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Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Clever sequential signal processing from Joranalogue, capable of a range of functions including toggling signal muter/attenuator, clock divider, rotating shift register or programmable voltage bank.

Supplier's Notes:
Sequencers, sequential switches, counters, analogue shift registers... Modular synthesisers provide a wealth of creative sequential functions for controlling and processing signals. Choosing which of these to include in a system can be a bewildering task.

Except when you don't have to choose. Step 8 represents a new type of modular building block: a sequential tracking/sampling register, which can be configured to provide any of these functions, and many more.

At its heart lies an analogue 1-to-8 signal switch feeding an octet of high-stability track/sample-and-hold stages. Each of these has its own analogue output with an attenuation slider, in addition to a gate output. LEDs visualise the status of each stage in real time. The switch can be controlled sequentially using the built-in 8-step counter, or addressed directly by an analogue control voltage (CV).

Numerous advanced circuit techniques are used to avoid the issues that often plague analogue switching and memory modules. The result: totally transparent signal paths with low noise, distortion and voltage 'droop', yet high bandwidth and precision.

Add to this the ability to 'mute' the inactive stages, pause the counter, reset it, change its direction or even shift the stages on each step, and the possibilities quickly become near-endless. A scanning output takes things even further, particularly making sequencer or addressed voltage source use easy and intuitive.

For those who are feeling adventurous, there are always more applications to try: configurable voltage mapper, hocketing controller, clock divider, graphic waveshaper, multi-output analogue downsampler... Discover a new world of sequential synthesis with Step 8.

16 HP
+12: 110 mA, -12: 45 mA

Notes: The UR-RT2 is a premium four input, two output USB 2.0 audio and MIDI interface with switchable Rupert Neve Designs transformers on the front inputs. Combined with the onboard, high-quality D-PRE preamps, the Rupert Neve Designs transformers deliver a musical, more expressive sound with rich harmonics, which is especially beneficial for vocals, acoustic guitar and other instruments with a versatile dynamic range.

Offering a studio-quality, mobile production platform with a range of input/output options for laptop and iPad, the onboard SSP2 DSP chip also delivers zero-latency FX for monitoring. The robust UR-RT2 is engineered to offer outstanding quality for its price class, making it the ideal portable production interface for PC, Mac or iOS.

The Rupert Neve Designs transformer:

Mr. Rupert Neve is undoubtedly a legend in the professional audio field. The transformer circuitry is one of the key factors in his numerous vintage designs and also in the latest devices from Rupert Neve Designs, which gives a very appealing touch of natural compression and saturation to the sound.

Input channels 1-2 on the Steinberg UR-RT2 each feature a transformer that Rupert Neve Designs has specifically developed for audio interfaces. With this transformer, a natural distortion can be added to the signal to realize a sound with more depth and perspective, while maintaining the natural sound of the D-PRE itself when the transformer is disabled.

The D-PRE: Beyond precision:

The virtues of the Yamaha-designed D-PRE have been sung by industry veterans and trade press alike since the introduction of this class-leading preamp. A sumptuously detailed high-end, immaculate dynamic response and a rich, rounded low-end sound are the hallmarks of this very special preamp. The UR-RT2 and UR-RT4 feature two D-PRE preamps, each offering stellar recording quality unmatched in this price class. And to faithfully capture and replay the warm, transparent sound of the D-PRE, the UR-RTs feature AD and DA conversion stages with up to 24-bit, 192 kHz resolution.

Notes: The iNuke series power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. Our revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures these feather-light powerhouses will drive your rig effortlessly for many years to come.

The front panel controls and indicators provide your system's vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with signal LEDs that light when a signal is present, as well as Clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.

The rear panel is just as elegant, with combo XLR and 1/4" TRS input connectors making the unit compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers. The rear panel is also where you'll find the switches that enable iNuke amps to work in either dual mono, stereo or mono bridge mode. A built-in Crossover switch enables the amp to operate in bi-amp mode, sending low frequency content to passive subwoofers, while the high-frequency output is channeled to full-range loudspeakers (CH1>100 Hz / CH2<100 Hz or Fullrange).

For sound engineers requiring high-level control capability, iNuke DSP Series amplifiers come ready for action right out-of-the-box. The built-in DSP and 24-bit/ 96 kHz converters ensure the ultimate signal integrity with an extremely broad dynamic range. DSP functions include a sophisticated delay for delay-line loudspeakers, crossover, EQ (eight parametric, two dynamic), and dynamics processing with lockable security settings. A convenient front panel LCD display allows you to setup and make adjustments directly at the amplifier, without the need for a PC. All iNuke DSP models can also be set up, controlled and monitored via the front panel USB connector.

Review: ***B-STOCK: Box damaged, product unused & in perfect condition***

- Slight creasing to two corners of outer cover (one pictured)

Notes: Fully analogue, classy sounds from this high-end variable waveshape oscillator. Blend from pulse to square, sawtooth to triangle with full CV control.

Supplier's Notes:
The EM-105 Bauhaus Variable Waveshape Oscillator is a true analog VCO with excellent stability, designed to provide highly precise waveform sculpting.

Bauhaus offers over 6 octaves of accurate 1V/oct tracking, a toggle for tuning range, and a frequency range beginning as low as 7 seconds per cycle. "Frequency" is controlled with a vernier dial.

The "Waveshaper" section is made up of 2 potentiometer controls: "pulse/square shape wave" and "sawtooth/triangle/sine wave", also allowing for CV control via the corresponding CV inputs.

Specifications:

Dimensions: 12 HP (3U)
Panel: 2.00 mm Anodized Aluminum

70 mA +12V
70 mA -12V
50 mm deep

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: As probably many of you know the MIX BX (like Feedback's PRE BX channel strip) is based on a very popular mixer used by techno artists in the nineties and loved for its specific sound.

Tech specs:

- 35HP front panel
- 35mm depth behind front panel including the power connector
- 6 mono input jacks ( 1 per channel)
- Pot controls for channels : Gain, Hi, Low, Aux1 send, Aux2 send, Pan, Volume
- 6 mute switches (1 per channel)
- Pot controls for master : Master Level, Headphone Level, Aux1 Return, Aux2 Return
- 2 x mono aux send jacks
- 4 mono input jacks for two stereo Aux returns
- 2 jacks for master left and right out
- one 3.5mm stereo jack for headphone out
- boxed 10 pin euro power (+12V / -12V)

- Input Level from -50dBm to -10dBm
- EQ Hi +-10dBm/10kHz shelf type
- EQ Low +-10dBm/100Hz shelf type
- Output Level 20Vpp

Notes: The Mackie 1402-VLZ3 is ideal for home and project studios. With its good looks, ergonomic carry handle and upgraded electronics, the Mackie 1402-VLZ3 just redefines the term perfection.

The new XDR2 (extended dynamic range) second-generation mic preamps are better than ever, offering incredibly low noise 60 dB of available gain per channel, meaning the 1402-VLZ3 can handle inputs ranging from a whisper to a scream. It can even handle hot line-level signals up to +22 dB without any added coloration. You simply won't find preamps this good on any other mixer in this price range.

The Mackie VLZ3 can also take the knocks and bumps of on the road transport with its seriously tough exterior design and sealed rotary controls.

Notes: The Mackie 1402-VLZ3 is ideal for home and project studios. With its good looks, ergonomic carry handle and upgraded electronics, the Mackie 1402-VLZ3 just redefines the term perfection.

The new XDR2 (extended dynamic range) second-generation mic preamps are better than ever, offering incredibly low noise 60 dB of available gain per channel, meaning the 1402-VLZ3 can handle inputs ranging from a whisper to a scream. It can even handle hot line-level signals up to +22 dB without any added coloration. You simply won't find preamps this good on any other mixer in this price range.

The Mackie VLZ3 can also take the knocks and bumps of on the road transport with its seriously tough exterior design and sealed rotary controls.

Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

Please note the SID GUTS DELUXE does not include a SID chip! Please consult the manual before installing your SID chip.

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)

Notes: A modern classic. Superb value from this affordable but very serious turntable, offering hi-fi sound at an entry-level price. Includes excellent Ortofon 2M cartridge and carbon fibre tonearm.

Supplier's Notes:
Debut Carbon DC

Iconic, affordable turntable design

Stunning carbon fibre arm with Ortofon 2M Red cartridge pre-installed

The original Pro-Ject Debut was released in the late 1990's during a time when CD was king, and the vinyl format was presumed to be all but gone. But nearly two decades (and a few incarnations) later the model still stands, and it deserves a key accreditation in the ongoing success of a rejuvenated vinyl and budget turntable market. The Debut symbolises all that is good about vinyl; it is beautiful to behold and fantastic to listen to, with the right mixture of user-friendliness and opportunity to tweak and upgrade.
Introduced at the beginning of 2012, the Debut Carbon expanded on the Debut III in a variety of ways, but most notably with its one-piece 8.6" carbon fibre tonearm. Using a carbon fibre tonearm at this price is almost unheard of, and allows the newest Debut to outperform all of its competitiors. The stiff yet lightweight tonearm provides the perfect properties for the pre-installed Ortofon 2M Red cartridge to sing at its fullest potential.

In addition to the improved tonearm, the full-size 12" main platter offers better performance than any other previous Debut model. The platter is driven by a high-quality motor that is now mounted onto a new Thermo-Plastic Elastomer (TPE) "blob" set. This rubber composition dramatically reduces resonance transference from the motor, further improving the turntable's sound quality.

Since 2014, the Debut Carbon has been upgraded to the Debut Carbon DC. The DC model benefits from a new, upgraded power supply that powers an ultra-precise, DC-driven AC motor generator for superlative speed stability. This added tweak further elevates the Debut Carbon to comfortably the best Debut model ever.
The Debut Carbon DC is an affordable hi-fi turntable that is even comfortable in far more expensive hi-fi systems. This, combined with the wide variety of finish options, means more people than ever are experiencing Pro-Ject's most famous turntable.

Technical Data

Replacement Stylus: Ortofon 2M Red Stylus
Pre-Fitted Cartridge: Ortofon 2M Red
Nominal Speeds: 33 / 45 RPM (Manual)
Drive Principle:Belt Drive
Platter: 300mm Metal with Felt Mat
Main Bearing: Stainless Steel
Wow & Flutter: i0.10%
Speed Drift: i0.80%
Signal to Noise: -68dB
Tonearm: 8.6" Carbon Fibre
Effective Arm Length: 218.5mm
Effective Arm Mass: 6.0g
Overhang: 18.5mm
Tracking Force: 10 - 30mN
Included Accessories: RCA Cable, Felt Mat, Dust Cover
Dimensions:
415 x 118 x 320mm (Lid Closed)
Weight: 5.6kg net

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Updated version of Kali's excellent three-way monitors provide superb sound in a compact format thanks to coaxial mid-range and tweeter drivers. Precise imagine and excellent bass response. Recommended.

Supplier's Notes:
Project Independence

Kali's IN-Series monitors are some of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, they offer more transparency, lower distortion, and a soundstage that must be heard to be believed.

Performance

Unrivalled Punch and Detail.

The IN-Series monitors are unlike anything you've ever heard. The three-way design lets both the woofer and the tweeter do less work, resulting in better headroom and lower distortion across the frequency spectrum.

At the same time, the coaxial architecture of the midrange and tweeter result in hyper-realistic imaging. This means that you'll be able to hear subtle details in your mix with pinpoint precision.

The design of the system comes together to allow the IN-Series monitors to act as acoustic point sources. They enjoy all the benefits of both traditional 3-way systems and traditional coaxial speakers, with none of the drawbacks traditionally associated with either.

All of this make the IN-5 and IN-8 extremely accurate and easy to mix on. You'll be able to work faster and with more confidence, and your mixes are going to translate to other systems with less work.

IN-8:
140W Class D Power
37 Hz Lower Frequency Response
< 1% System THD 85 dB @ 1M
117 dB Max SPL

Accuracy

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it's playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Not only do the IN-Series monitors accomplish this, but their coincident architecture allow them to be more accurate than other speakers in a wider variety of challenging acoustic environments.

Because of the IN-Series' coincident architecture, you may notice a dip between 8-10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the INs based on single point static measurements.

Imaging

People keep harping on about the "hyper-realistic" imaging of the IN-Series. But what does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-Series solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at a low-mid frequency, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that each IN-Series monitor is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity

The IN-Series monitors have very low distortion. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work; the tweeter is only focused on high frequencies, and the woofer only has to worry about bass.

Taking up the space in between in the hero of the IN-Series: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

Notes: Typically excellent stuff from Blue Lantern Modules. Proper versatile VCO that also goes slow enough to handle LFO duties, with a wealth of FM, sync and modulation options plus sub-osc output.

Supplier's notes:
This product produces continuous wave forms that can be used as an LFO or audio rate VCO. There are 11 possible wave form outputs. This is a discrete, triangle core design based on the Bergfotron 'Advanced' VCO. This particular version uses a VCA based exponential converter for the core 1v per octave converter.

11 Wave Form Outputs: Ramp, Double Saw x2 Frequency, Sine with Level Out, Triangle, Saw, Even Harmonic, Pulse with PWM, Falling Stairs, Folded Triangloid, Pulse Train, Sub Generated Pulse Output (Divider)

Model: BLM Lunar Modulation Lab VCO
Analog Oscillator, LFO,VCO
Width: 18hp
Current: +91mA,-61mA

Notes: The 4-channel iNUKE NU4-6000 power amplifier packs 6,000 Watts (4 x 1,600 Watts @ 2 Ohms; 2 x 3,000 Watts @ 4 Ohms) into exceptionally lightweight (12 lbs/5.5 kg) and rack mountable packages. Now you can run your stereo full-range mains plus two separate monitor mixes with this one exceptionally lightweight, rack mountable powerhouse. Or, you may want to operate your subwoofers in Bridge mode (3,000 Watts) and run you mid/high packs in mono Bi-amp mode (2 x 1,500 Watts).

The highly versatile iNUKE NU4-6000 gives you options, and lots of them. And because the NU4-6000 is so much more efficient than conventional designs, it runs cooler and doesn't require the massive heat sinks and heavy toroid transformers typically associated with its conventional counterparts. Thanks to our "Zero-Attack" limiters, which offer maximum output level with exceptionally-reliable overload protection, you can run the NU4-6000 full-out for hours on-end. Our revolutionary high density Class-D technology, combined with ultra-efficient, switch-mode power supplies, ensures this feather-light powerhouse will drive your rig effortlessly for many years to come.

Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your system's vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.

Just as elegant as the front, the rear panel is home to the combo XLR and 14 " TRS Input connectors, making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers. The rear panel is also where you'll find the switches that enable the NU4-6000 amp to run in your choice of dual mono, stereo or mono bridge mode.

The NU4-6000 features a built-in 3-way Crossover, which is selectable as: Full-Range mode, where the output is sent unfiltered to your loudspeakers; LF mode, which sends the low-frequency content (<100 Hz) to passive subwoofers, or HF mode, where the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Sporting massive output ratings, lightweight Class-D technology, an equally lightweight price tag - and all the amenities a professional audio engineer could ask for - the iNUKE NU4-6000 power amplifier is a serious amp for your most demanding applications.

Notes: The ULTRADRIVE PRO DCX2496 is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The DCX2496 is the perfect way to manage a multi-speaker sound system in any sized venue - from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.

Superb Connectivity and Impeccable Sound Quality:

Start with the DCX2496's analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs - you get maximum flexibility in just one rack space. Superb high-end Cirrus Logic* 24-bit/96 kHz A/D - D/A converters give you ultimate signal integrity - and an extremely-broad dynamic range of 120 dB!

Huge Processing Power:

Speaker protection and processing are the cornerstones for any speaker management system. The DCX2496 features precise dynamic EQs for level-dependent equalization, plus extremely musical parametric EQs that can be applied to all I/O for high-precision signal sculpting. 6 outputs with individual crossover filters, including your choice of Butterworth, Bessel and Linkwitz-Riley designs, each with selectable roll-off characteristics from 6 to 48 dB/octave - perfect for optimizing any 2, 3, or 4-way system. Finally, our "Zero"-attack limiters provide the ultimate in loudspeaker protection on all output channels.

Limitless Control:

In addition to the plethora of EQ filter and crossover options, the DCX2496 offers adjustable delays for all I/O, allowing you to either manually, or automatically correct for room temperature, phase and arrival time differences in order to perfectly configure your delay-line speakers. A PCMCIA slot is provided for storing up to 60 user-defined presets internally, or optionally via your PC for instant recall when moving between multiple venues. The DCX2496 gives you the rock-solid solution for great sound - show after show!

Incredible Sound and Protection Every Time:

The ULTRADRIVE PRO's sleek design, with its high-power 32-bit Analog Device Sharc DSP, ultra-high resolution AKMr 24-bit/96kHz AD & DA converters and maximum processing power provide outstanding audio performance, helping you get the most out of your sound system - no matter where the gig takes you!

Notes: 3-speed full manual turntable with quartz-controlled, direct drive, high-torque motor.

- Selectable quartz-controlled pitch lock
- Quick start
- Adjustable start/stop time
- 2 large start/pause buttons
- Reverse run
- Plug-in LED target lamp
- Adjustable anti-skating
- Tone arm height adjustable
- Shock-absorbing and adjustable feet
- Switchable phono/line output
- Extremely resonance-free due to optimally combined components
- Platter and motor are directly connected for highest stability
- Recessed connections for easy case mounting
- Includes slipmat and RCA cable
- Does not include dust cover and pick-up system

Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

Notes: Alter 2 is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 2. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

Notes: MS20 based Filter with Modulation and Multiple Delay features

Description:

8bits loop delay
Based on vintage ehx16 seconds delay
Modulation with 8 waveforms
Ms20 low pass VCF
Extra Dub Delay in filter feedback
Reverse , slow and hold/infinite
Up to 64 seconds delay time

Size: 26 HP

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Stylish and compact speakers with powerful 200-watt amplifier built in. Impressive 50 Hz - 20 kHz frequency response courtesy of 5.25-inch kevlar woofer and 1-inch silk dome tweeter.

Supplier's Notes:
Satisfy your craving for powerful, full-impact sound with YU6. Armed with a formidable Class D amplifier pumping out 200-Watt peak power, YU6 will have you questioning what it really means to be loud. Its 5.25-inch Kevlarr drivers and 1-inch silk dome tweeters inject detailed sound into every square inch of living space, evoking emotions that can only be expressed with an ear-to-ear grin.

High-performance materials. Exceptional sound.
YU6's 1-inch tweeters are made from silk to deliver a high-frequency range that is bright and refined. Their dome shape improves sound dispersion to ensure your ears capture every sound, regardless of where you are in the room.

Unmatched connectivity.
Inspired by an equal appreciation for digital and analog, YU6 gives you the freedom to enjoy all your devices. Connect a turntable via a built-in phono preamp, transmit high fidelity audio from your computer or TV with Optical TOSLINK, or sit back and enjoy your newly curated playlist with Bluetooth 4.0. With five inputs and a subwoofer output, YU6 brings all your sound to life.

Throw on your favorite record.
YU6 comes equipped with a built-in phono preamp, allowing you to easily connect any vintage or modern-day turntable. Toggle between line-level and phono with a simple flip of a switch, and reduce noise using the provided ground terminal.

Play tunes from the palm of your hand.
Featuring integrated Bluetooth 4.0 with Qualcommr aptX technology, YU6 lets you stream high-quality audio directly from any Bluetooth-enabled device. Sit back and enjoy your carefully curated playlist from anywhere in the room.

Upgrade your desktop setup.
Take your desktop setup to the next level by connecting YU6 to your computer via the RCA, AUX or Optical TOSLINK inputs.

To reduce vibration and improve soundstaging, use YU6 with SP6HD desktop speaker stands.

Bring your movies to life.
Enhance any cinematic experience with high-fidelity sound by connecting YU6 to your TV via one of two optical TOSLINK inputs.

To ensure your speakers remain stable and properly positioned, place them on SP floor stands.

Take control of your sound.
Packed with functionality, the YU series remote makes listening to audio more convenient. Quickly switch between sources, tune your sound to fit your space, and control playback while streaming via Bluetooth.

Never miss a beat.
Automatic standby and power-up mode conserves power when you're away and continues playback when your music starts playing.

Use the provided USB charging port to conveniently power your phone, smart home or casting device directly through your speakers.

DRIVERS
1" Silk Dome Tweeters
5.25" Kevlarr Drivers

AUDIO
Class D Amplifier
200W Peak Power (100 Watts Total RMS)
Frequency Response: 50 Hz - 20 kHz

INPUTS
3.5mm mini-jack AUX
RCA with Phono Switch
2 x Optical (TOSLINK)
Bluetooth 4.0 with Qualcommr aptX

OUTPUTS
Subwoofer
USB Charge 5V 1A

WHAT'S IN THE BOX
Remote with Batteries
Power Cord
Speaker Wire (16")
3.5mm Auxiliary Cable (6.5")
8 x Rubber Feet
Manual

WEIGHTS & MEASUREMENTS
Dimensions (each speaker):
6.9" W x 8.1" D x 10.7" H (17.5 x 20.5 x 27.2 cm)
Net Weight (active): 11.4 lb (5.2 kg)
Net Weight (passive): 8.7 lb (4.0 kg)
1/4"-20 Threaded Mounting Hole

Notes: Tone is a quad, voltage controlled filter with low pass and band pass outputs. Its four channel architecture enables the intuitive patching of shimmering, polyphonic textures. The 24dB slope provides a warm, buttery character. Self oscillation allows each channel to double as a sine wave oscillator with v/oct tracking across four octaves. Cascade OTA topology. A perfect match for the Chord.

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: Listen to your mixes reproduced with lifelike realism! The Erisr Pro 6's symmetric design and consistent acoustic centre provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

The Eris Pro 6's coaxial design provides a single acoustic point source that creates a natural listening experience, revealing the subtlest nuances in your recordings, while providing a three-dimensional soundstage, detailed transient response, and lifelike sonic reproduction. Combined with a punchy low-end that defies its compact size, the Eris Pro 6 provides a superior listening experience for both home studios and professional mix rooms.

A 1.25-inch, ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 6.5-inch, woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 140 watts of power allows the Eris Pro 6 to reach down to an astonishing 35 Hz, while a finely detailed transient response and stunning dynamics deliver a natural and less fatiguing experience.

Acoustic tuning controls and a three-way Acoustic Space tuning lets you accurately configure the Eris Pro 6 for your room. Flexible input options enable connection to almost any line-level source, from mixers to audio interfaces and more. Provisions for wall and ceiling mounts make it easy to integrate Eris Pro 6 monitors into any stereo or multi-channel system.

Features

Single point-source coaxial design for wider sweet spot and better phase alignment
6.5-inch, woven-composite, low-frequency driver
1.25-inch, silk-dome, high-frequency driver
140W, Class AB amplification
35 Hz to 20 kHz frequency response
103 dB SPL (Peak, @ 1 meter)
Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (+/-6 dB, centre 10 kHz, continuously variable), Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
XLR and 14-inch TRS balanced and RCA unbalanced rear-panel stereo inputs
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Wall and ceiling mountable

Inspired design for inspiring results.

Placing the high-frequency driver in the centre of the low-frequency driver increases clarity, widens stereo imaging, and produces an incredibly even mid-range. Vocal clarity, the attack of a snare, and guitar presence shine through, allowing you to quickly and accurately place them in a mix and get the results you desire faster than ever before.

Symmetric response.

The Erisr Pro 6's coaxial design provide a symmetrical dispersion resulting in a crisper stereo image, greater soundstage depth, and superior separation between components in a complex mix.

Set up your studio monitors for your room.

Acoustic Tuning controls ensure you'll get the flattest frequency response possible in your mix environment. You get Low Cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Electronics
Voltage: 220-240V UK
Wattage: 140 Watts

Input impedance: 10 k?

Speakers

Crossover frequency: 3.2 kHz

Performance

Peak SPL: 106 dB (@ 1 meter)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)

Audio switches:

Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Measurements

Dimensions: 11.40 x 9.40 x 11.20 in

Product depth: 11.19" (28.4 cm)
Product height: 11.4" (29 cm)
Product width: 9.45" (24 cm)

Notes: Shape 40 is the most compact studio monitor in the Focal Professional line, and the perfect solution for nearfield monitoring. These monitors can be used from 23" away (60cm), and they have astonishingly extended low end frequency response. Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.

Notes: Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, the next generation Behringer Xenyx QX2442 USB mixer can handle your live gigs and provide the state of the art tools to make stunning, professional quality recordings. This mixer also features dedicated wireless ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built in USB/audio interfaces, one knob mono channel compressors and Klark Teknik FX engines, the Xenyx QX2442 USB mixer comes with all the recording and editing software you'll need to turn your computer into a complete, high performance recording studio.

Designed by the world renowned Klark Teknik engineering team, the high end FX processors feature 32 studio grade presets with dual addressable parameters, tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild!

All Xenyx mixers have one thing in common; great sounding, high headroom Xenyx mic preamps. These state of the art mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Modern advancements in technology have put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer? That's where the Xenyx QX2442 comes in. Thanks to the built in, bi directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx QX2442 USB mixers' recording and podcasting potential, Behringer have put together a massive software download (available at www.behringer.com) that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug ins, turning your computer into a complete home based or mobile recording studio.

The QX2442USB with 10 state of the art, Xenyx powered mic inputs, 4 stereo channels, 4 Aux Sends, 4 stereo Aux Returns, plus the easy to use "one knob" compressors on all mono channels. Other features exclusive to the QX2442USB are: 4 subgroups for mixing flexibility; L/R Main Inserts (the ideal path for connecting graphic equalizers or compressor/limiters); and 8 each Direct Outs and Sub Outs for analog recording purposes. Enjoy the freedom of wireless mic functionality, thanks to the built in ULM receiver port. No task is too big or too small for the Xenyx QX2442 USB!

Review: Brace yourselves, we potentially have some rather worrying news. It has been 25 years since 'I Should Coco' was unveiled to the world, debut album from Gaz Coombes and Co. If you remember when that happened then there's a good chance you're now reflecting, or trying to remember everything (anything?) you've done in the meantime.

The band in question - Supergrass - hope some of that involves some of the contents on this expansive box set. Or not - in many ways it's more fun to use this as a discovery tool. A mammoth six LPs, 13 CDs, 7" single ('Caught By The Fuzz / Richard III 2020 Remixes'), book, colour poster and selection of badges are offered, allowing you to get fully immersed in the kaleidoscopic world of these psychedelic-tinged alternative rock dons. A good place to be, considering the planet's current dystopian path.

Notes: The core idea for KALI is that complex and musical sonic patterns/beats can be created naturally by combining a modulated audio source with a time-domain (i.e. a delay) effect, especially if the modulation is synchronized to the effect.

Kali has two major sections to facilitate this.
* 32-bit (Float) 48000khz Stereo Time Domain FX Processor
* 6 x Bipolar 12-bit CV Outs (Approx -7v to 7v*) + 2 x Clocks

The L and R delay times are the main timebase to which everything else is synchronized; the rates of everything else can be adjusted in multiples of this time, both independently and (with the lfo rate knob) all at once.

** Not factory calibrated, digital fine tuning available.

Specs

Kali is built around an Electrosmith Daisy Patch Submodule, an embedded development platform (STM32 H7 @ 480mhz) with a high fidelity PCM3060 codec.

Audio input/output is 48000khz @ 24-bit, internally 32-bit (floating point). Input gain (on PCM3060 itself) can be adjusted from -100db to +20db.

Because of the generous SDRAM on the Daisy Patch Submodule, these delay lines have a maximum time of roughly 150 seconds per channel (we cap it at 10 seconds in most modes as that has proven to be a good generally useful range, but this maximum can be changed).

CV outputs are all 12-bit, and lowpassed to mitigate aliasing. Output range is -7v to 7v, most LFO modes can be toggled between bipolar and unipolar output. Currently their sample rate is once per block of audio, or 500hz.

Synchronization
Sync in by pulse/trigger or TRS MIDI In (A or B, thx to lpzwmodules).
Pulse sync out x2

FX Modes
* Synchronized basic/ping-pong delay.
* Chorus.
* Numerous granular delays / dumb harmonizers.
* Distortion (Waveshaping, Diode, Wavefolding, Saturation, Modulo) -> Delay.
* Basic delay w/ external feedback loop (Mono: L in -> L out -> Ext Loop -> R in -> R out).
* "Freeze" button - loops slices of the delay buffer.
* Master reverb (ReverbSc from daisysp)

LFO Modes
Modulators synchronized to multiples of main delay time.
* Basic LFO: Sine, Tri, Saw, Ramp, Pulse & Polyblep Tri, Saw, Pulse.
* Sample & Hold
* Track & Hold
* Random Reset (Basic LFO Shapes)
* Random Shape
* Glacier (Basic LFO Shapes, speed / 100).
* Jitter (Basic LFO Shapes w/ random phase distortion)
* Clocks (More pulse clock out)
* Constant (Sends constant voltage out)

Panel design by nkurence: https://nkurence.com/

Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!

6HP Eurorack
+12v: 140mA
-12v: 22mA
Sinc - from Latin: "treasure"

Legio - from Latin: "legion, army"

"A lot of treasure"

Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!

Notes: Monolith is a pitch-shifter reverb inspired by west coast synthesis techniques. It utilizes a time-domain based FM algorithm that acts as a shimmer.

Inputs:

In L and In R - audio input, left will be converted to stereo if there is no right input
Blend - knob and CV for controlling the fade between the dry and FM audio signals
DJ filter - knob and CV for controlling the reverb delay line filtering
Wet - knob and CV for controlling the reverb decay
Mod - knob and CV for controlling the scale of FM modulation. Low mod values correspond with microtonal pitch regions. High mod values correspond with multiple octave shifts.
On - button and CV gate for toggling on/off FM modulation. When FM modulation is turned on/off, the FM modulator oscillator is reset.
Quant - button and CV gate for toggling on/off FM pitch quantization.
Freq and v/oct - knob and CV for controlling the frequency of the FM modulator oscillator. Also control reverb pre-delay.
Shape - knob and CV for controlling FM modulator oscillator shape. Shape wavetable transitions from sine wave (8 o'clock) to triangle wave (12 o'clock) to square wave (4 o'clock).
Clock - CV gate for tempo syncing modulator oscillator period.

Outputs:

Out L and out R - audio output
Gate - CV gate out that is period synced with the FM modulator oscillator

100 mA +12V 40 mA -12V
14 HP 35 mm deep

Review: ***B-STOCK: Box damaged, product unused & in perfect condition***

- Small tear to corner of product box + damage to outer packaging (both pictured)

Notes: ***B-STOCK: Box opened, product in perfect working order***


The MC4000 is an exciting addition to Denon DJ's distinguished line of professional DJ products. Featuring a sleek new design and inviting appearance, the MC4000 continues Denon DJ's reputation for innovative features, dependability, unrivaled sound quality and peerless value.

The MC4000 is a 2-deck Serato DJ controller for the professional entertainer wrapping in-demand audio manipulation tools in a robust steel chassis for rugged durability. In addition to precision touch-activated jog wheels, performers get access to dedicated hot cue and sample pads for on-the-fly creativity.

Long-throw 100mm pitch faders and an intuitive control layout deliver natural operation when balancing complex set elements. A particularly useful featureiand virtually unheard of at the MC4000's modest price pointiis Balanced Booth Outputs, which feeds the program signal to a set of local monitor speakers near the DJ, with the ability to adjust the Booth level independent of the main level.

When you're driving a high-performance car on a twisty mountain road, the last thing you want is to have your concentration broken by having to search for awkwardly-placed controls. Same thing with your controller: When the action is hot and you're in the groove, you want the controller to be an extension of your thoughts and intentions. The MC4000 puts a special emphasis on usability, where everything is located and spaced for optimum workflow. Unlike competitive units, there is no confusing, dense multi-functionality hiding in frustrating fashion beneath each pad.

On the contrary, the pads are directly accessible, grouped into logical, intuitive groups. Hot Cues, Loops and Sampler controls in specific, dedicated locations invite frequent, error-free use. Gone are the days of having to remember which ambiguous mode switch to push in order to activate the function you need at that immediate instant.

The MC4000 includes Serato DJ Intro and is user-upgradable to full Serato DJ. It's also compatible with Traktor 2, Algoriddim djay Pro and Virtual DJ 8, as well as any other DJ application that supports MIDI mapping. This enables the DJ to use their use their favorite programs and customize their performance according to their personal style and the requirements of the situation.

With a well-deserved reputation for their emphasis on sound quality, Denon DJ includes a premium 24-bit audio output path for noticeably clearer mixes. Denon DJ's highly regarded dual microphone inputs are complemented by a studio-grade echo effect, and "ducking" featureieffortlessly moving vocals to the top of the mix without riding faders.

In addition, each microphone input has its own 2-band LF/HF EQ, for exact sound customization. In keeping with Denon Professional's superlative sound heritage, the microphone pre-amps boast truly low-distortion, low noise, high headroom sound characteristics, making the MC4000 especially well-suited to applications where the ultimate musical sound quality is of paramount importance, such as weddings, Mitzvahs, etc.

Denon DJ's Controller line has always represented premium features for discerning DJs. The MC4000 punches well above its weight by including the tools that professional DJs need to drive a memorable event. The layout, solid construction, portability, audio quality, the multiple inputs and outputsiit all adds up to a spot-on performance for the demanding mobile entertainer.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of Xaoc's Moskwa sequencer module includes customisable gate/trigger sections, independent randomisation sections, built-in quantiser, slew limiter and preset storage.

Supplier's Notes:
XAOC Devices Moskwa II - compact feature-packed sequencer with preset memory and trigger patterns.

Designed with live performance in mind, Moskwa II takes inspiration from vintage analog sequencers and greatly expands on their functionality surpassing our original Moskwa rotosequencer, while retaining the same size, basic panel structure, and operation principles.

At the core of the module is an 8-step CV sequencer and a parallel 8-step gate/trigger sequencer. But there's more, much more. Besides these basic functions, Moskwa II offers more unique, advanced features like eight independent programmable gate/trigger pattern generators (one for each step of the sequence). You can treat them like sequencers within the sequencer offering another eight microsteps for each main sequence step. This allows for programming complex gate/trigger rhythmic patterns (e.g. step repeat, additional pauses, microshifting or swing effect).

Moskwa II features two independent randomization sections that give the user advanced control over the optional chaotic/random change of various sequence parameters (e.g. step order, slew and trigger probability and more). A programmable custom trigger sequence can be up to 256 steps long! Topping it all off, Moskwa II can store eight presets to be loaded at any time. All these functions allow Moskwa II to generate sequences much longer and much more complex than those produced by traditional 8-step sequencers.

Compared to the first Moskwa, Xaoc have also added a transport button for manual starting/stopping of the sequence, range control for CV output, and a flexible quantizer. Two Moskwa II units can be joined for chained operation doubling the number of available steps and preset slots. Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Specifications:

- 20hp, skiff friendly
- current draw: +40mA at +12V, 0mA at -12V

Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.

Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O

Notes: Crucible is a drum module that specializes in metallic sounds and cymbals and tries to recreate them as realistically as possible.

By using classic digital synthesis blocks such as delay and digital filters, Crucible can synthesise sounds in real time that resemble thinly struck pieces of metal.

Size, Pitch, Tone and Deform give the user the parameters to shape their cymbal as they wish. The Excite control allows the user to change their attack, completely altering Crucible's response. Finally, you can choose where the exciter touches the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell".

All of this adds up to a lively and dynamic module that completely mimics the feel of playing a real cymbal.

Features:

Realistic sound!
Position-dependent trigger input. Strike the rim, the centre or the bell of the cymbal.
3 model types: Cymbal, Cracked Cymbal and Curved Plate
Audio input for experimental effects
Separate pitch and size controls for maximum realism
Choke input for perfectly timed hits
Proprietary synthesis model with digital filters and delays

Power consumption: 63mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: A classic mixer the Citronic CDM10:4 has always been the choice of the working DJ, with a simple layout that is packed with all the features you need.

The MKV version comes with connectivity through USB and an additional auxiliary input on the top panel for external sound sources such as MP3 player.

Notes: The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Notes: Vice Virga is an 8-input, 8-output sequential/addressable switch with a plethora of features and extensive patchability.

Vice Virga can be configured as a single 8-channel switch, two 4-channel switches, or four 2-channel switches.

Equal parts automated patch arranger and performance tool, Vice Virga has loads of switching control options. Whether you want to chain sequencers, swap outputs on an oscillator, remix a trigger pattern, or mix up every connection in a patch just to see what happens, Vice Virga can do it.

Notes: Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: Samson's Expedition XP106w Rechargeable Battery Powered Wireless PA is packed with incredible features, including Bluetooth connectivity and a built-in 4-channel mixer. It also comes complete with a USB digital wireless system for delivering impromptu performances and professional presentations in any environment. Such versatility, combined with clean, crisp audio, makes the XP106w an all-in-one solution for classrooms, conferences, tour groups, parties, as well as a variety of outdoor applications.

Ensuring pristine, full range sound, the XP106w features a 6" woofer and a 1" high frequency driver. A lightweight, 100-watt Class D amplifier, perfectly matched to its drivers for high efficiency and low current draw, powers the XP106w. The unit's rechargeable battery also increases the system's portability, allowing for up to 20 hours of continuous use wherever great sound is needed.

At the core of the XP106 is the included Stage XPD1 USB Digital Wireless System (license free 2.4GHz operating band), which features a wireless receiver built into a USB stick and a handheld dynamic microphone transmitter with Samson's Q6 mic capsule. With a 100' operating range (environment dependent), the Stage XPD1 frees presenters and performers from the constraints of cables when using the XP106w. Combining the Stage XPD1 with the PA's 20 hours of battery life and Bluetooth connectivity makes the XP106w a completely wireless portable PA solution.

The XP106w's 4-channel mixer features multiple input options with separate level controls, including an XLR-1/4" combo channel (microphones and other Mic/Line level devices), a 1/4" channel (guitars and other line level devices), an 1/8" channel (MP3 players, keyboards, etc.), a USB Wireless channel for use with the Stage XPD1 system and a Bluetooth channel to wirelessly stream music from your smartphone, tablet or laptop. The XP106w also has a Line Out to cascade multiple systems together and expand your sound, as well as a Music/Speech switch for optimizing output EQ for speech or music playback.

The XP106w is perfect for teachers, professors, instructors and lecturers alike. The included Stage XPD1 wireless system allows educators to make dynamic presentations and captivate audiences. In addition, the system's 100 watts of power is able to fill medium to large classrooms with exceptional sound, while its lightweight design, convenient top carry handle and 20 hours of battery life make the XP106w ideal for tour guides and mobile lecturers.

Whether you're at a backyard party, company picnic or just relaxing by the pool, the XP106w delivers a brilliant outdoor music listening experience. Pair the XP106w with your smartphone or tablet via Bluetooth and DJ the party while in the midst of all the fun. Use the wireless system to make speeches, toasts and other announcements commemorating a festive occasion with family and friends. And with a 20-hour battery, you can keep the party going well into the night.

With the XP106w, your voice will command any boardroom podium with authority. From PowerPoint presentations and product demonstrations to company meetings and corporate events, the XP106w gives you the powerful, full range sound to convey your ideas in a clear, concise matter. Speakers can take advantage of the wireless system or the system's 1/8" stereo Aux input can be used to amplify the sound of your MP3 player or computer presentation. And the XP106w is fast and easy to set up, allowing you to get right down to business.

When it comes to live music, the XP106w is ideal for small venues such as coffee houses and studio spaces. Beyond the included wireless system delivering sparkling vocal performances to the XP106w, the system's onboard mixer lets you bring guitars, keyboards and other instruments into the mix. The XP106w is also great for karaoke events. Use the Bluetooth and USB Wireless/microphone channels simultaneously to create a night of karaoke fun you'll never forget.

Perfectly fit for fitness applications, the XP106w can easily provide the power and performance needed to run small yoga classes and dance studios. The XP106w also excels in front of higher intensity exercise methods, including outdoor aerobics, Zumba and CrossFit. Use the Bluetooth or 1/8" stereo Aux (MP3 player) channels to engage your favorite workout playlists, or pick up the wireless mic to provide you class with words of encouragement and motivation.

High quality components, versatile features, convenient portability and Samson's commitment to premium sound makes Samson's Expedition XP106w a consummate single system solution for a wide range of public address applications.

Notes: Product is a full featured modular synthesiser which you can use without patching. Or you can use it as the heart of your modular system. Each component part is fully modular, but also features pre-patched normalised signal paths for fast set up of new and exciting sounds.

Product is a combination of three individual Frequency Central modules:

- XVCO TWO
- Raging Bull 3.0 VCF/VCA
- System X Envelope

Plus:

- Onboard LFO for PWM and FM
- Onboard noise source

Product features a motherboard on which all pots, switches and sockets are mounted, this is also where the pre-patched normalising happens. So the onboard LFO is available for both FM and PWM of the VCO. The three VCO waveforms are available at the three VCF signal inputs. 1V/oct input, LFO and ADSR are available at the three VCF signal inputs. By some cunning switching, the VCA can be operated by either ADSR or gate input, alternatively it can be set to drone position. Also available are signal outputs from the LFO and noise generator. All pre-patched connections can be broken simply by inserting a jack into the relevant socket.

To simplify the build process for DIYers, there are three daughterboards that plug into the Product motherboard: VCO daughterboard, VCF/VCA daughterboard, and ADSR/noise daughterboard. First you can build and calibrate the VCO daughterboard, plug it into the Product motherboard, get it running and have some fun with it. Then build the VCF/VCA daughterboard, and add it to you expanding modular synthesiser. Finally build the ADSR/noise daughterboard, and your synth is complete.

Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: The Random Voltage Event Generator (RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It produces random voltages which vary smoothly or in a step-wise manner. Random timing pulses are also available. The rate of change of all outputs is voltage controllable over a wide range.

Just like the original RVG it uses four unijunction transistors - three of them are configured as ramp and hold generators and the fourth is an LFO. It produces two separate random voltages but also the clock time between pulses can be randomised.

The module offers some extra features: it is possible to add a bias voltage to either of the random voltage outputs, and also add slew to Voltage 1. There is a CV control of the LFO frequency and clock speed as well as CV control of the Time variance.

The internal LFO can be tapped thanks to dedicated outputs for both sawtooth and triangle waveforms, and the waveform shape follows the time variance. The internal clock can be started using an external gate or with the help of the manual trigger button that works when the clock is stopped.

The TR-IN input allows an external clock to be used instead of the internal LFO. There is also a gate output, the gate length changes in proportion with the time variance, and the duty cycle of the gate can be varied from 1% to 99%.

*limited edition!

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Notes: Polydactyl Versio is Noise Engineering's take on a multiband dynamics processor. Polydactyl Versio is equally at home on single-instrument timbral processing and on end-of-chain gloss. Taking inspiration from Noise Engineering's Librae Legio, Polydactyl Versio applies a unique and transparent algorithm across three bands for maximal dynamic impact. Add in a multiband saturation knob and noise gate, throw in a limiter, and you have a processor that gives ultimate control of color and dynamics.

Polydactyl Versio is part of the Versio family: this platform module can be transformed into a completely different effect by loading a growing number of alternate firmwares, completely free! Plus, with open-source support and documentation at LibDaisy, you can write your own firmware. Grab a Polydactyl Versio and process your signal into submission or total rebellion with three separate bands, saturation, limiting, and noise gating.

Size and power:
10 HP
+12v: 125ma
-12v: 10ma
+5v: 0ma