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Items 1 to 50 of 156 on page 1 of 4
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Big Fudge 12" Paper Premium Master Vinyl Record Inner Sleeves (pack of 50)
Cat: 1001799 Rel: 28 Feb 24 • View all Vinyl sleeves
 
Acid-free anti-static rice paper inner sleeves, pack of 50
Notes: Premium Inner Record Sleeves - Master Sleeves for 12" Records
We think protecting your vinyl records with the highest-quality sleeves results in the best sound. Our premium master record sleeves help you avoid scuffing, static, and hairline scratches on your records.

Premium 3-ply polyethylene record inner sleeves add an extra line of defense and quality to your collection, preserving great music for decades to come by repelling dust for "long play" protection.

Why Add a Rice Paper Layer?
These archival record sleeves are made from high-density polyethylene (HDPE) with a rice paper backing. The rice paper layer is sandwiched between two sheets of HDPE with a translucent HDPE front. You'll find many records in their premium master sleeve, still in perfect condition decades later. This construction has other benefits, too:

No risk of paper scuffs
Reduction in static
Lower risk of sticking to vinyl over time
True collectors know that the quality and reliability of master sleeves aren't easy to find in your typical paper sleeve cover. Our clear vinyl record inner sleeves provide easy viewing of each record you pull. Premium anti-static record sleeves contain a transparent side for easy viewing of your complete album.
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MRP:$9.47 SAVE 39%
 More than 10 in stock $5.79
Alzheimer
Alzheimer (limited LP + 12" + 1-sided digitally printed 12" box set + tarot cards + insert in debossed box)
Cat: JIGIT 003BOX. Rel: 18 Mar 24
 
International
Isiminaimanin (2:39)
El Nombre De La Burriquita (1:43)
Chevere Manguolo (1:24)
Velorio De Cruz (1:40)
Raga Cahambur (2:01)
Gaiton (3:11)
Pasillaneando A Modo De Amor En Ta´chira Total (1:38)
Gaita De Aniceto Rondon (1:38)
Vaporum Purpura (2:52)
Isiminaimani (Ricardo Villalobos Y Si No Hay Mani? remix) (18:23)
Isiminaimani (Ricardo Villalobos Y Si Hay Mani? remix) (13:39)
Isiminaimani (Wetsuit's Je Me Souviens remix) (11:55)
Review: The third and most especial edition in the latest selection of versions of the reissued LP by Alonso Toro, Paul Desenne, and Pedro Vasquez - Alzheimer. Coming hot on the heels of an original, as-it-was reissue as well as a gemmy Ricardo Villalobos rerub, this deluxe edition comes in a beautiful yellow and lilac LP box, and features the latter's two remixes as well as an exclusive Wetsuit Je Me Souviens version. A curio of the Venezuelan vanguard, the album was recorded between January 1997-99, and hears the fabled trio of musicians "forget everything" that came before, enlisting the recorded help of every member of the animal kingdom - from mammals to insects - and shooting squarely for a whole new sound-world-order in the process. Sonically flowing between heritage Latin music and minimal electronica, the purpose is to confuse and the effect is indeed confounding, though no less dazzling.
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Tags: Latin | Minimal
 in stock $73.44
Live In Roma 1980
Live In Roma 1980 (limited 3xLP box set + booklet)
Cat: HOL 136. Rel: 21 Mar 24
 
Jazz
Kora & Drum (intro) (6:31)
Pleiades (7:46)
Cosmo-Communication (5:52)
Tapestry From An Asteroid (4:34)
Astro Black/The Strange Worlds In My Mind (2:40)
The World Is Waiting For The Sunrise/Mr Mystery (4:11)
Discipline 27 (5:11)
Romance Of Two Planets (2:31)
Blues Roma (3:23)
Big John's Special (3:04)
Yeah Man! (5:11)
Springtime Again (3:53)
Limehouse Blues (3:32)
Watusa (7:57)
Lights On A Satellite (5:58)
Spontaneous Simplicity (1:57)
Enlightenment (2:20)
Space Is The Place/We Travel The Spaceways (5:03)
Nothing Is (4:08)
Children Of The Sun (4:37)
Calling Planet Earth/On Jupiter (2:26)
Hit That Jive Jack (5:29)
King Porter Stomp (7:27)
Sun Ra & His Band From Outer Space (4:55)
 in stock $105.27
Underground Resistance Music That Never Surrenders T-Shirt (black, medium)
Notes: Classic, OG UR logo T-shirts, bearing the legend "Music That Never Surrenders".

Quality, ultra-cotton T-Shirt.

Official UR merchandise.
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 1 in stock $28.69
Rode Wireless GO II Charge Case (B-STOCK) Rode Wireless GO II Charge Case (B-STOCK) Rode Wireless GO II Charge Case (B-STOCK)
Rode Wireless GO II Charge Case (B-STOCK) (micrphone system charge case)
Cat: 1009612 Rel: 01 Jan 90 • View all Recording Studio Microphone Accessories
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Charge Case is a handy charging case for the Wireless GO II. It accommodates both transmitters and the receiver and features an integrated battery that facilitates three full recharges for up to 30 hours of continuous use. With a rugged enclosure and zip system, it is also perfect for protecting the Wireless GO II when in transit or storage.
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MRP:$73.69 SAVE 10%
 1 in stock $66.16
Nomeansno: From Obscurity To Oblivion: An Oral History
Cat: 1003434 Rel: 18 Mar 24 • View all 书
 
The fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now.
Notes: They were unlike any other band in the punk scene they called home. NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.

NoMeansNo: From Obscurity to Oblivion is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.

For established fans, this book serves as a "love letter" to their favourite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.

Book details:

Author: Jason Lamb with Paul Prescott o Foreword by Fred Armisen o Afterword by W. Buzz Ryan
Publisher: PM Press
Published: January 2024
Format: Paperback
Size: 8 x 10
Pages: 336
Subjects: Music / Punk

Praise

"With From Obscurity to Oblivion, Jason has documented every part big and small associated with the story of NomeansNo, isolating them into a book filled with an explosion of posters, clippings, and interviews. Yes, what he has created is worthy of a run on sentence! This is it! The definitive tome! From Obscurity to Oblivion has so many sub plots and stories I don't know how Jason edited it! A fascinating read and look (did I mention all the tidbits and pictures?) into the legendary Victoria, BC band."

-Nardwuar The Human Serviette

"Out of the blue, NoMeansNo showed up in San Francisco. Playing to a tiny crowd at a tiny dive bar. Blew the roof off several buildings in a matter of minutes. The drums and the bass were so tight and so intense, it was almost like they were one person. Could they be brothers? Ruth Schwartz of Mordam and I smiled warily at each other, thinking, 'Ok, which one of us gets this one...?' And that wonderful era we will always treasure began..."

-Jello Biafra

"I don't understand how the hell all these punks remember everything that made them the legends they are, but after reading NoMeansNo: From Obscurity to Oblivion, I'm grateful they do! The often forgotten third point of the Canadian trifecta (Rush, Voivod, and NoMeansNo), this incredibly thorough oral history is a necessary read for any punk."

-Shawna Potter, singer for War On Women, author of Making Spaces Safer A Guide to Giving Harassment the Boot Wherever You Work, Play, and Gather

"NoMeansNo mashed all the best in hard rock, metal, punk, and the art of politics in throughout their eleven albums, and Jason Lamb's book is just as important to the understanding of Canadian music and the band's astonishing place in it. We might not have the band around anymore, but this book will make you wish they were."

-Eric Alper, ThatEricAlper.com

"Jason Lamb has birthed into the world a stunning work of punk rock scholarship. Mirroring the complexity of the NoMeansNo story and the array of bands Rob and John inspired and influenced, there could be no other way to present the tale other than oral history. It reads like a panoramic-but at each stop, reverent-a celebration of this Canadian progressive punk treasure, and one feels the love with every speaker. But Lamb also interjects with necessary action points just to make sure we understand the near indescribable. Along the way as well, elucidating pictures help tell the story. The end effect is saga told in granular detail, yet made swiftly readable due to the format."

-Martin Popoff, author of The Clash: All the Albums, All the Songs and Ramones at 40

"If you've never heard NoMeansNo, shame on you. If you have, then you're in the know. Either way, they're one of the most important underground bands of all-time, and this book is for you."

-Sam Dunn, Banger Films

"Consider this book THEE definitive history of one of Canada's all-time greatest bands. A must-read for music fans, musicians, and punks the world over. NoMeansNo and author Jason Lamb shows you how to GET IT DONE."

-Grant Lawrence, CBC Music and bestselling author of Dirty Windshields

"NoMeansNo were, in fact, the greatest punk rock group that ever existed; of that I am absolutely sure. In this snappy, fabulously readable oral history, writer Jason Lamb has done an admirable job in tracking down all of the main players plus a gratifying array of musicians from bands such as Fugazi, Soundgarden, Faith No More, Foo Fighters, and Black Flag, who turn out to be staunch fans. Their incredible back catalogue is just waiting to be discovered by a younger audience and hopefully this book will be picked up by young souls who will be inspired to do something unique and audacious themselves. Probably the greatest gift NoMeansNo have left us fans is the idea that we have to work it out for ourselves; to do it for ourselves."

-John Doran, the Quietus UK

About the Contributors

Jason Lamb was born and raised in Victoria, BC Canada. After pursuing a career in stand-up comedy in Vancouver for fourteen years, he went back to school for broadcast journalism and moved back to his hometown of Victoria in 2008. Since then, Jason has been one half of the morning show at The Zone @ 91-3. He also produces and hosts "The Punk Show on The Zone," a weekly uncensored and commercial-free showcase of punk rock new and old, local and otherwise. It was on this show where he first interviewed members of his favourite band, NoMeansNo. That connection helped convince the band to allow Jason access to their incredible story. When not on the radio or doing stand-up, Jason enjoys full contact snooker and writing flattering biographies of himself.

Paul Prescott is a retired engineer from Maine who currently lives in Belize. He has been a NoMeansNo fan since the mid 80s.

Fred Armisen is one of the great comedians of this generation. A cast member on Saturday Night Live, Fred went on to create the hilarious Portlandia series with Carrie Brownstein (Sleater-Kinney). He has appeared in dozens of movies and television shows over the past two decades. Before his career in comedy and acting, Fred was the drummer of Chicago band Trenchmouth. His band opened for NoMeansNo in Texas in the mid 1990s. Fred is a very big fan of NMN.

W. Buzz Ryan is a fictional character who is actually the writing of NoMeansNo guitarist Tom Holliston. W. Buzz provided satirical and strange essays that served as liner notes on many NMN albums, as well as press releases and radio spots. He is a beloved and misunderstood member of the NoMeansNo universe.
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 1 in stock $24.76
Frequency Central Asteroids Gate Generator & Actuator Module
Cat: 1003593 Rel: 19 Mar 24 • View all Synth modules
 
Gate generator & actuator module - 8HP
Notes: Arcade performance buttons for gating and actuating.

You can use Asteroids in two different ways:

Gate generator using the two outputs. A 5V gate will be output when the relevant button in pressed.

Momentary manual actuator. Whatever is present at the relevant input will be output when the button is pressed.

Product Specifications

12V draw: 7mA
-12V draw: 0mA
5V draw: 0mA
Depth: 25mm
Width: 8HP
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 1 in stock $98.44
Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24 • View all Effects pedals
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
Read more
MRP:$271.61 SAVE 20%
 1 in stock $217.92
Click for better price!
or call +44 20 7424 1960
quote 996875
Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal
Boss SY-200 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996878 Rel: 19 Mar 24 • View all Effects pedals
 
Synthesiser effects pedal
Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms
Read more
MRP:$331.62 SAVE 15%
 1 in stock $281.08
Click for better price!
or call +44 20 7424 1960
quote 996878
Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK) Rode Wireless PRO Compact Wireless Studio Microphone System (B-STOCK)
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Wireless PRO is the ultimate wireless microphone, packed full of powerful features that offer incredible flexibility for recording pristine audio for your content. Never lose a take with 32-bit float on-board recording, keep all your video and audio flawlessly synchronised with timecode, and capture incredible-sounding content effortlessly with intelligent GainAssist technology. The Wireless PRO delivers everything you could possibly want from a compact wireless microphone system, and much more.

State-of-the-art Wireless Audio

RODE pioneered the ultra-compact wireless microphone category with the original Wireless GO and this legacy carries on with Wireless PRO. Utilising state-of-the-art Series IV 2.4GHz digital transmission and proprietary near-zero latency codec with 128-bit encryption, it delivers crystal-clear, incredibly stable audio with a range of up to 260m. Wireless audio you can rely on in almost any recording application.

Never Lose a Recording

There's nothing worse than pulling your audio into your editing software and realising your recording clipped and can't be used. With the Wireless PRO, this is a thing of the past. 32-bit float on-board recording means your audio is safely backed up every time you record, with the ability to recover any recording in post-production that was too loud or too quiet. Never worry about setting your gain perfectly again. Gamechanger.

Audio and Video, Perfectly in Sync

With the Wireless PRO's timecode capability, you can perfectly synchronise your audio and video with ease - no need for complex and expensive external timecode systems.

Pristine Audio in Any Situation

In addition to its 32-bit float on-board recording, the Wireless PRO offers a plethora of features that promise pristine audio in any situation. Ensure your audio is smooth and balanced with intelligent GainAssist technology. Precisely match your mic to your camera with flexible gain controls and tailored presets. Add an extra layer of protection with the safety channel. Perfect recordings, every time.

The Ultimate Pro Recording Kit
The Wireless PRO comes with everything you need to get set up and recording wireless audio right out of the box. Included are two professional Lavalier II microphones that are perfect for recording on-screen talent, as well as furry windshields for outdoor use, a pair of MagClip GO to attach your transmitters anywhere, a smart charging case and a handy accessory pack to store your lavs, cables and clips.

Connect to All Your Devices

Thanks to its analogue (3.5mm) and digital (USB-C) outputs, the Wireless PRO is universally compatible with cameras and other audio devices, both iOS and Android smartphones and tablets, and Windows and Mac computers.

Easy Configuration and Control

Check your audio levels at a glance with the bright LCD display and configure settings on the fly with dedicated controls for everything from gain adjustment to triggering recordings. Customise the system to your needs anywhere using your computer or smartphone with the RODE Central app. Complete control over your setup, so you can be ready for any recording situation.

Monitor and Record

Monitor your audio in the field with the Wireless PRO's high-power headphone output, complete with on-board level control, or connect a headset or narrator microphone such as a lavalier to capture a third audio track. Ultimate versatility.
Specifications Acoustic & Electrical (Wireless PRO)

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20 Hz - 20 kHz
Maximum SPL: 123.5 dB SPL
Equivalent Noise (A-Weighted): 22 dBA
Signal-to-noise Ratio: 72 dB
Analogue Inputs: 3.5mm locking TRS (TX)
Analogue Outputs: 3.5m TRRS (RX)
Transmission Range: 260m (line of sight)
Digital Connectivity: USB-C
Operating System Requirements: macOS 10.15 above, Windows 10 and above, iOS 14 and above, Android 11 and above
Power Requirements: In-built rechargeable lithium-ion battery, charged via USB-C (5V, 0.4A)
Operating Time: Up to 7 hours

Acoustic & Electrical (Charge Case)
Mechanical
Battery Capacity: 4200 mAH
Power Requirements: 5V/3A via USB-C
Charging Time: 2.5 hours
Charge Current: 2A (maximum)
Total charges (TXs and RX): 2 complete charges
Connection Type: USB-C (SuperSpeed USB-C cable required for optimal data transfer speeds)

Mechanical
Weight (grams)
TX: 35RX: 36
Charge Case: 177
Total: 284

Dimensions (millimetres)
TX: 46.5 (W) x 44 (L) x 20 (H)
Charge Case: 101 (W) x 82 (L) x 70 (D)

What's in the Box:

Wireless PRO TX
2 x Transmitter
30cm USB-C Lightning Cable
1 x SC21
30cm USB-C to USB-C Cable
1 x SC22
Premium Lavalier Microphone
2 x Lavalier II
Magnetic Clip for Wireless GO
2 x MagClip GO
Furry for the Wireless Go II
3 x Furry
Wireless PRO Receiver
1 x Receiver
Wireless PRO Charge Case
1 x Charge Case (PRO)
Wireless PRO Accessory Case
1 x Accessory Case
SC34 USB-C to C SuperSpeed Cable
1 x SC34
3.5mm TRS Patch Cable
1 x SC2
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MRP:$420.05 SAVE 17%
 2 in stock $347.62
Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK)
Cat: 1008910 Rel: 01 Jan 90 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)
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MRP:$146.33 SAVE 15%
 1 in stock $124.30
Aja (remastered) (B-STOCK)
Aja (remastered) (B-STOCK) (limited gatefold 200 gram clear UHQR vinyl 2xLP box set + booklet + insert in slipcase)
Cat: AUHQR 001445. Rel: 01 Jan 90
 
Rock
Black Cow (5:03)
Aja (7:54)
Deacon Blues (7:28)
Peg (3:55)
Home At Last (5:35)
I Got The News (4:58)
Josie (4:31)
Review: ***B-STOCK: Box slightly torn and creased, but content in perfect condition***


Steely Dan are the kind of band where everyone has their favourite album, with a fanbase who might well get a little heated debating which phase of the band is superior. But when it comes down to it, everyone will agree Aja is their masterpiece, where that exacting studio process and the elevated songwriting hit some magical sweet spot that yielded the semi-mythical perfect album. The grooves are so slinky as 'Black Cow' opens the record up, they spring with joy out of 'Peg' and they lock down heavy on 'Josie', and there's so much more in between. This faithful reproduction from Analogue Productions is a limited audiophile edition for a band who were made for audiophiles.
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 in stock $193.70
Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 19 Mar 24 • View all Effects pedals
 
Digital delay effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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 1 in stock $240.01
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quote 996860
Frequency Central Akropoli Advanced Generative Sequencer Module
Frequency Central Akropoli Advanced Generative Sequencer Module (clock generator/comparator/logic/sequencer module)
Cat: 997141 Rel: 19 Mar 24 • View all Synth modules
 
Generative CV sequencer & 4-channel clock divider module - 16HP
Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm
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 1 in stock $262.12
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quote 997141
Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black) Aodyo Anyma Phi Hybrid Monophonic Physical Modeling Synthesiser (limited edition black)
Cat: 933550 Rel: 19 Mar 24 • View all Synthesisers
 
Hybrid monophonic physical modeling synthesiser
Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France
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 1 in stock $450.57
Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24 • View all Effects pedals
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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MRP:$271.61 SAVE 21%
 1 in stock $214.75
Serato Roland TB-303 Bassline & TR-606 Drumatix 12" Control Vinyl Records (pair) Serato Roland TB-303 Bassline & TR-606 Drumatix 12" Control Vinyl Records (pair)
Notes: Revolutionary Sounds Resurrected: Limited Edition TB-303 & TR-606 Vinyl Pressing

To celebrate 303 Day, Serato have teamed up with Roland to release a limited edition 12-inch double pressing that's a true testament to the revolutionary essence of the silver siblings, the Roland TB-303 Bass Line and TR-606 Drumatix. With a limited number of sets available, this collection is more than a collector's item - it's an essential toolkit for DJs ready to spin the sounds that shaped electronic music.

Featuring J Rocc, Fast Eddie, DJ Haus, and Shadow Child, this exceptional lineup breathes new life into the legacy of these iconic machines. Their artistry reinterprets these legends through a contemporary lens, celebrating the enduring impact of these seminal instruments.

Crafted for seamless mixing, the TB-303 vinyl comes alive with Fast Eddie and DJ Haus's alien-like basslines and elements on Side A, effortlessly syncing with the TR-606 vinyl's dynamic drum patterns and beats, featuring the skilful touches of J Rocc and Shadow Child. The tracks, spanning various BPMs, are meticulously designed for easy layering and syncing, allowing DJs to emulate and innovate in the footsteps of the greats. On Side B, both records feature the Serato control tone for precise mixing and scratching, adding to their versatility.

The Serato Control Vinyl 2.5 performance vinyl features the re-mastered Serato NoiseMap Control Tone that is 6db louder than earlier pressings, allowing for precise tracking, better vinyl wear, and the most authentic feeling digital vinyl experience on the market.
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 More than 10 in stock $52.63
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quote 997422
Big Fudge 12" Vinyl Record Gatefold Sleeves (clear, pack of 25) Big Fudge 12" Vinyl Record Gatefold Sleeves (clear, pack of 25)
Cat: 1001747 Rel: 28 Feb 24 • View all Vinyl sleeves
 
12" vinyl record gatefold sleeves, clear
Notes: Gatefold Record Sleeves

Enjoy True Gatefold Protection Without Restriction

Make sure your collection of prized gatefold albums is set up for long-term enjoyment with gatefold record sleeves. These archival-quality and acid-free vinyl gatefold sleeves protect your records with the same level of quality as traditional and premium record sleeves but have been designed to store your gatefolds. Designed for ease of use in accessing your albums, there is no need to get caught up in the packaging. Stop fumbling around with other outer sleeves and go full gatefold! You'll enjoy a sleek and streamlined design with crystal-clear covers, keeping your collection looking stunning for years to come. Album artwork shines through with zero frosting.

Preserve Your Collectible Albums with Big Fudge

Gatefold records are known to have some of the most appreciated artwork with their additional space. These were designed for you to be able to keep this artwork intact and display these favourites with pride. Big Fudge's gatefold record sleeves are sized with care and designed with record display in mind with non-crimping materials and 3mil of crystal clear polyethylene that keeps your gatefold records' artwork popping and the records looking brand new. As record collectors with the goal of helping other record collectors, these gatefold record sleeves will be just the thing to take your gatefold records to the next level and keep them pristine.

Product Information:

25.5" unfolded, with 2 pockets 12.75in square
25 Crystal Clear Outer Sleeves
Fits all standard and oversized 12" gatefold albums
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MRP:$13.69 SAVE 62%
 More than 10 in stock $5.26
Big Fudge Vinyl Record Brush & Stylus Cleaning Gel
Big Fudge Vinyl Record Brush & Stylus Cleaning Gel (vinyl record brush/stylus cleaning solution)
Cat: 1000496 Rel: 28 Feb 24 • View all 黑胶清洁产品和CD/DVD清洁产品
 
Vinyl record brush & stylus cleaning gel
Notes: Complete Vinyl Cleaning Kit:

Record Brush & Stylus Gel

Keep your vinyl records and your record player in top form with this premium album-cleaning kit from Big Fudge Vinyl. The kit includes a record brush and stylus cleaning gel, so you can continue enjoying your favorite music with flawless performance.

A Truly Static-Free Vinyl Cleaning Brush

This kit includes a no-scratch, record-cleaning brush made with premium carbon fiber to eliminate static charges from your records. Less static means less dust and fewer unwanted particles, so you can get the maximum life from your records and enjoy better audio quality.

The soft-bristled vinyl brush cleaner is gentle on vinyl, and it includes a protective cover to prevent dust accumulation. Just gently grip the ribbed handle and slide the brush along the surface of your record. It's incredibly simple.

A Stylus Gel to Ensure Flawless Performance

In addition to the record brush, Big Fudge has also developed a one-of-a-kind cleaning gel for your record player needle that's simple, gentle, and extremely effective. Just lower the tonearm into the gel to eliminate dust from your needle and improve the sound quality of your vinyl records. Our stylus gel is non-toxic and has been extensively tested to ensure total safety and maximum results.
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ALM Cizzle Dual Phase Distortion VCO Module ALM Cizzle Dual Phase Distortion VCO Module
Cat: 1007431 Rel: 15 Mar 24 • View all Synth modules
 
Dual phase distortion voltage controlled oscillator module
Notes: Another banger from ALM. Based on the oscillators from the classic 1980s Casio CZ series, the Cizzle uses phase distortion synthesis for characterful, FM-adjacent synth tones.

Supplier's Notes:
The 'CIZZLE' is a dual digital 'phase distortion' VCO inspired by the classic Casio 'CZ' series synthesizers. It brings the specifics of 'CZ' style phase distortion (PD) synthesis into Eurorack with the inclusion of primary and secondary oscillator layering and detuning (with up to 8 voice chord generation), extended morphable PD wave generation algorithms, unique resonance wave generation, plus specific 'end of chain' ring modulation and noise modes that are key to the CZ sound.

The voices also feature built in VCAs and various modulation controls and inputs, a cv-able chord mode, tracking ability, triggered mode switching and can be output independently or mixed with stereo widening.

The 'CIZZLE' finally brings characteristic CZ style synthesis to Eurorack with a rich palette of sounds from mellow ambient tones, 90s Detroit Techno inspired chords, Reese style basses, and synth tones with unique faux resonance squelch.

Ideal For

Flexible and precise primary digital voice duties in a Eurorack system.
Creating basslines, rich chords, drones, morphing tones, percussive hits etc.
Unique digital squelch.

Tech Specs
Supply: +12V 65mA / -12V 25mA
Size: 16HP
Depth: 32mm
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Big Fudge 7" Vinyl Record Polypropylene Outer Sleeves (clear, pack of 100)
Cat: 1001813 Rel: 27 Feb 24 • View all Vinyl sleeves
 
7" vinyl record clear polypropylene outer sleeves, pack of 100
Notes: Outer Sleeves - 3 mil HDPP, Crystal Clear, Wrinkle-Free

Beautiful Heavy-Duty Protection

Vinyl record outer sleeves by Big Fudge are made from durable, crystal clear high-density polypropylene. Unlike industry-standard polyethylene record sleeves, which are opaque and easily clouded, our outer sleeves allow your album art to stand out and last longer.

Like all our other products, our outer record sleeves are designed by record geeks who want to make products worthy of their own standards. Other protective covers may split at the seams or wrinkle, but our sleeves are designed to forego all of those issues. These clear vinyl sleeves will fit both single LPs comfortably and accommodate your prized gatefold or double albums snugly. Big Fudge have streamlined the vinyl outer sleeve design further by removing the bulk that resealable flaps cause in other brands' sleeve styles.

These vinyl record outer sleeves will fit single records, gatefold, or double albums comfortably.
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 More than 10 in stock $10.52
Xaoc Devices Poti II 1974 Batumi II Expander Module
Cat: 979277 Rel: 29 Feb 24 • View all Synth modules
 
Expander module for Batumi II - 4HP
Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

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Big Fudge 12" Vinyl Record 350gsm Cardboard Sleeves (white, pack of 20) Big Fudge 12" Vinyl Record 350gsm Cardboard Sleeves (white, pack of 20)
Cat: 1000528 Rel: 28 Feb 24 • View all Vinyl sleeves
 
12" vinyl record 350gsm carboard jackets
Notes: Blank Album Jackets, White, 20x 12 Inch LP Vinyl Covers

Vinyl Is Forever

... That is if you take good care of it! Big Fudge is the leading brand in the protection, storage, and display of vinyl records - like this set of 20 Glossy Black Album Covers!

It's Time to Replace Those Sad Old Vinyl Jackets

You, and those who came before you, loved those albums so HARD the jackets are now tattered. So replace them with blank album covers that let you spend less time with the sticky tape and more time listening to perfectly protected tunes. Unlike other jackets with thin spines that bunch up your sleeves, these jackets let you write ON the spine and keep the sleeves smooth and flat.

20 Blank Jackets for 12" Vinyl
350gsm Thick Glossy White Cardboard - Acid-Free
Compatible With Standard 12" Inner and Outer Sleeves
3.5mm Spine To Label Your Albums with Thin Chalk Market

Fits Your Favourite Sleeves

These Covers fit 12" albums like a hug from Tony Bennett. Some jackets make inner sleeves bunch up, but Big Fudge covers let plastic or paper sleeves slide in like a dream and then fit snugly to prevent them from falling out.

Add Your Artwork

Thin spines are annoying. But these jackets have a 3.5 mm thick spine, so you can label it. The front lets you glue or sticker art and then slide it into your outer sleeve. Use thin chalk markers that require a solvent to remove.

20x black Jackets

Your order includes 20 vinyl covers. Acid-free, 350 gsm glossy black cardboard jackets with the same quality you expect from Big Fudge. These will fit all your vinyl, even 180g pressings.

They've Had a Hard Life

You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with these Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.
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Big Fudge 7" Vinyl Record Paper Inner Sleeves (white, pack of 100) Big Fudge 7" Vinyl Record Paper Inner Sleeves (white, pack of 100)
Cat: 1000485 Rel: 27 Feb 24 • View all Vinyl sleeves
 
7" vinyl record white paper inner sleeves, pack of 100
Notes: Vinyl Record Inner Record Sleeves - Acid-Free Paper & Round Corners

Vinyl Collector Basics Done Right

Big Fudge premium vinyl record inner sleeves are made from bright white, heavyweight paper (20 lbs) that is both acid and alkaline-free. Designed by collectors for collectors, these sleeves feature exterior seams instead of interior seams, making it easier to slide your records in without wearing down the sleeve. Big Fudge also use rounded corners instead of square corners to ensure a perfect fit in any album cover. There'll be no more scuffing, static build-up, or dust.

Elevate Your Vinyl Experience

For the avid collector, vinyl records are more than just a medium for music - they're a piece of history, a nod to the bygone era, and an investment for the future. That's why Big Fudge have curated a range of tools to protect and preserve the original quality and soul of your collection, including these acid-free paper record sleeves. Big Fudge's range of outer and inner vinyl sleeves, jackets, and cleaning kits ensure that your vinyl remains as pristine as the day it was pressed.

Investing in these products is investing in the longevity of your collection. With Big Fudge, you're not just buying protection; you're ensuring the legacy of your music lasts for generations to come. Join the community of collectors who trust us with their most cherished possessions.

The aim is make it easy to find everything you need to clean your records and keep them that way. Use these vinyl inner sleeves as a first line of defence, Big Fudge's popular outer sleeves as the second line of defence, and Big Fudge's 4-in-1 cleaning kit or Record Friend to battle any dirt or grime that manages to stick to your records during use.

The goal is to provide audiophiles with vinyl record care tools that go above and beyond, heightening the quality of your records with ease. Please contact us for questions about your order or any other questions you might have.

They've Had a Hard Life

You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with Big Fudge's Black and White Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.
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1010 Music USB-B Splitter Cable For Bluebox
Cat: 1000427 Rel: 05 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
USB-B cable splitter designed to be used with the Bluebox mixer & recorder
Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in
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 4 in stock $8.94
SoMa Laboratory Terra Plastic Dust Cover SoMa Laboratory Terra Plastic Dust Cover SoMa Laboratory Terra Plastic Dust Cover
Cat: 951442 Rel: 08 Mar 24 • View all Studio Equipment Covers
 
Plastic dust cover
Notes: Plastic dust cover for Soma Laboratory Terra.

*** The Terra is not included, it is shown in the pictures for demonstration purposes only. ***
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Big Fudge 7" Vinyl Record Paper Inner Sleeves (black, pack of 50)
Cat: 1001792 Rel: 27 Feb 24 • View all Vinyl sleeves
 
7" vinyl record black paper inner sleeves, pack of 50
Notes: Black Special Edition Inner Sleeves | Made from Heavyweight & Acid Free Paper

Black Inner Record Sleeves

Protect Your Record Collection in Style with Black Inner Sleeves

As record aficionados themselves, Big Fudge knows how crucial record collection maintenance is in order to preserve your vinyl's quality and longevity. When you love a record dearly it's only natural that with enough rotations that the cover and sleeves will begin to fold and flap obnoxiously. Add a stylish flair to your records with our new black inner sleeves. These have a sleek and stylish design while preserving your favorite music at the same time.

Contemporary Storage Solutions for Your Classic Albums

Big Fudge provides unrivaled protection for your record collection. Enjoy the matte black design with thick protection from daily wear and tear. Protecting and collecting your records is simple with black inner sleeves that are made to help you enjoy your records for decades.
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 More than 10 in stock $3.69
IDYD Paradise Garage 12" Vinyl Record Slipmats (pair)
Cat: 1004719 Rel: 05 Mar 24 • View all Slipmats
 
12" vinyl record slipmats, pair
Notes: Paradise Garage Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: 0.09" (3/32")

Additional information
Weight: 0.2 g
Size: 12"
Pair of Slipmats
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Serato Sacred Geometry V - The Source 12" Control Vinyl Records (pair)
Cat: 997420 Rel: 04 Mar 24 • View all Scratch Vinyl - Control Vinyl Records
 
12" control vinyl records
Notes: In "Sacred Geo V - "The Source", we arrive at the final stage of the journey into Sacred Geometry.

This volume pays tribute to the creative spirit, highlighting DJs as modern-day alchemists who craft auditory experiences that resonate with the heart and soul. It invites us to explore the sacred intersection of life, art, and music.

The design, represented by the overlapping circles of the "Vesica Piscis", delves deep into the spiritual and artistic realms of music creation. One circle signifies the initial spark of inspiration, the genesis of a musical idea, while the other focuses on the execution - the transformation of this inspiration into tangible soundscapes.

The vinyl is made from a special compound with a translucent white base, reminiscent of a blank canvas. It is a standard Serato weight 12" disc that meets the highest standards of performance and demands, shielded by a precision laser-cut sleeve made from deluxe matte black stock.

The latest Serato Control Vinyl 2.5 offers an enhanced experience with the re-mastered Serato NoiseMap™ Control Tone. 6db louder than previous versions, it ensures precise tracking, improved vinyl durability, and the most authentic digital vinyl feel available on the market.
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Big Fudge 7" Vinyl Record Polypropylene Outer & Paper Inner Sleeve Bundle (50 outer & 50 inner sleeves)
Cat: 1000476 Rel: 28 Feb 24 • View all Vinyl sleeves
 
7" vinyl record polypropylene outer & paper inner sleeve bundle
Notes: Whether we're talking cleaning or storage, it's important to maintain your vinyl collection in unmarred, scratch-free condition. But running around stocking up on supplies is time-consuming and takes you away from what you would rather be doing: listening to tunes. That's why Big Fudge are excited to offer vinyl album sleeves and inner LP sleeves in a single package. Keep your vinyl in mint condition at a reasonable price.

Get 50 Crystal-Clear Outer Sleeves: Show Off Your Album Art

These outer sleeves fit all 7" records, including most double albums and gatefolds, with less excess than other vinyl sleeves, which allows just enough room to breathe. Big Fudge use 3mil, crystal-clear polypropylene so that the album artwork is easy to see and the albums don't stick together.

Get 50 Acid-Free Inner Sleeves: Protect Your Vinyl

The custom rounded corners on these inner LP sleeves allow you to slide them into and out of even the most loved covers with ease, while the specially placed external seams allow you to slide vinyl in and out without snagging.
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 More than 10 in stock $6.30
The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (hardback edition)
Cat: 986320 Rel: 01 Mar 24 • View all 书
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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SoMa Laboratory Terra Soft Case SoMa Laboratory Terra Soft Case SoMa Laboratory Terra Soft Case SoMa Laboratory Terra Soft Case
SoMa Laboratory Terra Soft Case (synthesiser soft case)
Cat: 951479 Rel: 08 Mar 24 • View all Recording Studio Accessories
 
Soft case
Notes: Soft case for Soma Laboratory Terra.
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SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak)
Cat: 955441 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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Future Retro Vectra 29-Keys Hybrid Synthesiser
Cat: 854774 Rel: 12 Mar 24 • View all Synthesisers
 
29-keys hybrid keyboard synthesiser
Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.
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 8 in stock $1,599.12
UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (red, 1.5m) UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (red, 1.5m) UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (red, 1.5m) UDG Ultimate Straight USB 3.2 Type C-C Audio Cable (red, 1.5m)
Cat: 992116 Rel: 08 Mar 24 • View all Audio USB Cables | USB Cable Adapters
 
Straight USB 3.2 type C-C audio cable
Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Red
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:
Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras:

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits:

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer
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 3 in stock $19.48
IDYD Stormtrooper Strobe 12" Vinyl Record Slipmats (pair)
Cat: 996834 Rel: 29 Feb 24 • View all Slipmats
 
12" vinyl record slipmats
Notes: Stormtrooper Strobe Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: 0.09"

Weight: 0.2 g
Size: 12"
Pair of slipmats
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 1 in stock $12.10
Big Fudge 7" Vinyl Record 350gsm Cardboard Sleeves (black, no hole, pack of 20)
Cat: 1001808 Rel: 28 Feb 24 • View all Vinyl sleeves
 
7" vinyl record 350gsm black cardboard sleeves - pack of 20
Notes: Blank Album Jackets, Black, 20x 7 Inch Single Vinyl Covers

Vinyl Is Forever
... That is if you take good care of it! Big Fudge is the leading brand in the protection, storage, and display of vinyl records

It's Time to Replace Those Sad Old Vinyl Jackets
You, and those who came before you, loved those albums so HARD the jackets are now tattered. So replace them with blank album covers that let you spend less time with the sticky tape and more time listening to perfectly protected tunes. Unlike other jackets with thin spines that bunch up your sleeves, these jackets let you write ON the spine and keep the sleeves smooth and flat.

20 Blank Jackets for 7" Vinyl
350gsm Thick Glossy Black Cardboard - Acid-Free
Compatible With Standard 7" Inner and Outer Sleeves
3.5mm Spine To Label Your Albums with Thin Chalk Market

Fits Your Favorite Sleeves
Our Black Covers fit 7" records like a hug from Tony Bennet. Some jackets make inner sleeves bunch up, but Big Fudge covers let plastic or paper sleeves slide in like a dream and then fit snugly to prevent them from falling out.

Add Your Artwork
Thin spines are annoying. But our jackets have a 3.5 mm thick spine, so you can label it. The front lets you glue or sticker art and then slide it into your outer sleeve. Use thin chalk markers that require a solvent to remove.

They've Had a Hard Life
You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with our Black and White Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.
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 More than 10 in stock $2.10
Big Fudge 7" Vinyl Record 350gsm Cardboard Sleeves (white, pack of 20) Big Fudge 7" Vinyl Record 350gsm Cardboard Sleeves (white, pack of 20)
Cat: 1000508 Rel: 28 Feb 24 • View all Vinyl sleeves
 
7" vinyl record 350gsm cardboard sleeves
Notes: Blank Album Jackets, White, 20x 7 Inch LP Vinyl Covers

Vinyl Is Forever

That is if you take good care of it! Big Fudge is the leading brand in the protection, storage, and display of vinyl records - like this set of 20 Glossy White Album Covers!

It's Time to Replace Those Sad Old Vinyl Jackets

You, and those who came before you, loved those albums so HARD the jackets are now tattered. So replace them with blank album covers that let you spend less time with the sticky tape and more time listening to perfectly protected tunes. Unlike other jackets with thin spines that bunch up your sleeves, these jackets let you write ON the spine and keep the sleeves smooth and flat.

20 Blank Jackets for 7" Vinyl
350gsm Thick Glossy White Cardboard - Acid-Free
Compatible With Standard 7" Inner and Outer Sleeves
3.5mm Spine To Label Your Albums with Thin Chalk Market

Fits Your Favourite Sleeves

These White Covers fit 7" records like a hug from Tony Bennet. Some jackets make inner sleeves bunch up, but Big Fudge covers let plastic or paper sleeves slide in like a dream and then fit snugly to prevent them from falling out.

Add Your Artwork

Thin spines are annoying. But these jackets have a 3.5 mm thick spine, so you can label it. The front lets you glue or sticker art and then slide it into your outer sleeve. Use thin chalk markers that require a solvent to remove.

Your order includes 20 vinyl covers. Acid-free, 350 gsm glossy white cardboard jackets with the same quality you expect from Big Fudge. These will fit all your vinyl, even 180g pressings.

They've Had a Hard Life

You've dragged them around town, listened to them a million times, or found them already pre-loved and worn-out; now give them a new start at life with Big Fudge's Black and White Album Covers from Big Fudge - the brand that thousands of vinyl fans love and trust.
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MRP:$15.79 SAVE 87%
 More than 10 in stock $2.10
IDYD Stormtrooper 12" Vinyl Record Slipmats (pair)
Cat: 1005391 Rel: 05 Mar 24 • View all Slipmats
 
12" vinyl record slipmats, pair
Notes: Stormtrooper Turntable Slipmats 12", printed using a high resolution printer, the results will not disappoint.

These are considered the go to slipmats for printers and turntablists, A hybrid slipmat with a unique glazed bottom surface.

These slipmats are compressed with enough thickness and density to accommodate the speed and accuracy of a Scratch DJ, without having the needle bounce when touching the vinyl. The Mix/Club DJ's using IDYD's hybrid glazed slipmats would get the absorbent feel and gain the speed along with the accuracy of a Scratch DJ.

These slipmats also work perfect for any vinyl/collector home turntablist.

Professional Grade Blank Slipmats for 12" Turntables
Weight: 16oz Felt
Bottom Surface: Glazed
Thickness: .09" (3/32")

Additional information
Weight: 0.2 g
Size: 12"
Pair of Slipmats
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MRP:$13.69 SAVE 12%
 1 in stock $12.10
SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak)
Cat: 951312 Rel: 08 Mar 24 • View all Synthesisers
 
A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.
Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.
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 7 in stock $1,471.74
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quote 951312
Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24 • View all Effects pedals
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.83 SAVE 19%
 2 in stock $304.24
Xaoc Devices Drezno II Black Synth Module Panel
Cat: 945632 Rel: 01 Mar 24 • View all Synth Module Accessories
 
Optional accessory replacement panel.
Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.
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 2 in stock $36.05
TipTop Audio ATX1 VCO ART Analogue VCO Module
Cat: 947141 Rel: 04 Mar 24 • View all Synth modules
 
Analogue voltage controlled oscillator module - 8HP
Notes: A classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 105mA / -12V 33mA
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 1 in stock $224.22
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quote 947141
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black)
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 951618 Rel: 26 Feb 24 • View all Synth modules
 
Voltage-controlled dual VCO, LFO and random module - 8HP.
Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
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MRP:$304.24 SAVE 25%
 3 in stock $228.44
Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal
Cat: 1003303 Rel: 28 Feb 24 • View all Effects pedals
 
Analogue dry & wet mixer/attenuator & booster effects pedal
Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.
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 1 in stock $97.89
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quote 1003303
Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven Weird Walk Zine Issue Seven
Cat: 1004100 Rel: 15 Mar 24 • View all 杂志
 
Weird Walk Zine Issue Seven
Notes: Weird Walk Zine Issue Seven

48 page A5 zine

Printed on high quality PEFC certified recycled stock

With the sun at its lowest ebb, and the night stretching to its longest duration of the year, Weird Walk Issue Seven is offered up as a symbol of the continuing cycle of rot and renewal, death and new life.

Taking inspiration from the woodland, author Nadia Attia explores the folklore surrounding some of Britain's iconic tree species, while leafy associations abound as the Hastings Jack in the Green festival is reflected upon, and the suitably named Verdant Wisdom collective take us through a rural take on dungeon synth music. Elsewhere two mavens of weird walking, Alice Lowe and Benjamin Myers, lead separate quests in two very different locations, each filled with magick and memory.

And if trees can emotionally connect us to the landscape, then so can the old stone monuments that so entrance us; in this issue, phenomenological approaches to ancient sites are explored (and, also, cheese).

Includes photos by Sarah White, Rachel Adams and Freddie Miller.
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 1 in stock $5.79
TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module
Cat: 1004139 Rel: 04 Mar 24 • View all Synth modules
 
4-channel CV to ART quantizer module - 8HP
Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA
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 1 in stock $253.71
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quote 1004139
TipTop Audio The Analog Bundle S1: ART V/OCT CV To ART Converter/3x ATX1/MIX7/Z2040/Control Path Modules
Cat: 1004144 Rel: 04 Mar 24 • View all Synth modules
 
Bundle includes ART V/OCT CV To ART Converter, 3x ATX1, MIX7, Z2040 & Control Path Modules
Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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 1 in stock $946.43
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TipTop Audio The Analog Bundle S2: Octopus/3x ATX1/MIXZ/Z2040/Control Path
Cat: 1004146 Rel: 04 Mar 24 • View all Synth modules
 
Bunble include Octopus, 3x ATX1, MIX7, Z2040 & Control Path modules
Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma
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 1 in stock $999.06
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Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay Pittsburgh Modular Taiga Keyboard Dynamic 3-Oscillator Synthesiser With Modular Expansion Bay
Cat: 1001110 Rel: 07 Mar 24 • View all Synthesisers
 
37-key analogue paraphonic synthesiser with modular expansion bay
Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
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MRP:$1,500.17 SAVE 13%
 2 in stock $1,300.15
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