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Review: Now That's What I Call Music extends its exploration of 1980s extended mixes with a comprehensive 4CD set, delving into the vibrant musical landscape of 1982 with Part 2. This expansive package boasts a staggering 49 mixes from iconic artists of the era, offering a diverse and captivating journey through the sounds of the 80s. Listeners can expect to rediscover extended versions of hits from Wham!, Duran Duran, Talk Talk, Soft Cell, Japan, Simple Minds, Heaven 17, The Associates, Thomas Dolby, Visage, ABC, Blondie, China Crisis, and many more. Each track showcases the innovative production and infectious energy that defined the decade, providing a nostalgic trip down memory lane for fans of 80s music.

Review: In 1975, Silver Convention burst onto the global stage with their hit song Save Me, introducing the world to The Munich Sound. The album included the Grammy-winning smash hit 'Fly Robin Fly,' which topped both the disco and pop charts for weeks and became the band's signature song. Now, Omnivore Recordings and Good Time Records present an expanded reissue of this classic debut, featuring five bonus tracks and insightful liner notes detailing the album's genesis and global impact. With its original international cover art and a 12-page color booklet filled with photos and ephemera, this reissue is a must-have for fans of Eurodisco and music history enthusiasts alike.

Review: Moving Pressure makes its inaugural bow here with a first 12" from Rene Wise. Wise by name, wise by nature it seems, cause this is some seriously fresh techno that looks outside the usual reference points. 'Escaping Siro' is busy, energetic, persuasive in its layering of quickened drums, twisted synths and cosmic atmospheres while 'Caging Green' is stripped back but not minimal - paddy drums and floating synths surge onwards as future tribal percussion peppers the beats. 'Dry Beetle' brings dome depth and dub, with warped synths panning about the mix and the linear beats soon sweeping you up. 'Lonely Singing' shuts down with more deep space eeriness.

Review: Nowhere does techno as proper as Planet Rhythm. This latest 12" is another no-frills banger with rusty synth and menacing drum loops all perfectly intertwined. There is a hurried sense of funk to 'Formation' that really keeps you on edge, while 'Basel' is turbocharged with video-game style synths. 'Romance' gets more edgy and brings some industrial percussion and automation to the beats while 'Here' slips into thumping and loopy house territory of the sort that reminds us of the one and only Floorplan.

Review: Lynn Davis, known for her illustrious career as a backing vocalist and member of George Duke's band, continues her solo journey with 'Beautiful You, her second single. Following the success of her debut release, 'Come Over,' Davis showcases her vocal prowess and sensuality once again in this sophisticated r&b ballad with a touch of jazzy swing. In 'Beautiful You,' Davis sings of recognising the inner and outer beauty in her partner, expressing gratitude for finding someone who surpasses expectations. The song beautifully captures the feeling of discovering that something seemingly too good to be true is, in fact, real. With its soulful melodies and heartfelt lyrics, 'Beautiful You' is another standout track from Davis, reaffirming her talent as a solo artist.

Review: Soiree hands over its next 12" to a pair of artists who take care of one side each. Drivetrain goes first with 'The Moonlight' which is a moon-lit jaunt through a futuristic city scope with broken beats and neon chords. 'Moonlight & You' carries over similar melodies with steely drums and vocal harmonies, and then G-Prod steps up with 'Moonlight' which brings a more stripped back and dark groove run through with acid menace. Last of all is David Duriez with his Floating Light mix of the same cut and it's a dreamy deep house roller for cosy basements.

Review: The Cold Diggin label out of Dresden has long been serving up the work of The Duke Ya Love To Hate, which is one of myriad aliases of an artist who gets by the name of Stefan Senf. They are generally few and far between but are always worth copying when they do drop and this one comes on lovely hand-numbered 7" in a special screen-printed sleeve. 'Introducin' is a loose-limbed funk workout with classic hip-hop breaks and free-wheeling pads. 'Prescribin' is more slow and seductive with its florid melodic leads and lovely lazy beats.

Notes: The top cover story this issue: the Futuristic Sounds of the Yardbirds; writer Peter Stanfield explores their change of direction in 1965, their rivalry with The Who and lots more. Also featured: Detroit rock pioneers the Chosen Few, the band that spawned future members of SRC and the Stooges, the compelling story of UK '70s punk outsiders the Subway Sect as told by guitarist Rob Symmons; '70s power pop princes the Paley Brothers; Viennese proto-punk anarchists Novaks Kapelle; the sixties adventures of Matthew and Daniel Moore (the Moon, Colours, Matthew Moore Plus Four); and a fascinating study of the beat music industry behind the Iron Curtain during the Cold War. Plus: Moby Grape, the Ascots, Cyril Jordan on Little Richard, and our meticulous review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books. (152 pages)

Review: Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff.

Review: Intensified's latest offering, 'Ska Campbell' b/w 'Hamsterdam,' marks their triumphant return after 13 years with a limited edition vinyl release. 'Ska Campbell' pays homage to saxophone legend Dennis 'Ska' Campbell, while 'Hamsterdam' is a funky reggae tribute to the TV series The Wire. The band's authentic 60s ska, rocksteady, and reggae sound shines through, showcasing their undeniable love for the genre. With only 500 hand-numbered copies available in five different sleeves and vinyl colours, this release is a must-have for ska enthusiasts. The band's enduring status are evident in their confident delivery and wide appeal, making this single a welcome addition to their esteemed discography.

Review: The now ten year old 'Acid Test 09' sees a special tenth Anniversary Edition repress with a new vocal mix of the track 'Test 3'. The original EP, released in 2014, saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient; this special anniversary version adds a surprise new vocal mix on the A2, with either Dozzy or Tin Man himself gracing the beats with a set of carefree, moony phonic impressions, lyrically concerning the object of his affections looking oh so good on the dancefloor. We already know and love the rest; it's up to you to put the new addition to the test.

Review: Peach Disc's label head Shanti Celeste welcomes her good friend Saoirse on board to care care of its 20th EP., Adn she does a fine job of keeping it fresh with a varied four tracker that starts with the intense loops and tribal percussion of 'Mangomouse'. Once the thudding kicks arrive and bring a subtle sense of funk to the dubby techno mood things really take off. 'Heated Cloud' is urgent, emotionally intense house a la Floorplan and 'Vampire Heart' pairs eerie synth twangs with an EBM style marching beat but more dubby low ends and 'Catfished' has muscular beats infused with paranoid vocals. 'Driver' is a final heavy but heartfelt cut with a real sense of purpose.

Review: The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

Review: Past Moves III is the final instalment of the vinyl-only series served up by Berlin's ever-well-curated and cultured Sushitech label. It is another essential 12' that packs in plenty of heat from the long-time UK favourite. His records are hard to find and expensive when you do and this collection highlights some of his superbly blended acid, dub, tech and house grooves from back between 1997 and 2004. On this one, you will find a pair of weighty, warm, and dubbed out tech cuts with bounce in the drums and Detroit soul in the pads. Timeless stuff.

Review: ***B-STOCK: Missing original outer sleeve but otherwise in perfect working condition***


Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Review: Reboot has been committed to the art of minimal tech house for a long time now, and his sound evolves with the same measured elegance as his DJ sets. There's space for balmy deep house chords and disco loops in the stew now, but crisp functionality and tracky immersion remains the order of the day as 'Make You Move' locks into to its seductive arrangement. 'Alternate' toys with swirling, dubby synth work around the steadfast beat, while 'Unstop' piles on a little more hand-drum action for a dense, engrossing rhythm workout - whichever mood you're after and however long you want to ride them, these tracks won't let you down in the mix.

Review: Italian label Roof Club aims to raise both ceilings and roofs, and continue to do so with their latest EP from Guile. Mixing a contemporary minimal approach with classic 90s sounds, this one's a neat fusion of progressive house and trance, with sprinklings of cheesy freestyle and acid thrown in for good measure. The jokingly titled '90's Generator' is the real highlight, with its orchestral hits and licky leads.

Review: Robert Witschakowski has been a man on an electro mission (as well as many other side mission, to be really quite honest) for as long as we can remember. His furtherment of electro knows no bounds and it has often come in association with Dutch label Clone and its offshoots, though here he has his They Arrive EP reissued by fellow Dutch label Creme Organization. It landed first back in 2011 but has aged like fine wine and sounds as good as ever - there are a mix of creepy and atmospheric pieces, sick dancefloor rhythms and plenty more to enjoy here.

Review: It is always hard to predict just what Nous Klaer Audio might serve up next. In this case, the always-fresh Dutch label looks to Mata Disk for four innovative and rhythmic techno workouts. 'Icon' is a busy one with kinetic rhythms and busy hits that pepper the groove and keep you moving. 'Diffusion' is just as much in a hurry with its squelchy synth blasts and sucky, looped drums but also there are more thoughtful and cosmic pads to bring a different energy. 'Two Sides Of The Same Coin' keeps the restless sense of rhythm alive - nothing here feels tethered to a strict grid. 'Space Brings Us Together' is a final off-kilter techno bumper with more sci-fi synth designs.

Review: Having already caused a stir with their various solo releases, old friends Klein Zage (real name Sage Redman) and Joey G (Joe Gillick) have decided to join forces on an EP inspired by their time living together in South London. While the EP is musically varied, there's a sonic coherence to the three original tracks thanks to the presence of Redman's spoken word vocals throughout. We're particularly enjoying the deep, emotive beauty of 'A Little Dissonance', though punchy, shuffling and spacey opener 'Folks Not Guys' pushes it close. Over on the flip we're treated to a trio of remixes: Ariel Zetina's intense, trippy and high-tempo take on 'Folks Not Guys', Local Artist's warming and rolling, Rhodes-sporting 'Disco Dub' of the same track, and DJ Python's pleasingly weird, mind-mangling version of 'A Little Dissonance'.

Review: Aniara's white label number four delivers more techno goodness direct to the dance floor. The A-side features two of Arkajo's most compelling dance-floor tracks, with both offering a propulsive groove and warped and dubbed-out basslines. On the flip side, Dorisburg and Efraim Kent (who are here making their debut on Aniara) present the darker vibes of 'Data Smuggler' which rides on broken beats and has real menace in the airwaves. It complements the A-side with a more deep mood and hypnotic rhythm that will be pure dancing bait.

Review: Nick and Astro, known collectively as Potatohead People, join forces once again on a tantalising teaser 7" from their upcoming album, Eat Your Heart Out'. Featured on 'Paradise' is the highly hyped Canadian artist Diamond Cafe, whose velvety vocals grace this early 80s-inspired blend of digital sex funk that will remind you of Sade, El Debarge, and Prefab Sprout. Describing his music as "bathing in a cloud of honey on a very foggy night," Diamond Cafe's performance is nothing short of magic here. On the flipside, Nick Wisdom puts his spin on the track, infusing it with dub elements and enhancing the bassline.