Review: For their latest trawl into the world of rare soul and funk, Outta Sight has decided to reissue Lou Lawton's brilliant "Knick Knack Patty Wack", a punchy, horn-heavy and occasionally stomping 1967 cut that regularly changes hands for eye-watering sums online. Part of the appeal to collectors and DJs is the track's association with the British northern soul scene. The same could be said of Walter Wilson's "Love Keeps Me Crying", another 1967 recording that was only ever released in limited quantities as a "promo-only" 7" single. While not as sought-after as the Lou Lawton track on the A-side, its every bit as cheery and life affirming (despite the presence of rather melancholy lyrics above the driving Motor City production).
Review: Straight from 68; Diane Lewis's Wand double-A has passed hands for well over L300 in the past, and it's really not hard to understand why... Northern soul anthem "Without Your Love" comes with gutsy vocals, full spectrum backing vocals and drums so lively and crisp they sound like they're marching out of the speakers. "Giving Up Your Love" plays the consummate soother; a raw soul ballad with strings and delicate harmonies, it's the ultimate antidote to the emotional frenzy on the A. Highly limited.
The Lively Set - "Blues Get Off My Shoulder" (2:48)
The Three Dudes - "I'm Beggin You" (2:45)
Review: The unstoppable Big Crown label is back with what is, once again, a rare find. In fact, we have two previously impossible tunes to get on this tidy 7" - first up, The Lively Set's excellent "Blues Get Off My Shoulder" roars a deep wave of glorious vintage soul, putting the very best of James Brown material to the test. As a follower, The Three Dudes' "I'm Beggin You" is one for the swings and the shakers, storming out of the speakers with that inimitable Mo-Town glory. An unmissable little 7" from the heart of the 60s!
Review: This excellent seven-inch single mines the rich seam of Terry Callier style folk-soul that is Jon Lucien's incredible 1973 album "Rashida". On the A-side you'll find the brilliantly breezy, horn-heavy samba-soul sunshine of "Would You Believe In Me", a song so beloved to Lucien that he re-recorded it several times later in his career. On the B-side you'll find the arguably even sweeter and more loved-up "Kuenda", where Lucien delivers attractive scat-style, double-racked freestyle vocals over a backing track rich in finger-picked folk guitar arpeggio lines and atmospheric field recordings of nature. It's a joyously simple track, but one that will stay with you for hours after you've put the record back on the shelf.
Review: Reissued to mark its 40th anniversary, Black Fairy is as unique a document as they get: a jazz funk musical that tells the tale of Africa American history for children. Penned to help alleviate or counter a strong sense of injustice and inequality felt by black children the 70s, the Chicago community group La Mont Zeno Theatre tackle the brutal past - from Egypt to slavery to racial segregation - with clarity and empowerment. Musically it's at once raw and soulful, sitting somewhere between Hathaway and Scott Heron but lyrically the story has never been told like this before or after.