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Decksaver Behringer Wing Dust Cover (mixing console dust cover)
Cat: 1009953 Rel: 30 Jun 24 • View all Recording Studio Accessories
Dust cover designed to fit the Behringer Wing
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $121.84
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J Jazz: Free & Modern Jazz From Japan 1954-1988 by Tony Higgins & Mike Peden (hardback book + CD)
Cat: 1010008 Rel: 31 May 24 • View all 书
A remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era
Notes: BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music’s acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.
This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
… Read moreThis is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $108.86
(No payment required now - pay when released)
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Feedback LFO100 Complex Analogue Low Frequency Oscillator Module (CV modulation/LFO/utility module)
Cat: 1004979 Rel: 31 May 24 • View all Synth modules
Analogue low frequency oscillator module - 10HP
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $102.65
(No payment required now - pay when released)
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UDG Ultimate Pick Foam Pioneer DJ PLX-CRSS12 Flightcase (DJ turntable flightcase)
Cat: 992007 Rel: 30 Apr 24 • View all DJ Equipment Hard Cases
Flightcase designed to fit the Pioneer DJ PLX-CRSS12
Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.
The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.
Specifications
Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium
Protection:
Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position
Extras
Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel
Fits
Pioneer PLX-CRSS12 turntable
… Read moreThe UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.
Specifications
Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium
Protection:
Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position
Extras
Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel
Fits
Pioneer PLX-CRSS12 turntable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $142.57
(No payment required now - pay when released)
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Decksaver Native Instruments Kontrol S61 MK3 Dust Cover (MIDI keyboard controller dust cover)
Cat: 1009648 Rel: 30 Jun 24 • View all Recording Studio Accessories
Dust cover designed to fit the Native Instruments Kontrol S61 MK3
Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $100.58
(No payment required now - pay when released)
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Dnipro Ewa Expander Module For Krait (expander module)
Cat: 1000151 • View all Synth modules
Expander module for Krait - 4HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $113.02
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Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $103.69
(No payment required now - pay when released)
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Black Classical Music (gatefold splattered vinyl 2xLP in embossed sleeve + drum sticks + afro comb)
Cat: BWOOD 310DLX. Rel: 24 May 24
Broken Beat/Nu Jazz
Black Classical Music (feat Venna & Charlie Stacey) (5:18)
Afro Cubanism (2:41)
Raisins Under The Sun (feat Shabaka Hutchings) (4:32)
Rust (feat Tom Misch) (3:59)
Turquoise Galaxy (3:13)
The Light (feat Bahia Dayes) (5:38)
Pon Di Plaza (feat Chronixx) (3:47)
Magnolia Symphony (1:37)
Early Dayes (4:46)
Chasing The Drum (1:24)
Birds Of Paradise (4:08)
Gelato (4:47)
Marching Band (feat Masego) (4:41)
Crystal Palace Park (feat Elijah Fox) (1:53)
Presidential (feat Jahaan Sweet) (3:22)
Jukebox (2:28)
Woman's Touch (feat Jamilah Barry) (3:29)
Tioga Pass (feat Rocco Palladino) (7:49)
Cowrie Charms (feat Leon Thomas & Barbara Hicks) (3:44)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 24 May 24 $113.54
(No payment required now - pay when released)
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CubuSynth 4VCLFO Quad Voltage Controlled Low Frequency Oscillator Module (CV modulation/LFO/quad module)
Cat: 1006079 Rel: 30 Jun 24 • View all Synth modules
Quad voltage controlled low frequency oscillator module - 10HP
Notes: The 4VCLFO is four LFOs with triangle Outputs in 10hp. It features a knob for the Frequency of each LFO and CV inputs with attenuators.
The "Aux" input is normalized to the four CV inputs, so you can modulate all LFOs with one signal at the same time. Plugging a cable into the CV input breaks its connection from the aux input.
This way you can create more interesting Modulations for your Patches.
You can easily customise LFO speeds to your liking by changing capacitor values on the back.
Features:
- Size: 10hp
- Single SMD Pre-soldered PCB design
- 10 pin power
12 mA +12V
12 mA -12V
… Read moreThe "Aux" input is normalized to the four CV inputs, so you can modulate all LFOs with one signal at the same time. Plugging a cable into the CV input breaks its connection from the aux input.
This way you can create more interesting Modulations for your Patches.
You can easily customise LFO speeds to your liking by changing capacitor values on the back.
Features:
- Size: 10hp
- Single SMD Pre-soldered PCB design
- 10 pin power
12 mA +12V
12 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.24
(No payment required now - pay when released)
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CubuSynth Exhaust v2 Expander Module For Engine v2 (expander/mixer module)
Cat: 1006096 Rel: 30 Jun 24 • View all Synth modules
Expander module fr the Engine v2
Notes: The Exhaust adds many features to your Engine V2 VCO module like Sub-octaves, Mixing and a Gate / Trigger generated by the Chaos signal.
You can select one of the two VCO cores of the engine to Produce Square Waves one and two octaves below the Oscillators frequency. You can blend between -1 and -2 octaves and Set the volume they are Mixed into the Main "Mix" output.
The knobs "VCO1" "VCO2" and "AM" set the level of the selected waveform of each VCO and the AM output from the Engine to the Main Mix. The "Ext In" Input is normalled from the RM output, but you can plug in any other signal to go to the Main Mix.
The V Ref sets a Voltage between 0V and +10V which compares against the Chaos signal from the engine (Chaos attenuator on the Engine doesn't matter). Whenever the Chaos signal is higher in Voltage than the Knob setting, It will Give you a Gate or Trigger signal depending on the switch. There is also a CV input, which offsets your V Ref and can create interesting Rhythms.
Features:
Two Sub-Octave generator with selection switch, Mix knob for -1 and -2 octaves (marked as /2 and /4)
5 Channel Audio Mixer for 4 different Outputs from the Engine and level for the Sub-Octave generator
External Input for Mixing with other signals
Semi-Random Gate or Trigger Output generated by the Chaos signal
Audio-optimized Chaos Output
Separate Outputs for Sub-Octave and Main Mix
Dimensions
8 HP
24 mm deep
Current Draw
6 mA +12V
5 mA -12V
… Read moreYou can select one of the two VCO cores of the engine to Produce Square Waves one and two octaves below the Oscillators frequency. You can blend between -1 and -2 octaves and Set the volume they are Mixed into the Main "Mix" output.
The knobs "VCO1" "VCO2" and "AM" set the level of the selected waveform of each VCO and the AM output from the Engine to the Main Mix. The "Ext In" Input is normalled from the RM output, but you can plug in any other signal to go to the Main Mix.
The V Ref sets a Voltage between 0V and +10V which compares against the Chaos signal from the engine (Chaos attenuator on the Engine doesn't matter). Whenever the Chaos signal is higher in Voltage than the Knob setting, It will Give you a Gate or Trigger signal depending on the switch. There is also a CV input, which offsets your V Ref and can create interesting Rhythms.
Features:
Two Sub-Octave generator with selection switch, Mix knob for -1 and -2 octaves (marked as /2 and /4)
5 Channel Audio Mixer for 4 different Outputs from the Engine and level for the Sub-Octave generator
External Input for Mixing with other signals
Semi-Random Gate or Trigger Output generated by the Chaos signal
Audio-optimized Chaos Output
Separate Outputs for Sub-Octave and Main Mix
Dimensions
8 HP
24 mm deep
Current Draw
6 mA +12V
5 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.24
(No payment required now - pay when released)
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CubuSynth VCFA Multimode Voltage Controlled Filter & Amplifier Module (filter/VCA module)
Cat: 1006103 Rel: 30 Jun 24 • View all Synth modules
Multimode voltage controlled filter & amplifier module - 10HP
Notes: VCFA - Voltage controlled Filter and Amplifier
The CubuSynth VCFA is a multimode VCF with LP,HP and BP modes with integrated VCA, CV control over Frequency, Resonance and Volume.
The CV input for the Frequency features 1V/Oct scaling over about 2~3 octaves. So you can even create plucky melodies
with the resonance in "ringing" mode.
The Gain control can reach a nice, soft saturation.
Key features
- 3 simultaneous outputs for Low Pass, Band Pass and High Pass
- Integrated VCA on input stage
- Input saturation on upper Gain levels
- CV control over Volume, Frequency and Resonance
- Frequency CV scalable for 1V/oct signals (stable up to 2-3 octaves)
- "ringing" appears on upper Resonance levels
Specifications
- Size: 10HP x 3U / 50mm x 129mm
- Depth: 34mm (measured from the front panel)
- Max. Current Draw:
+12V: +14mA
-12V: -14mA
… Read moreThe CubuSynth VCFA is a multimode VCF with LP,HP and BP modes with integrated VCA, CV control over Frequency, Resonance and Volume.
The CV input for the Frequency features 1V/Oct scaling over about 2~3 octaves. So you can even create plucky melodies
with the resonance in "ringing" mode.
The Gain control can reach a nice, soft saturation.
Key features
- 3 simultaneous outputs for Low Pass, Band Pass and High Pass
- Integrated VCA on input stage
- Input saturation on upper Gain levels
- CV control over Volume, Frequency and Resonance
- Frequency CV scalable for 1V/oct signals (stable up to 2-3 octaves)
- "ringing" appears on upper Resonance levels
Specifications
- Size: 10HP x 3U / 50mm x 129mm
- Depth: 34mm (measured from the front panel)
- Max. Current Draw:
+12V: +14mA
-12V: -14mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.24
(No payment required now - pay when released)
FORTHCOMING
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CubuSynth ADSR VC Looping Envelope Generator Module (envelope generator module)
Cat: 1006105 Rel: 30 Jun 24 • View all Synth modules
Voltage controlled looping envelope generator module - 10HP
Notes: The CubuSynth ADSR Module is a VC looping envelope generator, with controls for the Attack, Decay, Sustain and Release stages, for overall Time of the envelope and CV inputs for Time and Level.
The EnvGen8 chip was written/designed by Tom Wiltshire aka "Electric Druid".
1 ATTACK (1ms - 10s)
Sets the time, the Envelope takes to reach full level from the moment a gate is detected (Key is pressed)
2 DECAY (1ms - 10s)
Sets the time, after the envelope hits full level, to fade to the level set by the SUSTAIN Knob.
3 SUSTAIN (0% - 100%)
Sets the Volume to stay after the decay, while the GATE input is high.
4 RELEASE (1ms - 10s)
Sets the time for the fade out on falling edge of the GATE input (after the Key is released)
5 MODE switch
Select between exponential and linear curves.
6 PUNCH switch
Adds extra thump to very short percussive envelopes
7 LOOPING MODE switch
Allows selection between three different modes of operation. Gated mode is a normal envelope. Gated Looping will
trigger the ATTACK stage when the GATE goes high, then continue looping whilst the GATE remains high, and will
RELEASE to zero when the GATE goes low. The LFO Looping mode loops continuously and ignores input from the
GATE.
8 TIME (x1 - x100)
Overall Time control which shortens the length of the entire envelope.
9 TIME CV Attenuator
Attenuates incoming CV for Time modulation. Higher voltages will shorten the
length of the envelope.
10 TRIG Input
Re-trigger for the envelope. Useful for Polyphonic patches. Envelope goes to
ATTACK stage on rising edge of 0-5V pulse while Gate can still be on.
11 GATE Input
Normalized to TRIG Input. Envelope goes to RELEASE stage on the falling edge.
12 Level CV Input
Control the overall Volume of the envelope. Can be used for velocity control.
If nothing is plugged in, the Volume stays on max.
13 OUT
CV-output of the envelope (0 to +5V)
14 LED
Indicates the output voltage.
15 TIME CV
CV Input for Time modulation. Higher voltages will shorten the length of the
envelope.
16 INV. OUT
Inverted voltage of the output CV (0 to -5V)
Dimensions
10 HP
25 mm deep
Current Draw
16 mA +12V
16 mA -12V
7 mA 5V
… Read moreThe EnvGen8 chip was written/designed by Tom Wiltshire aka "Electric Druid".
1 ATTACK (1ms - 10s)
Sets the time, the Envelope takes to reach full level from the moment a gate is detected (Key is pressed)
2 DECAY (1ms - 10s)
Sets the time, after the envelope hits full level, to fade to the level set by the SUSTAIN Knob.
3 SUSTAIN (0% - 100%)
Sets the Volume to stay after the decay, while the GATE input is high.
4 RELEASE (1ms - 10s)
Sets the time for the fade out on falling edge of the GATE input (after the Key is released)
5 MODE switch
Select between exponential and linear curves.
6 PUNCH switch
Adds extra thump to very short percussive envelopes
7 LOOPING MODE switch
Allows selection between three different modes of operation. Gated mode is a normal envelope. Gated Looping will
trigger the ATTACK stage when the GATE goes high, then continue looping whilst the GATE remains high, and will
RELEASE to zero when the GATE goes low. The LFO Looping mode loops continuously and ignores input from the
GATE.
8 TIME (x1 - x100)
Overall Time control which shortens the length of the entire envelope.
9 TIME CV Attenuator
Attenuates incoming CV for Time modulation. Higher voltages will shorten the
length of the envelope.
10 TRIG Input
Re-trigger for the envelope. Useful for Polyphonic patches. Envelope goes to
ATTACK stage on rising edge of 0-5V pulse while Gate can still be on.
11 GATE Input
Normalized to TRIG Input. Envelope goes to RELEASE stage on the falling edge.
12 Level CV Input
Control the overall Volume of the envelope. Can be used for velocity control.
If nothing is plugged in, the Volume stays on max.
13 OUT
CV-output of the envelope (0 to +5V)
14 LED
Indicates the output voltage.
15 TIME CV
CV Input for Time modulation. Higher voltages will shorten the length of the
envelope.
16 INV. OUT
Inverted voltage of the output CV (0 to -5V)
Dimensions
10 HP
25 mm deep
Current Draw
16 mA +12V
16 mA -12V
7 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $108.88
(No payment required now - pay when released)
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Tangible Waves AE Modular QUICKSWAP 12U 1-Row Enclosure Case (modular synthesiser enclosure case)
Cat: 1010907 Rel: 30 Jun 24 • View all Synth Module Accessories
12U 1-row AE module enclosure case
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $102.65
(No payment required now - pay when released)
FORTHCOMING
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Tangible Waves AE Modular QUICKSWAP 16U 1-Row Enclosure Case (modular synthesiser enclosure case)
Cat: 1010912 Rel: 30 Jun 24 • View all Synth Module Accessories
16U 1-row AE module enclosure case
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $123.40
(No payment required now - pay when released)
FORTHCOMING
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Enemy Of God/Hordes Of Chaos (remastered) (coloured vinyl 3xLP + 4xCD box set + latex demon mask + issue #2 & #3 Graphic Violence comics)
Cat: 406562 9707859. Rel: 24 May 24
Metal
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 24 May 24 $149.05
(No payment required now - pay when released)
FORTHCOMING
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Tangible Waves AE Modular SAMPLYR Sample Player Module (sound generation module)
Cat: 1010438 Rel: 30 Jun 24 • View all Synth modules
Sample player module
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.24
(No payment required now - pay when released)
FORTHCOMING
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Blue Lantern Modules Hats Analogue High Hats Module (drum/oscillator module)
Cat: 980377 • View all Synth modules
Analogue hi-hats module - 8HP
Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.
The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
… Read moreThe 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $111.99
(No payment required now - pay when released)
FORTHCOMING
Related products...
Blue Lantern Modules Shimm Fully Voiced High Hat Module (drum module)
Cat: 980379 • View all Synth modules
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $137.91
(No payment required now - pay when released)
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Sennheiser HD 25 DJ Headphones With 1.5m Straight Cable (DJ headphones)
Cat: 601625 Rel: 19 Feb 16 • View all DJ专用耳机
Professional closed, dynamic headphones with 1.5m steel cable
Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.
Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.
With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
… Read moreSupplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.
With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
More than 10 in stock $117.16
Click for better price!
or call +44 20 7424 1960
quote 601625
quote 601625
People also bought...
Flame uMM MIDI-TRS-B Merge/Thru MIDI Module (MIDI/external utility module)
Cat: 990518 Rel: 10 Apr 24 • View all Synth modules
2x MIDI merge & MIDI thru plus TR A/B converter module - 4HP
Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.
At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.
The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.
Features:
4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector
… Read moreAt the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.
The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.
Features:
4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector
1 in stock $143.08
Click for better price!
or call +44 20 7424 1960
quote 990518
quote 990518
People also bought...
Technics EAH-DJ1200 DJ Headphones (DJ headphones)
Cat: 763186 Rel: 23 Jan 20 • View all DJ专用耳机
Latest version of the classic Technics DJ headphones
Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.
Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.
The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.
The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.
The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.
The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.
Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.
… Read moreSupplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.
The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.
The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.
The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.
The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.
Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.
More than 10 in stock $144.13
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Orbital (Deluxe Edition) (remastered) (gatefold 4xLP + book + slipmat in spot-varnished slip-case)
Cat: LMS 1725120. Rel: 18 Apr 24
Techno
Review: The Hartnoll Brothers have decided to remaster and reissue their eponymous 1991 debut album - frequently referred to as 'The Green' album for obvious reasons. Amongst the numerous editions is this delicious box set, which compliments the fantastic original album (stretched across two slabs of wax), with a slipmat, a 60-page hardback book of photos and fresh liner notes, and an additional double-album of rarities and unreleased cuts from the period. It's this latter item, which includes B-sides, non-album singles (hello 'Satan') and sought-after remixes (Sasha's legendary version of 'Midnight' and the barely known 'Rhyme and Reason' take on 'Satan'), which makes the box set so alluring to fans. Basically, it's the ultimate edition of a British dance classic.
… Read more in stock $132.21
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Crows Electromusic OVUM Analogue Sound Explorer Desktop Synthesiser (analogue desktop synthesiser)
Cat: 938205 Rel: 12 Jun 23 • View all Synthesisers
A standalone all-analogue tool for exploratory sound synthesis.
Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.
Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.
OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.
OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.
OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.
… Read moreSupplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.
OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.
OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.
OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.
8 in stock $103.69
Click for better price!
or call +44 20 7424 1960
quote 938205
quote 938205
People also bought...
ALM mmMidi MIDI CV & Clock Interface Module (MIDI/dual/stereo/clock generator synth module)
Cat: 757946 Rel: 09 Dec 19 • View all Synth modules
Compact & straightforward MIDI interface - 4HP
Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.
… Read more 7 in stock $111.97
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Rode NT1 Signature Series Studio Condenser Microphone (black) (studio condenser microphone)
Cat: 976059 Rel: 07 Nov 23 • View all Vocal Recording Microphones
Studio condenser microphone, SM6 shockmount & 6m XLR cable
Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.
The World's Most Popular Studio Microphone
Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.
Iconic Signature Sound
Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.
Your Mic, Your Way
For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.
A True Workhorse
A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.
Legendary RODE Quality
The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.
Premium Accessory Kit
Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.
Key Features
Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia
Acoustic & Electrical Specifications
Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR
Mechanical
Weight (grams): 313
Dimensions (millimetres)
Length: 52
Width: 52
Height: 189
What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable
… Read moreThe World's Most Popular Studio Microphone
Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.
Iconic Signature Sound
Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.
Your Mic, Your Way
For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.
A True Workhorse
A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.
Legendary RODE Quality
The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.
Premium Accessory Kit
Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.
Key Features
Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia
Acoustic & Electrical Specifications
Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR
Mechanical
Weight (grams): 313
Dimensions (millimetres)
Length: 52
Width: 52
Height: 189
What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable
2 in stock $137.91
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Kenton MIDI USB Host mk3 USB Host To MIDI Converter (USB host to MIDI converter)
Cat: 884863 Rel: 22 Jun 22 • View all MIDI converters & accessories
USB Host to MIDI converter for ‘Class Compliant’ USB MIDI Devices
Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).
The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.
Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.
Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.
Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.
The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.
The attached USB MIDI device MUST be 'Class Compliant'.
The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
Attractively finished in brushed aluminium with black screen print
Dimensions: 110mm x 55mm x 32mm
Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.
It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.
Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.
If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.
Power
It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.
Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.
If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.
The following Yamaha keyboards ar known to be class compliant and therefore should work OK:
PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255
The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:
Korg Microkey 61
Korg Microkey 49
Korg Microkey 37
Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).
This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.
… Read moreThe MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.
Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.
Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.
Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.
The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.
The attached USB MIDI device MUST be 'Class Compliant'.
The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
Attractively finished in brushed aluminium with black screen print
Dimensions: 110mm x 55mm x 32mm
Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.
It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.
Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.
If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.
Power
It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.
Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.
If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.
The following Yamaha keyboards ar known to be class compliant and therefore should work OK:
PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255
The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:
Korg Microkey 61
Korg Microkey 49
Korg Microkey 37
Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).
This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.
2 in stock $103.69
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quote 884863
quote 884863
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Reloop RMX-10BT 2-Channel DJ Mixer With Bluetooth Connectivity (2-channel DJ mixer)
Cat: 755491 Rel: 28 Jan 20 • View all DJ混音器
DJ mixer with Bluetooth connectivity
Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.
Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.
This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.
The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.
… Read moreSupplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.
This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.
The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.
2 in stock $102.78
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Audio Innovate InnoFader Mini Hercules DJControl Inpulse T7 Crossfader (DJ controller crossfader)
Cat: 971628 Rel: 06 Nov 23 • View all DJ Accessories
3 mini Innofader Plus faders, already soldered to a board which drops straight into the Hercules T7
Notes: Upgrade your Hercules T7 so it becomes a true scratching machine! With this you get 3 mini Innofader Plus faders already soldered to a board which drops straight into the Hercules T7. No soldering or adjustments needed for installation...faders are already pre-adjusted for tight cut-in < 1.0mm. User accessible calibration buttons on all 3 faders allow for further precision adjustments. Also includes a sleek see-through acrylic mounting plate.
… Read more 2 in stock $145.16
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quote 971628
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ALM Pip Slope MK2 Compact Envelope Generator Module (envelope generator/function generator/LFO synth module)
Cat: 792489 Rel: 21 Sep 20 • View all Synth modules
envelope generator module
Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.
The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.
Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.
Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
… Read moreThe improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.
Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.
Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
7 in stock $106.80
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Tascam DR-07X Stereo Handheld Digital Audio Recorder & USB Audio Interface (recorder/audio interface)
Cat: 718772 Rel: 01 Feb 19 • View all Portable audio recorders | Handheld recorders
Handheld digital audio recorder with switchable microphone configuration
Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
… Read moreThe layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
1 in stock $108.02
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Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15 • View all Synth Module Accessories
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.
The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
… Read moreThe Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
1 in stock $121.31
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quote 590437
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Soma Laboratory Rumble Of Ancient Times 8-Bit Noise Synthesiser & Sequencer (synthesiser/sequencer)
Cat: 858228 Rel: 07 Jul 22 • View all Synthesisers
8-bit noise synthesiser and sequencer
Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.
Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.
The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.
The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.
Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!
In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.
So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.
Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.
Specifications:
Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g
… Read moreSupplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.
The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.
The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.
Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!
In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.
So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.
Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.
Specifications:
Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g
1 in stock $149.30
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quote 858228
quote 858228
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ALM PPEXP-1 Pamela's Pro Workout Expander Module (expander synth module)
Cat: 922391 Rel: 20 Jan 23 • View all Synth modules
An expander module for Pamela's Pro Workout module in 4HP.
Notes: PRO Expanders:
Extra Pam Outputs.
ALM034-EX
PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.
Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.
Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.
Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.
Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.
A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.
Technical Specifications
Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm
… Read moreExtra Pam Outputs.
ALM034-EX
PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.
Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.
Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.
Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.
Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.
A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.
Technical Specifications
Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm
7 in stock $123.38
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quote 922391
quote 922391
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Kenton THRU12 MIDI Thru Box (MIDI interface)
Cat: 698450 Rel: 09 Aug 18 • View all MIDI converters & accessories
1 MIDI in to 12 MIDI thru
Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.
High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
… Read moreHigh quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
1 in stock $120.27
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quote 698450
quote 698450
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Boss OC-5 Octave Effects Pedal (pitch/frequency effects pedal)
Cat: 996380 Rel: 16 Feb 24 • View all Effects pedals
Octave effects pedal
Notes: The New Standard in Octave Pedals
Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.
OC-5 Octave Sound Tryout
Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.
High-Octane Octave Performance
Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.
Classic Tones with Vintage Mode
Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.
Enhanced Poly Mode
The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.
Extended Range with Octave Up
Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.
Guitar/Bass Switch and Direct Out
The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.
Specifications
Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)
Current Draw: 60 mA
Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series
Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
… Read moreFusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.
OC-5 Octave Sound Tryout
Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.
High-Octane Octave Performance
Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.
Classic Tones with Vintage Mode
Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.
Enhanced Poly Mode
The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.
Extended Range with Octave Up
Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.
Guitar/Bass Switch and Direct Out
The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.
Specifications
Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)
Current Draw: 60 mA
Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series
Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
1 in stock $130.64
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quote 996380
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Beyerdynamic DT770 Pro Closed Dynamic Studio Headphones (80 Ohm) (studio headphones)
Cat: 386767 Rel: 14 Jun 12 • View all Studio headphones
Closed, diffuse-field studio headphone
Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.
Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.
When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
… Read moreSupplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.
When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.
3 in stock $131.87
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Numark M101USB 2-Channel All-Purpose DJ Mixer With USB (2-channel DJ mixer)
Cat: 560799 Rel: 20 Jan 15 • View all DJ混音器
2 channel USB DJ mixer with 2 band EQ, rackmountable
Notes: Get up and running quickly at any gig.
DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you're using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.
Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.
Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, 14" mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark's legendary industrial-grade durability.
Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.
INCLUDES:
M101USB Mixer
Power Supply
Quickstart Guide
… Read moreDJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you're using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.
Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.
Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, 14" mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark's legendary industrial-grade durability.
Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.
INCLUDES:
M101USB Mixer
Power Supply
Quickstart Guide
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4ms Pod32 32HP Powered Synth Module Enclosure Case (synth module enclosure case)
Cat: 706840 Rel: 12 Dec 18 • View all Synth Module Accessories
32HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.
The Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.
Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.
The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
… Read moreThe Pod32 is 32HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.
Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.
The Pod32 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
2 in stock $117.16
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or call +44 20 7424 1960
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Cat: 649672 Rel: 09 May 17 • View all Turntable Styluses | Hifi Styluses
Replacement stylus designed to fit the current Goldring 1006 phono cartridge
Notes: Goldring D06 stylus is designed to fit the current Goldring 1006 phono cartridge, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.
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Cat: 716898 Rel: 30 Jan 19 • View all Synth modules
2-channel Eurorack oscilloscope - 16HP
Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!
The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.
Three Modes Packed Into 1U:
- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.
The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs
The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.
… Read moreThe Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.
Three Modes Packed Into 1U:
- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.
The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs
The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.
2 in stock $143.08
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Nagaoka MP-110 Phonograph Cartridge & Stylus (cartridge & stylus)
Cat: 567645 Rel: 27 Mar 15 • View all Hi-Fi Cartridges | Phono Cartridges
High quality cartridge & stylus set, with elliptical tip and aluminium alloy cantilever
Notes: Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.
Features:
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-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing
Stylus replacement: Nagaoka JN-P110
The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
… Read moreFeatures:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing
Stylus replacement: Nagaoka JN-P110
The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
6 in stock $136.35
Click for better price!
or call +44 20 7424 1960
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Cat: 845381 Rel: 17 Sep 21 • View all Synth Module Accessories
12v power supply included with the purchase of the desktop enclosure.
Notes: Desktop enclosure case for the Empress Zoia Euroboro- 12v power supply included. Euroboro not included- picture shown for demonstration purposes only.
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Cat: 846899 Rel: 01 Nov 21 • View all DJ专用耳机
Lightweight premium modular Bluetooth headphones.
Notes: More affordable XE version of AIAIAI's modular TMA-2 headphones. Bluetooth enabled for wireless use, with lightweight headband design and the brand's signature bio-diaphragm drivers.
Supplier's Notes:
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.
Lightweight design and REPREVEr cushions.
Ultra soft on-ear cushions made from recycled materials (including plastic bottles) and lightweight design to prevent excessive warmth and ensure optimal comfort for longer listening sessions.
Bluetooth 5.0 connectivity with +40h playback time.
High quality wireless audio, +40h playback time on any Bluetooth enabled device.
Intuitive multi-functional joystick controls.
Complete control of music and calls with multi-directional joystick, and dual mics for improved voice quality and clarity.
Modular product design.
This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.
Headphones for life.
AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Lightweight design and REPREVEr cushions.
Bluetooth 5.0 connectivity with +40h playback time.
Intuitive multi-functional joystick controls.
Responsible modular headphones - Headphones for life.
SPECIFICATIONS AND PARTS
S10 . Bluetooth 5.0 - Detailed sound - Bio-diaphragm
Bluetoothr speaker units with a diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Delivered as a pair, including USB-C charging cable
H01 . Slim - PU foam
Slim and light-weight polycarbonate headband with soft, durable PU foam padding.
E10 . On ear - REPREVE
On-ear cushions made from memory foam and covered with REPREVEr, an ultra soft hi-tech fiber preventing excessive warmth and ensuring optimal comfort for longer listening sessions. Partly made from recycled plastic bottles. Delivered as a pair.
C05 . Straight - 1.2m
Straight 1.2m thermo plastic cable. Soft touch surface and perfect for small workstations.
A01 . Protective pouch
Designed to protect your headphones from dust and scratches, the A01 protective pouch is made from soft nylon and features a mesh inside. Fits any TMA-2 and Tracks headphone.
… Read moreSupplier's Notes:
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.
Lightweight design and REPREVEr cushions.
Ultra soft on-ear cushions made from recycled materials (including plastic bottles) and lightweight design to prevent excessive warmth and ensure optimal comfort for longer listening sessions.
Bluetooth 5.0 connectivity with +40h playback time.
High quality wireless audio, +40h playback time on any Bluetooth enabled device.
Intuitive multi-functional joystick controls.
Complete control of music and calls with multi-directional joystick, and dual mics for improved voice quality and clarity.
Modular product design.
This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.
Headphones for life.
AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Lightweight design and REPREVEr cushions.
Bluetooth 5.0 connectivity with +40h playback time.
Intuitive multi-functional joystick controls.
Responsible modular headphones - Headphones for life.
SPECIFICATIONS AND PARTS
S10 . Bluetooth 5.0 - Detailed sound - Bio-diaphragm
Bluetoothr speaker units with a diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Delivered as a pair, including USB-C charging cable
H01 . Slim - PU foam
Slim and light-weight polycarbonate headband with soft, durable PU foam padding.
E10 . On ear - REPREVE
On-ear cushions made from memory foam and covered with REPREVEr, an ultra soft hi-tech fiber preventing excessive warmth and ensuring optimal comfort for longer listening sessions. Partly made from recycled plastic bottles. Delivered as a pair.
C05 . Straight - 1.2m
Straight 1.2m thermo plastic cable. Soft touch surface and perfect for small workstations.
A01 . Protective pouch
Designed to protect your headphones from dust and scratches, the A01 protective pouch is made from soft nylon and features a mesh inside. Fits any TMA-2 and Tracks headphone.
2 in stock $143.08
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Cat: 560024 Rel: 15 Jan 15 • View all Effects pedals
Polyphonic 12-string effects pedal.
Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.
Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.
General Specifications
SAMPLE RATE
44.1 kHz
FREQUENCY RESPONSE
20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO
> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD
0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION
24-bit
INPUT
1/4" Unbalanced (Tip-Sleeve)
OUTPUT
1/4" Unbalanced (Tip-Sleeve)
CONTROLS
Level, Tone
TRUE BYPASS
Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH
4.75" (120mm)
HEIGHT
1.75" (44mm)
WIDTH
2.875" (73mm)
WEIGHT
0.36 lb. (163g)
… Read moreTailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.
General Specifications
SAMPLE RATE
44.1 kHz
FREQUENCY RESPONSE
20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO
> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD
0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION
24-bit
INPUT
1/4" Unbalanced (Tip-Sleeve)
OUTPUT
1/4" Unbalanced (Tip-Sleeve)
CONTROLS
Level, Tone
TRUE BYPASS
Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH
4.75" (120mm)
HEIGHT
1.75" (44mm)
WIDTH
2.875" (73mm)
WEIGHT
0.36 lb. (163g)
2 in stock $129.61
Click for better price!
or call +44 20 7424 1960
quote 560024
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Cat: 652283 Rel: 09 Jun 17 • View all DJ turntables
Quality DJ turntable with belt drive - black
Notes: Typically good value from Omnitronic with this entry-level turntable. Belt drive makes it a little trickier to mix on than a more expensive direct-drive model but good solid sound quality for general listening.
Supplier notes:
Includes pick-up system
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… Read moreSupplier notes:
Includes pick-up system
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Cat: 651444 Rel: 17 Jul 17 • View all Studio monitors
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Notes: A studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer-dependably and unquestionably-exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.
Introducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.
Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!
A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.
With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.
Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.
No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.
Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.
M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.
… Read moreIntroducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.
Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!
A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.
With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.
Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.
No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.
Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.
M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.
1 in stock $129.62
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Audio Technica AT-XP5 DJ Cartridge & Stylus With Headshell (single) (DJ cartridge/stylus/headshell)
Cat: 742279 Rel: 08 Aug 19 • View all DJ cartridges
AT-XP5 cartridge pre-mounted on the AT-HS6BK headshell
Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.
- Audiophile DJ cartridge AT-XP5 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP3 and ATN-XP7
- Configuration as single cartridge (AT-XP5), Replacement Stylus (ATN-XP5) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP5/H)
… Read more- Audiophile DJ cartridge AT-XP5 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Carbon fibre-reinforced ABS cantilever and nylon wire suspension ensure precise tracking
- Compatible with the replacement styli ATN-XP3 and ATN-XP7
- Configuration as single cartridge (AT-XP5), Replacement Stylus (ATN-XP5) and as headshell bundle together with the headshell AT-HS6BK available (AT-XP5/H)
2 in stock $102.64
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Cat: 956909 Rel: 14 Dec 23 • View all Turntable Styluses | Hifi Styluses
Hi-fi nude elleiptical stylus for the Goldring E4 Cartridge.
Notes: 'Nude' super-elliptical stylus of just 7.6 x 18 microns (0.3 x 0.7 mil), cut and polished from a single homogeneous piece of diamond. This makes for a lower effective tip mass of improved rigidity, which in turn means its ability to retrieve high-frequency detail is dramatically improved when compared to the 'bonded' elliptical stylus alternative. It's far less likely to 'mis-track' or overshoot when tracing high-frequency groove modulations, and because of its finely polished 7.6-micron profile it can more effectively fit into closely packed inner grooves. Lowerdistortion, improved transient response and a flat frequency response all contribute to superior fidelity when compared to any price-comparable alternative.
Technical specifications
Frequency Range 20 Hz - 20 kHz
Channel Balance < 1.5 dB @ 1 kHz
Channel Separation > 20 dB @ 1 kHz
Sensitivity 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance 20 mm/N
Vertical Tracking Angle 20-
Stylus Radius 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude eliptical
Load Resistance 47 kO
Load Capacitance 100- 200 pF
Internal Inductance 400 mH
Internal Resistance 410 O
Cartridge Mass 6.9 g
Fixing Centre 12.7 mm (0.5 in)
Playing Weight 1.5 - 2.5 g (1.75 g recommended)
… Read moreTechnical specifications
Frequency Range 20 Hz - 20 kHz
Channel Balance < 1.5 dB @ 1 kHz
Channel Separation > 20 dB @ 1 kHz
Sensitivity 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance 20 mm/N
Vertical Tracking Angle 20-
Stylus Radius 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude eliptical
Load Resistance 47 kO
Load Capacitance 100- 200 pF
Internal Inductance 400 mH
Internal Resistance 410 O
Cartridge Mass 6.9 g
Fixing Centre 12.7 mm (0.5 in)
Playing Weight 1.5 - 2.5 g (1.75 g recommended)
1 in stock $130.64
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quote 956909
quote 956909
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UDG Creator Rane Four Case (DJ controller hardcase)
Cat: 957582 Rel: 31 Jul 23 • View all DJ Equipment Cases
Case designed to protect the Rane Four.
Notes: A Digital DJ looking for a professional, durable case solution for your Rane Four? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior, these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Rane Four, these cases are perfect for the travelling DJ that needs to protect their equipment.
Specification:
Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 83.8 x 45.9 x 12.4 cm | 32.9 x 18.1 x 4.9 inch
Inner Dimensions (W x H x D): 78.8 x 41.0 x 10.7 cm | 31.0 x 16.1 x 4.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam
Extras:
Heavy duty handle
Easy grip zipper pulls
Convenient shoulder strap
Fits: Rane Four Controller
… Read moreSpecification:
Colour: Black
Weight: 3,30 kg / 7.26 lbs
Outer Dimensions (W x H x D): 83.8 x 45.9 x 12.4 cm | 32.9 x 18.1 x 4.9 inch
Inner Dimensions (W x H x D): 78.8 x 41.0 x 10.7 cm | 31.0 x 16.1 x 4.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam
Extras:
Heavy duty handle
Easy grip zipper pulls
Convenient shoulder strap
Fits: Rane Four Controller
2 in stock $125.46
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quote 957582
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UDG Creator Wheeled DJ/MIDI Controller Case 22" For Omnis-Duo/DDJ-200/DDJ-SR2/CDJ-3000/Kontrol S4 MK3/Kontrol S3 MK2/Kontrol S3/DJ Prime Go/Beatpad MK2/MPC Live II/Mixtrack Platinum FX/Twelve MK2/Aira TR-8S/Boutique TR-08/Minilogue XD (DJ/MIDI controller trolley)
Cat: 1002013 Rel: 08 Mar 24 • View all Record Trolleys | DJ Record Bag Trolleys
The perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.
Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.
UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.
Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D
Protection:
Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings
Extras
Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle
Fits:
Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines
… Read moreUDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.
Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D
Protection:
Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings
Extras
Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle
Fits:
Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines
1 in stock $134.55
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quote 1002013
quote 1002013
