Review: There is lots to love about this one, from the tongue-in-cheek BBC moniker assumed by Bovell Brown and Cobby, to the unapologetic title, and of course on to the music. "Quality Weed" is a deep cut, heavy rolling rhythm with pitched down vocals that perfectly match the stoner mood. A noodling top line invites you to follow it to a higher state of consciousness and the warmth of the bass is truly irresistible. The remix on the flip is more upbeat and funkier thanks to the tight bass riff that rumbles away under the more house leaning drums.
Review: Reggae vocal prodigy Sandra Cross famously had her first hit at just 14 years old, and since then has remained a foundational part of the worldwide scene. Having worked with vital names like Mad Professor and Sly & Robbie, Cross has put out more than 60 odd tunes to date. Scoops continue their spotlight on her with a big new 7" that has contemporary dub riddims overlaid with her gloriously sunny and positive voice. "Jah Love" is the sort of timeless tune that works in any setting and any weather, while the "Version" on the flip packs a more direct punch.
Goody Gap & The Inn House Crew - "Madness Badness" (feat Vin Gordon) (4:16)
Goody Gap & The Inn House Crew - "Madness Badness" (feat Vin Gordon - version) (4:19)
Review: The Inn House Crew has been serving up the platters that matter on Room In The Sky long enough to have a firm following by now. Once again they bring rather melancholic vibes to this new one. "Madness Badness" feat. Vin Gordon is a flabby dub with pillow bass and rounded drums, but the trumpets that ring out are beautifully muted and sombre. Flip over for an alternative version that's more amped up and direct for those who are after something more energetic. Whichever side you go for, this is one you will want to add to your collection.
Review: All aboard the Zion Train for a fantastic first single from the artists' forthcoming 2020 album "Illuminate". This one features Prince Jamo of Black Rose studio working the rhythm and a host of musicians including Paolo Baldini of internationally renowned Dubfiles project on live bass and guitars and production from Perch. "Politrix" boasts chest pumping and rousing militant vibes with flabby bass and roots trumpet calls getting you up and moving. The dub version on the flip is just as hot and makes for a fine taster of what promises to be a standout album next year.
Review: When you use words like "prickly", "abrasive" and "uncompromising" it's rarely flattering. Consider Kim Gordon's exceptional powerhouse long form one of the exceptions. As far removed from music for the masses as you could hope for, it takes a particular talent to deliver work like "No Record Home". Labels such as punk certainly apply, but it's less about mouths gushing spittle amid the deafening screams of guitars and raucous vocals, and more about overall attitude. No change there for this co-founder of the mighty Sonic Youth then. Loud and intelligent, forthright and yet heartfelt and tender in its own unforgiving way, it's as far removed from wall of sound discordance as it is anything you could describe as remotely over-explored. Marrying the bloody-lipped electro of Peaches and body blow lows of EBM with gritty rock 'n' roll chords, those looking for originality that oozes repeatability should consider their hunt over, for now at least.
Review: Earlier this year, Durand Jones and the Indications delivered one of the revivalist soul albums of 2019: the conscious, politically charged "American Love Call". Their latest "45" boasts one of the album's standout moments, "Morning In America", a weary but impassioned commentary on Trump's United States that features evocative strings, laidback 60s soul grooves and a stunning lead vocal from Durand Jones. It comes backed by previously unheard cut "Cruisin' To The Park", a lusciously sugary, heartfelt and loved-up affair where drummer Aaron Frazer handles lead vocals. Like the A-side, it's a stunning slice of emotion-stirring soul.
Review: Is this pop? Is this experimental? These are the thoughts that will have crossed many minds when encountering the kind of baffle Jai Paul offers. A guy who seems intent on creating curveball works of art, "BTSTU" in many ways is minimalist stuff, save for the concepts behind the sounds. Or at least its structures give the illusion of minimalism. From the first waterfall of synth to the way in which vocals are allowed to (quite literally) speak for themselves - a multitude of characters with one voice - it's at once bound for the charts and your bookshelf of classic works.
Review: In 2016 the Olympians - an all-star soul combo featuring members of The Dap-Kings, The Expressions and the Menahan Street Band - landed on Daptone with a fine debut album. Three years on, the Toby Pazner helmed group returns to action with a brand new "45". A-side "Midnight Movement" is a particularly sweet and ear-pleasing affair, with the band layering sweeping strings and lilting horn parts over a jaunty, piano-dominated instrumental soul groove. Over on side B, "Stand Tall" is a sharper, punchier and slightly funkier affair, with the band's fuzzy horns and fluttering flute solos rising above a Blaxploitation era-influenced backing track.