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Notes: SOLINA, an emulation of the 70ies string machines!

The SOLINA module is based on th excellen work of Jan Ostman, who has developed a very good digital based emuation of the sound of the string synths that were popular in the music of the 70ies and 80ies, like ARP Solina (who gave this module it's name), Logan String and others.

Their unique sound is based on several, minor detuned sawtooth oscillators and an ensemble effect.

This module produces chords, which can be shaped in different ways, like selecting the base scale (minor, major), adding the 7th or a bass note and different variations of the chord. The sound can be shaped with a variable oscilator spread/detune, adding a phaser/ensemble and a tone knob for choosing the overall character between bass focused to only higher parts of the sound.

Notes: The Sumiko Pearl is a truly unique and precious find within the sea of entry-level phono cartridges. With decades of accolades to its name, the Pearl's smooth, natural sound reproduction breathes life into any recording with poise and transparency. Its diminutive price also belies its colossal ability to pull a complete sonic picture from each record it touches.

Rounding off the budget series with style and aplomb, the Pearl is an affordable audiophile marvel that's sure to delight.

Frequency Response:: 12Hz - 30kHz
Output Voltage: 4.0mV
Load Impedance: 47kO
Channel Seperation: 3dB @ 1kHz
Channel Balance: <0.5dB@ 1kHz
Stylus Type: Elliptical
Compliance: 12x10-6 cm/dyn
Tracking Force Range: 1.5 - 2.0g
Recommended Force: 2.0g
Cartridge Weight: 6.0g

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 is 20HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod20 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.

Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.

Notes: Full-blooded distortion - Pit Viper is a solid state overdrive for hard-boiled musicians. The circuit can generate clean, beefy signal boosts. However, its true strengths lie in aggressively screaming distortions with a tangible character.

Pit Viper comes equipped with the following control elements:

- Toxicity: Gain potentiometer - Please turn up for heavy distortion.
- Hiss: Tone knob - Turn clockwise to cut the treble.
- Venom: Volume potentiometer
- Fear: Three-stage soft clipping switch - Activates normal soft clipping or a more tube-like version with less treble.
- Malice: Three-stage hard clipping switch - Activates beefy hard clipping or a spongier version with less treble.
- Blend: Dry / Wet potentiometer
- Bite: CV input plus attenuator to cut the high frequency range. Without a cable plugged in, the knob can be used for adjusting the treble manually.
- Saturation: CV input plus attenuator and on/off switch to influence gain and saturation.
- Filter: CV input plus attenuator and on/off switch to control the Viper's VCF circuit.

Via a jumper on the circuit board, users can choose between several filter types:

- Passive clipped low pass
- Unbuffered high pass
- Buffered high pass
- Buffered low pass

Furthermore, there is a trim potentiometer on the circuit board, which can be used to adjust the gain.

PLEASE NOTE: Any scratches on the front panel are part of the Pit Viper's design.

Notes: The DIGI DJ-Stashpack XL Plus is a versatile and lightweight gig bag that and was designed to be flexible in order to accommodate a variety of equipment. It features a practical, height-adjustable Rolltop opening to easily stash a battle-mixer, records, production gear or a DJ-controller. With its durable material, solid processing and a unique design, the new DIGI DJ-Stashpack XL Plus is perhaps the most versatile gear bag in the market.

Fits: Pioneer DDJ-SR2, Pioneer DDJ-RR, Pioneer DJS-1000, Numark NS6II, Numark NV2, Numark Mixtrack Pro 3, NI Kontrol S5, NI Kontrol S4, NI Kontrol S2, Reloop Terminal Mix 4, Roland DJ-202, Pioneer DDJ-SB2, Pioneer DDJ-RB, Numark Mixtrack Pro 2, Denon MC-4000, Vestax VCI-400, Vestax VCI-380, Akai MPK-25, Akai MPC Renaissance, Rane Seventy-Two, Rane Sixty-Two, Rane Sixty-Eigth, Pioneer DJM-S9, Pioneer DJM-900 SRT/NXT, NI Kontrol Z2, Laptop up to 17", 12" Vinyl, Accessories

Notes: Erica Pico Quant is advanced CV quantizer with some unique features - quarter tone accuracy and the web-based interface for creating user generated scales.

- 8 preset scales
- Web based interface for user generated and extra preset scales
- Microtonal quarter tone scales
- Adjustable tolerance
- Adjustable CV glide between notes
- Clocked and independent quantization

Dimensions
3 HP
35 mm deep

Current Draw
25 mA +12V
6 mA -12V

Notes: Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.

Notes: Erica Pico Voice is amazingly versatile sound source in just 3HP. It features 8 sound generation algorithms: Karplus Strong, Chords, Wavetable, TB303 bassline emulation, PWM, Supersaw, Wavefold and Harmonic saturation, with three adjustable parameters per algorithm and CV control over one user defined parameter. Despite the small size, Pico Voice sounds bigger than it is!

Dimensions
3 HP
35 mm deep

Current Draw
30 mA +12V
20 mA -12V

Notes: Erica Synths MIDI thru box is professional quality, no latency, one MIDI In to 8 MIDI Through splitter in rigid aluminium case. It allows to connect up to 8 instruments to your sequencer or master keyboard and control them simultaneously without undesired delays and interference.

Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.

Notes: Erica Synths Clap is developed together with French company e-licktronic and it's our take on analogue clap circuits adapted for modular systems. Sharp, punchy sound, Accent & CV control over Tone make it distinctively expressive in studio and live performances.

Features
Tone and Decay controls
CV control with an attenuator over Tone
Manual trigger
Accent for Better expression

Decay range: 120ms - 1100ms
Audio output level: -5...+5V
CV level (full span): -5 - +5V
Trigger level: 5V
Trigger time: 1ms
Accent CV level: 10V
Power consumption: 24mA@+12V, 20mA@-12V
Module width: 6HP
Module depth: 35mm

On this run of modules the Pitch & Decay CV inputs are inverted: rising CV will decrease pitch, falling - increase.

Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone

Notes: The AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulphide (PPS)/glass fibre body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

Notes: The 333 is a summing and distribution module for Eurorack modular systems.

It is composed of three identical sections, the red, yellow and green, each of those featuring three inputs summing amplifier with three independently buffered outputs.

Derived directly from the CGM creative mixer series, the sum section is DC coupled, allowing the sum of control voltages as well as audio signals.

With an extremely low tolerance in both sum and output sections, it is suitable also for summing quantized voltages like the ones coming out from the quantized outputs of the SAPEL.

In case CVs or audio signals are particularly hot, the 6dB attenuator might be helpful to reduce exactly by 50% the incoming signals.

Red and yellow output are also normalled to the 1st jack socket of the yellow and green input: in this way this module can also work as a 1 to 9 buffered multiple.

Notes: Hat is a hi-hat cymbal with a wild side. Finding something unique is easy with a blend of sounds ranging from robotic to metallic. At its core are three unique sound sources made up of six oscillators, a noise generator, and a number of filters. Sizzle affects each source independently, adjusting oscillator and filter frequencies, allowing for a broad range of sounds. In addition, separate trigger inputs for open and closed allow for a complete hi-hat pattern on a single module. No matter what situation it's in, Hat provides shimmering, metallic timbres for any percussive purpose.

Notes: A producer looking for a professional, durable case solution for your 61 keyboard? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the 61 keyboard, this case is perfect for the travelling producer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 3,20 kg / 7.04 lbs
Outer Dimensions (W x H x D): 107.4 x 43.4 x 15.2 cm | 42.3 x 17.1 x 6.0 inch
Inner Dimensions (W x H x D): 106.0 x 42.0 x 13.8 cm | 41.7 x 16.5 x 5.4 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Removable top-bottom egg crate foam prevent damage from vibrations and shocks

Extras

Convenient carry handles
Shoulder strap
Easy grip zipper puller
Expandable zipper

Fits:

NI Komplete Kontrol S61 MK2, S61 MK1, A61
Alesis QX61, Q61,
Akai MPC Key 61, Advance 61, MPK261, MPK61
Korg Pa700, Pa1000, Kross2-61, Kronos 2 61 Key/ X 61 Key, Krome EX 61, i3, EK-50/L, Pa4X-61, Pa3X, Pa900, Pa600, Pa300,
M-Audio Code 61, Oxygen 61 MK IV, Axiom 49/ 61/ Air 61,
Novation Launchkey 61, 61SL MK2, Impulse 61,
Arturia Keylab Essential 61, Keylab 61 MKII,
Nord Wave 2, Electro 6D 61, Lead A1,
Roland A-800Pro,
Yamaha MODX6, Montage 6/WH, MX61BK/BU/WH, MOFX6,
Or similar size keyboard

Notes: A-101-6 is a new filter module that uses so-called opto FET's to control the filter frequency. Opto FET's are very similar to Vactrols, but use light dependent field effect transistors (FET's) instead of light dependent resistors (LDR's). An opto FET is a combination of a light-dependent FET and an LED, both put into a small light-proof case. The advantage, compared to vactrols, is a much faster response of opto FET's compared to LDR's - this allows much faster attack/decay times and even FM effects.

The variable resistors corresponds to the opto FET. The brightness of the Opto FET LED's, and consequently the filter frequency, can be adjusted manually (Frequ. control) and controlled by means of an external control voltage (CV) with attenuator. The LED at the front panel reflects the LED brightness inside the opto FET's.

The type of filter is chosen by jumpers on the PC board (factory setting: low pass). The type of filter determined by the jumpers positions can be marked by means of a water-resistant felt pen at the front panel.

The resonance is controlled by the Feedback control up to self-oscillation. By means of a trimming potentiometer the maximal feedback can be adjusted. High feedback values can be used mainly in the all-pass mode to obtain very extreme self-oscillation sounds. Even an external feedback signal can be used instead of the internal feedback connection (FB In socket). Whenever the filter type is changed by means of the jumpers the trimming potentiometer for the maximal feedback has to be re-adjusted.

The Mix control is used to pan between the original signal (CCW position) and the effect signal (CW position). In filter mode (LP/HP) this control is usually set fully CW. In the all-pass modes one obtains phasing sounds at centre position or "pure" all-pass sound in fully CW position.

Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.

Notes: This is a precision active buffer and multiple. This module has outstanding performance: it features very high input impedance, very low output impedance and an offset voltage of <1mV.

Not all active multi's are born equal, some designs do not fully solve impedance mismatch and tracking problems, or they apply offset voltages to the output and in rare cases can cause more problems than they solve!

AJH Synth have added a very useful (and unique) feature to cure tracking problems: four of the five outputs can be adjusted up or down by +/-5% from the front panel, so that VCO's and VCF's that don't track 1V/Oct exactly can be easily compensated to track correctly without having to re-calibrate the VCO or VCF themselves.

Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Notes: The ADE-50 provides 3 all-analogue voltage controlled amplifiers based on a modern operational transconductance amplifier design.

The VCA's are designed to provide a good balance between the performance and specification of modern 'on-chip' VCA's and the character and musicality of classic analogue designs.

The OTA core of each VCA is fully discrete - it is built from only resistors, capacitors and transistors - however, the CV conditioning, audio input and output stages are built using high-quality op-amps giving the best balance between musicality, character and performance.

The ADE-50 provides a good signal-to-noise ratio, linearity, attenuation, an output level at unity gain at 5V CV input, minimal CV 'bleed' and minimal output offset/bias.

Notes: The mini Innofader Plus is the new upgrade part which will replace the mini Innofader PNP P. The cut point has 0.1mm precision combined with a lightning fast 1msec response time. And now you can hook it up to an innoJUSTER to ensure you get the hairline precision cut point exactly where you want it on the fly!

The installation process is now greatly simplified. Low profile connectors ensure that you do not have to worry about breaking any cables. The button is now easier to press. And the adjustments now can be done with simpler swipe movements.

Notes: Delay is a flexible, full-featured delay audio processor. CV over all parameters provides dynamic access to its nuanced controls. The feedback path ranges from slapback to infinity, allowing for wild permutations of the original signal.

With delay times from milliseconds to nearly two seconds, Delay is sure to find a use in every patching situation. Add subtle echo to a melodic line, or crank up the feedback and hear a bed of layered sounds to bury your listeners in.

Notes: Merges the data from up to eight separate MIDI sources (e.g. master keyboards, controllers, computers etc.) into a single MIDI data stream which appears at both the MIDI out sockets. Merges all MIDI data including MIDI Clock, MIDI time code and SysEx (see the manual for merging rules). Can also be configured as two completely independent 4 into 1 mergers with the simple press of a recessed button (see manual for details).

- 8 opto-isolated MIDI Ins
- 2 MIDI Outs

Comes with mult-regional power supply

Notes: - Elliptical bonded stylus
- Tapered aluminium cantilever
- Durable design for DJ application
- Tracking Force Range: 2.0 to 4.0 g

Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.

Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with Befaco's Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.

Specs

Current needs: +12V: 8mA, -12V: 10mA
Width: 6 HP
Depth: 20mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Killer value as usual from Korg's consistently reliable Volca range. Here the focus is on digital drum synthesis, offering a range of conventional percussion instruments plus creative options including basic synth sounds.

Supplier's notes:
Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.

Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.

Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.

Notes: Produces volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects!

The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it's known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!

Volume envelope manipulation with adjustable Attack and Decay times
Mono mode: one volume envelope at a time, the envelope resets when you play a new note
Poly mode: gives each note you play its own envelope
Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
Expression pedal or CV control over every knob on the Attack Decay
Save and recall up to three presets
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4.13 x 2.25
Current Draw: 140mA
Year Released: 2019

Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.

Notes: Introducing iRig Mic Studio, IK Multimedia's ultra-portable large-diaphragm digital condenser microphone for iPhone, iPad, iPod touch, Mac, PC and Android. It packs a 1" diameter condenser capsule into an ultra-compact enclosure that can be used to make professional-quality recordings anywhere. Great for musicians, vocalists, home producers, podcasters, broadcasters, voice-over artists and more, it puts the superior power of a large-diaphragm microphone into the palm of your hand.

What's remarkable about iRig Mic Studio is that it offers its truly amazing recording quality in an enclosure that's smaller than an iPhone. It features a large 1" diameter back electret condenser capsule, a 24-bit audiophile-grade A/D converter (with 44.1/48 kHz sample rate) and a built-in low-noise high-definition preamp. These, combined with its 133dB SPL rating, allow for optimal recording at any sound pressure level - it can capture everything from the subtle and nuanced dynamics of the human voice to the full-on bombast of an amplified electric guitar, and everything in between.

To ensure you'll always record at your best, iRig Mic Studio comes with a full set of flexible controls: It has a gain control knob and a multicolor LED level indicator. It also includes a headphone output with its own level control for onboard monitoring directly from iRig Mic Studio itself. And, for better positioning while recording, iRig Mic Studio comes with a sturdy and portable tabletop tripod stand.

All this is to say that iRig Mic Studio is equipped with everything you need to capture the highest quality sound no matter whether you're at home in the studio or recording while on the go.

iRig Mic Studio is compatible with all your favorite mobile and desktop platforms. It comes with a female micro-USB port and an assortment of cables: Micro-USB to Lightning for iPhone, iPad and iPod touch; micro-USB to micro-USB OTG for Android (requires either an Android 5 or Samsung Professional Audio device); and micro-USB to USB for Mac and PC. A micro-USB to 30-pin cable is available separately for older iPhone, iPad and iPod touch models.

For immediate recording, iRig Mic Studio comes equipped with a powerful suite of vocal apps that match its cross-platform compatibility. iPhone, iPad and iPod touch users will be able to enjoy VocaLive, a powerful effects processor and multi-track recording app that features a selection of 12 professional real-time vocal effects. EZ Voice for iPhone, iPad and iPod touch and EZ Voice for Android are streamlined and easy-to-use sing-along apps that make it easy for vocalists to practice with any song in their music library. iRig Recorder for iPhone, iPad and iPod touch and iRig Recorder for Android are straightforward apps for field recording, podcasting, note taking and more.

iRig Mic Studio is also fully compatible with a wide variety of third party apps and software, like Cubasis, ProStudio Vocal FX, MultiTrack DAW and more. It's also compatible with Apple's GarageBand and Logic Pro X apps, and iOS Voice Memo.

Notes: ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: Div is a 2 channel, voltage controlled clock divider and multiplier. Incoming clock signals can be multiplied or divided by a factor of 16 with a multitude of values in between.

CV inputs provide external control of the current clock rate, allowing for the creation of dynamic rhythms from a single clock signal.

Notes: Mix is a 4 channel mixer that is great for audio or control voltage signals. Up to four inputs can be combined to a single output each with its own level control.

Notes: The 2hp VCA is a dual, linear VCA. It uses the renowned 2164 SSM architecture, giving it extremely low distortion and high quality audio outputs. With a CV input attenuator, and DC-coupled inputs this is your new go-to module for voltage controlled amplification of audio or CV.

Notes: Verb is a lush stereo reverb with a full feature set and superior audio quality. A wide range of reverb times take your sound from small room to never-ending concert hall.

CV over mix allows dynamic movement between the dry and reverberated sound, and the dampening control lets you dial in the perfect timbre for the wet signal. Whether you need a traditional reverb for an FX send or an esoteric sound design tool, Verb can take you there. Get lost in space with Verb.

Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*

Notes: Not a noise gate, and not a noise suppressor -- but a real hum extractor!

Every musician battles hum in their signal chain. The EHX Hum Debugger turns it into dead silence, courtesy of a little Electro-Harmonix magic.

No matter what type of pickups you use or how loud you play, the Hum Debugger will clean up your signal chain so that hum will no longer overtake your guitar signal. Simply connect the Hum Debugger to your guitar like you would any other effects pedal and you are ready to eliminate hum from your sound forever!

True bypass
Absolutely eliminates hum from any audio source
Tough and compact die-cast chassis
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
True Bypass
Audio
Mono
Power Supply
7.5VAC-400mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
125mA(AC)
Year Released
2007

Notes: Compact all-analog multi-effect pedal featuring the Metal Muff, Neo Clone chorus and Memory Toy delay!

The EHX Tone Tattoo is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay.

Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it's like a talisman for great guitar.

All Analog multi-effect: distortion, chorus, delay
Delivers three EHX favorites in one compact pedal
Crushing lead and rhythm tone
Full tone sculpting, including two levels of scoop
New Noise Gate for minimal noise
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 75mA
Year Released: 2012

Notes: It's a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut anywhere. Built with Numark's exclusive Adjustable Scratch Switch, PT01 Scratch enables you to grab your favourite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you're outdoors with your friends.
While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records.

Yes! There's an Adjustable Scratch Switch that gives you the perfect way to scratch, plus it's adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it's user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records.

Connect your phone or any audio source to play a background beat through the 1/8" stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening.

In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software).

PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It's enclosed in a hard case for protection and has a sleek red handle to carry it anywhere.

Specs:

Weight 4.3 pounds
Dimensions 11.9 x 11.9 x 4 inches
Class compliant
Minimum System Requirements (PC): Windows 2000/XP/Vista USB 1.1 port
Minimum System Requirements (MAC): Mac OS X 10.4.x* USB 1.1 port

Notes: The PDR-369 XLR Patch Bay by Hosa Technology is designed to provide 12 channels of balanced audio throughput for any situation. It is ideal for making rear-panel microphone mixer inputs easier to reach. Features include:

- Rolled-steel chassis for rugged durability and ease of repair
- Gold-plated contacts for corrosion resistance and superior signal transfer
- Shielded, Oxygen-Free Copper conductors for enhanced signal clarity

Connectors: XLR3F to XLR3M