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Eventide Omnipressor 2830Au Dynamics Effects Processor (audio compressor)

Cat: 980301 • View all Compressors Limiters & Gates

Dynamics effects processor unit

Notes: In 1973, Eventide Clockworks introduced the Omnipressor, the first studio product to encourage the use of dynamics for special effects. It joined the Instant Phaserr in studios worldwide, with the Instant Flanger following shortly after. All were used on countless recordings and are now considered truly classic products. Unlike the Phaser and Flanger, the Omnipressor, with its still-unique dynamic reversal, infinite compression, variable gating and separate "side chain," was discontinued a few years later. It had become difficult to obtain some exclusive parts and even more difficult to explain it to an industry that was much less sophisticated than it is today.

Omnipressor was the first dynamics effects processor of any kind, suddenly making possible a new, wide range of dynamics effects unlike anything that had come before it. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a host of dynamic effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing. One of Eventide's first customers was Brian May, the lead guitarist of Queen.

Eventide now announces the golden-anniversary Omnipressor Model 2830*Au. The original handdrawn schematics were in the Eventide archives, and the new model is a faithful replica designed with the same circuitry and the same sound as the original 2830.

The new *Au model features the ability to link multiple units and is fitted with input and output audio transformers, which were a costly option on the original. Other improvements include a universal power supply and a back-lit meter, as well as more convenient TRS/XLR connectors replace the original terminal strip.

Specifications

Analogue Audio I/O

XLR and 1/4" Line In
XLR and 1/4" Line Out
XLR and 1/4" Side Chain In
XLR and 1/4" Side Chain Out
1/4" Link In
1/4" Link Out

Physical

Size

Inches: 3.5h x 19w x 8.9d
Metric: 8.9h x 48.3w x 31.7d
Weight
14 pounds (6.4kg) net

What's in the box:

Omnipressor
US-type IEC power cord
Omnipressor poster
Omnipressor manual
Eventide sticker
Eventide guitar pick

coming soon $2,069.26

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Doepfer A-100 Basic System 3 Full Analogue Modular System (LC6v case with PSU) (analogue modular synthesiser)

Doepfer

Cat: 982339 • View all Synthesisers

Full analogue modular system

Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.

The following modules are included in the basic system 3:

1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP

The following Patch cables are included:

5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red

coming soon $2,650.27

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MachineRoom Filth Analogue Transistor Ladder Filter Module (distortion/filter/VCA module)

MachineRoom

Cat: 983127 • View all Synth modules

Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP

Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.

Works in LP/HP and 12/24 db modes

In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.

Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.

Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.

10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine

coming soon $238.21

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MachineRoom Trilobite Triple Analogue Saw-Core Oscillator Module (LFO/noise/oscillator module)

MachineRoom

Cat: 983133 • View all Synth modules

Triple analogue saw-core oscillator module - 26HP

Notes: TRILOBITE is a triple oscillator analogue module inspired by the original Moog schematics and made with thru-hole components only.

The module features:

- 4 octave ranges
- 3 waveforms (triangle, square, saw),
- UNISON (FINE) control with a range of +/- 12 semi-tones
- Independent LIN FM and PWM inputs with attenuators
- White noise source

Independent audio output is provided for each oscillator. A mixed output is also present featuring a level control.

We are recommended to use independent audio outputs to avoid distortion, in this case MiX output works as WHITE NOISE source with attenuator.

V/oct input of the first oscillator is normalled to all 3 oscillators, so OSC2 and OSC3 would track it too, however, connecting other signals to the other V/oct inputs make each input independent.

The minimum frequency of each oscillator is as low as 3Hz which makes it possible to use them as LFO.

Each oscillator tracks up to 9 octaves.

V/Oct range: 0-10 V

NB: Trilobite as is a full analogue module so should be allowed 5-7 minutes to warm up before use.

* 26HP
* skiff-friendly (25mm depth)
* 200 mA +12V
* 180 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine

coming soon $357.31

(No payment required now - pay when released)

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MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)

MachineRoom

Cat: 983136 • View all Synth modules

Dual analogue voltage-controlled low-pass filter module - 10HP

Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.

Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.

Filter has separate controls for both sections, but can be used for stereo operations as well.

4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine

coming soon $238.21

(No payment required now - pay when released)

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MachineRoom 204D Analogue VCF Module (filter/mixer module)

MachineRoom

Cat: 983140 • View all Synth modules

Analogue voltage-controlled filter module - 10HP

Notes: MachineRoom PRODIGY 204D VCF is a voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequences pass through.

Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.

Works as passive 2-channel mixer with attenuators as well
3 cv inputs allows complex cut off modulation
Thru-hole components only
Skiff-friendly, 30mm deep
10HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine

coming soon $162.60

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MachineRoom Prodigy Dual Analogue VCO Module (LFO/oscillator/dual/stereo module)

MachineRoom

Cat: 983141 • View all Synth modules

Dual analogue voltage-controlled oscillator module - 20HP

Notes: MachineRoom PRODIGY DUAL VCO is an analogue dual oscillator based on the legendary Moog Prodigy synth schematics. MachineRoom improved Bob's design by incorporating ICs with better thermal stability, increased the range of secondary oscillator, and also added cross-modulation possibility. As usual for this limited run of full-analogue handmade modules, MachineRoom used only thru-hole components.

The module features 3 octave registers and 3 waveforms per oscillator.

OSC1 generates SAW, SQUARE, and TRIANGLE waves with 8, 16, 32 octave registers.
OSC2 generates SAW, PULSE, and TRIANGLE waves with 4, 8, 16 octave registers.

Unlike the original version, PRODIGY DUAL VCO allows switching OSC2 to the LFO mode to modulate OSC1 or other parameters (LFO range is from 0.1 Hz to 8.6 kHz). Precise pitch tracking is up to 7 octaves.

PITCH control has a range of +/- of 1.5 octaves with a central point (to have the ability to quickly return to the initial frequency with precision). The rise/fall time of the GLIDE/SLEW is up to 5 seconds

HARD SYNC switch allows syncing the phase and frequency of oscillators.
LINEAR FM input has a built-in attenuator.

OSC2 UNISON control has a range of +/- 7 semi-tones (increase/decrease relative to the Detune central point).
OSC2 V/Oct Tracking switch activates or disables the OSC2's LFO mode. When disabled, OSC2 stops v/oct tracking, and the UNISON knob becomes a control for the LFO frequency.
OSC1 - OSC2 FM switch enables OSC2 as an OSC1 modulator.

When HARD SYNC is switched ON, Pitch/Sync knob controls the phase of oscillators.

The output level of each oscillator is about 3.5V which allows passive mixing. PRODIGY DUAL VCO is analogue so should be allowed 5-7 minutes to warm up before use.

Skiff-friendly design.

Thru-hole components only

20HP / 35mm deep

Current consumption:
+12V - 125 mA
-12V - 105 mA
+5V - 0 mA

Hand-built in Kyiv, Ukraine

coming soon $324.16

(No payment required now - pay when released)

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Black Lion Revolution 6x6 USB-C Audio Interface & Master Clock (6x6 USB audio interface)

Black Lion Audio

Cat: 976053 • View all 音响和MIDI接口转接盒

A master clock, standalone DAC & ADC and 6-in/6-out USB audio interface

Notes: Beyond what you expect from an audio interface.

The Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.

Audio interfaces don't sound better than this.

Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.

Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!

Standalone mode for DAC and ADC use.

Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.

Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.

For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.

As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.

Get mobile with USB On-The-Go.

USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!

Shocking clocking.

The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.

If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.

All the software tools you need, included.

The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:

PreSonus Studio One Artist: Recording and music production DAW

Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair

Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg

coming soon $599.65

(No payment required now - pay when released)

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PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser (hybrid analogue synthesiser)

PWM

Cat: 944640 Rel: 30 Apr 24 • View all Synthesisers

A unique duophonic hybrid-analogue synthesiser with dual filter, patches and full USB-C MIDI Control.

Notes: Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment

est. release 30 Apr 24 $1,397.12

(No payment required now - pay when released)

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Mackie DLZ Creator XS Compact Adaptive Digital Studio Mixer (digital studio mixer)

Mackie

Cat: 1001844 Rel: 31 May 24 • View all Studio mixers

Compact adaptive digital studio mixer

Notes: Introducing the podcast mixer that adapts to you.

The DLZ Creator XS compact adaptive digital mixer for podcasting and streaming enables you to get the results you want-faster than ever.

Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator XS transforms the on-screen controls to meet your creative style or skill level-without compromising processing power or sound quality.

Three versatile modes

DLZ Creator XS features the same DSP processing power and features of the larger DLZ creator model, now in a compact design that doesn't sacrifice on capability.

Easy

A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving.

Enhanced

Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options.

Pro

Total control and fully customizable. For those who know what they want, and how to get it.

Built-in smarts

More than a digital mixer

DLZ creator XS is designed to help you become a better content producer.

Mix Agent is your personal audio assistant that guides you through setup and sound check, so in a few button presses you'll be recording.

AutoMix manages levels for up to four mics so everyone can be heard-even when they speak at the same time-which is a big help when you're busy hosting a show with multiple guests or hosts.

Using Mix Minus with your Bluetoothr-connected smartphone lets you add a caller into the mix with no audible echo when they speak.

Ins and outs of producing

2 PC Setup with NDI

Using an Ethernet cable, connect DLZ Creator XS to your router - the same router connected to your computer. Install the NDI Tools software, and DLZ Creator XS becomes an audio input and output on your NDI network.

Record/stream to computer, SD card

DLZ Creator XS is more than a podcast mixer or audio interface. Use it to record or stream multitrack audio to a computer via USB-C or an NDI connection, or straight to SD card for a truly self-contained setup.

All the power of a DLZ creator in a compact format

Connect up to 2 microphones and 3 external devices-including a smartphone-using analogue, Bluetooth, or USB.

The ins and outs of producing

A professional studio mixer for your desktop

DLZ Creator XS harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator XS gives you the benefits of a professional studio mixer without the steep learning curve.

Ready for what's next

A portable and versatile podcasting interface

As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ Creator XS podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SD card for a truly self-contained setup.

Mackie knows creators

For decades, Mackie has provided musicians, DJs, and multimedia producers with the tools to create. From bedroom studios to the world's biggest festivals, Mackie mixers are literally everywhere. DLZ Creator XS puts all our knowledge into a new design for the next generation of creators.

Tech Specs

DLZ Control Modes, DLZ Mix Agent and Auto Mix technologies
7" high-resolution full-color touch display with anti-glare coating
2 discrete XLR/TRS combo inputs
Stereo channel with dual 1/4" TRS inputs
Stereo channel with 1/8" TRS connection
Stereo bi-directional Bluetooth channel
14x4 USB-C audio interface to Mac/PC
Record to MicroSD or USB Flash Drive
Professional audio processing (3-band parametric EQ, Noise gate, De-Esser, Compressor, Atomizer Reverb, Chronotronic Delay)
Fun and interactive voice-changing FX
Customizable pads for triggering samples, turning FX on/off, and executing commands (fade, duck, etc.)
Onyx80 mic preamps with up to 80dB gain
4 dynamically color-coded rotary encoders
5 potentiometers with dynamic LED level indication
Backlit mute, solo, and nav buttons
2 independent headphone outputs
Support for 9 languages
Pong? (yes, you can Pong on DLZ on your down time)

est. release 31 May 24 $483.65

(No payment required now - pay when released)

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Rides In The Storm SED-SCM Discrete Voltage Controlled Oscillator Module (envelope generator/external/filter/LFO/noise/oscillator/synth voice/VCA module)

Rides In The Storm Modules

Cat: 942310 Rel: 31 May 24 • View all Synth modules

Discrete VCOs module in 36HP.

Notes: Discrete VCOs with three Subs, SYNC, Wavefolder, discrete VCA and VCF, Dual analog LFO (one also usable as VCO) into audio rate with Keytracking, huge Mixer section, Ring mod, Glide and Patchfield.

Power consumption: TBA

Rackspace: 36HP

est. release 31 May 24 $516.79

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CatSynth Slimline Clock Divider Module (clock modulator module)

CatSynth

Cat: 1009331 Rel: 30 Jun 24 • View all Synth modules

Clock divider module - 2HP

Notes: Bring the rhythm of your dreams to life with the 2HP wide Eurorack compatible Clock Divider. This compact but powerful module has been carefully designed to control your rhythmic arrangements with precision and flexibility. Whether you want to create complex rhythmic patterns or just sync your Eurorack modules, our Clock Divider is the perfect solution for any synth lover.

Space-saving design

With its narrow width of only 2HP, this clock divider fits seamlessly into any Eurorack setup without taking up a lot of space.

Versatile partial ratios

Equipped with four outputs for 1:2, 1:4, 1:8 and 1:16 ratios, this module offers you a wide range of rhythmic possibilities. From simple halvings to complex rhythmic structures, you can structure your sounds exactly the way you want them to.

Intuitive visualization

Each of the four outputs, as well as the input clock, are equipped with an LED that gives you immediate visual feedback. This feature makes it easier for you to grasp and adjust the rhythmic structure of your performance or track at a glance.

Reset Input

The handy reset input allows you to reset the divider cycle at any time. This is especially useful for controlling your rhythmic patterns in real-time and ensuring that your setup is always in sync, no matter how complex your arrangements are.

est. release 30 Jun 24 $33.66

(No payment required now - pay when released)

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Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004970 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $216.46

(No payment required now - pay when released)

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Feedback VCZIII B Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004971 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $216.46

(No payment required now - pay when released)

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CatSynth Slimline 4-Channel Mixer Module (mixer module)

CatSynth

Cat: 1009318 Rel: 30 Jun 24 • View all Synth modules

4-channel mixer module - 2HP

Notes: Bring your Eurorack performances to life with the 2HP wide 4Ch mixer, perfect for mixing signals in your modular system. This compact yet powerful module is a must-have for anyone who wants to design their soundscapes with precision and flexibility. Whether you want to mix audio, CVs, or both, our 4Ch mixer gives you the freedom to fully unleash your creativity.

Space-saving design

With its slim design of only 2HP, this blender fits seamlessly into any Eurorack setup without taking up much space.

Four Channels

Equipped with four independent inputs, this mixer allows you to mix a variety of signals at the same time. Perfect for complex sound structures and experimenting with multi-layered soundscapes.

Intuitive operation

Each of the four channels has its own volume control, allowing you to quickly and easily adjust the mixing ratio. This way, you always have full control over your audio.

Flexibility of use

Although compact, this blender is incredibly versatile. It can be used for both audio and CV signals, making it a versatile tool for all kinds of musical experiments.

High sound quality

Despite its small size, the mixer offers excellent sound quality with no audible loss or distortion, so you can be sure that your music will sound exactly as you intended.

est. release 30 Jun 24 $38.32

(No payment required now - pay when released)

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CatSynth Slimline Dual Voltage Controlled Analogue Switch Module (switch module)

CatSynth

Cat: 1009335 Rel: 30 Jun 24 • View all Synth modules

Dual voltage controlled analogue switch module - 2HP

Notes: Unlock the endless possibilities of modular signal path control with the revolutionary 2HP wide Dual Voltage Controlled Analog Switch, which can be seamlessly integrated into any Eurorack system. This compact but powerful module is the perfect solution for those who want to control their signal chains with maximum precision and flexibility, without compromising on quality or space.

Dual-channel design

With two independent, voltage-controlled switches in one module, you can maximize your creative possibilities without sacrificing valuable space. Route, sync or share signals with unprecedented simplicity.

Voltage Control

Each channel responds to control voltages, allowing you to dynamically switch between signal paths. This allows for responsive and vivid interaction with your sound, ideal for complex patches and performances.

Compact Efficiency

At just 2HP, this module packs incredible functionality that adds versatile switching options to your Eurorack configuration without losing track.

Intuitive operation

Despite its advanced features, the Dual Voltage Controlled Analogue Switch remains intuitive to use. The clear layout and labeling of the controls make it easy to focus on what's important: your creativity.

Perfect for experimental setups

Whether you're performing live, recording in the studio, or just experimenting with new signal paths, this dual switch opens up new dimensions of sound manipulation. It's the ideal tool to add a new level of dynamic control to your Eurorack system.

est. release 30 Jun 24 $48.94

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CatSynth Slimline Precision Rectifier Module (waveshaper module)

CatSynth

Cat: 1009343 Rel: 30 Jun 24 • View all Synth modules

Precision rectifier module - 2HP

Notes: Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

est. release 30 Jun 24 $40.65

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CatSynth Slimline Slew Limiter Module (slew limiter module)

CatSynth

Cat: 1009348 Rel: 30 Jun 24 • View all Synth modules

Slew limiter module - 2HP

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

est. release 30 Jun 24 $41.42

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Feedback VCZIII A Base Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004975 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analog instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH NORMAL FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $181.24

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CatSynth Slimline Passive Multiple Module (multiple module)

CatSynth

Cat: 1009295 Rel: 30 Jun 24 • View all Synth modules

Passive multiple module - 2HP

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

est. release 30 Jun 24 $21.74

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963504 • View all Synth modules

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon $267.20

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963505 • View all Synth modules

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon $267.20

(No payment required now - pay when released)

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Tesseract Modular UFO 8 Low Frequency Oscillation Module (LFO synth module)

Tesseract Modular

Cat: 974272 • View all Synth modules

8 triangle low frequency oscillations module - 4HP.

Notes: 8 triangle LFOs with relative frequencies and CV control.

Output voltage is +/- 5.25v (10.5Vpp).

Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .

The frequency range with the potentiometer is 80-90%.

Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.

Dimensions: 4 HP
25 mm deep

coming soon $91.13

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Synthetic Sound Labs Soleil Lo-Fi MIDI String Synthesiser (digital desktop synthesiser)

Synthetic Sound Labs

Cat: 977158 • View all Synthesisers

Lo-fi MIDI string desktop synthesiser

Notes: Inspired by the early vintage string synths of the '70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.

Specifications:

Controls

Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume

Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included

Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V

Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)

MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)

Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)

Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)

coming soon $183.31

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Blue Lantern Modules Hats Analogue High Hats Module (drum/oscillator module)

Blue Lantern Modules

Cat: 980377 • View all Synth modules

Analogue hi-hats module - 8HP

Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.

The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.

Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.

The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.

There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.

There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.

Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.

This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.

Features

-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.

Why get this module over the Shimm module, or other high hats modules?

-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.

Dimensions
8 HP
32 mm deep

Current Draw
21 mA +12V
13 mA -12V

coming soon $111.85

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Folktek Alter 1 Effects Processor Module (delay/effect/filter/reverb/dual/stereo module)

Folktek

Cat: 983092 • View all Synth modules

Effects processor module - 16HP

Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

coming soon $301.38

(No payment required now - pay when released)

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Folktek Alter 2 Effects Processor Module (delay/effect/filter/pitch shifter/reverb module)

Folktek

Cat: 983094 • View all Synth modules

Effects processor module - 16HP

Notes: Alter 2 is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 2. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

coming soon $301.38

(No payment required now - pay when released)

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Folktek Alter X Multi-Effects Pedal (multi-effects pedal)

Folktek

Cat: 983098 • View all Effects pedals

Multi-effects pedal

Notes: Alter X is the pedal version of Alter 1 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.

Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
-Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - long delay
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)

coming soon $351.09

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Folktek Alter Y Multi-Effects Pedal (multi-effects pedal)

Folktek

Cat: 983099 • View all Effects pedals

Multi-effects pedal

Notes: Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Filter all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.

Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - analogue delay
2 - reverb with infinite capture and LP + HP filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones)
7 - time stretch glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)

coming soon $351.09

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Folktek Resonant Garden Electronic-Acoustic Hybrid Instrument (hybrid synthesiser)

Folktek

Cat: 983105 • View all Synthesisers

Electronic-acoustic hybrid instrument

Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.

The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.

Monolithic vs Discrete

A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.

A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.

Effects

There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Alter 2 has the following effects:

1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch

Control

On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Acoustics

Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Routing

1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.

Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long

coming soon $1,206.55

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Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor (hybrid synthesiser/audio effect processor)

Folktek

Cat: 983110 • View all Synthesisers

Acoustic electronic synthesiser & audio effect processor

Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.

The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.

The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.

Effects

There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch

Control

- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Acoustics

Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.

Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.

Included

- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

coming soon $553.05

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Analog Cases Trakpack Producer & DJ Backpack (producer/DJ backpack)

Analog Cases

Cat: 1007639 Rel: 30 Jun 24 • View all DJ Backpacks | Backpacks For DJ Equipment

Backpack designed for producers & DJs

Notes: Introducing the TRAKPACK: the ultimate backpack for producers, DJs and creatives.

This rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.

With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.

The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.

There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".

With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.

The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear

est. release 30 Jun 24 $229.91

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CatSynth Slimline Voltage Controlled Amplifier Module (VCA module)

CatSynth

Cat: 1009352 Rel: 30 Jun 24 • View all Synth modules

Voltage controlled amplifier module - 2HP

Notes: Expand your Eurorack system with the 2HP wide VCA, which offers maximum sound control despite its minimalist size. This highly flexible Voltage Controlled Amplifier is the perfect addition to any modular setup, designed to add depth, dynamics, and nuanced expressiveness to your sounds. Whether you're a seasoned modular enthusiast or a newcomer to the world of synthetic sound shaping, this VCA will impress you with its performance and versatility.

Ultra-compact design

With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.

A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.

Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.

Intuitive operation

Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.

Perfect for any setup

Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.

est. release 30 Jun 24 $55.16

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UDO Audio Super 6 Desktop 12-Voice Polyphonic Binaural Analogue-Hybrid Synthesiser (limited edition black) (hybrid desktop synthesiser)

UDO-Audio

Cat: 1008956 Rel: 30 Jun 24 • View all Synthesisers

12-voice polyphonic binaural analogue-hybrid desktop synthesiser with super-wave technology

Notes: The Super 6 Desktop is UDO's fully featured 12-voice polyphonic, binaural analogue-hybrid synthesizer reimagined in a compact and super-flexible package. A harmonious marriage of state-of-the-art FPGA digital hardware oscillators and voltage controlled analogue tech. It is flexible, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation.

The desktop Super 6 takes everything the Super 6 is famous for and reimagines it in a more compact and super-flexible package. It is VESA compatible for use with widely-available monitor arms/mounts, rack mountable with a 7U footprint, and comes complete with robust retractable feet for a more ergonomic experience in desktop use settings.

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images.

The Super 6 is a love-letter to the classic analogue synthesizer, brought firmly into the present with cutting-edge technology under the hood and a no-compromise approach to sound character, build quality and interface design. The rich sound that UDO has been championed for, paired with a robust, compact and inviting form factor with smooth, solid and responsive controls throughout, it cries out to be played.

Compact, flexible and ergonomic

Offering the flexible and immediate control, gorgeous analogue sound and unrivalled build quality of the Super 6, but in a more compact package. The Super 6 Desktop is a fully-featured Super 6 analogue-hybrid 12 voice synthesizer, housed in a newly designed all-metal chassis. The Super 6 Desktop also includes ergonomic features such as VESA mount compliance, optional rack ears (7U) and robust flip up feet, as well as a huge 24-voice Super 6 polychain option.

Binaural analogue signal path

In Binaural mode, the Super 6 features a true stereo signal path in which the instrument's twelve voices are twinned to form six stereo 'super' voices. Consequently, the left and right channels - and each of the player's ears - are assigned their own complete synthesizer voice. Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to "conventional" monaural signal-chains panned at their output.

Massive modulation without menus

Enormous flexibility at the player's fingertips through simple controls and a carefully designed front-panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and all with unique amounts.

Analogue voice architecture

Alongside an analogue amplifier section, the Super 6's main filter is an analogue 4-pole, 24 dB per octave, resonant low-pass filter. It is preceded by a voltage controlled high-pass filter that can either be off, fixed, or can also track the low-pass filter cutoff for band-pass operation.

The no-compromise build quality

An instrument is cherished not just for the way it sounds but for the way it feels to play. UDO have worked tirelessly on the physical design to foster an immediate connection with the player. There has also been no expense spared on the build quality, with a rugged metal housing and solid control elements throughout.

Unit Size:(L x W x H) 45 cm x 29 cm x 10cm (w. collapsed back feet).
Net weight 6.2kg
Packaged Dimensions:(L x W x H) 59cm x 48cm x 20cm.
Gross weight: 8.4kg

est. release 30 Jun 24 $2,018.52

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Arturia AstroLab 61-Key Performance Keyboard Synthesiser (digital keyboard synthesiser)

Arturia

Cat: 1006302 Rel: 30 Jun 24 • View all Synthesisers

61-key performance keyboard synthesiser

Notes: AstroLab is the culmination of 25 years of passion, innovation, and commitment to the pursuit of unhindered musical exploration. From must-have performance instruments that respond to every keystroke just like the originals do, to iconic keyboards and futuristic synth textures - instantly find that perfect sound, stay in the zone and set your creative flow on a flight path beyond space and time.

For many musicians and producers who utilize a plethora of tools, instruments and custom sounds in their home or studio setup, recreating this for a live performance is not always straightforward. This is where AstroLab comes in, offering both a robust, minimalist design and workflow-focused technology that lets you integrate all your sounds effortlessly.

A universe of iconic sounds?

AstroLab comes with over 1300 onboard presets brought to life with 10 in-built sound engines, from Virtual Analog to Wavetable and Granular. Instantly access an unparalleled library of sounds as well as the ability to integrate your own - expandable through the Sound Store and companion software.

A performance keyboard you can trust

AstroLab lets you travel from the stage, to the studio, and back, without ever needing to compromise on sound quality and playability. Every aspect of AstroLab has been designed with the live musician in mind.

Produce, rehearse, perform

Focus on performance with AstroLab's simple yet powerful controls. Featuring quick sound selection, 4 multi-purpose macros, customisable FX knobs and innovative play modes to help you stay in key and inspire new ideas.

On-the-go control

Customize and organize sounds on-the-go via AstroLab's mobile app which brings the convenience of mobile technology to your performance workflow. Edit your playlists and explore new sounds with the sound store, all completely independent from your DAW or computer.

Professional software included

Fine-tune, record and curate custom sounds for AstroLab using its counterpart software, Analog Lab Pro, extending the sonic range and power of AstroLab to suit your every need.

Features

61-note semi-weighted keyboard
10 sound engines
Virtual Analog
Samples
Wavetable
FM
Granular
Physical modelling
Vector Synthesis
Harmonic
Phase distortion
Vocoder
Piano-size keys
Over 1300 in-built sounds from Arturia instruments
Up to 10.000 sounds via Arturia software
Navigation wheel & screen for easy browsing
10 Preset Buttons for quick sound access
4 macro controls for quick editing
17 insert FX & dedicated Delay/Reverb
4 dedicated knobs to control FX
Multis/Keyboard Split
MIDI i/o, audio input, and control pedal I/o
USB-C connection and USB-A host
Bluetooth audio and WiFi for wireless control
Arpeggiator, Looper, Chord & Scale modes

I/O on offer:

Stereo Audio input
Four control inputs
Stereo audio outputs
Dedicated headphone out
USB MIDI Host
USB C Connection to host computer
Locking DC power input

Included software

Make use of AstroLab's software ecosystem which enhances ease-of-use when on the road and offers greater control, customisation and an even greater range sounds:

AstroLab Connect (iOS + Android)
Analog Lab Pro
Compatible with V Collection and Pigments (not included)

Box Content

Quickstart
Registration card
USB Cable (C/A)
User Manual
Power Supply

est. release 30 Jun 24 $1,417.82

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Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser (digital keyboard synthesiser)

Kiviak Instruments

Cat: 1000935 Rel: 30 Apr 24 • View all Synthesisers

10-voice polyphonic sampler keyboard synthesiser & sequencer

Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing

DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones

Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow

- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

est. release 30 Apr 24 $704.26

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Decksaver Akai Professional APC64 Dust Cover (MIDI controller dust cover)

Decksaver

Cat: 1009638 Rel: 30 Jun 24 • View all Recording Studio Accessories

Dust cover designed to fit the Akai Professional APC64

Notes: TBC

est. release 30 Jun 24 $44.53

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Decksaver Expressive-E Osmose Dust Cover (synthesiser dust cover)

Decksaver

Cat: 1009662 Rel: 30 Jun 24 • View all Recording Studio Accessories

Dust cover designed to fit the Expressive-E Osmose

Notes: TBC

est. release 30 Jun 24 $90.36

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ADDAC System ADDAC200CT Cable Tester Device (cable tester device)

ADDAC System

Cat: 1007258 Rel: 30 Jun 24 • View all Synth Module Accessories

Cable tester device

Notes: Introducing ADDAC's Cable Tester, a desktop utility that provides a reliable means to test the integrity of both mono jacks and ribbon cables, ensuring that every connection is secure and electrically sound.

Individual Wire Testing - Featuring the ability to test each wire within the ribbon cables independently with dedicated LEDs for every wire, providing a clear visual indication of the status of each connection, wires are also tested against their neighbouring wires to detect shorts.

Busboard monitor

The busboard monitor LEDs allows the user to check the state of the busboard power lines as well as the special CV/Gate functions. If the busboard has no +5v supply the led will be off likewise for the CV/Gate functions if not in use.

This is a desktop device, ADDAC provide a long power cable so that it can still be plugged into your rack.

As a safety precaution only power this board when you need to test a cable. Leaving it ON at all times can lead to unintended problematic misuses which, in a worst case scenario, can shorten your Eurorack PSU,

! WARNING !
DO NOT POWER MODULES FROM THE TEST SOCKETS!!

Compatible with all ADDAC System ribbon cables (power, expansions and interconnectivity: 112, 213, 807).

Also compatible with any standard Eurorack power ribbon cable (2x5 to 2x8 or 2x8 to 2x8).

! WARNING !
NOT ALL MANUFACTURERS FOLLOW THESE STANDARDS!
ALLWAYS NOTICE THE ORIENTATION OF THE HEADERS IF YOUR CABLE DO NOT FOLLOW THE STANDARD THEN MOST PROBABLY IS NOT COMPATIBLE.

Tech Specs:
30mA +12V
30mA -12V

est. release 30 Jun 24 $52.82

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ADDAC System ADDAC813 Stereo Mixer+ Module (dual/stereo/mixer module)

ADDAC System

Cat: 1007268 Rel: 30 Jun 24 • View all Synth modules

4-channel stereo mixer module - 8HP

Notes: ADDAC813 is a straight forward stereo mixer. Featuring 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs

Four channels with stereo input and gain knob. Fifth channel with stereo input without gain knob, which are the prefered inputs to cascade several ADDAC813s when more channels are needed. Master Output controls the level of the Inputs mix. Two LEDs monitor the inputs mix.

Mono Send / Return return path allows for easy integration of mono effects in a stereo chain. Plug your favorite module through it (filter, bbd delay, spring reverb...) or any mono pedal.

The Return Gain works in parallel with the Master Output, just like regular wet / dry controls.

The send output can be configured to be line or synth level via a jumper in the back.

Stereo output sums the Inputs Mix with the Return signal.

The Mono output is the sum of Left and Right outputs

Effect Pedals

Using the send output at Line level, the user can connect the send output directly into mono effect pedals and have the pedals output connected directly into the return input without the need of an attenuator/amplifier module.

Tech Specs:
8HP
4 cm deep
50mA +12V
50mA -12V

est. release 30 Jun 24 $168.81

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ADDAC System ADDAC309 CV To Expression Module (attenuator/controller/CV modulation/effect/expression/external/utility module)

ADDAC System

Cat: 992144 Rel: 30 Apr 24 • View all Synth modules

CV to expression module - 4HP

Notes: ADDAC309 CV to Expression allows a simple and straight forward connection between modular and effect pedals that features expression pedal TRS inputs.

Instead of using an expression pedal into the effects pedal the user can use this module in between a CV source and the Effects pedal to be controlled.

This is a great way to control the available parameters on the effects pedals straight from a CV source.

ADDAC309 features 2 channels each with a CV Input with attenuator and a 1/4" jack output.

This is a passive module, the power needed for operation is taken from the pedal power instead of the modular frame, this allows for perfect matching of the pedal's operating voltage which can range from 3.3v to 9v.

Tech Specs:
4HP
3,5cm deep
Passive module

Tags: Controller module

est. release 30 Apr 24 $64.22

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ADDAC System ADDAC508 Swell Physics Module (CV modulation/quad module)

ADDAC System

Cat: 993830 Rel: 30 Apr 24 • View all Synth modules

A CV generator based on the simulation of a physical system, ocean swells

Notes: Following ADDAC's ADDC503 Marble Physics here is a new simulation of a physical system. This time, imagine a small area in the middle of the ocean, in this area we place 4 equally spaced buoys anchored to the bottom in such a system that we can control the spacing between the buoys. Imagine we can control the elements and agitate the waters at will which in turn will make the buoys move up and down as the water surface moves.

Finally imagine the buoys would wirelessly transmit their absolute height directly to your module outputs where they would be mapped to a voltage signal.

ADDAC use a Gerstner Wave as the motor behind the two-dimensional wave generation. In fluid dynamics a Gerstner Wave is described as "a progressive wave of permanent form on the surface of an incompressible fluid of infinite depth". Gerstner waves are often used in computer graphics to simulate any type of water surface, if you've seen any animation film or computer game with water surfaces in it most probably it features a Gerstner wave generating it.

Tech Specs:

10HP
4.5cm deep

70mA +12V
40mA -12V

est. release 30 Apr 24 $340.74

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Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser (digital desktop synthesiser)

Korg

Cat: 995048 Rel: 30 Apr 24 • View all Synthesisers

60-voice polyphonic wavetable desktop synthesiser

Notes: All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W

est. release 30 Apr 24 $723.93

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Korg Opsix Module 64-Voice Polyphonic Altered FM Synthesiser (digital desktop synthesiser)

Korg

Cat: 995067 Rel: 30 Apr 24 • View all Synthesisers

64-voice polyphonic altered FM desktop synthesiser

Notes: A new modular model that revolutionizes the music production environment.

Opsix Module is a digital synth like no other. The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

Now, Korg has created a new form of Opsix, the module. This model supports MIDI 2.0 property exchange and poly aftertouch, and is an excellent companion to Keystage. It's also fully compatible with the sounds of the original Opsix, Opsix mk II, Opsix SE, and Opsix native software, as well as numerous excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed models, yet is easily transportable and fits neatly into any studio or desktop production system.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Opsix, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Opsix module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Opsix module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the Opsix. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications
Maximum Polyphony: 80 voices
Dimensions (W x D x H): 482 x 172 x 104 mm / 19.02 x 6.77 x 4.09 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter

Sound generating system: Altered FM sound generator
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step)
Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs:
Headphone (6.3 mm stereo phone jack)
OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack, half-damper not supported)
MIDI IN and OUT connectors
USB B port

est. release 30 Apr 24 $672.14

(No payment required now - pay when released)

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Related products...

Korg Wavestate Module 96-Voice Polyphonic Wave Sequencing Synthesiser (digital desktop sequencer)

Korg

Cat: 995074 Rel: 30 Apr 24 • View all Synthesisers

96-voice polyphonic wave sequencing desktop synthesiser

Notes: A new modular model that makes a big difference in the music production environment.

Introducing the Wavestate module - all of the features of the Wavestate mkII in a compact 19" desktop/rackmount package.

In 2020, the acclaimed Wavestate brought KORG's Wave Sequencing to the next level. Featuring the radically re-imagined Wave Sequencing 2.0, the Wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the Wavestate was designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition.

120 voices of polyphony, updated LFOs, and more

Taking full advantage of both a new enclosure design and new processing hardware, the Wavestate module provides an impressive 120 stereo voices of polyphony. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, we've also updated all LFOs with options for free running, delayed start, and retriggering, added new modulation sources, and more. A software update will also be available for the original Wavestate.

The Wavestate module is fully compatible with the sounds and samples of the original Wavestate, Wavestate mk II, Wavestate SE, and Wavestate native software, as well as many excellent third-party libraries.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Wavestate, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Wavestate module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Wavestate module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the wavestate. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications

Maximum Polyphony: 120 stereo voices
Dimensions (W x D x H): 483 x 172 x 113 mm / 19.02 x 6.77 x 4.45 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: Wave Sequencing 2.0
Maximum Polyphony: 96 stereo voices
Sounds: Ships with 261 Performances, 799 Programs, and 1,042 Wave Sequences
Storage for tens of thousands of user Performances Structure

Performance

4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Modulation: Controllers
Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs
Other Sources: 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +
Destinations: Most parameters can be modulated, including parameters of individual Wave Sequence Steps. Depending on Wave Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper
Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah
Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
Reverb: Early Reflections, Overb
Performance EQ: 4-band parametric EQ

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W
Dimensions (W x D x H): 565 x 338 x 92 mm/22.24" x 13.31" x 3.62"
Weight: 2.9 kg/6.93 lb.

Included items

AC adapter
Accessories (sold separately)
DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

est. release 30 Apr 24 $672.14

(No payment required now - pay when released)

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Related products...

Korg NTS-1 Digital MK2 Nu-Tekt Synthesiser & Effects Kit (no soldering required) (digital keyboard synthesiser/effects unit)

Korg

Cat: 995082 Rel: 30 Apr 24 • View all Synthesisers

18-key, 8-step sequencer synthesiser with effects

Notes: Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions

est. release 30 Apr 24 $164.15

(No payment required now - pay when released)

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Related products...

Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)

Zoom Corporation

Cat: 1010032 Rel: 30 Jun 24 • View all Effects pedals

Chorus, delay, reverb, dyanmics & filter effects pedal

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V

est. release 30 Jun 24 $181.24

(No payment required now - pay when released)

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Supercritical Redshift 6 6-Voice Analogue Variable Character Synthesiser (analogue desktop synthesiser)

Supercritical Synthesizers

Cat: 992873 Rel: 31 Aug 24 • View all Synthesisers

Six-voice analogue variable character desktop synthesiser

Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

est. release 31 Aug 24 $1,117.49

(No payment required now - pay when released)

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Analog Cases Teenage Engineering EP-133 KO II Glide Case (audio sampler case)

Analog Cases

Cat: 1001820 Rel: 31 May 24 • View all Recording Studio Accessories

Case designed to fit the Teenage Engineering EP-133 KO II

Notes: The GLIDE case is the perfect case for your Teenage Engineering EP-133 K.O. II: an ideal travel solution for mobile producers and musicians.

Expertly designed for a precise fit, this ultra-compact case packs easily into your backpack or carry-on. The rigid moulded exterior will ensure your KO 2 remains in mint condition for years to come.

GLIDE cases are made of EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a water-resistant faux leather exterior, super-soft velvet interior, and an ultra-smooth zipper.

GLIDE Case For Teenage Engineering EP-133 KO II
Perfect fit for the Teenage Engineering EP-133 KO II
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight

Specifications

Perfect fit for your Teenage Engineering EP-133 KO II
Premium faux leather exterior and faux fur lining
Mesh compartment for holding cables
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 8.65 x 10.70 x 1.60 Inches
Interior Dimensions: 7.90 x 9.90 x 1.10 Inches

***Please note: the Teenage Engineering EP-133 KO II is not included, it is shown for demonstration purposes only. ***

est. release 31 May 24 $43.50

(No payment required now - pay when released)

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Related products...

Arturia Pigments 5 Software Synthesiser (VST instrument)

Arturia

Cat: 995264 Rel: 30 Apr 24 • View all VST Plugins | VST Instruments & Samplers

Software synthesiser

Notes: A revolution in modern synthesis, Pigments' approach to sound design is as intricate as it is accessible, letting users craft epic, high-resolution, surgically-precise and hard-hitting sounds with an all-encompassing interface, tailor-made for forward-thinking producers.

Limitless sound design

A powerful end-to-end software synthesizer, Pigments makes it easier than ever to explore an infinite spectrum of sound. Four forms of synthesis, 1500 + sounds, one-click modulation & sequencing, immediately expressive macros & FX - all instantly gratifying to use.

Vibrant and intuitive workflow

Visualize and refine your sound in style with an interface that matches your creative flow. Whether honing a composition in the Play View, tuning a color-coded modulation or seeing a patch or preset come alive with dynamic visualization - Pigments invites play and supports process.

On the pulse

Pigments' sonic powers truly shine at the forefront of contemporary music production. Its vast and clear-cut sounds are no stranger to world's leading electronic genres - from trap, bass music and EDM to house, electro, lo-fi, electronica, cinematic sounds and beyond.

Make it your own

Personalize Pigments to suit your setup and create your own sounds with custom appearance, play modes, audio routing, preset playlists, external sound sources and more.

What's new in Pigments 5

Pigments 5 introduces multi-core processing, a new generative sequencer, the ability to input external audio as well as a refreshed interface and new curated content and sounds - enabling an even greater sonic palette to play with.

NEW multi-core processing - Pigments now operates with greater CPU efficiency, allowing more users to explore this powerful softsynth with ease.

NEW generative sequencer - featuring one-click sequence generation and new play modes, as well as saveable presets and sequence browsing. Make use of the sequencer lock to apply

sequence settings to any sound.

NEW external audio input - you can now process any audio with Pigments from the Utility engine, by routing the sound to the instrument through the track sidechain input. Additional FX routing options have also been integrated. NEW curated content and sounds - discover a selection of 100 new factory presets alongside new wavetables and samples in Pigments 5, comprising more than 1500 sounds. NEW refreshed interface - including an improved play view, with new waveform visualisers and other enhancements. NEW preset expansions - 3 new sound banks including 150 presets in each, showcasing a range of bold, colorful and expansive sounds that Pigments is renowned for.

Features

Two engines in parallel

Virtual Analog triple-osc engine
Complex Wavetable engine
Sample and Granular engine
Harmonic Oscillator additive engine
Includes Engine Crossmod

Utility Engine

5-shape Virtual Analog Oscillator
2 Sample-based Noise Engines
External audio input

Two filters

Classic filter types from V Collection instruments
Modern filter types
Continuous series/parallel routing

Powerful FX section

2 Insert buses, 1 Send bus, 3 FX per bus
Modulable parameters
18 algorithms including Shimmer Reverb, MultiBand Compressor, Chorus JUN-6, and more.

Advanced modulation system

Color-coded workflow
Drag-and-drop assign, hover-over adjustment
Envelopes, LFOs, Function generators, Random src, and more
4 dynamic, assignable Macro controls

Visual interface

Graphical representation of the most important modules
Simplified Play Mode
Dark or Light themes

Polyrhythmic Sequencer and Arpeggiator
Create complex, custom and evolving sequences/arps
Advanced random sequence generator
Sequencer lock & browser

Extensive library of 1500 presets
MTS-ESP microtuning compatibility
MPE compatibility
NKS controller compatible

Included software

Arturia Pigments
Arturia Software Control Center

~~MRP:$176.06~~ SAVE 50%
est. release 30 Apr 24 $88.03

(No payment required now - pay when released)

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