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Review: Aniara's output has always been brilliantly designed for club deployment but could never really be considered as mere tools. The artists who appear on the Swedish imprint have a cultured sound and a knack for crafting maximum impact from minimal elements. Enter Mattias El Masouri who does just that with the sublime 'Time Dilation In Ultraviolet'. It's a hypnotic deep house cut with real drive that's down to the deft broken kick drum patterns, pulsing synth and heady pads that swirl above. 'Inre Dimension' is a 13-minute plus sonic daydream with paddy drums, drumming pads and perfectly airy hi-hats that anchor you in the heart and now as your mind wanders.

Review: Lux Interior and Poison Ivy, of Cramps fame, team up to deliver Leather Jackets and Diesel Smoke, a whopping 50-track compilation that documents their utmost personal favourite rock recordings, in the micro-veins of acid folk, rockabilly and psychobilly. We'll doff and eat our hats if both said punk legends' rising signs aren't Scorpio. With madcap performances from Donnie James with the Mighty Joe Houston Orchestra, Tall Tonio And The Mello-Dees, Chris Christian And The Chordaires, Elisabeth Waldo, Fred Katz and John Reedy and His Stone Mountain Trio among many more, this is a cavalcade of no-hit wonders, every last one of them a gem. Amounting to a contemporaneous account of the music that The Cramps heard and loved during their rise to notoriety, not to mention the lesser-known music that would've graced the halls of New York's CBGB club, of which they were favourite performers.

Review: The classic 1977 album Aja by Steely Dan gets a deluxe reissue treatment from Analogue Productions, reminding us once more of its stellar jazz-inspired arrangements, complex harmonies, and impeccable composition. Known affectionately as a 'studio is an instrument' album, Donald Fagen and Walter Becker were meticulous and uncompromising at the time of its crafting. It's for these reasons alone that Aja remains a masterpiece, in which titles such as Peg, Deacon Blues and Josie resounding again with blues-pop-rocky flair.

Review: This is techno, but not as we know it from the Vigenere. Sparagamos (a fitting name given the word originally means to render, tear apart, or mangle) is behind these freaky beats but we nothing more about the artist. Suffice it to say they sure do have a fine grip of their studio and can manipulate sound in some thrilling ways. The opener is a warp-speed warehouse banger with distorted bass and manic energy, track two explores sludgy acid techno underworlds and track there is a twitchy cosmic workout with serene pads. 'Track 4' is a world of dystopian robotics while the flip side offers tripped-out, double-time dub techno, more acid intensity and experimental mind melters with exceptional sound design.

Review: Arriving just a year after their seminal 1987 genre-defining debut LP Scream Bloody Gore, Floridian death metal pioneers Death and their creative mastermind Chuck Schuldiner would perfect, not only their own sound, but the blueprint for an entire movement with 1988's sophomore effort Leprosy. The first of their projects to be recorded at Morrisound Recording in Tampa, highly regarded today as the definitive studio home of the death metal genre thanks to the work of legendary producer and engineer Scott Burns (who would go on to cut records at the same space for Sepultura, Deicide, Obituary, Cannibal Corpse), the material marked the first stylistic and tonal shift towards the far more macabre, gory, compositionally and lyrically depraved bedlam that the genre would fully morph into throughout the next decade. In short, this is a death metal classic that requires little to no introduction, complete with virtuosic guitar leads, Morse-code blast beats and inhuman guttural bellows. The initiated should hang their heads in shame if unfamiliar, while those who've never gone looking into the deep abyss of Death, might be better off continuing to live in peaceful tranquillity.

Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".

Review: Originally released in 1960, Harold Land's Fox has not been reissued since 1969; this Craft Recordings reissue is long overdue. The tenor saxophonist delivers six fast-paced hard bop dazzlers here, flaunting an ultra-speedy take on the already high-velocity sound. Aside from the obvious talents of Land, the listener will be equally impressed by the inclusion of St. Elmo Hope in the Land band as pianist, lending an extra-special dimension to this challenging, whimsical, but still breezy album.

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

***Please note: The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Review: The Soul Surfers & Shawn Lee have linked their creative energies once more with a new pair of singles for the cultured Spasibo Records. Both tracks on this limited gold vinyl were recorded in 2018. One was captured at Moscow's Magnetone studio during Lee's visit for the premiere of a movie documenting his prior recording with The Soul Surfers, and the other was recorded remotely with The Soul Surfers at their Nizhniy Novgorod headquarters and Lee at his London studio, The Shop. The collaboration is a fruitful one with two sublime and timeless funk cuts featuring some bittersweet replaying of classic melodies.

Review: German funk act The Poets Of Rhythm have more than left their mark on a scene that wasn't so popular back in their heyday. They have got plenty of great albums to explore and several superb singles, of which this is one. 'Practice What You Preach' is a track from their debut album released on Soulciety in 1993. Despite a hiatus from albums until their return with a Ninja Tune LP in 2001, the band remained active in the 7"s circuit. Surprisingly, a part two to the same track exists, serving as an instrumental version of the original 1993 release. On the B-side, a fresh funk track, previously released under the alias Mighty Continentals, features Bo Baral delivering a rare solo guitar performance alongside ambiguous lyrical content.

Review: The Great Revivers is a funk and library band with a focus on organ laced grooves that hails from Saint Petersburg, Russia. It was formed around a decade or so ago from members of bands Wake&Bake! and The Reggaenauts and has put out a steady stream of very danceable 7"s since then. 'Adventures Begin' is their latest and it comes on the Spasibo label with lashing of loquacious saxophone and some nice loose, live drumming. Flip it over for something more laid back and starry eyed - 'Estrellas' has a soothing late night feel and brims with musicality.

Review: Sunset's reissue series of Harry J releases continues with this gem from the late, great Freddie McKay's 1986 collaboration with The Jah Apostles, one of the last productions to feature the singer - who seamlessly navigated from the early ska days right up to the digital era - before his untimely death in November of the same year. McKay's soulful vocals ride effortlessly over the Apostles' mesmerising rhythms here, meaning that it is impossible not to be transported listeners to the golden shores of Jamaica at sundown. As is so often with the case with reggae, there's a dubbed out version on the flip - we wouldn't have it any other way.

Review: Laurent Bardainne and Tigre d'Eau Douce's third album, EDEN BEACH CLUB, transports listeners to a sun-drenched paradise and was conceived as an imaginary soundtrack to a day by the sea. Following the triumph of Bardainne's Hymne au soleil album, they set their sights higher and here have crafted a sonic oasis that defies boundaries. Returning to their winning formula, the album seamlessly blends groove, soul, jazz, and electronic elements as each track invites you to lose yourself in a breezy and beachy dance as you celebrate an eternal sunset tinged with electric energy. The album is brimming with sophisticated and laid back melodies and gently persuasive grooves.

Review: Mute's re-release of These Immortal Souls' debut album, Get Lost (Don't Lie!), marks a long-awaited moment for fans of post-punk excellence. Remastered from the original tapes by Lindsay Gravina, along with original band members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the iconic record. Originally unleashed in 1987 on the heels of their debut EP, Marry Me, the album encapsulates the band's raw energy and uncompromising vision. Led by the unmistakable vocals of Rowland S. Howard, renowned for his work with the Birthday Party, the band's lineup, including Harry Howard, Epic Soundtracks, and Genevieve McGuckin, solidifies their place in the annals of post-punk history. Clocking in at a concise 30 minutes, Get Lost (Don't Lie!) remains a potent sonic statement, capturing the essence of These Immortal Souls' dark and brooding sound. From the haunting atmospheres to the frenetic rhythms, each track is a testament to the band's collective talent and creative chemistry. For both seasoned enthusiasts and newcomers to the These Immortal Souls saga, this reissue serves as a fitting tribute to a band whose influence reverberates through the underground music scene.

Review: Mute's latest offering, Extra, unveils a treasure trove of live recordings and remastered tracks from the enigmatic post-punk outfit These Immortal Souls. Led by the inimitable Rowland S. Howard, known for his pioneering work with the Birthday Party alongside Nick Cave, the band's Australian roots infuse their London-based sound with a unique edge. This album, accompanied by detailed sleeve notes by original member Harry Howard, serves as a companion piece to the 2024 remasters of their seminal debut Get Lost (Don't Lie!) and sophomore effort I'm Never Gonna Die Again. The tracklist is a akin to the band's eclectic tastes, featuring visceral renditions of classics like Alice Cooper's 'Luney Tune' and Iggy Pop & James Williamson's 'Open Up and Bleed.' With Rowland S. Howard's distinctive vocals leading the charge, complemented by the masterful musicianship of Harry Howard, drummer Epic Soundtracks, and keyboardist Genevieve McGuckin, These Immortal Souls deliver a sonic journey that transcends time and genre boundaries. Formed in 1987 after departing Crime & the City Solution, These Immortal Souls carved out their own sonic niche, blending raw energy with haunting melodies. Extra offers a glimpse into the world of one of post-punk's most underrated gems.

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Review: DJ Agitated is an alias of a producer who we are told made an appearance on the superb remix album that reworked the best of Steffi's The Red Hunter. Now they join the Dolly TS series with some banging techno that surges along at high speed and never lets up. The Magic Overlooked EP is one that makes no concessions to current trends but instead taps into the essence of good techno no matter when it is made. The melodies are infused with plenty of soul from Detroit, the drums are well-designed and the moods are hard but uplifting.

Review: House music and fresh modern funk are happy bedfellows on this new EP from Moniquea with the masterful production taken care of by XL Middleton who, if you ask us, cannot miss at the moment. With an unmistakable West Coast vibe characterised by punchy synth bass and leads, this A-side embraces the good times with pulsating beats and detuned chords. On the B-side, the '97 Remix pays homage to Moniquea's g-funk origins while the bonus Applejac remix of 'Hate To See It' seamlessly blends dance-oriented elements with lush synth strings reminiscent of peak-era Neptunes productions from the 2000s.

Review: Though he was already famous, Either/Or is the album that made Elliott Smith great. Now Kill Rock Stars proudly present their newly reissued, expanded edition of the sensitive songster's crowning glory, this time including five live multi-track recordings from the Yo Yo A Go Go Festival in Olympia, WA in 1997, as well as three previously unreleased studio recordings, not to mention one B-side gem. The album was highly praised at the time due to several of its songs' lucky inclusion by Gus Van Sant in the classic drama movie Good Will Hunting, though the album's appeal goes much deeper than that, with Smith's melancholic, sombre voice soaring low above well-glued, unplugged pop mixes, though, typically for Smith, it still touches on existential, philosophical and neurotic themes throughout.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: The Beatles: The Red Album: 1962-1966 encapsulates the iconic band's early years with a dynamic selection of tracks that have now all been remastered at half speed so they sound extra good. This compilation showcases the evolution of their sound from the exuberant energy of 'Love Me Do' to the groundbreaking creativity of 'A Hard Day's Night' and beyond. There are also timeless hits like 'Twist and Shout' and 'Yesterday,' which means this collection serves as a definitive journey through the first part of the The Beatles' legendary catalogue. Each song is a direct portal back to the 60s and to the vibrant era of Beatlemania at the peak of its powers.

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's Included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90O Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits:

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***