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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Apr 24 $5.96
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $6.75
(No payment required now - pay when released)
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Review: Southern California's soul scene is dominated by Thee Sinseers. This leading outfit form a perfect link between the past, present and future of soul with their oh so sweet sounds and that's evident again on this new single. The band is lead by Joey QuiNones who is surely destined to go on to be an all time great and he produces, writes, and plays just about everything you can hear on all of this band's material. The a-side single 'What's His Name' is an unforgettable and instant classic with aching vocal harmonies and gently falling drums that tumble their way into your affections.
… Read morePlayed by: Juno Recommends Soul
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The Best Northern Soul Album In The World Ever! (unmixed 3xCD)
Cat: 539938 5. Rel: 28 Mar 24
Soul
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Review: It's hard to keep up with the number of releases that Athens Of The North are putting out this month, but you really must try. This one is a gooey and loved up disco 12" from the dream team pairing of Tom Findlay from Groove Armada and James Alexander Bright. They hook up via mutual appreciation over Twitter and worked up a load of new material in the studio as Bright & Findlay. Their first offering 'Slow Dance' is perfection - lush 80s synths, slow-motion boogie beats and drum machines marbled with little guitar riffs and soulful vocals that ate you to a better place. Two further heart melters come on the flip side and we are already in love with this project.
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Review: During the various lockdowns of 2020 and '21, Crazy P delved deep into their vaults to see what unfinished songs were lurking in the dustier corners of the archive. These were then used as inspiration for new, finished and polished versions. This seven-inch contains two fine examples of this repurposing process. A-side 'If Life Could Be This Way' is suitably strong - a heart-aching, bittersweet chunk of laidback melancholia that sits somewhere between blue-eyed soul, Balearica and hazy West Coast jazz-rock. It's sure to be a fan favourite in years to come. 'How Could I Know' meanwhile is similarly horizontal, with tear-jerking (electronic) string sounds and a fine lead vocal from Danielle Moore clustering around a clicking, lo-fi drum machine beat
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Cat: MEL 15. Rel: 15 Feb 19
Soul
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Review: Athens of the North boss Euan Fryer recently described Premonition as "the best obscure New York boogie act you've never heard of". He'll be releasing an entire album of their rare and unreleased material later in the year, but first he's treating us to a reissue of their best-known moment - impossible-to-find 1986 soulful boogie slammer "Don't Act Like A Fool". The track ticks all the right boxes -rubbery slap bass, mid-80s FM synth sounds, passionate male lead vocal, needless but delicious sax and electric guitar solos etc - and is little less than an overlooked dancefloor heater. On the flip you'll also find original B-side "In Love", which Fryer brilliantly (and accurately) describes as a "mid-tempo floater".
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Cat: TOWN 137. Rel: 29 Mar 10
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Cat: TR 718. Rel: 08 Feb 18
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Review: Since making his debut back in the early 1990s, Carlton Jumel Smith has periodically popped up on a variety of soulful house and modern soul releases. Here the little-known vocalist takes a different approach, re-casting himself as a throaty, James Brown influenced '70s soul singer. He's at his heartfelt, full-throttle best on "Can't Love You Any More", a deliciously heavy and authentic chunk of Southern-fried deep soul complete with additional falsetto parts from fellow singer Pratt. The key to the track's success is the fantastic backing provided by Cold Diamond & Mink. Proof is provided on the flip via the band's effortlessly good instrumental take.
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Cat: DAP 1100. Rel: 08 Jul 19
Funk
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
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Review: Colemine step up with another sure shot of impeccable modern soul, this time coming from Australian outfit Dojo Cuts. 'Here We Are' is a slow jam with sadness in its heart, but it hits hard. That's in no small part down to the impassioned vocal turn from Carlton Jumel Smith, who gets his message across with conviction on this classically styled ballad. One for rainy days and poignant moments, with the instrumental on the flip when you want the music to carry you away.
… Read morePlayed by: Soul Music
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Review: Parkside Records out of Las Vegas Nevada welcomes Seattle, Washington group True Loves, who have a nice and raw funk sound. Sunday Afternoon was their sophomore album and it came in 2021 following 2017's debut. This tidy 7" package features new Live On KEXP remix of the title track and it has sensuous saxes played in expressive fashion next to rousing horns and over the nice and lazy but dynamic funk drum work. 'On The Spot' closes down with a more lively percussive sounds vibrant stabs and plenty of big energy.
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Review: It was back in 1986 when obscure UK electrofunk band Leval released their sole 7" - a sparkling slab of pop-boogie brilliance that has long been a secret weapon for dusty-fingered diggers and Brit-funk collectors. As this Athens of the North reissue proves, the record remains a brilliant Brit-boogie gem. Check first 'Our Love', a confirmed earworm that sees the band wrap duetting male/female vocals around a deliciously bustling blend of rubbery slap-bass, eyes-closed soft rock guitars, warm synthesizer chords and a dewy-eyed, jazz-funk style breakdown. Flipside 'It's Up To You' is a little more eccentric thanks to an unusual time signature and drum track, but boasts the same addictive blend of male and female lead vocals, slap bass and synths.
… Read morePlayed by: I Love Disco!, I Love 45's!
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Cat: BWOOD 305CD. Rel: 20 Jul 23
Broken Beat/Nu Jazz
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Review: The Sextones are a four-piece soul band from Reno, Nevada, who blend elements of rock, pop, and funk with a deep and mournful soul primacy. Fitting squarely into that oeuvre is their latest 'Beck & Call', which recalls their dearest inspirations - the likes of The Moments, Baby Huey and Curtis Mayfield - for two equally powerful falsetto'ing slow jams. The title track is the more emotive standout, channelling a hefty drum forward plod, lilting strings, soul-foundational bass, and lyrics dealing with letting go of a lost cause. 'Daydreaming', meanwhile, is more of a haze, and notably utilises electronic drums and a prominent sitar.
… Read morePlayed by: Craig Charles Funk And Soul
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Review: Eddie Carmichael started Mirror having left his previous band The Voshays when he caught their manager stealing. He formed it with Derry Shepherd, Sandy Ficca, Duncan Bethel, bass player Dave Segal, Bob Groszer on keys and Flynn Emanuel to play trombone. They were regular performers on Miami Beach and recorded only a few tunes, but what tunes they were. It is said that had the band had a better manager they could have gone on to be one of the best of their era. Either way, at least we have these two dazzling disco and soul gems.
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Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
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Review: Excavated from vaults of the Weiss Brothers' longstanding NYC imprint Old Time Records, Beverly McKay's gutsy tales have massaged soul floors for those lucky to have a 200 pound 45. "Say It With Feeling" hits with big backing vocal harmonies before breaking into a classic midtempo bluesy arrangement while "Conscience" strikes with a little more eastern allure, staccato strings and a cat-prowling narrative. Timeless soul.
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Review: British singer/songwriter Tom Wardle has enjoyed rather a lot of success in the United States, though his star has yet to ascend in the UK. Perhaps this first ever vinyl outing, courtesy of New York imprint It's Soul Time, will change that. 'I Could Have Been a Millionnaire' sits somewhere between blue-eyed soul, Steely Dan style West Coast rock and glassy-eyed yacht-rock, with Wardle making his presence felt over a sweet, string-laden backing track. Arguably even better is boisterous and up-tempo flipside 'Let Your Love Shine Out', which sees the Nottingham-raised troubadour join the dots between Northern Soul, rhythm & blues and Crowded House.
… Read morePlayed by: Soul Music
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Cat: 405053 8675443. Rel: 07 May 21
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Cat: TR 724. Rel: 06 Dec 18
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Review: Long-serving New Orleans soul man Willie West has previous form when it comes to collaborating with The Soul Investigators, Finland's funkiest backing band. He's joined forces with them plenty of times over the years, though this is their first joint release for nearly two years. "I Just Can't Leave You Alone" is particularly sweet, with West's heart-felt vocal combining brilliantly with guest Jimi Tenor's drifting flute lines and the band's rich jazz guitars, fuzzy grooves and '60s style production. The sublime quality of their playing and production is even clearer on the accompanying Instrumental take.
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Review: Lorraine Silver is a fine Northern Soul singer who recently headlined a The Music of Northern Soul Live event in support of this new single. It's been produced by the one and only, legendary, pivotal producer that is Ian Levine and comes almost 56 years after her first single. 'Fever Ranging Out Of Control' is a quick and clipped floor filler with tight drums and plenty of luxuriant cymbals and tambourines next to Lorraine's sweet vocal. 'The Last To Know' is a wind-led, hip-swinging, finger-clicking gem that hits just as hard.
… Read morePlayed by: Soul Music
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Review: It seems fitting that the Temptations are marking an astonishing 60 years in the business with a new album whose most impactful track, 'When We Were Kings', is a gorgeously nostalgic, loved-up telling of their own history. It's fitting, too, that the set is largely classic in sound (the hip-hop soul style opener excepted), mixing elements of 1960s, '70s. '80s and '90s soul, and that the now octogenarian group are still capable of belting out vocals as sweetly and soulfully as they did back in the day. There are plenty of other nods to their lengthy history dotted across the album, too, including a song recorded with Motown contemporary Smokey Robinson and an updated version of 'Come On', a song some of their members first recorded way back in 1959.
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Cat: HPR 26 7. Rel: 11 Feb 22
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Cat: HPR 33 7. Rel: 11 Feb 22
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Cat: TR 756. Rel: 05 May 22
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