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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $4.40
(No payment required now - pay when released)
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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $4.40
(No payment required now - pay when released)
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Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $4.40
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $4.40
(No payment required now - pay when released)
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Cat: GRAM 2204. Rel: 16 Jun 22
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Anthems & Antithets Vol 2: Balladry & Soliloquy (limited CD + autographed hand-numbered insert)
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Review: Tony Allen is on record as saying that The Source, his first album on iconic jazz label Blue Note, is the best recording he's made. Given his length of service and vast discography, that's a bold claim. Certainly, it's a fine album, with the legendary drummer and his selected musicians - mostly jazz players from Paris, plus a Cameroonian guitarist and previous Allen collaborator Damon Albarn on one cut - effortlessly blur the boundaries between Afrobeat and the kind of jazz pioneered by Allen's percussion heroes Art Blakey and Max Roach. It's a brilliant hybrid that fits Allen's unique style of drumming like a glove, and there's no doubt that the former Fela Kuti sticks-man is the real star of the show.
… Read morePlayed by: AfroBase (Radio Chart), Juno Recommends Jazz
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Cat: 455519 5. Rel: 24 Jun 22
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Review: There have been plenty of column inches devoted to this collaborative debut album from hyped producer Kamaal Williams (AKA Rhythm Section International sort Henry Wu), and fast-rising Afrobeat drummer Yussef Dayes. With such raw talent to choose from, it's little surprise to find that Black Focus is as good as the critics claim. Their sound is distinctive: a London-centric take on jazz-funk that's loose, rich, organic and shot through with soul. Their major influences seem to be the work of West London broken beat pioneer Kaidi Tatham, and his inspiration, jazz-funk legend Herbie Hancock. These touchstones, combined with Dayes' brilliant drumming and Williams' superb synth solos and jammed-out Rhodes lines, makes Black Focus a hugely alluring set.
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Review: Kokoroko, a London-based eight-piece featuring musicians with disparate cultural roots and a love of improvised performance, have long been tipped as future stars of British music. Could We Be More, the award-winning outfit's debut album, more than delivers on the promise of their previous singles, offering up a set shaped by their communal love of Afrobeat, dub, Highlife, percussion workouts, spiritual jazz and smooth grooves. Highlights come thick and fast throughout, from the deep and sun-splashed shuffle of 'Ewa Inu' and the warming, sunset-ready soul-jazz of 'Dide O', to the horn-heavy celebration that is 'We Give Thanks' and the Balearic, beat-free bliss of 'Home'.
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Review: Gilles Peterson and Bluey's Str4ta project has always been something of a nostalgic offering, with the pair exploring their mutual love of Brit-funk, jazz-funk and dancefloor grooves of the early 1980s. Naturally, they've loosely stuck to the same winning blueprint on sophomore set 'Str4tasfear', with the addition of an impressive cast-list of collaborators, a touch more production polish and a subtly wider set of inspirations only enhancing the listening experience. The results are uniformly impressive, with our picks of a very strong bunch including the slap-bass sporting, floor-friendly brilliance of 'Turn Me Around', the Maze-esque 'Night Flight' (all squelchy electronic bass, glistening jazz guitars and colourful synthesizer solos), the sweat-soaked jazz-funk disco heaviness of 'Lazy Days' (featuring Emma-Jean Thackray) and the super-sweet 'When You Call Me'.
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