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Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser Buchla Music Easel (Modern) Modular Analogue Synthesiser
Cat: 956175 Rel: 06 Feb 24 • View all Synthesisers
 
The development of Don Buchla's legendary modular analogue synthesiser.
Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."
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 2 in stock $5,070.89
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quote 956175
Alpha Recording System MODEL9500 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995349 Rel: 31 Jan 24 • View all DJ混音器
 
4-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: For Alpha Recording Systems' 25th birthday, the Model 9500 gets a limited-edition red paint job. Classic four-channel design with three-band EQ and world-class sound. Limited to 100 units worldwide.

Supplier's Notes:
MODEL9500 Music Mixer

4 channel table top mixer

MODEL9500 (broadcast mixer) Music Mixer STD

ARS MODEL 9500 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator and 5Band Equalizer on the master.

5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Potentiometer and Switch are All ALPS. A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9500 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso and 5band EQ on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9500 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Wood is a natural material, so there may be unevenness in the wood grain. Thank you for your understanding.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.
5Band Equalizer Control: 75Hz 300Hz 1Khz 3Khz 10Khz 5Band

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 30w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)366 x (H)250 x (D)100 mm
model9500BW Unit weight:5400g
AC BOX:1100g
Front Panel Colour: Red
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 1 in stock $3,890.73
Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL9100 4-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995346 Rel: 29 Jan 24 • View all DJ混音器
 
4-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: ARS's four-channel Model9100 gets the red makeover to celebrate the brand's 25th birthday. Same beautiful audiophile design with three-band hybrid iso-EQ, master isolator and post-fader aux sends.

Supplier's Notes:
MODEL9100B RED Music Mixer

4 channel table top mixer

MODEL9100B RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model
(Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS MODEL 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master.

Potentiometer and Switch are All ALPS.

A long time in the development phase, this mixer is a beautiful example of Japanese hand-made precision workmanship.

Highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master. The Master Isolators can be boost of cut from +18db ~ -8. The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8. Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
model9100BW Unit weight:4700g
ACBOX: 1100g
Front Panel Colour: Red
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 1 in stock $3,455.27
Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition) Alpha Recording System MODEL1100 2-Channel Rotary DJ Mixer (red, 25th anniversary limited edition)
Cat: 995339 Rel: 26 Jan 24 • View all DJ混音器
 
2-channel rotary DJ mixer, 25th anniversary limited edition to 100 units
Notes: Celebrating a quarter of a century for ARS, the Model 1100 gets a red makeover. Same two-channel design with elite audiophile quality. Limited to 50 units worldwide.

Supplier's Notes:
MODEL1100 RED LE Music Mixer

2 channel table top mixer

MODEL1100 RED LE(broadcast mixer) Music Mixer
ARS Anniversary limited edition red face model

ARS MODEL 1100 DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .
A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.


It is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specs

Frequency Response: +/-1dB 20Hz-20Khz
Input: 2 x Phono: 47K Ohm /2 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Return: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-2Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.


Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 20w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)220 x (H)250 x (D)100 mm
Front Panel Colour: Red
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 1 in stock $3,421.52
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quote 995339
Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24 • View all Synthesisers
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,597.73
Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK) Korg Opsix SE Altered FM Digital Keyboard Synthesiser (B-STOCK)
Cat: 996144 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.
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MRP:$1,997.43 SAVE 22%
 1 in stock $1,555.03
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak)
Cat: 951312 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,470.46
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quote 951312
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak)
Cat: 955441 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
Read more
 7 in stock $1,455.73
Click for better price!
or call +44 20 7424 1960
quote 955441
AlphaTheta Omnis-Duo Portable All-In-One DJ System
Cat: 995312 Rel: 15 Feb 24 • View all DJ和MIDI控制器
 
Portable all-in-one DJ system
Notes: All-in-one wireless controller from Pioneer's parent company. A fresh new take on DJ units, featuring a two-deck setup with large touchscreen, up to five hours' playback from the internal battery. A flexible, portable option for all DJs.

Supplier's Notes:
Portability and playability

Easily carry the OMNIS-DUO anywhere thanks to its compact size, modest weight, and rounded corners. The system's 2-deck + mixer layout feels great for DJing, and there are 2 modes for the touchscreen - Light and Dark - so you'll always see the displayed information, even in bright outdoor settings.

Bluetooth audio input

Invite a friend to connect their phone to the OMNIS-DUO via Bluetooth and you can drop their favourite track into your set. With the Bluetooth Playback function, you'll have control of the audio on the deck. So, you can adjust the volume and EQ, apply effects to the sound, change the tempo, use Hot Cues, and scratch.

5-hour battery

Play for up to 5 hours without plugging into the mains. You can also connect the AC adapter or plug in a compatible power bank (45W or more) to the dedicated USB Type-C terminal. And if you combine the OMNIS-DUO with the battery-powered WAVE-EIGHT speaker, which features ultra-low-latency SonicLink technology, you can enjoy wireless DJing for total freedom.

Support for multiple music sources

USB Type-A drives and SD cards can be plugged straight into the OMNIS-DUO, as well as a PC/Mac via the USB Type-C terminal for use with rekordbox Performance mode. The Wi-Fi function offers easy access to tracks on a PC/Mac, smartphone, or the cloud without a wired connection.

Flexible audio output options

There's no limit to the places you can hold a party, thanks to the Bluetooth audio output function. And when the time comes to play in a venue like a bar, you can use the professional XLR output, while the RCA terminals are perfect for plugging in monitor speakers at home.

Brand-new design

The OMNIS-DUO looks at home everywhere you take it - from professional events to spontaneous outdoor parties. Its new indigo colour is inspired by denim jeans, a classic and hugely versatile fashion item, and the unique curves of the unit create a sleek silhouette.

Specifications

Frequency Response: 20 Hz - 20 kHz
S/N Ratio: 112 dB (USB, SD)
Total Harmonic Distortion: <0.003% (USB, SD)
Battery Section Capacity: 47.52 Wh (Built-in rechargeable lithium-ion battery)
Play time: Approx. 5 hours
Charge time: Approx. 3 hours
Inputs: 2 MIC (1x XLR & 1/4" TRS Jack, 1x 1/4" TRS Jack), 1 LINE (Bluetooth [exclusive from output])
Outputs: 1 MASTER (XLR), 1 MASTER (RCA), 1 MASTER (Bluetooth [exclusive from input]), 1 BOOTH (Combined use with RCA output), 2 HEADPHONE MONITOR (1/4" Stereo Phone Jack, 3.5 mm Stereo Mini Jack)
USB: USB-A for thumb drive x 1, SD card x1, USB-C for PC/Mac control x 1 USB-C for power input (USB PD 45W) x 1
Maximum Dimensions (WxDxH): 500 × 307 × 71 mm / 19.7" x 12.1" x 2.8"
Weight: 4.6 kg / 10.1 lbs.

Wireless LAN section

Supported standards: IEEE 802.11 a/b/g/n/ac
Frequency band used: 2.4 GHz / 5 GHz

Bluetooth section

Wireless system Bluetooth: Ver.5.2
Frequency band used: 2.4 GHz
Compatible codecs: SBC, AAC
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 5 in stock $1,439.96
Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay
Cat: 1001110 Rel: 07 Mar 24 • View all Synthesisers
 
37-key analogue paraphonic synthesiser with modular expansion bay
Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
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MRP:$1,498.86 SAVE 13%
 2 in stock $1,299.02
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quote 1001110
MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects MOTU 828 28x32 USB3 Audio Interface With DSP Mixing & Effects
Cat: 992959 Rel: 31 Jan 24 • View all 音响和MIDI接口转接盒
 
28x32 USB3 audio interface
Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs
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 2 in stock $1,032.90
TipTop Audio The Analog Bundle S2: Octopus/3x ATX1/MIXZ/Z2040/Control Path
Cat: 1004146 Rel: 04 Mar 24 • View all Synth modules
 
Bunble include Octopus, 3x ATX1, MIX7, Z2040 & Control Path modules
Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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quote 1004146
Tangible Waves AE Modular Synth Explorer Ultimate Modular Synthesiser System
Cat: 967514 Rel: 13 Feb 24 • View all Synthesisers
 
Complete modular synthesiser system.
Notes: Complete system built on Tangible Waves's AE modular format. Includes analogue sound sources, drum sampling, sequencing and everything needed to make music in a single unit.

Supplier's Notes:
The Synth Explorer "Ultimate" is a fully featured modular synthesizer which has been designed primarily for educational purposes. It offers a lot of synthesis features in a very small and portable package and includes the modules that invite for DIY modification and experimentation with code and circuits.

This system includes the following modules:

MASTER I/O (power, MIDI, CV/Gate, Audio in/out)
2OSC/d (two oscillators with sawtooth and square waveforms)
DRUMKIT 010 (lofi drum samples)
2LFO (two low frequency oscillators with various waveforms)
2ENV (two attack/decay envelopes with looping function)
WASPFILTER (an iconic filter with a lot of character)
SVFILTER (a state variable filter which can go into self oscillation)
2VCA (two voltage controlled amplifiers)
BRAEDBOARD (a blank canvas for circuit experiments)
2S&H (dual sample and hold)
2ATT/CV (dual attenuator and CV generator)
MM-DIV (multi mode clock divider)
SEQ8 (8 step CV and Gate sequencer with different run modes)
QUANTIZER (4 channel CV quantizer with many different scale modes)
METER (oscilloscope, frequency spectrum, tuner, voltmeter)
GRAINS (fully programmable module based on the Arduino)
MIXER 4-4 (two 4 channel mixers)
DELAY (analogue delay)
HPAMP (headphone amplifier with dual outputs and volume control)
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Korg MPS-10 Drum Percussion & Sampler Pad Korg MPS-10 Drum Percussion & Sampler Pad Korg MPS-10 Drum Percussion & Sampler Pad Korg MPS-10 Drum Percussion & Sampler Pad
Cat: 981101 Rel: 05 Feb 24 • View all Electronic Drum Pads | Sample Pads
 
Drum, percussion & sampler pad
Notes: Redefine the beat: your control, your performance.

The MPS-10 is a game-changer in drum and percussion technology. Built with both durability and precision in mind, it's designed to meet the evolving needs of today's drummers and percussion performers.

Six versatile pads offer a rich array of sounds, while 4 ground-breaking CC pads give real-time control as never before. Expand the possibilities further with an intuitive sampler and powerful 4-track looper, alongside inputs for external triggers and footswitches.

MPS-10

6 instrument pads
4 CC pads
4-track looper
Intuitive sampler
Huge library of instruments and samples
Powerful effects
Smooth Sound Transition
External triggering capabilities

Take your performance on the road

Created to be an indispensable companion for drummers and percussionists, the MPS-10 is a powerful blend of sonic capability and performance control. It features a deep library of 2,350 assignable instruments and more than 3000 high-quality samples that range from dynamically expressive instrument tones with captivatingly nuanced variations based on your strike's intensity, to the essential electric instrument sounds that drive modern drumming today.

Powerful effects

MPS-10 has an incredible default master reverb and filter, further enhanced with two insert and one master effect slot. Effects can be easily toggled for each pad, making intricate tonal changes a breeze.

Seamless transitions

Experience uninterrupted creativity with the Smooth Sound Transition (SST), ensuring flawless kit transitions after striking a cymbal or repeating a sample. When you need guaranteed silence, a simple press of the "sound off" button has you covered.

Looping unleashed

MPS-10 features an incredibly flexible and powerful 4-track looper. With dedicated looper effects, crafting intricate looping phrases is easy. Synchronized settings ensure flawless playback across tracks, and each track can be exported as an audio file!

The CC pad revolution

At the top of the MPS-10 sits four CC pads. These give you a level of control never before seen on an instrument like this. Able to detect the strike position with incredible precision, these pads give you powerful control over parameters such as filtering, EDM-inspired drum rolls, and real-time tonal transformations through versatile MFX functions.

Unlock your creativity

The sampler function within MPS-10 liberates your creativity, allowing effortless importing of user samples. Seamlessly import sounds from a USB flash drive and assign them to any pad, and even replace portions of preset kits to build your own personal sound set.

See your sound

Take centre stage with confidence thanks to the vivid full-colour display - easy to read even under the brightest lights. Tailor the saturation to your preference, and with three-color LEDs illuminating each pad, MPS-10 ensures seamless performance on even the dimmest stages.

Craft your kit

Crafting your signature kit is a breeze with the MPS-10 Editor, a user-friendly web app. Simply connect the MPS-10 to your computer via USB, and dive into a realm of endless creative possibilities as you shape your own unique kits.

External triggering
Dual trigger-in terminals accommodate up to four triggers and pads via a Y shaped cable, giving a total of 15 sounds within one kit. MPS-10 even features a dedicated bass drum trigger (pad 11).

Built to perform

Developed by the team behind the WaveDrum and Pearl e/MERGE, the MPS-10 provides the ultimate drum pad experience. In pursuit of a combination of durability and performance, a high-quality rubber material was perfected through extensive consultation and trialling with the most demanding professional players. The perfect balance of feel and sensitivity enables drummers and percussionists to express themselves naturally. The pad layout is designed to ensure the ideal striking position when integrated into a drum kit, resulting in comfortable playing and superior strike detection.

Specifications

Kits

200 (including user KITs)
INST 2358
SAMPLE 3000

Effects: 77
Max Polyphony: 48

Audio outputs: Headphones (6.3mm TRS); MAIN OUT L, MAIN OUT R, SUB OUT 1, SUB OUT 2
Audio inputs: LINE IN L/R, MIC IN (6.3 mm TRS phone jacks)

Control inputs
CH A/B, C/D (6.3 mm stereo phone jacks)
Foot pedals: 1, 2 6.3 mm TRS phone jacks)
Expression pedal (6.3 mm TRS phone jack)

MIDI/USB
MIDI Out
USB-A (Type-A) USB standard ver. 2.0, Hi-Speed compliant (480 Mbps)
USB-B (Type-B) USB standard ver. 2.0, Hi-Speed compliant (480 Mbps)

Internal memory: 32gb (inc. preset data)

Audio playback WAV, 44.1 kHz/48 kHz, 16-bit (up to 60 minutes long)
AIFF, 44.1 kHz/48 kHz, 16-bit (up to 60 minutes long)

Display: 320 x 240 backlist colour LCD
Operating temp: 0 to +40oC
Power supply: AC adapter (DC 9V)
Dimensions: 424 x 264 x 75mm
Weight: 2.3kg
Included items: AC adapter
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quote 981101
TipTop Audio The Analog Bundle S1: ART V/OCT CV To ART Converter/3x ATX1/MIX7/Z2040/Control Path Modules
Cat: 1004144 Rel: 04 Mar 24 • View all Synth modules
 
Bundle includes ART V/OCT CV To ART Converter, 3x ATX1, MIX7, Z2040 & Control Path Modules
Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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quote 1004144
AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single) AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single) AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single) AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single) AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single) AlphaTheta Wave-Eight 8" Portable DJ Speaker With SonicLink (single)
Cat: 995320 Rel: 08 Feb 24 • View all Speaker Management Systems
 
Portable DJ speaker
Notes: Debut release from Pioneer parent company AlphaTheta, the Wave-Eight offers ultra-low-latency hi-fi sound over wireless SonicLink connection. Up to eight hours operation with built-in battery, waterproof design, and impressive portability thanks to 12.7 kg total weight per unit.

Supplier's Notes:
SonicLink ultra-low-latency wireless technology

Cable-free DJing is possible with the WAVE-EIGHT, thanks to SonicLink. This ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speaker.

Switchable sound modes

The WAVE-EIGHT features several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode.

Combinable with the OMNIS-DUO

If you combine the WAVE-EIGHT with the OMNIS-DUO portable all-in-one DJ system, which also features battery power, you can play cable-free for total freedom.

Battery power and waterproof design

A full battery charge gives you 8 hours of music on the WAVE-EIGHT. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors.
And there's a USB Type-C port for
charging a phone or other device.

Professional sound quality
With a highly efficient Class D amplifier, a newly developed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection.

Easy portability

The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in too, so you can mount the speaker on a stand for extra height.

SonicLink ultra-low-latency wireless technology
Combinable with the OMNIS-DUO
Professional sound quality
Switchable sound modes
Battery power
Waterproof design
Easy portability

Dimensions: (W × H × D) 300 × 554 × 337 mm / 11.8" × 21.8" × 13.3?"
Weight: 12.7 kg / 28.0 lbs.
Frequency range: 2.4 GHz (2.4000 GHz - 2.4835 GHz)
EQ modes: Music / Music (Low Cut) / Flat / Flat (Low Cut) / Vocal / Subwoofer (Low Cut mode is intended for use on units that are combined with a WAVE-EIGHT set to Subwoofer mode.)
Battery life / Battery spec: Approximately 8 hours
Internal battery charging time: Approx. 4 hours with power off / Approx. 6 hours with power on
Terminal
Input: XLR/TRS combo jack × 2, 1/4" TRS jack × 1, 3.5 mm stereo mini jack × 1
Output: XLR × 1
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quote 995320
Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser Korg KingKORG NEO 24-Voice Virtual Analogue Synthesiser
Cat: 994413 Rel: 05 Feb 24 • View all Synthesisers
 
37-key 24-voice virtual analogue keyboard synthesiser
Notes: Combining analogue-style sound with digital convenience, the KingKorg Neo is a proper all-rounder for both recording and live performance. Features modelled emulations of classic Korg synth features.

Supplier's Notes:
The KingKORG NEO: a virtual analogue synthesiser that stands out with its analogue-like layout and intuitive, flexible editing. This compact powerhouse features 37 full-size keys and a versatile vocoder, making it perfect for both studio and stage. With our cutting-edge XMT sound engine, it delivers a wide range of classic and futuristic sounds. Designed for the contemporary musician, the KingKORG NEO is the ultimate tool for exploring new soundscapes and pushing musical expression.

KingKORG NEO features our XMT virtual analogue sound engine. XMT stands for eXpanded Modelling Technology and was created to offer an expansive array of sounds while ensuring simplicity in operation.

Gone are the days of laborious oscillator adjustments for sound crafting. The KingKORG NEO streamlines this process with pre-set algorithms. These carefully designed combinations of different oscillator types and quantities empower you to quickly shape rich, stage-ready tones with ease.

Embracing the demand for diverse tonal capabilities, the KingKORG NEO comes loaded with a wide range of oscillator algorithms. From the classic sawtooth and square waves to the more intricate noise patterns typical of analogue synthesizers, and extending to PCM/DWGS, this synthesiser is equipped to cater to an extensive variety of musical needs and preferences.

Crafting character with iconic modelled filters

In the heart of the KingKORG NEO lies its meticulously designed filter section, a cornerstone in defining the synthesiser's unique sonic character. Korg have infused KingKORG NEO with a diverse range of filters, each adding a distinct flavour to your sound creations, an aspect where analogue modelling truly shines.

The KingKORG NEO's filter collection is a treasure trove for sound designers. It encompasses a wide array of essential analogue modelling filter types, enabling you to sculpt sounds with precision and ease. But there's more. Korg have painstakingly modelled filters that echo the iconic analogue monophonic synths of the '70s - the go-to for punchy leads and deep basses. Korg have also captured the essence of polyphonic synths from the vibrant new wave era of the '80s, and the legendary filters from Korg's own MS-20 analogue synth.

One of the most captivating features of these filters is their ability to self-oscillate when you dial up the resonance - a hallmark of classic analogue synthesis. This capability opens up a world of sonic possibilities, from creating ethereal textures to crafting powerful, resonant tones.

Vocoder wizardry

KingKORG NEO synth comes equipped with a balanced XLR input on its front panel, and includes a rugged, high-quality microphone. This setup invites you to dive into the world of vocoding instantly.

At the core of the KingKORG NEO's vocoder is a sophisticated 16-band filter, rivalling dedicated vocoder machines. This powerful feature allows you to craft classic vocoder tones, but that's just the beginning. By shifting the filter frequency with the formant shift function and finely adjusting the level and pan of each band, you open the doors to an array of unique and original sounds. Whether you're aiming for vintage charm or contemporary edge, this vocoder adapts effortlessly to any genre or style.

But there's more - the KingKORG NEO redefines flexibility. Timbre B can ingeniously be used as a modulator, providing an alternative to the traditional microphone input. This allows the vocoder effect to be seamlessly blended with the synth sound, paving the way for limitless sonic exploration.

Moreover, each of the three oscillators, A and B timbres, can be individually selected as a source for the microphone input. This unique feature enables you to synthesize a rich mix of voice and instrument, creating a fusion of timbres that's both innovative and captivating.

Masterful effects

The KingKORG NEO elevates your sound with three master effect slots, each offering six distinct effect types.

The PRE FX slot brings the grit and edge of effects like distortion and amp simulator. MOD FX infuses your tracks with the classic charm of phaser, chorus, and tremolo. For creating expansive atmospheres, the REV/DELAY slot offers ambient effects including hall reverb and modulation delay. Adjusting and selecting these effects is straightforward, thanks to dedicated dials on the front panel for each slot, complemented by FX control knobs for detailed fine-tuning.

Virtual patching

Embrace the spirit of classic synthesisers like the MS-20 with the KingKORG NEO's innovative Virtual Patch system. This intuitive feature brings the flexibility of physically patching synthesizers into the digital age. With six Virtual Patch assignments available for each timbre, you can virtually connect control signals like EG, LFO, or joystick movements to key sound parameters, including pitch and cutoff. This seamless integration allows for intricate modulation and a deeper exploration into sound-shaping, giving your music a new dimension of sonic creativity.

A universe of inspiration

KingKORG NEO's extensive library of 200 stage-ready preset programs is created for the modern music maker. These presets span across eight categories like SYNTH, LEAD, and BASS and offer an intuitive gateway to finding the perfect sound for any scenario.

Step up with arpeggiation

The KingKORG NEO comes equipped with a versatile step arpeggiator, a tool that breathes life into your performances by automatically generating arpeggio phrases based on the chords you play. Tailor your sound even further by selecting from six different arpeggio types. You can specify the duration, interval, and on/off status of each step, opening up a vast array of rhythmic possibilities.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: XMT (eXpanded Modeling Technology)
Maximum Polyphony: 24 voices
Timbres: Max. 2 timbres (Layer / Split)

Oscillator
Structure: 3 oscillators (choose from analog, noise, DWGS, PCM, and MIC IN types)
Number of types: 138 types (32 analog and noise, 40 DWGS, 65 PCM, 1 MIC IN

Filter
Structure: 1 filter (choose from LPF, HPF, BPF)
Number of types: 18 types (7 LPF, 5 HPF, 6 BPF)

Modulation
Structure: EG 2 units, LFO 2 units
Routing: Virtual patches 6 set

Effect
Sections: Program effects x 3 (PRE FX, MOD FX, REV/DELAY) + EQ (2Band)

Types:
PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT.AMP, EP.AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY) REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)

Vocoder: 16-band vocoder, formant shift function, formant hold function
Arpeggiator: Up to 8 steps (number of steps can be changed), 6 types (UP/DOWN/ALT1/ALT2/RANDOM/ TRIGGER)

Programs
Number of programs: 300 programs (200 preset / 100 user)
Number of categories: 8 categories

Displays
Main: 16 x 2 character OLED display
OSCILLATOR, FILTER: 128 x 64 pixel OLED display

Audio

Mic input
Connector: XLR type (balanced)
L/MONO,R output
Connectors: 6.3mm TS phone jacks (Unbalanced)

Headphone output
Connector: 6.3mm (1/4") stereo phone jack
DAMPER (half-damper not supported)
SWITCH/PEDAL
MIDI IN/OUT
USB B connector

Power Supply: AC adapter jack (DC12V)
Power consumption: 9W
Dimensions (W x D x H)@ 565 x 338 x 92 mm / 22.24" x 13.31 " x 3.62
Weight: 3.1kg / 6.83 lbs.
Included items: AC Adapter, Vocoder mic (+ windscreen)
Accessories (sold separately): XVP-20: Expression/volume pedal, EXP-2: Foot controller, DS-1H: Damper pedal, PS-1, PS-3: Pedal switch
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MRP:$998.19 SAVE 10%
 2 in stock $898.27
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quote 994413
Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler
Korg KAOSS Replay Dynamic Effect & Sampler (effects unit/audio sampler)
Cat: 981189 Rel: 05 Feb 24 • View all Effects units
 
Dynamic effect unit & audio sampler
Notes: A new generation of creative KAOSS

KAOSS Replay rewrites the rules of live performance and music creation. Immerse yourself in the fusion of Korg's iconic KAOSS XY pad with unparalleled effects, advanced sampling, playback and powerful controls.

Whether setting the stage alight, weaving sonic magic in the studio, or captivating global audiences via live-stream, KAOSS Replay is your passport to a realm where creativity knows no bounds.

Standalone KAOSS

KAOSS Replay is a self-contained performance tool - an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad effects, immersive sample playback and sampling capabilities, and intuitive DJ controls. Powered by USB-C and equipped with broad connectivity, KAOSS Replay offers an effortless and swift setup for stress-free performances without the hassle of intricate rigs.

Building on the iconic legacy of its predecessors, KAOSS Replay introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of KAOSS-fuelled live sets. Housed in a robust aluminium body, its sleek and minimalist design strikes the perfect balance between performance-ready size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay has a rich palette of 128 new KAOSS FX; from filters, delays, and reverbs to imaginative and exhilarating modulation effects, loopers, vocoders, and synth effects. Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning, marking a ground-breaking first in the KAOSS series.

Automating your effects is effortless with the PAD MOTION function, or by holding the desired position using TOUCH HOLD mode. The FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing and performing tracks and allows for engaging improvisation with exhilarating effects like never before.

Beyond effects

KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. 16 high quality velocity-sensitive pads accommodate 128 slots divided across 8 banks per project. Replay supports up to 100 projects, which can be stored on a microSD card for effortless data management.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay provides a comprehensive toolkit for a seamless performance experience. What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly "played" during live performances, opening up a world of dynamic possibilities.

Creativity at your fingertips

At the heart of KAOSS Replay sits a stunning 5-inch full-colour OLED touchscreen. Whether manipulating effects, editing samples, or navigating menus, its tactile display offers a seamless and satisfying experience.

Combined with its function-dedicated buttons, knobs, faders, and sample pads, KAOSS Replay is an immersive and engaging performance tool for all musicians.

Live performance creativity

Sampling and resampling have always been core features of the KAOSS Pad series, and KAOSS Replay takes this capability to new heights. Choose a target pad, set the desired number of measures, and start capturing your samples effortlessly. Whether you're connecting external instruments via the AUDIO IN or recording your voice through the dedicated MIC Input, Replay provides a versatile canvas for your creativity.

Edit your samples, apply effects, assign hot cues, resample... the options are limited only by your imagination. Moreover, KAOSS Replay supports real-time recording of your performances, ensuring that those moments of real-time magic are captured.

The ultimate portable performance rig

KAOSS Replay simplifies the art of performance. Ultra-portable and ready to go within seconds, Replay eliminates the need for external gear. Precise beat-matching, playback quantization, hot cues, monitoring, and dual faders, are all complemented by the formidable KAOSS FX, making KAOSS Replay a performance powerhouse.

Controller and interface

KAOSS Replay excels both inside and outside the studio. Its remarkably flexible MIDI Surface mode offers complete customisation, transforming it into a highly adaptable MIDI controller. It can even serve as a USB plug-and-play audio interface, seamlessly integrating into your production studio setup.

Specifications

KAOSS Pad effects: 128 types. Tone, delay, reverb exclusive for microphone.
Trigger pads: 16 velocity sensitive x 8 banks
Projects: 100
Hot cue: Max 12 (per trigger pad)
Simultaneous plays: 16 Audio Linear PCM (48 kHz/16 bits)
Recording Sampling, resampling (30 mins); Live rec (100 min)

Audio input
LINE/PHONO IN jack: RCA pin jack (Select LINE or PHONO.)
PHONO GAIN switch (LO/HI)
MIC IN jack: Standard phone jack (6.3 mm, monaural TS)
AUX IN jack: Stereo mini jack (? 3.5 mm)

Audio output
LINE OUT jack: RCA pin jack
HEADPHONES jack: Standard stereo phone jack (6.3 mm)
Controller input: Standard phone jack 6.3 mm, TS)
USB / MIDI USB microB (MIDI, Audio (IN x 2ch, OUT x 34ch (48 kHz/16 bits)); MIDI IN/OUT (DIN 5pin)

External storage: microSD card, microSDHC card (32GB Max)
* Class10 or higher, UHS-I (U1) recommended
Dimensions: 185 (W) x 284 (D) x 56 (H) mm
Weight: 2kg
Power supply: DC 5V/3A
Included accessories: AC adapter, USB cable (Type A to microB, 1m) microSDHC card
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MRP:$998.19 SAVE 19%
 1 in stock $809.69
Jomox MoonWind MKII Analogue Stereo Filter Tracker Jomox MoonWind MKII Analogue Stereo Filter Tracker
Cat: 967079 Rel: 22 Feb 24 • View all Effects units
 
Analogue stereo filter processor with multi-mode filters, integrated step sequencer, a digital effects chip, 2 LFOs and envelope modulation.
Notes: Almost 12 years ago, Jomox brought out the first Moonwind. Now it's about time for an improved successor with OLED display, touch pad and more buttons for instant access.

Moonwind MkII is a true analogue stereo filter with built-in step sequencer, a fantastic sounding digital FX chip, two LFOs, VCA, two ADSR envelopes and envelope follower modulation.
Fixed CV in- and outputs and 6 assignable CVs make the Moonwind Mk II a versatile choice even in eurorack environment.

Everything is storable and controllable via Midi.

You can play the Moonwind Mk II like a synth by Midi notes and play melodies on the filters if they whistle in self-resonant mode.

The sequencer is able to control cutoff, Q and resonance per step and filter and thus turns the stereo filter with analogue fed back effects into a creative instrument of its own.

The editing of sequences can also be made via touchpad:

This makes the Moonwind Mk II an easy-to-use and awesome analogue sounding engine that is playable like a synth and can be seamlessly integrated into a DAW recording system

Specifications

Two real analogue low noise multimode filters
OTA technology *
Per filter Q (narrowness) and Resonance are separately adjustable **
Per filter the shapes lowpass, highpass, bandpass and notch are assignable
The filters are connectable among each other***
Per filter there is one LFO with 64 waveforms which controls the cutoff
Per filter there is envelope amount, the envelope is created from the audio with an analogue envelope follower
2 ADSR envelopes for filter and VCA that are triggered via Midi
Inputs are Hi-Z and can amplify guitar or bass signals directly
Touchpad for intuitive editing

2 CV outputs
3 fixed CV inputs
6 programmable CV inputs with amounts
Digital effects chip with 15 algorithms
Analog FX Feedback in order to create tape delays and wave guides
Three parameters per FX algorithm
The effects programs include chorus, flanger, tremolo, reverb, delay and some more exiting programs
Eight effects programs can be reloaded by OS update later on
Built-in noise generator with metallic noise and volume control
Sequencer can record Cutoff, Q and Res separately per step and filter
Maximum 64 steps per pattern
Maximum 32 steps per bar (then max. 2 bars), bars can be dynamically set according to the number of steps per bar
Clock divider can resolve max. 32th per bar
Record/undo function to record filter trails by the rotary knobs or touchpad
Direct Touchmode can record sequences with your fingertip
Sequencer and LFOs are midi clock synchronizeable
Midi notes control the cutoff of the filters, CCs the rest of parameters
Cutoff, Q and Resonance are made as classical potentiometers
Stable metal axis potentiometers and encoders with axle bearings
256x64 px LCD display
OS is updateable via Midi

Dimensions:

Width: 318mm
Depth: 180mm
Height front: 44mm
Height back: 72mm

Weight: 1.8kg
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MRP:$914.04 SAVE 16%
 2 in stock $767.83
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quote 967079
RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK) RME Babyface Pro FS Compact Bus-Powered 24-Channel USB 2.0 Audio Interface (B-STOCK)
Cat: 994794 Rel: 01 Jan 90 • View all 音响和MIDI接口转接盒
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.
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MRP:$841.47 SAVE 12%
 1 in stock $736.32
AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair)
Cat: 973245 Rel: 08 Feb 24 • View all Studio monitors
 
2-way active monitors featuring a 4-inch high-excursion woofer and 1-inch silk-dome tweeter.
Notes: Unique studio monitors from AIAIAI, featuring built-in battery power and high-resolution, low-latency Wireless+ streaming for fully wireless use in any setting. Compact, versatile and powerful.

Supplier's Notes:
Wireless and portable studio monitors with powerful performance and accurate sound representation. Connect wirelessly for a clutter-free setup and bring your creative process anywhere.

Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables. Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

Complete wireless freedom

Battery powered with 20H+ of playback time
W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
Complete wireless freedom - both audio and power cables

Reference monitor sound

2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
Precise soundstage and point-source accuracy provided by the minimal front panel design,
incorporating a directivity controlling tweeter waveguide
Stage monitor design enables you to place the speaker upright or angled horizontally, to
optimise your sound field in changing workspaces
Shape UNIT-4's sound to your environment or preference using the AIAIAI app customisable
5-band EQ

Portable, compact and rugged

Size and weight of only 3 litres / 2.5kg
Rear bass vent designed to be a comfortable carrying handle when on the move
Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything

W+ Link - use the X02 transmitter for low latency wireless music creation
Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design

Main components produced from 100% recycled plastics, from post-consumer sources
Designed for disassembly and engineered from the inside out
Mechanically assembled in a glue-free design
Take the whole speaker apart using two screwdrivers
Replaceable components including battery and drive units
Future-proofed for new technologies with upgradable wireless electronics

In the box:

UNIT-4 Wireless+ 2pcs

Portable and ultra-low latency wireless studio monitors. Includes protective steel grills and power supplies with regional cord.

X02 Transmitter - 1pcs

USB-C W+ Link transmitter. Transmits to 2 x W+ Link devices simultaneously. Includes a 0,2m USB-C to USB-C cable in neon.

Protective pouch 2pcs

UNIT-4 protective pouch in black. Made from compostable fabric material.

Tech Specs

Freq. range: 40Hz to 40kHz (-10dB)
Freq. response: 50Hz to 20kHz (+/-2dB)
Peak SPL: 105 dBSPL
Woofer: 4-inch high excursion paper cone woofer
Tweeter: 1-inch silk dome tweeter
Amplifier power: 2 x 30W continuous, 2 x 80W peak
W+ Link latency: 16 ms
Bluetooth version: 5.2
Analogue inputs: 3.5mm mini-jack + 6.3mm TRS balanced
Playback time on battery: 20 hours
Charging time: 2 hours
Battery capacity: 77 Wh
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 1 in stock $723.66
Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument Chompi Club Chompi Sampler Chromatic Sampler & Tape Music Instrument
Cat: 951280 Rel: 14 Mar 24 • View all Samplers
 
Chromatic sampler & tape music instrument
Notes: Looping and sampling combine in a fun new way with this beautifully designed digital 'tape music instrument' from Chompi Club. Record, perform, loop and overdub with built-in effects. Cute but powerful.

Supplier's Notes:
CHOMPI is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed "tape" style looper; CHOMPI is ready for immediate fun.

Special care was taken with sourcing quality materials for CHOMPI's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches & keycaps, and DJ style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

CHOMPI's workflow is designed to be user-friendly and accessible to individuals of all experience levels... So whether you've been playing music for years, or are just starting your sonic journey, CHOMPI just might become your new favourite buddy!

Features

Unique screenless workflow utilizes rgb LED indicators
Endless push button encoders for multi-page parameter controls
Two octave chromatic keyboard utilizes MX Cherry switches
3 selectable sampling sources
Built-in microphone
Stereo Aux input
Resample master output signal
Minimal, yet capable sound design engine:
Sample playback speed & direction control
Sample start & end point control
Sample attack & release/decay envelope
Single knob multi-FX section
Pg 1 Magic Wand: combo delay + reverb
Pg 2 Tape Saturation: w/ wow & flutter
Pg 3 Multi-Mode Filter:
Varispeed tape-style looper
Transport knob provides control over loop playback speed & direction, as well as manual tape scrubbing when loop is paused
Overdub decay controls allow for "frippertronics" loop composition techniques
Real time audio thru mode for live FX and loop recording
Two types of sample playback engines: chromatic & 1-shot
7 Voice Polyphony
84 Slots to Save/Recall Presets (3 banks of 14 slots per engine)
~6hrs of sample storage capacity on Micro SD card
16-bit, 48kHz stereo audio I/O
USB-C and rechargeable battery power
Built-In Microphone
3.5mm Stereo Aux Input
3.5mm Stereo Line Output
3.5mm Headphone Output
3.5mm and/or USB-C Midi In & Out

Specs

Dimensions: 13" Wide x 4.5" Deep (without Handle) 5.75" Deep (with Handle) x 2.5" Tall (table/surface to top of encoders)
Weight = 2lb 3oz
Recommended USB power brick spec: 5V / 2A (or higher)
Manufactured in California, USA

Included In The Box

1x CHOMPI Sampler (Classic Black & Gold Colorway)
1x USB-C Cable
1x Quickstart Guide
1x CHOMPI Sticker
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 2 in stock $630.05
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quote 951280
Korg Keystage 61 USB MIDI 2.0 61-Key Polytouch Keyboard Controller Korg Keystage 61 USB MIDI 2.0 61-Key Polytouch Keyboard Controller Korg Keystage 61 USB MIDI 2.0 61-Key Polytouch Keyboard Controller Korg Keystage 61 USB MIDI 2.0 61-Key Polytouch Keyboard Controller
Cat: 978242 Rel: 02 Feb 24 • View all MIDI keyboards
 
A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response.
Notes: Korg's 61-key Keystage offers all the benefits of MIDI 2.0, including polyphonic aftertouch and MPE compatibility. The usual Korg benefits include an excellent semi-weighted keybed, arpeggiator and chord mode.

Supplier's Notes:
A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response. Enjoy instant OLED visual feedback, a powerful arpeggiator, chord modes, integrated audio outputs, and seamless Ableton Live & Korg Gadget integration. Lightweight & portable, Keystage integrates effortlessly with most modern DAWs and includes a powerful software bundle to amplify your musical journey.

Connect. Create. Perform.

Keystage is a groundbreaking MIDI 2.0 keyboard designed for both producers and stage performers. Pioneering the adoption of MIDI 2.0 Property Exchange, it combines aftertouch with powerful integration and control capabilities.

When inspiration strikes

Eliminate the hassles of lengthy MIDI mapping and missed moments of inspiration. With Keystage, when inspiration hits, your musical visions are captured swiftly and accurately.

As a pioneer in keyboard advancement, Keystage is the first to fully harness the capabilities of MIDI 2.0. Just connect it to compatible software, and watch as Keystage automatically maps parameters, displaying them on its sharp OLED displays. Every display is paired with its unique knob, ensuring you're always informed of the mapped parameters and their precise values.

Expressive creativity

A newly developed semi-weighted keybed provides an immersive playing experience. With polyphonic and channel aftertouch, alongside MPE (MIDI Polyphonic Expression), you can add depth and feel to your performances without your fingers leaving the keys.

An extraordinarily powerful arpeggiator offers features that go well beyond what any other MIDI Keyboard offers. A vast selection of patterns is complemented with unparalleled customisation options, including aftertouch-triggered ratchets, randomization, gating, and more.

In addition, chord mode benefits from a suite of 32 chord sets that can be used out-of-the-box, or customized and saved into any of the extra 32 user set slots. Each set can have one chord assigned to each note of an octave, and chords can even be replayed in different ways, including a strumming mode for realistic guitar-like playing.

Deep integration

Keystage offers immediate, seamless plug-and-play compatibility with most popular DAWs, giving hands-on control on your most important playback/transport controls.

From launch, Keystage supports: Ableton Live (Official Integration), Korg Gadget (Official Integration), Cakewalk, Cubase, Digital Performer, FL Studio, GarageBand, Logic, Pro Tools and Studio One.

On the road and in the studio

Keystage is not just an incredibly powerful MIDI controller. Equipped with direct stereo output, simply connect Keystage to your computer and directly link to the sound system without the need for additional gear that takes up valuable space.

Keystage also offers flexible customization options. You can modify settings directly through the menu or conveniently adjust them using the Korg Kontrol software on your computer.

Keystage includes an expansion plate that can be attached at two different angles, making it ideal for tablets and other devices. On the 61-key model, you have the flexibility to adjust the placement of the plates in two different positions, providing a stable and solid surface to place your laptop.

Keystage x Ableton Live

Ableton Live is the industry-standard tool for live performance, thanks to its innovative dual Session/Arrangement view, smooth clip triggering, looping, and powerful production tools.

Keystage offers official integration with Live, putting both transport and device control at your fingertips.

Keystage detects the device currently active in Ableton Live, and automatically maps to the first 8 parameters. When switching devices, Keystage dynamically reconfigures itself for an uninterrupted experience, keeping you in the zone.

Both Ableton Live and Keystage are MPE-compatible, enabling enhanced flexibility and creative possibilities in your music. Live's powerful Drift synthesizer (available with version 11.3) leverages MPE to offer even more expressive capabilities.
Keystage comes bundled with Ableton Live 11 Lite as part of its software suite. Ableton Live 11 Lite is a beginner-friendly version of Live, providing many of the core features to help you kickstart your journey in music creation and performance.

MIDI 2.0

The future of music

MIDI 2.0 is one of the most exciting developments in electronic music production in decades and allows two-way MIDI conversations. Previously, MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialogue.

Thanks to new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together.

Keystage retrieves information such as which Control Change (CC) parameters should be linked and the appropriate names to display for each parameter. This means that Keystage can talk with a wide range of MIDI 2.0 compatible devices and exchange information in both directions. This exciting feature extends not only to software plugins, but also to hardware devices.

MIDI 2.0 Property Exchange is compatible with traditional MIDI DIN cables, allowing Keystage to seamlessly integrate with existing devices. Furthermore, backwards compatibility is not an issue with Keystage: it can still communicate using MIDI 1.0 with devices that do not support MIDI 2.0.

Powerful software suite

Keystage comes bundled with an incredible software set that provides all the tools needed to take your music production to the next level:

Specifications

Keyboard
Polytouch* keyboard
Features velocity sensitivity, aftertouch, and polyphonic aftertouch
Velocity curves: 21 (-10 to +10)
Octave range: 7 (-3 to +3)

Controllers
Pitch bend wheel, modulation wheel, parameter control knobs × 8
VOLUME knob, SETTINGS button, WRITE button, EXIT button, SHIFT button, ARP button, CHORD button, VALUE ^/ buttons, VALUE dial, PAGE i/+ buttons, transport buttons, TEMPO button, OCTAVE i/+ buttons

Display
Main display: Organic EL (electro-luminescence) display
Sub display: Organic EL displays x 8

Scenes: 16

Arpeggiator
Arpeggio rhythm patterns: 20

Chord mode
Preset chord sets: 32
User chord sets: 32

I/O
USB port, MIDI (IN, OUT connectors), EXPRESSION jack, DAMPER jack

Audio output
AUDIO OUT (L/MONO, R): 6.3 mm TS phone jack (unbalanced)
Headphones: 6.3 mm stereo phone jack

Control inputs
Damper (half-damper supported)
Expression

USB: Type B

MIDI/audio interface
MIDI: 1 in/1 out
Audio: 2 ch out
Audio format: 44.1 kHz, 16-bit

Power
USB bus power or AC adapter (9 V DC, : Korg KA350, sold separately)
Power consumption: 5 V/500 mA or less (when powered via USB), 4w (when using an AC adapter)

Dimensions
Keystage-61: 979 × 234 × 82 mm

Included items: USB cable (Type A-Type B), expansion plate, Quick Start Guide
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 2 in stock $609.01
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quote 978242
Arturia V-Collection X VST Instruments
 
Software suite of reference-grade software instruments for producers, music makers and sound designers.
Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.
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 1 in stock $540.64
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quote 989848
Korg Keystage 49 USB MIDI 2.0 49-Key Polytouch Keyboard Controller Korg Keystage 49 USB MIDI 2.0 49-Key Polytouch Keyboard Controller Korg Keystage 49 USB MIDI 2.0 49-Key Polytouch Keyboard Controller Korg Keystage 49 USB MIDI 2.0 49-Key Polytouch Keyboard Controller
Cat: 978241 Rel: 02 Feb 24 • View all MIDI keyboards
 
A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response.
Notes: A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response. Enjoy instant OLED visual feedback, a powerful arpeggiator, chord modes, integrated audio outputs, and seamless Ableton Live & Korg Gadget integration. Lightweight & portable, Keystage integrates effortlessly with most modern DAWs and includes a powerful software bundle to amplify your musical journey.

Connect. Create. Perform.

Keystage is a groundbreaking MIDI 2.0 keyboard designed for both producers and stage performers. Pioneering the adoption of MIDI 2.0 Property Exchange, it combines aftertouch with powerful integration and control capabilities.

When inspiration strikes

Eliminate the hassles of lengthy MIDI mapping and missed moments of inspiration. With Keystage, when inspiration hits, your musical visions are captured swiftly and accurately.

As a pioneer in keyboard advancement, Keystage is the first to fully harness the capabilities of MIDI 2.0. Just connect it to compatible software, and watch as Keystage automatically maps parameters, displaying them on its sharp OLED displays. Every display is paired with its unique knob, ensuring you're always informed of the mapped parameters and their precise values.

Expressive creativity

A newly developed semi-weighted keybed provides an immersive playing experience. With polyphonic and channel aftertouch, alongside MPE (MIDI Polyphonic Expression), you can add depth and feel to your performances without your fingers leaving the keys.

An extraordinarily powerful arpeggiator offers features that go well beyond what any other MIDI Keyboard offers. A vast selection of patterns is complemented with unparalleled customisation options, including aftertouch-triggered ratchets, randomization, gating, and more.

In addition, chord mode benefits from a suite of 32 chord sets that can be used out-of-the-box, or customized and saved into any of the extra 32 user set slots. Each set can have one chord assigned to each note of an octave, and chords can even be replayed in different ways, including a strumming mode for realistic guitar-like playing.

Deep integration

Keystage offers immediate, seamless plug-and-play compatibility with most popular DAWs, giving hands-on control on your most important playback/transport controls.

From launch, Keystage supports: Ableton Live (Official Integration), Korg Gadget (Official Integration), Cakewalk, Cubase, Digital Performer, FL Studio, GarageBand, Logic, Pro Tools and Studio One.

On the road and in the studio

Keystage is not just an incredibly powerful MIDI controller. Equipped with direct stereo output, simply connect Keystage to your computer and directly link to the sound system without the need for additional gear that takes up valuable space.

Keystage also offers flexible customization options. You can modify settings directly through the menu or conveniently adjust them using the Korg Kontrol software on your computer.

Keystage includes an expansion plate that can be attached at two different angles, making it ideal for tablets and other devices.

Keystage x Ableton Live

Ableton Live is the industry-standard tool for live performance, thanks to its innovative dual Session/Arrangement view, smooth clip triggering, looping, and powerful production tools.

Keystage offers official integration with Live, putting both transport and device control at your fingertips.

Keystage detects the device currently active in Ableton Live, and automatically maps to the first 8 parameters. When switching devices, Keystage dynamically reconfigures itself for an uninterrupted experience, keeping you in the zone.

Both Ableton Live and Keystage are MPE-compatible, enabling enhanced flexibility and creative possibilities in your music. Live's powerful Drift synthesizer (available with version 11.3) leverages MPE to offer even more expressive capabilities.

Keystage comes bundled with Ableton Live 11 Lite as part of its software suite. Ableton Live 11 Lite is a beginner-friendly version of Live, providing many of the core features to help you kickstart your journey in music creation and performance.

MIDI 2.0

The future of music

MIDI 2.0 is one of the most exciting developments in electronic music production in decades and allows two-way MIDI conversations. Previously, MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialogue.

Thanks to new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together.

Keystage retrieves information such as which Control Change (CC) parameters should be linked and the appropriate names to display for each parameter. This means that Keystage can talk with a wide range of MIDI 2.0 compatible devices and exchange information in both directions. This exciting feature extends not only to software plugins, but also to hardware devices.

MIDI 2.0 Property Exchange is compatible with traditional MIDI DIN cables, allowing Keystage to seamlessly integrate with existing devices. Furthermore, backwards compatibility is not an issue with Keystage: it can still communicate using MIDI 1.0 with devices that do not support MIDI 2.0.

Powerful software suite

Keystage comes bundled with an incredible software set that provides all the tools needed to take your music production to the next level:

Specifications

Keyboard

Polytouch* keyboard
Features velocity sensitivity, aftertouch, and polyphonic aftertouch
Velocity curves: 21 (-10 to +10)
Octave range: 7 (-3 to +3)

Controllers

Pitch bend wheel, modulation wheel, parameter control knobs × 8
VOLUME knob, SETTINGS button, WRITE button, EXIT button, SHIFT button, ARP button, CHORD button, VALUE ^/ buttons, VALUE dial, PAGE i/+ buttons, transport buttons, TEMPO button, OCTAVE i/+ buttons

Display
Main display: Organic EL (electro-luminescence) display
Sub display: Organic EL displays x 8

Scenes: 16

Arpeggiator: Arpeggio rhythm patterns: 20

Chord mode
Preset chord sets: 32
User chord sets: 32

I/O: USB port, MIDI (IN, OUT connectors), EXPRESSION jack, DAMPER jack

Audio output
AUDIO OUT (L/MONO, R): 6.3 mm TS phone jack (unbalanced)
Headphones: 6.3 mm stereo phone jack

Control inputs
Damper (half-damper supported)
Expression

USB: Type B, MIDI/audio interface
MIDI: 1 in/1 out
Audio: 2 ch out
Audio format: 44.1 kHz, 16-bit

Power
USB bus power or AC adapter (9 V DC, : Korg KA350, sold separately)
Power consumption: 5 V/500 mA or less (when powered via USB), 4w (when using an AC adapter)

Dimensions
Keystage-49: 814 × 234 × 82 mm

Included items: USB cable (Type A-Type B), expansion plate, Quick Start Guide
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 1 in stock $524.86
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quote 978241
Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550 Dtronics DT-1000 Linear Synthesiser Programmer For Roland D-05/D-50/D-550
Cat: 1006407 Rel: 15 Mar 24 • View all MIDI controllers
 
Linear synthesiser programmer for the Roland D-05, D-50 & D-550
Notes: Dtronics DT-1000, A hardware controller for the Roland Boutique D-05 and D-50/D-550

The Dtronics DT-1000 is a hardware controller for the Roland Boutique D-05 and D-50/D-550.

The DT-1000 can also be operated on a vintage Roland D-50 / D-550

Almost every parameter of the Roland D-05 gets its own slider, 10 keys and 56 pots in a nice and solid desktop case.

Some pots are doubly assigned, but can be switched quickly and are very easy to read.

For Roland Boutique D-05 Linear Synthesizer
Also compatible with Roland D-50 and D-550 vintage synthesizers
Direct access to all important parameters of the Roland Boutique D-05
10 Buttons and 56 pots
Robust housing
MIDI input and output
USB

Included in the box:
Dtronics DT-1000
DIN(5) MIDI cable
USB cable


Specifications
Material: high-quality plastic
Height: 44 mm
Width: 300 mm
Depth: 200 mm
Weight: 0.985 gram
DIN cord (DIN5P) is included
Power consumption USB or DIN: 60mA
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 1 in stock $451.24
Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black)
Cat: 933550 Rel: 19 Mar 24 • View all Synthesisers
 
Hybrid monophonic physical modeling synthesiser
Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France
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 1 in stock $450.18
Xaoc Devices Odessa 1975 Variable Spectrum Harmonic Cluster Oscillator Module (B-STOCK)
Cat: 1003059 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Additive synthesis oscillator based on the concept of building up harmonics from sine waves. A complex idea nicely executed for ease of use.

Suppliers notes:
Odessa implements the principle of additive synthesis controlled by a set of carefully tailored macro parameters to harness thousands of sinusoidal partials that altogether form the resulting sound.

The interface is kept simple and accessible, so you can easily build rich and full, great sounding timbres of very complex spectra, that can be either harmonic or inharmonic. Even though inharmonic spectra yield non-periodic waveforms, all partials are frequency related to the common fundamental controlled by a V/oct input. The series of harmonics can be squeezed or spread apart, tilt, and pruned by a comb-like frequency response, resulting in a variety of unearthy sounds. Animating the comb response yields radical effects similar to flanging and phasing. Additional, often sought after features are implemented: through-zero linear frequency modulation, and unison detune: up to 5 copies of the sound can be spread apart for a fat and dense cluster of voices.

There are nine parameters, each controlled by a dedicated knob, so the workflow is as smooth and immediate as possible. Furthermore, every parameter has a dedicated CV input, allowing live animation for organic audio effects. Odessa sports two main outputs for banks of harmonic partials that can be further scaled in frequency, as well as an additional output that can either spit out a square wave or a single sinusoid of the fundamental frequency. Interesting spatial effects, crazy modulation feedbacks as well as synchronisation is possible that way.

The hardware is based on a powerful FPGA chip offering massive parallel computing. The synthesized signal is devoid of aliasing through the entire audio range thanks to intrinsically bandlimited algorithm. A simplified spectral analyser helps you to keep a visual track of what is actually happening to the harmonics.

For even more control over Odessa, you can use the Leibniz subsystem (or just the Lipsk) that can be connected to a header at the back of the module.
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MRP:$546.95 SAVE 20%
 1 in stock $437.16
Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones Sennheiser HD 490 PRO Plus Professional Reference Studio Headphones
Cat: 990651 Rel: 23 Jan 24 • View all Studio headphones
 
HD 490 PRO Plus includes 1.8m cable, 3m cable, case, mixing ear pads, producing ear pads & extra headband pad
Notes: Built for comfort as well as top-notch sound quality, Sennheiser's HD 490 Pros are a premium open-backed model for all production tasks. The Plus package includes a 3m cable, carry case and spare headband pad in addition to the standard bundle.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m/3m
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 1 in stock $416.53
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quote 990651
Noise Engineering Cursus Iteritas Alia Dynamically Generated Wavetable Oscillator Module (black)
Cat: 992985 Rel: 24 Jan 24 • View all Synth modules
 
Dynamically generated wavetable oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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 1 in stock $376.55
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quote 992985
Noise Engineering Ataraxic Iteritas Alia Digital Oscillator Module (silver)
Cat: 992982 Rel: 24 Jan 24 • View all Synth modules
 
Digital oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Ataraxic Iteritas Alia

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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quote 992982
Noise Engineering Ataraxic Iteritas Alia Digital Oscillator Module (black)
Cat: 992976 Rel: 24 Jan 24 • View all Synth modules
 
Digital oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform.

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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 1 in stock $376.55
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quote 992976
Noise Engineering Incus Iteritas Alia FM-Based Wave-Mangling Additive Voice Module (silver)
Cat: 992970 Rel: 24 Jan 24 • View all Synth modules
 
FM-based wave-mangling additive voice module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

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 1 in stock $376.55
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quote 992970
Noise Engineering Cursus Iteritas Alia Dynamically Generated Wavetable Oscillator Module (silver)
Cat: 992991 Rel: 24 Jan 24 • View all Synth modules
 
Dynamically generated wavetable oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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 1 in stock $376.55
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quote 992991
Noise Engineering Incus Iteritas Alia FM-Based Wave-Mangling Additive Voice Module (black)
Cat: 992963 Rel: 24 Jan 24 • View all Synth modules
 
FM-based wave-mangling additive voice module - 10HP
Notes: Originally designed as a percussion voice, the Incus Iteritas Alia also lends itself well to FM synth sounds, combining deep internal modulation with user-friendly front panel controls.

Supplier's Notes:
Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

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 1 in stock $376.55
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quote 992963
Teia Synthesizers VastWave Complex Analogue Oscillator Module
Cat: 937630 Rel: 16 Feb 24 • View all Synth modules
 
Complex analogue oscillator module - 16HP.
Notes: VastWave is a complex analogue Oscillator with advanced waveshaping capabilities that invites new textural and harmonic exploration beyond subtractive synthesis principles.

Crossfading between harmonically rich folded waveforms and waveforms with Odd/Even harmonics, the VastWave waveshaper expands on the Principal Oscillator heritage, bringing an additional set of waveforms with Odd and Even harmonics and a pulse waveform derived from the Waveshaper's Final output stage.

Furthermore the linear FM input has a dedicated VCA for external FM amplitude modulation and an on board linear Glide delivers a more musical approach to this classic feature.

Features:

Voltage controlled complex waveshaping.
Triangle core.
FM input with voltage controlled amplitude for FM amplitude modulation.
On board linear Glide.
Voltage controlled Pulse-width modulation for Pulse and Final Pls waveforms.
Modern temperature and tuning stability.
High Frequency (VCO) or Low Frequency (LFO) operation.
External Timbre input with sine wave normalization if no external source is patched.
Attenuator/inverter knobs on all voltage controlled inputs.
Inverted or double Sawthooth waveform (selectable by jumper).


Specs:

Width: 16HP
Depth: 33mm
Power consumption: ###mA +12 / ###mA -12
Eurorack Format
Doepfer power connection
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BOSS Katana-100 MKII 100W Guitar Amplifier BOSS Katana-100 MKII 100W Guitar Amplifier BOSS Katana-100 MKII 100W Guitar Amplifier BOSS Katana-100 MKII 100W Guitar Amplifier BOSS Katana-100 MKII 100W Guitar Amplifier
 
100W guitar amplifier
Notes: Updated version of Boss's popular Katana amp, here in 100W combo incarnation. Designed with versatility in mind, the Katana offers five core amp characters, effects and Tube Logic valve emulation.

Supplier's Notes:
Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Newly voiced variations are now available for all five amp characters, doubling the tonal options. And the onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from. The usability has been ramped up too, with a power amp input for modelers and multi-FX, easy stereo expansion for dual amp setups, updated editor software, and many other enhancements.

More Sounds, More Versatility

The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. If you loved the original Katana amps, you'll love Katana MkII even more. And if you're new to the party, get ready for sound, feel, and versatility that soars far beyond its price class.

Five Amp Characters, Ten Overall Tones

Katana MkII's five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound.

Five Effects At Once

Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. Independent Booster, Mod, FX, Delay, and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Connecting to BOSS Tone Studio lets you dive much deeper if you want-customize the sections with over 60 different effect types, change the order with four different chains, and much more.

Full-Throttle Sound Every Time You Plug In

Backed by BOSS's Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. But unlike that classic tube amp, Katana MkII's variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage.

Amplify Your External Gear

The Katana-100 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favourite preamp, modeler, or multi-effects unit. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII's preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. And with BOSS Tone Studio, the input can be easily optimized for your particular gear with a high-pass filter and adjustable gain.

One-Touch Recall Of Custom Setups

One of the Katana-100 MkII's most powerful features is the ability to store favourite amp character and effects setups in Tone Setting memories for instant recall. After you've dialled in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Eight Tone Settings (two banks of four) are available, with fast selection right from the panel. And for hands-free operation on the gig, just connect external footswitches or the GA-FC foot controller.

Specifications

Rated Power Output: 100 W
Nominal Input Level
INPUT: -10 dBu (1 M ohm)
AUX IN: -10 dBu (20 k ohms)
RETURN IN: -10 dBu (100 k ohm)
Speaker: 30 cm (12 inches) x 1
Controls: POWER switch, MASTER knob, PRESENCE knob, POWER CONTROL switch (STANDBY, 0.5 W, 50 W, 100 W)
[AMPLIFIER] VARIATION button, AMP TYPE knob (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN), GAIN knob, VOLUME knob

[EQUALIZER]: BASS knob, MIDDLE knob, TREBLE knob

[MULTI EFFECT]: BOOSTER button, MOD button, FX button, DELAY button, REVERB button, TAP button, BOOSTER knob, MOD knob, FX knob, DELAY knob, REVERB knob

[TONE SETTING] CH1 button, CH2 button, CH3 button, CH4 button, PANEL button

[STEREO EXPAND] STEREO EXPAND switch
Indicators: VARIATION, ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN, BOOSTER, MOD, FX, DELAY, REVERB, TAP, CH1, CH2, CH3, CH4, PANEL

Connectors
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
AC IN jack
Power Consumption: 77 W
Accessories: Owner's manual, Power cord, GA-FC sticker

Options (sold separately) Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC, GA-FC EX)
Amplifier Stand: BAS-1

Size & weight

Width: 530 mm / 20-7/8 inches
Depth: 248 mm / 9-13/16 inches
Height: 484 mm / 17-1/2 inches
Weight: 14.8 kg / 32 lbs 11 oz
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MRP:$433.36 SAVE 16%
 1 in stock $363.35
Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones Sennheiser HD 490 PRO Professional Reference Studio Headphones
Cat: 990648 Rel: 23 Jan 24 • View all Studio headphones
 
HD 490 PRO include: 1.8m cable, mixing ear pads & producing ear pads
Notes: Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m
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After Later Audio Bartender Stereo Performance Mixer Module
Cat: 1004400 Rel: 11 Mar 24 • View all Synth modules
 
4-channel stereo production mixer module - 24HP
Notes: Neatly implemented performance mixer with four stereo channels. CV control of level and pan, two pre- or post-fader stereo send busses, quiet mutes and cueing via a front-panel headphone socket.

Supplier's Notes:
Four channel stereo production mixer

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Mains Section

Two stereo sends outputs
Two stereo returns - which can also be used to directly insert into the main mix.
Main stereo outputs - level controlled with the slider and stereo VU meter.
Main mono output - summed output of the main L&R. If you are after an 8ch mono mix, you can use each channel in stereo mode, use the level control to control the level and then pan control to control the levels of the two channels.

Cue Section

1/4" Headphone jack along with level control
Fader control to listen to the main mix, cue mix, or an adjustable mix of the two.
Expandable

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 24hp
12V: 260mA
-12V: 225mA
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Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white) Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white) Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white) Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white) Arturia Keylab Essential 88 MK3 88-Key USB MIDI Keyboard Controller (white)
Cat: 1003079 Rel: 14 Mar 24 • View all MIDI controllers
 
88-key USB MIDI keyboard controller
Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)
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 1 in stock $352.36
Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK)
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Wireless PRO is the ultimate wireless microphone, packed full of powerful features that offer incredible flexibility for recording pristine audio for your content. Never lose a take with 32-bit float on-board recording, keep all your video and audio flawlessly synchronised with timecode, and capture incredible-sounding content effortlessly with intelligent GainAssist technology. The Wireless PRO delivers everything you could possibly want from a compact wireless microphone system, and much more.

State-of-the-art Wireless Audio

RODE pioneered the ultra-compact wireless microphone category with the original Wireless GO and this legacy carries on with Wireless PRO. Utilising state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, it delivers crystal-clear, incredibly stable audio with a range of up to 260m. Wireless audio you can rely on in almost any recording application.

Never Lose a Recording

There's nothing worse than pulling your audio into your editing software and realising your recording clipped and can't be used. With the Wireless PRO, this is a thing of the past. 32-bit float on-board recording means your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too loud or too quiet. Never worry about setting your gain perfectly again. Gamechanger.

Audio and Video, Perfectly in Sync

With the Wireless PRO's timecode capability, you can perfectly synchronise your audio and video with ease - no need for complex and expensive external timecode systems.

Pristine Audio in Any Situation

In addition to its 32-bit float on-board recording, the Wireless PRO offers a plethora of features that promise pristine audio in any situation. Ensure your audio is smooth and balanced with intelligent GainAssist technology. Precisely match your mic to your camera with flexible gain controls and tailored presets. Add an extra layer of protection with the safety channel. Perfect recordings, every time.

The Ultimate Pro Recording Kit
The Wireless PRO comes with everything you need to get set up and recording wireless audio right out of the box. Included are two professional Lavalier II microphones that are perfect for recording on-screen talent, as well as furry windshields for outdoor use, a pair of MagClip GO to attach your transmitters anywhere, a smart charging case and a handy accessory pack to store your lavs, cables and clips.

Connect to All Your Devices

Thanks to its analogue (3.5mm) and digital (USB-C) outputs, the Wireless PRO is universally compatible with cameras and other audio devices, both iOS and Android smartphones and tablets, and Windows and Mac computers.

Easy Configuration and Control

Check your audio levels at a glance with the bright LCD display and configure settings on the fly with dedicated controls for everything from gain adjustment to triggering recordings. Customise the system to your needs anywhere using your computer or smartphone with the RODE Central app. Complete control over your setup, so you can be ready for any recording situation.

Monitor and Record

Monitor your audio in the field with the Wireless PRO's high-power headphone output, complete with on-board level control, or connect a headset or narrator microphone such as a lavalier to capture a third audio track. Ultimate versatility.
Specifications Acoustic & Electrical (Wireless PRO)

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dB SPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5m TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 10.15 above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Acoustic & Electrical (Charge Case)
Mechanical
Battery Capacity: 4200 mAH
Power Requirements: 5V/3A via USB-C
Charging Time: 2.5 hours
Charge Current: 2A (maximum)
Total charges (TXs and RX): 2 complete charges
Connection Type: USB-C (SuperSpeed USB-C cable required for optimal data transfer speeds)

Mechanical
Weight (grams)
TX: 35RX: 36
Charge Case: 177
Total: 284

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
Charge Case: 101 (W) x 82 (L) x 70 (D)

What's in the Box:

Wireless PRO TX
2 x Transmitter
30cm USB-C Lightning Cable
1 x SC21
30cm USB-C to USB-C Cable
1 x SC22
Premium Lavalier Microphone
2 x Lavalier II
Magnetic Clip for Wireless GO
2 x MagClip GO
Furry for the Wireless Go II
3 x Furry
Wireless PRO Receiver
1 x Receiver
Wireless PRO Charge Case
1 x Charge Case (PRO)
Wireless PRO Accessory Case
1 x Accessory Case
SC34 USB-C to C SuperSpeed Cable
1 x SC34
3.5mm TRS Patch Cable
1 x SC2
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MRP:$419.68 SAVE 17%
 2 in stock $347.32
TipTop Audio Octopus USB/MIDI To ART Interface & Voice Manager Module
Cat: 947146 Rel: 04 Mar 24 • View all Synth modules
 
USB/MIDI to ART interface & voice manager module - 18HP
Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA
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Hexinverter Mutant Machine Analogue Percussion Module
Hexinverter Mutant Machine Analogue Percussion Module (drum/clock generator/envelope generator/noise/oscillator/synth voice module)
Cat: 995966 Rel: 06 Feb 24 • View all Synth modules
 
Analogue percussion module - 22HP
Notes: A unique analogue percussion module, based on principles from the legendary 909 twisted into new sonic territory. Capable of everything from classic kicks and snares to more experimental hits and complex VCO effects.

Supplier's Notes:
A machine is born

The Machine began as a quest to create a rich-sounding eurorack snare drum synthesis module to complement the existing Mutant Drums. The project quickly became too large and costly to justify the module being capable only of snare drum sounds. So, the decision was made to learn from the architecture of the TR-909's snare and kick circuits, in order to develop a module capable of generating multiple forms of analogue percussion, and various other effects.

Like the other Mutant Drums, the Machine has its roots in classic analogue percussion synthesis. Even though it can create totally alien sounds, it still has the capability to deliver those classic 909 house snares and kicks if you want them. There are no microcontrollers in the Machine. The signals and waveforms are all generated by discrete components and ICs, for a distinctly analogue sound, and user experience.

Features

Microcontroller-free analogue percussion synthesis engine
Unique Inverter Core oscillators form the MEMBRANE. Each analogue oscillator has three waveforms to select from
Capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres
Modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion
The SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres
Both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility
13 control voltage and audio inputs, for a fully modular drum experience
7 audio and CV/gate outputs for maximum integration with other modules
Dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion
Waveform scanning feature generates complex timbres from analog waveforms
The MEMBRANE's waveforms can be scanned through automatically by the wavescanner's voltage controlled clock generator, or an external clock or VCO can be used
SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output
The ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal

Technical specifications

Width: 29HP | Depth: 30mm
Current draw: +139mA, -115mA @ 12V
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 2 in stock $334.47
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Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK) Sennheiser HD 490 PRO Professional Reference Studio Headphones (B-STOCK)
Cat: 1007935 Rel: 01 Jan 90 • View all Studio headphones
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m
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 1 in stock $333.84
Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black) Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black) Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black)
Cat: 1005024 Rel: 14 Mar 24 • View all Effects pedals
 
Wall of sound reverb & distortion effects pedal, all black
Notes: With Melee, Walrus Audio have given you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less-is-more approach, Walrus have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out there.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs
The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes: DSP, DSP+True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

High-Gain Distortion and Reverb combo
Controls: Vol, Tone, Decay, D>R|R>D (determines order of effects), Joystick (distortion level + reverb mix), bypass, sustain switch
Joystick control to meld reverb and distortion and inspire a wealth of creative output
Joystick controls reverb mix (x-axis) and distortion level (y-axis)
Switch signal-chain-order of distortion- and reverb-effect
D>R (distortion into reverb) or R>D (reverb into distortion)
D>R mode: traditional set up. Notes and chords remain their clarity
R>D mode: notes and chords are muddied to create a wall of sound
3 different reverb programs: Ambient, Octave and Reverse
Ambient Reverb: Huge reverb with massive trails
Octave Reverb: Lower octave on reverb trail. Like "Dark" mode on Walrus Audio Slo.
Reverse Reverb with Feedback: Add reversed reverb trails or push into reverse feedback overload.
Tone 3-way-toggle-switch sets the tone of reverb and distortion: normal, dark, bright
Decay 3-way-toggle-switch sets time of the reverb: minimum, medium, maximum
Set modulation via secondary control (decay 3-way-switch): none, slight (33RPM), high (45RPM)
Use momentary bypass to create a moment of texture
Sustain switch ramps up reverb trail to maximum or latches current reverb decay
3 bypass modes: DSP bypass, DSP+ true bypass, true bypass
9-volt DC, Centre Negative, 200mA minimum
Power Supply not included
Designed and assembled in the USA
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Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black) Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black) Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black)
Cat: 1005021 Rel: 14 Mar 24 • View all Effects pedals
 
Granular soundscape generator effects pedal, all black
Notes: In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analog Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Granular soundscape generator
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms
Powerful dual DSP architecture with individual feedback paths
Combine delay programs in series with granular sampling algorithms
5 programs centered around sample and chop delay algorithms
Program 1: Reverse Delay into Reverse Granular
Program 2: Forward Delay into Octave Up Granular
Program 3: Analog Delay into Octave Down Granular
Program 4: Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
Program 5: Forward Delay into Randomized Pitch Granular
Manipulate sampling length, position and buffer size of grains (short samples)
Play grains at double- or half-speed, reverse or from multiple positions to achieve different effects
Tap Tempo switch
Top-mounted Input and Output
Coated in a slate grey enclosure with white, black, cream, red, and orange ink
9-volt DC, Centre Negative, 300mA minimum
Buffered bypass
Power supply not included.
Designed and assembled in USA
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Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black) Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black) Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black)
Cat: 1005023 Rel: 14 Mar 24 • View all Effects pedals
 
Reverse soundscape generator effects pedal, all black
Notes: Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as, Lore. Walrus Audio is excited to announce their next experiment into ethereal ambiance called the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. to create the soundtrack to your storybook adventure. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Explore vast time stretching and reverse sounds with five different custom programs:

I. Reverse Delay into Reverse Reverb
II. Reverse Delay into Octave Up Reverb
III. Reverse Delay into Octave Down Reverb
IV. Reverse Reverb into Forward Reverb.
V. Pitch Delay into Pitch Delay.

Further explore the Lore with momentary features for adjusting modulation speed and a time warping effect that can shift the clock rate up or down, giving a rising or sinking effect. The Lore comes coated in a muted green enclosure with cream, orange, brown and dark green ink with art by David Huttner. The die-cast enclosure's exact size 9,2 cm x 12,2 cm x 5,72 cm including knobs. Power requirements are 9VDC, centre negative (300mA minimum).

Dimensions and power consumption: 9,3 x 11,8 x 5,6 cm (W x D x H)
300 mA

In the box:

Walrus Audio Lore
Manual
Sticker
Guitar pick
Pouch
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ALM Cizzle Dual Phase Distortion VCO Module ALM Cizzle Dual Phase Distortion VCO Module
Cat: 1007431 Rel: 15 Mar 24 • View all Synth modules
 
Dual phase distortion voltage controlled oscillator module
Notes: Another banger from ALM. Based on the oscillators from the classic 1980s Casio CZ series, the Cizzle uses phase distortion synthesis for characterful, FM-adjacent synth tones.

Supplier's Notes:
The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.

The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.

The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.

Ideal For

Flexible and precise primary digital voice duties in a Eurorack system.
Creating basslines, rich chords, drones, morphing tones, percussive hits etc.
Unique digital squelch.

Tech Specs
Supply: +12V 65mA / -12V 25mA
Size: 16HP
Depth: 32mm
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Boss Katana-110 Bass 60W Bass Amplifier Boss Katana-110 Bass 60W Bass Amplifier Boss Katana-110 Bass 60W Bass Amplifier Boss Katana-110 Bass 60W Bass Amplifier
Notes: Crafted with the breakthrough design philosophy behind the acclaimed Katana guitar amp series, the Katana-110 Bass delivers premium sound and advanced features perfectly tuned for the needs of serious bassists. Three unique amp characters and onboard BOSS effects provide a wide range of tones, backed by a stage-ready, 110-watt class AB power amp, custom 10-inch woofer, and tweeter with on/off switch. And with comprehensive EQ, flexible connectivity, and more, the Katana-110 Bass is ready to take on any playing situation, from stage to studio to everyday practice at home.

Refined Tone And Authoritative Power

The Katana-110 Bass brings you high-performance amplification fuelled by decades of BOSS knowledge and expertise. Armed with 110 watts of time-tested class AB power, this gig-ready amp provides big volume, punch, and presence and smooth, natural drive as you turn up the gain. Three unique preamp types are also available-each with a powerful three-way Shape switch to fine-tune the character-so you'll always have the perfect sound for any style or genre.

Vintage-A classic tube voice with organic tone and natural drive.
Flat-Smooth, clear, and dynamic tone with rich harmonic character.
Modern-Quick dynamic response with extended bass range.

Command The Stage

With its custom-designed speaker system and rock-solid combo cabinet, the Katana-110 Bass produces a commanding voice to drive your band in any musical situation. The fundamental tone of the 10-inch woofer is complemented with a tweeter for high-frequency definition that's ideal for slap and other modern playing styles. Our efficient bi-amp design delivers clear and balanced sound, and the tweeter can be turned off with a panel switch for a more traditional bass tone if desired.

Four Independent Effects Sections

The Katana series is famous for its onboard BOSS effects, and the Katana-110 Bass is no exception. Dedicated comp/limiter and drive sections provide core processing, while FX1 and FX2 offer a treasure trove of options from the BOSS bass effects library, from standards like chorus and flanger to octave, bass synth, and more. The FX2 section also includes delay and reverb, and over 60 total effect types are available for loading via the BOSS Tone Studio editor.

Precision Sound-Crafting Tools

With the intuitive panel controls on the Katana-110 Bass, you can quickly refine your tone in detail. The studio-inspired Blend section lets you mix in some dry signal, which you can pre-shape from the panel with three customizable settings for the optimum tonal fusion. A comprehensive four-band EQ is also on hand, complete with three selectable frequency centres in the low-mid and high-mid bands.

Rich Performance Versatility

The flexible Katana-110 Bass is your perfect partner for any live gig. Six Tone Setting memories are available for storing and recalling the sounds you create, including preamp type, EQ, Blend, and effect settings. You can switch memories from the panel and go even further with optional footswitches, an expression pedal, and the GA-FC Foot Controller. There's also a balanced XLR output for connecting to a house PA, along with a switch to select between direct, pre, or post signals.

Recording And Practice Powerhouse

The Katana-110 Bass is equally suited for studio recording and home playing. The compact footprint takes up minimal space, and the variable Power Control lets you dial up cranked-amp tones at family-friendly volume levels. A headphones/recording jack provides a direct output with effects and mic'd cab emulation with three Air Feel settings, while USB lets you interface with computer production software and track with great tone.

Specifications
Output Power: 60 W continuous (RMS), 110 W peak
Nominal Input Level: INPUT: -10 dBu (1 M ohm), POWER AMP IN: -10 dBu (20 k ohms), AUX IN: -10 dBu (20 k ohms), RETURN IN: -10 dBu (100 k ohm)
Speaker:
WOOFER: 25 cm (10 inches) x 1
TWEETER: x 1
Controls: POWER switch, MASTER VOLUME knob, POWER CONTROL switch (STANDBY, 1 W, MAX), TWEETER button

[INPUT EFX]: COMP button, DRIVE button, COMP knob, DRIVE knob

[AMPLIFIER]: PAD button, SHAPE button, TYPE knob (VINTAGE, FLAT, MODERN), GAIN knob, VOLUME knob

[BLEND]: BLEND button, DRY LEVEL knob

[EQUALIZER]: LOW MID button, HIGH MID button, BASS knob, LOW MID knob, HIGH MID knob, TREBLE knob

[EFFECTS]: FX1 button, FX2 button, TAP button, FX1 knob, FX2 knob

[TONE SETTING]: CH1 button, CH2 button, CH3 button, PANEL button

[BALANCED OUT]: GND LIFT switch (OFF, ON), SELECT (POST, PRE, DIRECT)
Indicators: COMP, DRIVE, PAD, SHAPE, BLEND, LOW MID, HIGH MID, FX1, FX2, TAP, CH1, CH2, CH3, PANEL, TWEETER

Connectors:
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
BALANCED OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
BLUETOOTH ADAPTOR SLOT: Bluetooth Audio MIDI Dual Adaptor
AC IN jack
Power Consumption: 77 W
Accessories: Owner's manual, Power cord, GA-FC sticker

Options (sold separately): Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC)
Bluetooth Audio MIDI Dual Adaptor (Model BT-DUAL)

Size & weight
Width: 470 mm / 18-9/16 inches
Depth: 300 mm / 11-13/16 inches
Height: 500 mm / 19-11/16 inches
Weight: 16.8 kg / 37 lbs 0.6 oz
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Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24 • View all Effects pedals
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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