iLoud MTM's design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear.

Instantly adjust to any room environment:

Today's studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don't have that luxury.

iLoud MTM offers built-in acoustic self-calibration via the included ARC reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you'll instantly have a custom calibration for the sweet spot of your listening environment.

Digitally-controlled for precision audio:

iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***

Notes: The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille-feuilles, liquid and resonant effects.

Have you ever got tired of the monotonous repetitions that your standard delay pedal/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!

The Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!

Notes: Synth meets sequencer in this limited-edition Noir version of Arturia's excellent MiniBrute. Semi-modular design and extensive patch bay offer a wide variety of sound design options.

Supplier's Notes:
The MiniBrute 2S Noir Edition is a thrilling hybrid synthesizer enhanced for the modern musician. Combining raw analog power, an intuitive triple-layered step sequencer, a modular-worthy patch bay, and a stealthy black exterior, MiniBrute 2S Noir delivers the Brute Factor, and then some.

Pure synth power

A powerful standalone instrument, MiniBrute 2S Noir has massive synth potential that's intuitive, accessible, and fun to use. Whether you're a seasoned pro or new to the world of synthesis, you'll find its layout easy to understand, quick to master, and hugely inspiring. Thanks to its analog semi-modular architecture, you have hands-on control of every parameter, so you can sculpt your oscillators, sweep your filters, sync your LFOs, and control your envelopes on the fly to create a sound that's uniquely yours, bound only by your imagination.

Discover the modular world

Open up exciting new possibilities by rerouting MiniBrute 2S' signal with the modular patch bay. Better still, patch it to your existing Eurorack system and explore new connections, then sequence and shape with MiniBrute 2S' myriad of controls. With this synth at your command, your creative workspace will become a experimental sound laboratory.

Step in line

Featuring an awesomely powerful, triple layered step-sequencer, multi-mode arpeggiator, and high-quality performance pads, MiniBrute 2S Noir perfectly suits adventurous electronic musicians who want to take their creations further than ever before.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: ALM turn their hand to sequencing with the ASQ-1. Multiple modes allow you to sequence up to two CV/gate channels and four trigger outputs.

Supplier's Notes:
The ASQ-1 is a multi mode Eurorack sequencer. It can simultaneously sequence two CV/GATE and four trigger patterns, as well as perform synchronised quantisation of an external CV signal. Programming of all patterns is performed using familiar classic paradigms - SH101 style step-time note entry and classic drum machine pattern editing - with satisfying mechanical computer style keys.

Pattern position, step info, length and clock division settings are communicated via the keys and LEDs. Through simple key combinations, global and performance oriented features such as mutes, transposition and saving / loading patterns are available.

ASQ-1 is designed to be a simple, immediate sequencer ideally suited to quickly jamming out ideas, having happy accidents and performing live. It is intended to be a fun and hands on alternative to the many increasingly complex hardware sequencers out there.

Features
2x step time style CV/Gate sequencers. Think 'SH101' but more turbo.
4x drum machine style pattern sequencers.
1x Clock synced external hi-res CV quantiser.
Intuitive, immediate and fun performance orientated interface with great ASMR.
Internal or external clocking with optional internal division per pattern.
Independent poly rhythmical sequence lengths.
All patterns saveable and persist with state across power cycles.
USB-C port for easy drag and drop FW updates and backing up sequence data.
Skiff friendly with reverse power protection.
Made in England.

Technical Specifications:

Supply: +12V 50mA / -12V 10mA
Size: 32HP
Depth: 32mm
Outs: 0-5V 16 bit CV outputs, 5V Triggers

ASQ-1 pairs well with Pamela's NEW Workout, Squid Salmple and ALM's drum voice modules.

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions
16 HP
26 mm deep with power ribbon cable connected.

Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.

Notes: The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One Artist music production software and UC Surface control software.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1824c audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for producers who need more:

With ample connectivity, onboard monitor mixing, pristine mic preamps, and up to a 192 kHz sample rate, the Studio 1824c audio interface will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824c's integration with Studio One and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.

Notes: Fully redesigned from the original Cosmix, the Cosmix Pro is an eight-channel mixer intended to work nicely for performance as well as production. Suitable for line-level stereo signals as well as Eurorack levels.

Supplier's Notes:
A completely new design, with a lot of attention to sound quality, with a clean, low noise signal path, and lots of headroom.

It features the same amount of channels as the previous Cosmix, 4x mono in, and 2x stereo in.

There's one mono aux bus, and an additional true stereo AUX for all channels, with a dedicated mono and stereo return.

Each channel has a pan pot, a big push button for clickless muting, and a dedicated LED level meter to visualize channel output level.

The mono channels come with a handy low cut switch. (-3dB @80Hz / -6dB @ 45Hz)

The stereo channels have an optional +18dB gain, allowing you to easily mix in line level external gear.

The two stereo channels also have a CV input for voltage controlled panning.

There are connectors on the back for daisy chaining, or for connecting to future expanders/other mixer units.

High quality aluminium panels, available in black or silver.

The older model Cosmix is discontinued until further notice, since the parts for the drive circuit are unobtainium.

That's also the reason there is no dedicated drive circuitry in the new model.

Technical specs
22HP, 20mm deep.
+12v: 170mA, -12v 170mA

Notes: Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.

Notes: Your Palette case is the ideal solution for your space conscious and/or portable needs. It fits comfortably on your desktop; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With either 62hp or 104hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your eurorack modules. Truly a palette for the sonic artist.

High spec 60 Watt power supply capable of powering up to 24 modules with +12 V output at 1500 mA, -12 V output at 1500 mA and +5 V output at 500 mA.

Notes: ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

6U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules on busboard, with additional 'flying bus board' included that adds up to 12 connectors.
Includes 2 Amp power 'brick'

Review: The Rolling Stones In Mono was first released in 2016 as a box-set charting the megagroup's entire roster of British and American studio albums. Deferring to the original mono playback format for which their music was originally recorded (and thus sounds best with) this monster compilation is a comprehensive look back at the Stones' 1960s heyday - plus their 2016 additional exclusives and rarities album, Stray Cats.

Notes: Second-generation version of the 'noodler' device from Conductive Labs, the NDLR v2 aims to simplify music theory and unlock creative ideas, making it easy to create and perform arpeggios, drones, chords and other patterns. Hook up to your synths and software over MIDI, USB or analogue clock.

Supplier's notes:

Conductive Labs have turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there's a "panic" button to stop all MIDI notes.

A colour LCD screen shows you everything that's going on. A very flat menu structure keeps menu diving to a minimum.

Pick a key, a mode and control the BPM of The NDLR's MIDI clock.

With two sets of 5 pin DIN MIDI inputs and outputs, and four USB MIDI virtual ports you have lots of ways to connect your MIDI devices. There is also CV clock in and out connectors to sync with your Korg Volcas, modular or semi modular synths.

It works with MIDI hardware synths, and your DAW or tablet, if that's your thing.

Once you master the basics, dive into the 8x modulation matrix. It lets you animate most of The NDLR's parameters. You can even send LFOs to your MIDI gear.

The NDLR includes a Pattern editor to make arp and modulation patterns, a rhythm editor and now a Chord Sequencer too! Once you have your perfect piece, you can save your patches.

What's new in The NDLR (v2)?
By popular demand, a soft-power button has added. The NDLR (v2) is powder coated with a black faceplate and beautiful red base. And the internals were modified for a new, faster microcontroller. The feature set remains the same, though there are some surprises waiting to be discovered in the menus. So far, new features are being back ported to the original The NDLR via firmware updates, as long as it does not require the faster processor.

The Four Parts


The PAD part is a polyphonic chord player for getting beautiful PADs out of your favourite poly synth. Like all of the other parts, the PAD plays notes based on the selected global chord. When you press a chord button the notes stay on until you press the next chord or stop the part, so you can twist knobs on your synths or play a lead part on guitar. Change or modulate the chord octave position, note range, spread, and strum.

A really cool feature of the PAD part is the "Interleaved Poly-Chain". When enabled, this will send the chord notes to up to 4 MIDI channels in a round robin fashion. Really great for ethereal evolving patches on a multi-timbral synth, or for turning multiple mono-synths into a poly synth! Six voices from 2 Volca FMs? Sure!

There are two "Motifs" which are extremely versatile sequenced arpeggiators. Select a pattern for each one and press Play! Independently tweak on clock division, pattern length, octave position and more. You can create your own patterns with the onboard pattern editor, and add rhythm with the onboard Rhythm editor. The motifs play the notes contained in the currently selected chord, so you don't need to pick notes on a keyboard. The NDLR supports a 10 to 300 BPM clock so play as fast or slow as you like, or use an external clock source.

The Drone part can play a single continuous note like a traditional drone does... or choose from various retrigging options, such as having the note retrigger on a chord change, the down beat, every beat, up beat, etc. You can also choose to add a 3rd and/or 5th note to the root note for a polyphonic drone. Or have the drone play a thundering kick drum if you want to.

Hardware

Requirements:

USB Power Supply not included; The NDLR (v2) runs on 5V DC, 140mA. The original is 90mA.
The NDLR comes with a 6 foot USB cable. You can purchase longer or shorter cables as needed, with USB A to USB B connectors. Users of newer Macs may need to purchase a USB B to USB C cable or use an adapter.
MIDI Synthesizer(s); The NDLR is a MIDI playing device, it doesn't make any sound on its own, it sends MIDI messages to your MIDI sound modules. It can play most anything with MIDI input including vintage synths, modern synths, mono and polyphonic synths, software synthesizers, on an iPad, PC, stand-alone or VSTs in a DAW. Note that some vintage synths or synths with poor MIDI implementations may be prone to getting stuck notes. Use the Panic button on The NDLR when needed.
To connect many synths, and for the best MIDI timing we recommend using an active, 1 input to 4 or more outputs MIDI thru device or MIDI router, such as the MRCC.
The NDLR has rich velocity controls if your synths support velocity, not all do.
The NDLR can be controlled with an external MIDI controller or sequencer. See The NDLR Setup Examples in The NDLR User Manual for details.

Physical Layout:
Dims: Size 9"W x 6.3"L x 2.8?H (22.8 x 16 x 7.1cm)
Color LCD Screen 1.8" (128×160)
8 Rotary Encoders w/ switch
7 Chord Buttons (degree / type)
4 Play/Pause Buttons (PAD, Drone, Motif 1, Motif 2)
Motif 1 or Motif 2 Select
Global Play/Stop Button
Shift & Menu Buttons
Recessed Firmware Update Button (upgrades via USB)

Physical Input/Output:
2x MIDI 5-Pin Inputs
2x MIDI 5-Pin Outputs
1x USB w/ 4 Virtual USB MIDI I/O ports + Power
1x Clock Out 1/8th inch jack
1x Clock In 1/8th inch jack
Limited Warranty:
The NDLR comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.
Consumables, such as the USB cable and accessories have a 90 day limited warranty.

MIDI

MIDI-in Options:
Connect a MIDI keyboard or sequencer and The NDLR selectable transpose MIDI channel to transpose from the key of "C" to the current NDLR key & mode.
Use a MIDI keyboard or sequencer to select chords. Choose The NDLR "Control-In" MIDI channel. The white keys map to chord degrees I-VII. Optionally black keys map to the chord type. Sonority is automatic based on key & mode.
Most features of The NDLR can be controlled by inbound CC messages.
All notes and CCs pass thru except for The NDLR control channel.
With 2 MIDI 5 pin and 4 USB MIDI in and outs, The NDLR is a MIDI merger and a MIDI splitter. See the manual for details.
MIDI-out Options:
Selectable Drone MIDI-out channel (Off, Pad, 1-16). Pad choice means same as Pad channel.
Selectable Pad MIDI-out channel (1-16). Poly-chains play on next successive MIDI-out channel(s). Example: Pad MIDI-out ch = 4. Polychain = 1 - all pad notes on ch 4. Polychain = 2 - every two notes plays on channels 4/5. Polychain = 4 - every 4 notes plays on channels 4/5/6/7. If you are playing 6 notes with Polychain = 2, note1->ch4, note2->ch5, note3->ch4, note4->ch5, note5->ch4, etc.
Selectable Motif 1 MIDI-out port and channel.
Selectable Motif 2 MIDI-out port and channel.
MIDI out ports are USB 1 thru 4, and 5 pin din MIDI A and MIDI B.

Notes: The best delay and reverb programs from the Nemesis Delay and Ventris Dual Reverb are combined to create a potent, versatile new pedal. Create soundscapes and ambiences from vintage effects to modern experimentalism.

Supplier's Notes:
Design complex soundscapes in seconds with the Collider Delay+Reverb. Source hand-picked 12 standout delay and reverb effects from the award winning Nemesis Delay and Ventris Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The Collider's intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance.

The Collider offers an exceptional collection of rich, spacious tones, including realistic reproductions of vintage Analog, Tape, and Oil Can Delays, classic models of Spring and Plate Reverb, natural replications of large and small acoustic spaces, and an intriguing and highly musical selection of "unnatural" tones including a tripped-out Reverse Delay and an other-worldly Shimmer Reverb.

Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.

This extremely versatile pedal offers a long list of useful features, including analog dry through, stereo inputs and outputs, the option of true or buffered bypass, 8 user presets (or 128 with MIDI), full MIDI functionality, delay tap tempo, reverb hold (a.k.a. "freeze"), external expression capabilities, external preset switching capabilities and extra editing and signal routing options via the Neuro Desktop and Mobile App Editors.

The sound engineering team of Bob Chidlaw and Jesse Remignanti were relentless in their pursuit of perfection with each and every one of the Collider's delay and reverb effects. Whether it's beautifully capturing every minute detail of vintage units or bringing exceptional depth and richness to the contemporary effects, the Collider delivers excellence.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 300mA
USB port i Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.

Notes: Ten-channel version of one of the most cost-effective mixers on the market. Great sound, good EQ and handy built-in effects. Check out the 12-channel version if you prefer faders for level control.

Supplier's notes:
The Allen & Heath ZED-10FX mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED-10FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

The ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Notes: The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Notes: Great value from this entry-level rotary mixer. Simple two-channel design with three-band EQ and an intuitive multi-mode filter. A strong rival to the Omnitronic TRM-202MK3.

Supplier's Notes:
Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ's looking for precise control and a warm sound, without breaking the bank. Don't let the price tag fool you. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.

Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.

The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.

The headphone Cue control section is packed with features, including headphones volume control, headphones mix control (Cue/Master), and split monitor switch. You can easily switch between listening to the master output and the cue output, or blend them together in your headphones, giving you complete control over your mix. The high current headphone amplifier with, dual 1/4" and 1/8" jacks, allows you to use any type of headphones you prefer.

The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.

The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you're spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Specifications

Microphone Input
Nominal Input Level: -50dBu
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150O Load)
Input Impedance: 3 kOhm

Line Inputs
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz - 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA
THD + N: < 0.05%
Input Impedance: 47 kOhm

Main Outputs
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output
Maximum Output Level: 70mA/channel into 150O
Minimum Load Impedance: 32 Ohms/channel

Power Supply
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channel

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io

Notes: Erica Synths Acidbox III brings you the core of the famous Polivoks VCF in stereo version with a unique audio signal overdrive circuit, built in LFO and envelope follower in a compact, full aluminium case.

The Acidbox III has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Configurable control input allows you to connect a bypass footswitch, expression pedal, external cut-off control voltage source and LFO synchronization trigger. This makes the Acidbox an ideal companion in almost every production or live performance setup.

Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.

Notes: Reloop's next-generation interface is the go-to for connecting turntables and media players to Serato, offering three stereo inputs and three stereo outputs. Studio-quality 24-bit / 96 kHz conversion and built-in USB-A hub.

Supplier's Notes:
Back to the music

The Reloop Flux is a next-generation USB-C interface for using Serato DJ Pro with turntables, CDJs or other media players. The interface boasts superior audio qualities, a well-designed operating concept and a club-ready design. It can transform any conventional mixer into a professional digital vinyl system.

Maximum flexibility

Three stereo inputs provide DJs with maximum flexibility. Turntables, CDJs and similar can be used in any combination. The settings are adjusted using discreet DIP switches, which virtually eliminates any chance of accidental switching in the club. The interface includes three stereo outputs, including an AUX out that can be routed to Serato's internal sampler. Gold-plated, corrosion-resistant RCA jacks ensure high-quality audio transmission.

Full control

The Flux provides the best possible routing overview thanks to clearly visible signal flow LEDs for all inputs and outputs and a Thru status indicator. Connection status (hub, PD, DC) LED indicators on the top of the interface provide additional control options. The Direct Thru buttons on the top of the interface enable you to quickly and easily activate and disable Thru mode, which allows connected turntables and CDJs to be used conventionally. Navigation through the Serato software is no longer necessary.

Hub inside

The Flux includes a built-in 2-port USB-A hub for connecting MIDI controllers and other USB accessories. Aside from the expanded connection options, the hub reduces potential connection faults in a busy club environment by keeping the setup connected even without the laptop.

Studio quality - anytime, anywhere

The Flux offers studio quality in the club and wherever it's needed with 24-bit/96 kHz, high-quality digital/analogue converters and ultra-low latency. For this reason, it's a superior DVS interface which could also be used as an audio interface in the studio.

Always powered

The Flux is bus-powered by a computer, so there's minimal wiring required for audio and power cables. The DVS interface can also be powered by external power sources through the USB-C DC input, allowing turntables and CDJs to be used in Thru mode even without a computer connected. The Flux's second USB-C port provides Power Delivery support for other USB-C devices (max. 60 W), such as a MacBook.

Robust & roadworthy

The interface has a durable metal housing with a scratch-resistant, black surface, ensuring a long service life even with heavy use. The extended edge design keeps the connections well-protected.

Plug & play for Serato DJ

The Reloop Flux unlocks the full version of Serato DJ Pro and Serato DVS. This means DJs can get up and running with the market-leading digital vinyl system in no time. Additional licences are not necessary.

Features:

3-channel (6x6 in/out) USB-C DVS interface for Serato DJ Pro
Turn any mixer into a professional digital vinyl system
Unlocks full version of Serato DJ Pro and Serato DVS
Studio-grade 24-bit sound card with crystal-clear audio and ultra-low latency response
Supports up to 96kHz with high-quality D/A converters for superior audio processing
Also functions as a stand-alone studio interface for recording and playback audio
3x inputs for turntables, CD players or AUX-In for live feed signal, switchable in any combination via dedicated dip switches
Dedicated GND terminal for grounding turntables
Gold-plated, corrosion-resistant audio connections
3x line outputs, including AUX-Out, assignable to the Sampler
Easy, accessible direct thru buttons for analogue deck playback
All terminals are visible from the top of the unit for easy installation in dark surroundings
Bus-powered cable connection for power and audio
Optional USB-C DC in port for external power supply
Power delivery support for USB-C devices (max 60W)
Signal-flow LEDs for all inputs and outputs (L/R) and thru indication for clear visibility
Power LEDs on the top panel for connection status (Hub, PD, DC)
2-port USB-A hub for connecting further accessories
Rugged, heavy-duty metal housing with a scratch-resistant black finish for durability on the road and reliability in the club
Highly robust, extended edge design to protect connection terminals
Supports the use of Serato NoiseMap™ control vinyl (not included) or custom control signal WAV file for use via CDs or USB drive (download available) with no additional license purchase needed
Including: 2x RCA audio cables, 1x USB-A to USB-C, 1x USB-C to USB-C, user manual

Technical Data

Power:
USB bus powered: Yes
Recommended power: 2 A or higher / minimum power: 400 mA
Maximum USB-PD throughput: 60 W
Maximum USB Hub power output: 2 x 0.8 A = 8 W
Supported external USB (type A or C) power supply: 5 V/1 A - 20 V/3 A
Power supply priority: FLUX self-power -> USB Hub -> PD (to PC)

Audio:
S/N Ratio (output reference level 1 kHz, +4 dB):
- Deck In (LINE signal input: 0 dBV): More than 83 dB
- Deck In (PHONO signal input: -32 dBV): More than 73 dB
THD + N:
-LINE signal input: -4 dBV @1K / Less than 0.03% (1 kHz,+0 dB)
-PHONO signal input: -36 dBV @1K / Less than 0.05% (1 kHz,+0 dB, Inverse RIAA)
Maximum Gain:
- Deck In (LINE): +4 dB i 2 dB
- Deck In (PHONO): +36 dB i 2 dB
Maximum Input (1 kHz, THD=1%):
- Deck In (LINE): More than +7 dBV
- Deck In (PHONO): More than -25 dBV
Maximum Output (1 kHz, THD=1%):
- Deck Output: More than +11 dBV

USB:
USB audio interface with 24 bit/44.1 kHz, 48 kHz, 96 kHz
USB 2.0 high-speed (480 Mbit/s)
Class-compliant on macOS
USB Power Delivery Protocol 3.0

General:
Dimensions (W x D x H): 160 x 120 x 34 mm
Weight: 0.85 kg
Accessories: User Manual, 1x USB type C/C cable, 1x USB type C/A cable, 2x RCA cable bit

Notes: Perfect for adding that final touch to a modular patch, the AJHSynth Finaliser R-EQ module includes seven Mono / Stereo reverb types, along with a four band equaliser and a Sonic Maximiser / Enhancer.

The Reverb, EQ and Maximiser can be used in Mono IN, Mono OUT mode or Mono IN, Stereo OUT modes. The reverb alone can also be used in Stereo IN / Stereo OUT mode too.

The fully analogue four band Equaliser includes three parametric equalisers for Low, Low Mid and High Mid ranges, and the High EQ has switchable shelving of either 2kHz or 5kHz. The Low EQ also includes a shelving mode.

The Maximiser is a fully analogue circuit too, with low and high treatment bands which change the phase and amplitude relationships of the sound to add punch and harmonics and really bring the sound to life in the mix.

The Reverb engine is based on 20 year old DSP technology, harking back to the reverb units which were used extensively on many synth and EDM tracks a couple of decades ago. We have added full control of reverb wet / dry mix, either manually or under CV control.

Notes: The Allen & Heath ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.

This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ- with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: Compact and user-friendly all-in-one production studio from Rode's excellent RodeCaster series. Aimed at podcasters and content creators, the RodeCaster Duo makes it easy to achieve great results.

Supplier's Notes:
The RODECaster Duo is the ultimate compact audio solution for podcasters and content creators. Combining revolutionary features with superior sound quality, endless customisability and unmatched ease of use, the RODECaster Duo is all you will ever need to record incredible audio for your content.

Everything You Need to Sound Spectacular

The RODECaster Duo is the world's most powerful all-in-one audio production solution. Condensing a complete professional broadcast studio into a compact and intuitive console, it gives you everything you need to sound spectacular, whether you're podcasting, streaming or creating any kind of content. Loaded with cutting-edge next-gen features and supercharged by a high-performance quad-core audio engine, this is all you need to produce exceptional content.
Incredible Audio, Incredibly Easy

The RODECaster Duo is incredibly simple to navigate with its large high-definition touchscreen, tactile rotary encoder and broadcast-quality faders giving you hands-on control over every aspect of your sound. Get your project set up in seconds, and with professionally tailored presets and our intuitive VoxLab™ processing editor, you can dial in your perfect sound with the tap of button or twist of a knob. It's never been easier to create amazing content.
Revolutionary Sound

The RODECaster Duo features world-class Revolution Preamps that deliver pristine audio quality with any microphone, instrument, headset or line-level source. Designed from the ground up specifically for the RODECaster series, these ultra-low-noise, high-gain preamps will give you plenty of output while remaining incredibly quiet, eliminating the need for microphone boosters, lifters or external processing

Professional Processing, Powered by APHEX

Craft your sound with studio-quality audio processing powered by one of the most revered names in pro audio: APHEX. On-board is a suite of authentic emulations of legendary hardware audio processors, including the Aural Exciter, Big Bottom and Compellor master compressor/leveller. There is also a studio-quality compressor, noise gate, high-pass filter, de-esser and three-band equaliser for each channel. Sound exceptional every time you hit record.

Super Compact, Highly Portable

The RODECaster Duo is incredibly versatile and powerful, but it's also exceptionally compact and portable. Take your podcast on the road, create content from home or the office or simply liberate some desk space to keep your livestream looking clean.
Customise To Your Creative Flow

No matter what kind of content you're creating, the RODECaster Duo can be configured to perfectly suit your workflow. Assign the eight inputs to any of the physical or virtual faders to suit your setup, customise the effects and processing for each channel, and transform the RODECaster Duo into your own personalised studio.
Take Creative Control with SMART Pads

The RODECaster Duo features six programmable SMART pads that give you huge creative control at your fingertips. Trigger sounds, music beds, or on-the-fly voice effects like reverb, echo, pitch and robot FX, send MIDI commands to external software, activate automated mixer actions like fade-ins and fade-outs, and so much more.

Connect Any Audio Device

No matter what your setup looks like, the RODECaster Duo offers complete flexibility when it comes to connectivity, making it the perfect control centre for your audio productions. It features two USB interfaces for dual computer setups, an MFi-certified USB port that works seamlessly with iOS devices, and you can record ultra-high-quality phone calls or stream audio in high-definition via the advanced Bluetooth connection.

Key Features:

Fully integrated audio production studio for podcasters and content creators
Ultra-low-noise, high-gain Revolution Preamps (-131.5dBV EIN, 76dB gain)
Two high-quality Neutrik combo inputs for connecting microphones, instruments or line-level devices
Seven individually assignable channels with four broadcast-quality physical faders and three virtual faders
Integrated wireless receiver for connecting RODE Series IV wireless devices (including the Wireless GO II and Wireless ME)
High-performance quad-core audio engine
Studio-grade APHEX audio processing and on-board effects
Six fully programmable SMART pads with bank switching
3.5mm TRRS input for connecting headphones and headsets
Dual USB-C interfaces for connecting two computers or mobile devices
Advanced Bluetooth connectivity for high-quality phone call integration
Designed and made in RODE's state-of-the-art facilities in Sydney, Australia

Specifications

Acoustic, Video & Electrical
Frequency Range: Mic Inputs: 20Hz - 20kHz, Monitor Outputs: 20Hz - 20kHz
Microphone Input Impedance: 4KO
Instrument Input Impedance: 1MO
Preamplifier Gain Range: 0 - 76dB
Equivalent Noise: -131.5dBV (A-weighted)
Line Output Maximum Level: 4dBu
Headphone Output Power: 250mW
Power Requirements: USB-C PD (9V, 3A)
Analogue Audio Output Connectivity: 2 x combo jack (mic, instrument, line), 1 x 3.5 TRRS headset jack (I/O)
USB Interface 1: 1 x 2-in/14-out multichannel device, 1 x 2-in/2-out with mix-minus
USB Interface 2: 1 x 2-in/2-out with mix-minus
Bit Depth: 24-bit
Sample Rate: 48kHz
Recording Storage: microSDHC, microSDXC, USB-C removable drive (exFAT - minimum 100MB/s)
Data Transfer: USB 3.0 SD card reader 130MB/s
Network Connectivity: WiFi 802.11g/n/ac 2.4GHz and 5GHz, Ethernet 100/100
Internal Storage (GB): 4GB (SMART pads)
OS Requirements: macOS 10.15 or later, Windows 10 Version 1803 or later, Windows 11

Mehcanical:

Weight (grams): 1131
Dimensions (millimetres): Length: 235, Width: 225, Height: 76

What's in the box:

1 x RODECaster Duo, 1 x USB-C to USB-C cable (1.5m), 1 x power supply

Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs

Dimensions
14 HP
42 mm deep

Current Draw
228 mA +12V
55 mA -12V

Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.

Notes: Chroma version of Arturia's flagship KeyStep Pro, a brilliantly versatile sequencer and controller keyboard capable of controlling MIDI synths, drum machines and analogue gear via CV.

Supplier's Notes:
KeyStep Pro Chroma

Sequencing mastermind recoloured

KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.

The future is sequenced

Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.

Chroma aesthetic

Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.

Customize your flow

Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.

The must-have sequencer

KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind

Abundant connectivity

From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.

Enterdark mode

Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.

Exterior

A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.

Lights

Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.

Controls

Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.

Control hardware, software & DAW at the same time

Looking for the best modular sequencer?

How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:

The ultimate multi-function controller

Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.

KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.

Main Features

Unique dark grey design with blue LEDs and stylish knob caps

Customizable track colours

37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback

Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step

Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs

Drum sequencer

24 part drum sequencer
Polyrhythm

Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper

Arpeggiator

7 arpeggiator modes, 5 octave range

What's in the box

Box content

KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply

Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)

Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.

Notes: A new way of doing things

Make recording easy

Eight award winning EVO Preamps alongside our advanced converter technology will make everything you do, sound better. Add to that, intelligent mic preamps that set their own levels with Smartgain, the all new, groundbreaking Motion UI control system, and enough I/O firepower to tackle even the biggest of sessions, EVO 16 is truly a studio powerhouse, designed from the ground up to make recording easy.

The EVO Mic Preamp

Get studio quality recordings - Level up your audio performance with eight sonically stunning EVO Preamps. Backed by 25 years of engineering experience, our analogue mic preamp has been designed to deliver the most accurate, clean, and true to source version of your audio, no matter what you're recording.

An analogue mic pre but better

The EVO Preamp technology not only has all the sonic advantages of an analogue mic preamp, but combines it with digitally controlled precision, giving you the ability to set your gain with pin-point accuracy, right down to the decibel.

Smartgain - A total gain-changer

Make recording drums and larger sessions easy with Smartgain. Automatically set the gain for all 8 channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels - all in less than 20 seconds!

Your own assistant engineer

Record, adjust levels, repeat? Sound familiar? Save time and make recording on your own a breeze with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO 16 will take care of the rest.

Advanced Converter Technology - Clearer, sharper clarity

Providing a MASSIVE 121dB of dynamic range, EVO 16's high performance converter technology makes sure you hear your audio accurately, helping you make creative decisions confidently, identify issues and improve your recording and mixing game.

Line Outputs - Pick The Best Route

Connect and listen to your mixes through multiple sets of speakers with EVO 16's eight line outputs. Alternatively use the extra line outputs to send audio to external outboard gear, such as compressors or FX units, or to headphone amps for distribution to your artists.

Headphone Outputs- Clarity where you need it most

Drive even the most demanding headphones with EVO 16's two dedicated headphone amps. Easily power headphones up to 600 Ohms all while experiencing detailed monitoring and playback as well as plenty of volume.

Classic tone, modern sound

To build a monster guitar sound you need the right foundation. Our harmonically rich JFET instrument input circuit is designed to replicate the input stage of a classic valve amplifier, providing an ideal sonic foundation before you hit your guitar sims.

Digital I/O - Room For Expansion

Future proof your studio and configure your setup to tackle bigger sessions. Whether you're recording drums or taking on a full band, EVO 16's optical inputs and outputs have got you covered. Supporting both ADAT and SPDIF, add up to 16 channels of mic preamps to your setup, giving you plenty of options for expanding your studio down the line. Pairs great with any external mic preamp.

Specifications

Microphone Preamplifier
Mic Gain Range: 58dB
Line Gain Range: 58dB (-10dB pad)
Phantom Power: 48v +/-4v @ 10mA/Channel
Mic EIN: <-127.5dBu
CMRR: >80dB @ 1kHz
Maximum Input Level: +16dBu
Input Impedance (Mic): >3kO Balanced
Input Impedance (Line): >10kO Balanced
Frequency Response: +/-0.5dB 10Hz to 40kHz
Crosstalk: <-105dBu @ 1kHz <-103 @ 10kHz
THD+N @ 0dBu (1kHz): <0.0015%
SNR: 100dB
XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4" Jack: IP (Hot), RING (Cold) & SLEEVE (Shield)

D.I
D.I Gain Range: 58 dB
Maximum Input Level: +10dBu
Input Impedance:500k
Frequency Response: +/-0.5dB 10Hz to 20kHz
THD+N @ 0dBu (1kHz): <0.1%
SNR: 100dB
1/4" Jack: TIP (Hot) & SLEEVE (Shield)

ADC Inputs
Digital Reference Level: 0dBFS = +10.5dBu
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: -125dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz): <0.001%
Dynamic Range: 112.5dB A-Weighted

DAC Outputs
Maximum Output Level: 12dBu
Digital Reference Level: 0dBFS = +12dBu
Output Impedance: <50O
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: <-110dBu @ 1kHz
THD+N @ -1dBFS (1kHz): <0.001%
Dynamic Range: 121dB A-weighted
1/4" Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

Headphone Output
Max Output Level: 11.25dBu
Output Impedance: <50O
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: -108dBu @ 1kHz
THD+N @ -1dBFS (1kHz): <0.001%
Dynamic Range: 118dB A-weighted
Max Level Into 30ohms: +8.5 dBu, 0.00094% THD+N, 1.66Vpk Power: 86mW
Max Level Into 60ohms: 10 dBu, 0.00079% THD+N, 2.55Vpk Power: 104mW
Max Level Into 600ohms: 11.2 dBu, 0.00057%THD+N, 3.83Vpk Power: 24mW
1/4" Jack: TIP (Left), RING (Right) & SLEEVE (Shield)

Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"

Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

Notes: 1010's Nanobox range expands with the Razzmatazz, a tiny drum machine with FM synthesis, sampling and a built-in sequencer. Small but powerful, with built-in MIDI and touchscreen control.

Supplier's Notes:
Create the juiciest beats and tastiest rhythms with Nanobox Razzmatazz, a mini drum sequencer that combines powerful FM synthesis and sampling. Featuring advanced voice architecture, razzmatazz puts a huge range of percussive sounds at your fingertips-from deep and gritty kick drums to searing snare hits and crisp hi-hats. Perform using 8 touchscreen pads or your favorite midi controller, and craft up to 16 rhythms using an innovative visual sequencer that allows you to see all pad states and steps simultaneously. Shape the sound of each pad by combining any variation of two FM oscillators and a WAV file-plus two filters, two envelopes, a resonator, a snap generator, and three additional effects.

You can even choose from four unique types of distortion to create incredibly distinct and powerful drum sounds. Enjoy massive analogue drum sounds and an innovative feature set, all in a compact package that goes anywhere.

Technical Specs

Includes 120 presets and 112 wave files
8 pads that can support 2 FM Oscillators and WAV file each
Sample memory per WAV of 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, assignable CCs, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

What is included:

Nanobox | razzmatazz mini drum sequencer with FM synthesis and sampling
MicroSD card with presets and wav files
Color matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Notes: A fresh take on granular processing with this stereo DSP module. Grain delay, texturising and freezing with plenty of hands-on control and modulation via CV, gates and triggers. Versatile.

Supplier's Notes:
Melotus Versio is a stereo texturizer that uses granular processing to transform and reshape sound.

Designed to be played by hand or manipulated within a patch, Melotus is everything from a grain delay to a completely transformative texturizer with grain control and manipulation of triggering, direction, and randomness.

Filter audio with a lowpass/highpass combo filter that adds haunting shimmers and subharmonics. Freeze grains by hand or with triggers and gates, or clock them to create rhythmic effects.

Plus, Melotus Versio is part of the Versio DSP platform: transform it into a completely different effect by loading a growing number of alternate firmwares, completely free - or develop your own firmware with our open-source documentation.

Notes: White version of IK's clever MTM monitors, which use digital signal processing to analyse your room and ensure the flattest possible frequency and phase response.

Supplier notes:
IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.

Notes: We have to admit being more than a little proud when thinking of the Action Filter's history. Twelve years ago we made the first version of this still popular stereo-filter with no end in sight. It still is built upon the same basic principle: ACTION!

Neither MIDI nor control voltage decide about filter sweeps and cues but you. Action Filter demands and supports your intuition and creativity. Reign over frequencies and rhythm instead of being a victim of technique.

What remains?

Like its predecessors, Action Filter 4 consists of a high-/lowpass filter-combination per stereo channel. Together, these either work as bandpass- or notch-filter with variable bandwidth and individual resonance per filter.

What's new?

Unspectacular but a spectacle nevertheless: Beside the mandatory RCA in- and outputs, Action Filter 4 is equipped with 1/4"-jacks. In addition, the FILTER MODE switch made it to the unit's front, labeled as STYLE.

Who is the Action Filter 4 dedicated to?

... of course for all action heroes! With jack- and RCA-connectors, Action Filter 4 is best suited for the DJ booth as well as for studio applications. You can use it to process full tracks or add that "certain something" to individual audio tracks. Emphasize or kill specific frequency bands and - on top of it - have lots of fun actively playing with frequencies! Simply: ACTION!

Notes: Another clever one from Knobula, this chord-based sequencer/arpeggiator adds versatile harmonic options to your creative process. Pair it with the Poly Cinematic module for best results.

Supplier's Notes:
Generate extraordinary chords without using a keyboard.

Chord Pilot introduces a whole new take on the task of chord creation and performance offering 192 chord memories, a strummer, an arpeggiator and an 8 step chord progression sequencer, all in one compact 12hp package.

Knobula have thrown away the music theory rule book and instead offer a module that encourages the curious mind to discover alternative musical pathways, whether for generative patches or for EDM riffs.

To generate a new chord, Chord Pilot uses a series of controls that alter the width and spread of 'fingers' over a virtual keyboard before conforming them into a variety of musical moods from the pure and harmonious to the terrifying and cacaphonic.

Like all Knobula products, Chord Pilot has been designed primarily with performance in mind, to inpsire by experimentation, to lose yourself in the moment, and to occassionaly generate impossibly hard to play super chords.

With the ability to store and transfer chords in sets of eight, Chord Pilot makes a great companion module for Poly Cinematic, but it is equally at home serving any poly synth with a midi input.

Discover Chord Pilot, your guide, navigator and explorer to a whole new universe of musical harmony, and beyond.

Notes: *** Free software update available as a free download, along with updated documentation, at the Mob of Emus product page on the Rossum Electro-Music website***

A lot to unpack here. Six-channel multipurpose oscillator/noise source/modulation generator with quantisation, trigger generators and even more. Seriously powerful all-round digital goodness.

Supplier's Notes:
Mob of Emus is a powerful music and sound design tool that packs an enormous amount of creative power into an amazingly compact 16HP module.

Mob of Emus gives you six channels of oscillators, noise sources, cyclical and 1-shot modulators (including LFOs, envelopes, and various other shapes), sample and hold waveshapes, slow random modulators, triggers, rhythm patterns, and quantization (of both internal and external signals) in pretty much any combination (well, any combination of six channels, anyway).

In addition to being able to independently program the function of each individual channel, Mob of Emus' Hex Mode provides a macro control layer that allows you to control all of its channels simultaneously (while maintaining the relationships of each channel's independent programming).

What's more, Mob of Emus' "harmonic" control structure makes it extremely easy to combine its oscillators into rich additive timbres, to combine its LFOs into stacked harmonic low frequency modulation waves, and to create modulation sources and triggers with intricate polyrhythmic patterns.

With an external trigger input, six CV inputs that can operate in six different control modes, six independent outputs, and an assignable mix output, Mob of Emus can operate as the heart of an almost unlimited variety of patches. And its 8 real-time controls will give you immediate hands-on access to a channel's (or all six channels') key parameters, inviting (and rewarding) exploration and improvisation.

Mob of Emus features include:

Six channels that can function independently or can be further controlled by a Hex Mode macro layer that lets you control all six simultaneously. Channels can be:
Wide-range digital oscillators
Noise sources
Cyclical and 1-shot modulators (including LFOs, envelopes, and various other shapes)
Sample and hold waveshapes
Slow random modulators
Triggers
Rhythm patterns
Quantizers (of both internal and external(!) signals)
Six CV inputs that can function in six different control modes
Eight real-time controls for immediate access to key channel parameters
Six individual channel outputs and an assignable mix output
The ability to store and recall 12 user presets
And much more.

Mob of Emus is 16HP wide and 25mm deep.

Power requirements (max): 130mA +12V, 25mA -12V. Reverse polarity protected.

As of March 2021, there has been a been a small bug fix to the recent software update for Mob of Emus.

The update fixes a bug where holding the Channel Selector Buttons for a short time to select a single channel and deselect any others was not working correctly.

The update fixes a bug where some Hex Mode parameters were not ignored when Hex Mode was set to off.

The update introduces a feature allowing users to double-click and hold the Hex button to reset all Hex Mode parameters and set Hex Mode to on.

Rossum Electro-Music made a change to the behavior of the LEDS when using the utility 'Display Software Revision'

Notes: The Serge Dual Universal Slope Generator (DSG) is probably the most versatile module of a Serge Modular system, incorporating a wide range of functions for both CV and audio. Some functions for which one Slope Generator can be used: VC Transient Envelope Generator, VC LFO, VC Portamento device, Envelope Follower (Detector), VC Pulse Delay (Monostable), Sub-Harmonic Series Generator (Divider), Audio Oscillator with variable waveform symmetry (saw to triangle), Non-Linear Audio Processor (low-fidelity VCF).

From the catalog: "The Universal Slope Generators are unity gain voltage followers with voltage controllable slopes. The range of control is exponential, extremely wide, and the Rise and Fall times can be controlled independently. The range of the Slope Generator is from sub-sonic to high audio frequency. Trigger inputs and trigger outputs allows each section of this dual module to function as a transient (envelope) generator, pulse delay, or in a "cycling mode" (to produce an LFO or clock). Since the Rise and Fall times are voltage controllable, this adds another dimension to the above functions.

The DSG mk2 version has been optimized for audio performance and speed/precision. The top section covers a frequency range up to more than 10kHz. It also offers improved tracking and some temperature compensation.

Dimensions
26 HP
40 mm deep

Current Draw
90 mA +12V
80 mA -12V

Notes: TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application.

With a 12-inch woofer, and a 1.4-inch compression driver, TS412 delivers 2500W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all.

With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.

Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points
Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and weddings

Technical Specifications:

Output Power: 2500W
Drivers Low-Frequency: 12.0" driver, 2.5" (63 mm) high-temperature voice coil. 1 x 800 W RMS @ 2 O
High-Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 450 W @ 4 O
Crossover Frequency: 2 kHz
Frequency Response: 53 Hz - 20 kHz (+/-3 dB)
Frequency range: 44 Hz - 20 kHz (-10 dB)

Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced), (1) XLR output (Link), (1) IEC power cable input
Input Impedance Line: 10 KO balanced, 20 KO unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -8 to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/VolumeControl Range: -8 to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size
button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2
Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)

Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 1100W
Fuse: 100-120V T15AL AC250V; 220-240V T6.3AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grille
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 23.9" x 13.9" x 13.8" / 606.5 x 353.5 x 350.5 mm
Weight: 33 lbs. / 15 kg

Notes: Serious stereo reverb action in a compact pedal format. Studio-quality Spring, Hall, Plate, BFR, Refract and Air modes with customisable parameters and MIDI control.

Supplier's Notes:
Walrus Audio MAKO R1 is an extremely powerful and versatile multi-function stereo reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets.

The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.

Programs

Spring - The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.

X knob adds a warm grit to the reverb decay.

Hall - The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression.

X knob controls the room's size; smaller at lower settings to larger room sizes as you increase X.

Plate - The Plate program emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140.

X knob adds in gentle warm grit to the front end of the program simulating driving a hot signal into the plate.

BFR - This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.

X knob controls the amount of diffusion applied to the multi-tap delays used to form the program. At lower X settings, you'll hear these delays bouncing around for a more textured sound. As you increase the X knob, the delays are diffused, creating a smooth texture, and lifting your riffs and chords into the atmosphere. See ya.

RFRCT (Refract) - The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur while Depth controls the overall volume of the glitch effect.

X knob is used to shape the tone of the glitch effect. At zero, the glitch effect will have a lo-fi, almost tape-like sound to them. Increasing the X knob brightens these elements with more pristine details.

Air - The Air program offers a larger diffused reverb with a subtle shimmer but has a more "crisp" clarity to its decay. Explore slow-building sounds that don't get in the way of your playing. Air complements keys and synths as well.

X knob controls the amount of the wind and shimmer elements in the Air program. At zero the effect will be off. Turning clockwise will increase the volume of the air effect.

Presets
The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset. The R1 employs a powerful reverb engine that allows for the true preset spill over. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.

Tune
Use the Tune knob to shape the amount of low and high frequencies in the reverb signal. The X position is unique to program-specific features listed above.

Tweak
Each program can be fully customized to your taste and playing style with the Tweak knob.
Rate: Controls the rate of the LFO applied to the wet reverb signal.
Depth: Controls the Depth of the LFO applied to the reverb signal.
Pre Delay: Controls how long it takes after you play for the reverb to become audible.

Bypass Modes
The R1 has three different bypass modes.
True Bypass
DSP+True Bypass (trails)
DSP Bypass (trails)

Momentary Functions
Press and hold the SUS/LATCH (Sustain/Latch) switch to momentarily sustain the current reverb and continue to play over it through the same reverb algorithm. No dry signal here! Clicking the SUS/LATCH switch lets you latch the present reverb decay while you play over it.

6 Unique Reverbs
Spring
Hall
Plate
BFR
Refract
Air

Notes: Module A-126-2 is a fully analog frequency shifter for audio signals. A frequency shifter is an audio processing unit that shifts each frequency of the incoming audio signal by the same frequency. If the shifting frequency is e.g. 200Hz an incoming audio frequency of 1000 Hz becomes 1200 Hz, 2000Hz becomes 2200 Hz, 3000 Hz becomes 3200 Hz and so on. Pay attention that this is different from pitch shifting where all frequencies are shifted proportional (e.g. 1000>1200Hz, 2000>2400Hz, 3000>3600Hz) !
The frequency range of the internal quadrature VCO is about 8 octaves (about 20Hz ... 5kHz). If required an external quadrature VCO can be used.

The module is equipped with these controls, inputs and outputs:

Frequ. 1: first manual control of the shifting frequency (factory setting: coarse, range about 20Hz - 5 kHz)

Frequ. 2: second manual control of the shifting frequency (factory setting: fine)

by means of internal jumpers the sensitivity of Frequ.1 and 2 can be swapped (i.e. Frequ.1 = fine and Frequ.2 = coarse)

the relation between coarse and fine control is about 25:1 (corresponding to about 8 octaves to 1/3 octave)

FCV In (socket) and FCV (small control without knob): control voltage input with attenuator for the external voltage control of the shifting frequency

Mix: manual control of the up/down shift panning unit, fully CCW = down shift, fully CW = up shift, in between a mixture of down and up

Mix CV In (socket) and Mix CV (small control without knob): control voltage input with attenuator for the mixing unit for external voltage control of the up/down mixing

Audio In (socket), Level (small control without knob) and Overload (LED): audio input with attenuator, typ. audio in level = 1Vpp, the level control has to be adjusted so that the overload LED just begins to light up a bit, when the LED is fully on clipping/distortion occurs, when the LED is permanently off the input level is too low and the signal-to-noise ratio increases

Audio Out (socket): audio output of the frequency shifter

Squelch (small control without knob): controls the squelch function: fully CCW (Env.) the output VCA is controlled by the envelope signal, which is derived from the audio input signal, fully CW (open) the output VCA is permanently open (no squelch function), in between the squelch intensity can be adjusted

Quadrature VCO Outputs (sockets Sin and Cos): outputs of the internal quadrature oscillator, about 12Vpp level (+6V/-6V)

Ext. Inputs Sin and Cos (sockets): required when an external quadrature VCO (e.g. A-143-9 with a wider frequency range or A-110-4 with thru zero feature or A-110-6 with different waveforms) is used instead of the internal quadrature VCO, the levels of the external VCO should be about 10Vpp (8...10Vpp are OK) and the signals have to be symmetrical around zero Volts, the sockets are normalled to the internal quadrature VCO (i.e. the sockets are equipped with switching contacts that interrupt the internal connection as soon as a plug inserted)

VCA ext. CV (socket): used when an external control voltage (e.g. from an envelope generator) should be used to control the output VCA instead of the internal squelch unit, the socket is normalled to the output of the squelch control (i.e. the socket is equipped with a switching contact that interrupts the internal squelch connection as soon as a plug inserted). From about +8V external control voltage the VCA is fully open.

Internal terminals (pin headers, e.g. for a DIY breakout module):

envelope follower output

dome filter output 1

dome filter output 2

ring modulator 1 output

ring modulator 2 output

Up shift output

Down shift output