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Notes: Premium Inner Record Sleeves - Master Sleeves for 12" Records
We think protecting your vinyl records with the highest-quality sleeves results in the best sound. Our premium master record sleeves help you avoid scuffing, static, and hairline scratches on your records.

Premium 3-ply polyethylene record inner sleeves add an extra line of defense and quality to your collection, preserving great music for decades to come by repelling dust for "long play" protection.

Why Add a Rice Paper Layer?
These archival record sleeves are made from high-density polyethylene (HDPE) with a rice paper backing. The rice paper layer is sandwiched between two sheets of HDPE with a translucent HDPE front. You'll find many records in their premium master sleeve, still in perfect condition decades later. This construction has other benefits, too:

No risk of paper scuffs
Reduction in static
Lower risk of sticking to vinyl over time
True collectors know that the quality and reliability of master sleeves aren't easy to find in your typical paper sleeve cover. Our clear vinyl record inner sleeves provide easy viewing of each record you pull. Premium anti-static record sleeves contain a transparent side for easy viewing of your complete album.

Notes: Inside our brand new issue:

Still House Plants: London's post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones's motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire's mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists' Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O'The Clock, Goran Kajfes Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinono, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Duul, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain't It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cardenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: Andre 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: It? Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Brighde Chaimbeul, London, UK

On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

Notes: Gatefold Record Sleeves

Enjoy True Gatefold Protection Without Restriction

Make sure your collection of prized gatefold albums is set up for long-term enjoyment with gatefold record sleeves. These archival-quality and acid-free vinyl gatefold sleeves protect your records with the same level of quality as traditional and premium record sleeves but have been designed to store your gatefolds. Designed for ease of use in accessing your albums, there is no need to get caught up in the packaging. Stop fumbling around with other outer sleeves and go full gatefold! You'll enjoy a sleek and streamlined design with crystal-clear covers, keeping your collection looking stunning for years to come. Album artwork shines through with zero frosting.

Preserve Your Collectible Albums with Big Fudge

Gatefold records are known to have some of the most appreciated artwork with their additional space. These were designed for you to be able to keep this artwork intact and display these favourites with pride. Big Fudge's gatefold record sleeves are sized with care and designed with record display in mind with non-crimping materials and 3mil of crystal clear polyethylene that keeps your gatefold records' artwork popping and the records looking brand new. As record collectors with the goal of helping other record collectors, these gatefold record sleeves will be just the thing to take your gatefold records to the next level and keep them pristine.

Product Information:

25.5" unfolded, with 2 pockets 12.75in square
25 Crystal Clear Outer Sleeves
Fits all standard and oversized 12" gatefold albums

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: Vinyl Record Inner Record Sleeves - Acid-Free Paper & Round Corners

Vinyl Collector Basics Done Right

Big Fudge premium vinyl record inner sleeves are made from bright white, heavyweight paper (20 lbs) that is both acid and alkaline-free. Designed by collectors for collectors, these sleeves feature exterior seams instead of interior seams, making it easier to slide your records in without wearing down the sleeve. Big Fudge also use rounded corners instead of square corners to ensure a perfect fit in any album cover. There'll be no more scuffing, static build-up, or dust.

Elevate Your Vinyl Experience

For the avid collector, vinyl records are more than just a medium for music - they're a piece of history, a nod to the bygone era, and an investment for the future. That's why Big Fudge have curated a range of tools to protect and preserve the original quality and soul of your collection, including these acid-free paper record sleeves. Big Fudge's range of outer and inner vinyl sleeves, jackets, and cleaning kits ensure that your vinyl remains as pristine as the day it was pressed.

Investing in these products is investing in the longevity of your collection. With Big Fudge, you're not just buying protection; you're ensuring the legacy of your music lasts for generations to come. Join the community of collectors who trust us with their most cherished possessions.

The aim is make it easy to find everything you need to clean your records and keep them that way. Use these vinyl inner sleeves as a first line of defence, Big Fudge's popular outer sleeves as the second line of defence, and Big Fudge's 4-in-1 cleaning kit or Record Friend to battle any dirt or grime that manages to stick to your records during use.

The goal is to provide audiophiles with vinyl record care tools that go above and beyond, heightening the quality of your records with ease. Please contact us for questions about your order or any other questions you might have.

They've Had a Hard Life

You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with Big Fudge's Black and White Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.

Review: Baby Ford and Dazmos take the limelight on this first release on Nice 1. We Are Syd's original "Gently" is a mellow downtempo roller featuring choice vocals from Shea Seger, but it's the remixes here that get pride of place. Ford and Dazmos lock into an understated drum machine funk draped in hazy pads on the A side "Backroom Mix", while on the flip they push the club elements to the forefront. Riding the rhythm section with intent while still retaining the smoky spirit of the original, the pairing come up with an impeccable "Frontroom" club cut that should nestle comfortably into the bags of all deep digging house heads.

Review: There's been much debate over the years about whose version of this seminal track was in fact the best. Laurent Garnier's 1997 classic "Crispy Bacon" gets a vinyl re-issue and it still stands the test of time. You can just imagine how innovative and futuristic this adrenalised peak time weapon sounded like in the mid-nineties. On the flip, the equally legendary Jeff Mills delivers his take on the track, keeping in mind that this is one of only a handful he's ever done. There's relentless and punishing cyclicality on offer here; the sharply resonating loops, that brutally overdriven 808 kick.. it's one of those secret weapons that never leaves the bag of the best techno DJs. Choose your side, but either way it's a definitely a classic!

Notes: Whether we're talking cleaning or storage, it's important to maintain your vinyl collection in unmarred, scratch-free condition. But running around stocking up on supplies is time-consuming and takes you away from what you would rather be doing: listening to tunes. That's why Big Fudge are excited to offer vinyl album sleeves and inner LP sleeves in a single package. Keep your vinyl in mint condition at a reasonable price.

Get 50 Crystal-Clear Outer Sleeves: Show Off Your Album Art

These outer sleeves fit all 7" records, including most double albums and gatefolds, with less excess than other vinyl sleeves, which allows just enough room to breathe. Big Fudge use 3mil, crystal-clear polypropylene so that the album artwork is easy to see and the albums don't stick together.

Get 50 Acid-Free Inner Sleeves: Protect Your Vinyl

The custom rounded corners on these inner LP sleeves allow you to slide them into and out of even the most loved covers with ease, while the specially placed external seams allow you to slide vinyl in and out without snagging.

Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Review: Kendrick Lamar's To Pimp a Butterfly, the Compton-based rapper's first album since 2012's major label debut, Good Kid, M.A.A.D City, has been receiving rave reviews. In truth, it's not hard to see why. Imaginative, soulful, and blessed with the looseness of live performance (a result of the use of jazz-minded live players as much as anything else), it sounds like the kind of album that may one day be hailed as a hip-hop classic. Sure, there are big name guests - Dre, Snoop, George Clinton and Thundercat included - but the focus remains on Lamar's distinctive flow and almost cinematic tales of life on L.A's streets. Given the quality of his lyrics, that's no bad thing.

Notes: These inner sleeves for CDs are perfect for storing them in LP-styled CD version covers.

The clear plastic sleeves are similar to the ones you get in Japanese paper sleeve packages. They're great for using if you lose your sleeves from any of those, or if you've bought LP-styled CD packages from other outlets and want something to protect the CD inside. Antistatic, and very well constructed.

Notes: High quality stereo audio lead with lightweight 3.5mm stereo jack ideal for mp3 players or mobile devices, terminated to 2 x mono jack plugs for stereo feed into mixing console or stereo amplifier.

Review: Fresh from the label's second release 'Robot Romance', supported by the likes of Laurent Garnier, Fred P, Jane Fitz, Jennifer Cardini, Rossko and more. David Agrella returns via his spaced-out house EP 'Freedom Unfolding'. Remixes are delivered by London favourite N-Gynn (Pleasure Club) known for drawing on left-field, ravey sounds and esteemed German live techno act and Muller Records/Acid Orange boss Beroshima.
Elastic basslines and tumbling percussion unfasten the A-Side with 'Walking Loud' as sinister synths convulse around the beat before N-Gynn provides a frisky reshape with sharp snares, golden keys and subtle, loopy vocal samples on a chuggier tip. The eclectic experience continues on the B-Side with title track 'Freedom Unfolding' as swinging basslines carry dream-like pads and fluttering samples, while Beroshima's acid-infused, broken beat rework provides an anthemic finale to the release.

Review: Southern California's soul scene is dominated by Thee Sinseers. This leading outfit form a perfect link between the past, present and future of soul with their oh so sweet sounds and that's evident again on this new single. The band is lead by Joey QuiNones who is surely destined to go on to be an all time great and he produces, writes, and plays just about everything you can hear on all of this band's material. The a-side single 'What's His Name' is an unforgettable and instant classic with aching vocal harmonies and gently falling drums that tumble their way into your affections.

Review: Design Default first emerged back in 2018 with a release on Fragil Musique - the vivid, finely sculpted ambient LP Dawn Chorus. Now they're back with a new album, this time on New York label Club Night Club (who put out the excellent Herron Lowflow EP. The vibe is decidedly different, dealing in punchy electronica workouts with ample sonic manipulation and high production values. 'Lyrids' has enough brute force and deft dynamics to snap your head clean off, in the club or elsewhere, while 'Quarantids' teases between lush ambience and gravelly future-tech beats. 'Geminids' ramps up the industrial strength drum hits and nudges the tempo in kind, but still the artful programming and visceral mixing prowess is on full display - something Significant Other steps up to on their remix too.

Review: DJ Fresh is a legend at this point. Whenever he drops new heat it is worth tuning in, especially when it's a 12" picture disc like this from Breakbeat Koas. The A-side is a collab with Buunshin. 'Dancing In the Dark' is a hardcore gem with pitched-up vocals and monstrous breaks over spin backs, raw bass and thrilling synth lacerations. Then comes an AMC Remix of DJ Fresh's 'Heavyweight' that is just that. It rides on silky breakbeats with a rising sense of tension that keeps you locked until the explosive bass and jump-up drum head to the level.

Review: The second salvo on Further Electronix's Shakesphere sub-label comes courtesy of Charles Green, a producer of underground techno and electro previously best known for his releases on Four Triangles and Hardgroove. His trademark style - forthright, energetic and often intense - comes to the fore on EP opener 'Edit Generation', a slamming slab of warehouse-ready techno-pump rich in beefy kickdrums, creepy sounds and loopy late-night riffs, and can also be heard on 'Mind Restore', which sounds like a wholehearted tribute to rave-era techno (all fizzing melodic riffs, deep bass and sweaty drums). Over on side B, 'Resolve Jam' is a more sci-fi flavoured techno joint, while 'Solus' is a gorgeous fusion of echoing dub techno motifs, broken techno drums and glassy-eyed electronics.

Review: South London label GD4YA has had a fairly incredible year so far, with no fewer than five EPs out to date. It is now cult soundsmith Throwing Snow - a veteran of plenty of post-IDM inventions on Houndstooth - who steps up to stretch his legs with some sure fire dance floor weaponry. 'Murky' is just that with its broad bass and skipping drums, then 'Ellipsis' leans on UK funky drum patterns to get you up on your toes. Two remixes closes out, with Wen going for a perfect bit of swing, and Benny iLL keeping it deep, mid tempo, and warm.

Review: Is there any artist in electronic music that releases as little music yet remains as highly revered as Burial? We can't think of any. As it happens, this new Streetlands EP is actually the hallowed UK producer's second outing of 2022 after the ambient offering Antidawn back in January. As always it finds him back on Kode9's Hyperdub label. 'Hospital Chapel' is eerie atmosphere and lo-fi samples, 'Streelands' is another sparse ambient cut that is full of melancholy and 'Exokind' is the soundtrack of a faraway planet with distant solar winds and only the smallest of microbial activities for you to tune into before a signature angelic vocal brings the beauty.

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: This MIDI Adapter enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks used by 1010music products. The adapter has a male stereo minijack at one end, and a female 5 pin DIN MIDI connector on the other, and is 22 cm/8.5" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Notes: The black card high-gloss finish record sleeve has 2 x holes and no spine. It needs no inner sleeve.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture to avoid knotting. Terminated at each end with a pair of 6.3mm mono jack plugs.

Review: REPRESS ALERT: Aubrey is a man on everyone's lips at the moment. After nearly 25 years of releasing music, the South Coast techno pioneer has just completed a busy 2013, including a remix for Juan Atkins' Metroplex Records and is pushing his own DOT Records to new heights. Here, Aubrey has followed up his earlier Ferox releases "Abstractions" and "Inner Feelings" with two super deep cuts on this techno jazz fuelled 4 -tracker. On remix duties are label boss Russ Gabriel and his RT-Transmissions partner - Germany's Hans Thalau.

Review: It's hard to keep up with the number of releases that Athens Of The North are putting out this month, but you really must try. This one is a gooey and loved up disco 12" from the dream team pairing of Tom Findlay from Groove Armada and James Alexander Bright. They hook up via mutual appreciation over Twitter and worked up a load of new material in the studio as Bright & Findlay. Their first offering 'Slow Dance' is perfection - lush 80s synths, slow-motion boogie beats and drum machines marbled with little guitar riffs and soulful vocals that ate you to a better place. Two further heart melters come on the flip side and we are already in love with this project.

Review: A repress for four prime slices of classic Baby Ford minimal tech gear, from the rhythm-centric drum machine fest 'Very', the resonant bleepy tones of 'Test', the sparse and spacious 'Down' and the subtle acid undertones of 'Percy'. Baby Ford is finally getting his props as one the UK acid and techno scene's true innovators and pioneers, and these four very mixable tracks are four more reasons why this is only right.

Review: The Botanic Minds stable continue to inject the vague framework of minimal club music with some colour and sass with this excellent EP from Romanian mainstay Sepp. 'Fluturul' is a perfect 10-minute escapade with a seriously funky bassline and dreamy but snappy melodic hooks on top to carry you away in a reverie of sunkissed psychedelia. 'Vulturul' takes things in a deeper direction without losing the panache and personality that made the A side a winner. 'Si Gaita' seals the deal with a sundown delight that weaves together more of those interlocking melodic lines to get bodies shaking in an effortless, day-into-night fashion that spells out a long and fruity session ahead.

Review: Emotional Response present something intriguing and oh so fresh from Cherrystones, who has most commonly been spotted recently lurking about labels like Bahnsteig 23, but in fact has a legacy reaching back to the late 90s. This new mini-album is reportedly the result of a pointed retreat to Scotland - a period of semi-isolation with minimal distractions from the serious business of analogue synths and reel-to-reel tape. There's a lot going on, from the slinky, boogie-licked groove of 'Amaziac' to the sludgy, wave tinted 'Rave Digger', but throughout the common theme is one of rough, upfront waveforms - maximal sounds with lashings of character, wielded with glee by an artist knee deep in their craft.

Notes: 10-conductor ribbon cable with three 10-pin connectors and a 16-pin connector on one end (20" total length), for connecting more than 2 modules in a Pod.

Review: Daptone recently released a killer collection of archival cover versions by in-house band the Dap-Kings and their sadly departed lead singer Sharon Jones. One of the headline attractions on that set, the band's righteous, call-to-arms soul version of Woody Guthrie's folk anthem 'This Land Is Our Land', is also featured on this must-have reissue of a "45" that first dropped in 2004. It's superb, but even better is A-side 'What If We All Stopped Paying Taxes?', a floor-friendly conscious soul/funk crossover written and recorded at the height of the second Gulf War with Iraq. As usual, Jones' impeccable lead vocal is supported brilliantly by the band's fiery instrumentation and Bosco Mann's fuzzy, sixties-style production.

Review: During the funk era, heavyweight boxing champ Muhammad Ali proved a great source of inspiration for many musicians and bands. Dig hard enough and you'll find tons of singles recorded in tribute to the legendary fighter. Le Stim's 1980 disco-funk tribute to "the king of the fighters" is not one of the better-known examples, but it's certainly one of the most scintillating. Here, the sought-after gem - all rousing horns, Clavinet-heavy grooves, spacey synths and starry-eyed vocals - is given the reissue treatment by Melodies International. Like the hard-to-find original, it includes both "long" and "short" versions, with the former - a sweaty, nine-minute workout straight from the top shelf - standing out.

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x 6.3mm mono jack plugs.

Notes: The UDG Ultimate Headphone Jack Adapter Plug 3.5mm (1/8") to 6.35mm (1/4") connect your headphone's mini-jack plug to a larger stereo jack output. It has a grippy surface to help you grab hold of it. The gold-plated adapter provides a solid connection without compromising sound quality.

Features

Gold-plated contacts
Adapter Stereo Mini Jack F / Stereo Jack M (Plug)
High-end realisation
Nice grippy surface to help you grab hold of it
Stereo jack adapter - 3.5mm (1/8 inch) mini jack socket stereo - 6.35mm (1/4 inch) jack plug stereo
Fits correctly on most headphones - Just plug and play

Dimensions

Outer
Width: 4.5cm
Height: 1cm
Depth: 1cm

Weight: 8.98g

Review: Pressure Makes Diamonds casts us back to the 80's on this red hot bit of boogie disco. It is the fine work of an iconic jazz drummer and educator from Houston, Texas, by the name of Bubbha Thomas . e played on plenty of pivotal releases in the fields of R&B, gospel, blues and soul and led his spiritual ensemble 'The Lightmen' to five Grammy nominations, as well as writing a couple of books. With 'Boogie Down' the outfit moved away from jazz and into a rich world of disco and mid-tempo funk. Big fat claps, backing vocals that are buttery and wide open drum breaks all make it irresistible.

Notes: Break out MIDI signals into a 3.5mm stereo jack.

- Tip = Pin 4 (Source)
- Ring = Pin 5 (Sink)
- Sleeve = Pin 2 (Shield)