Candy & The Kisses - "Are You Trying To Get Rid Of Me Baby" (2:39)
Val Simpson - "Mr Creator" (2:11)
Review: Candy & The Kisses burst onto the Northern Soul scene with their first single and all-time classic "The 81" co-written and produced by the late Jerry Ross. "Are You Trying To Get Rid Of Me Baby" is a storming soul number that went under the radar for the most part, but is good as any of other hits of theirs like "Chains Of Love" and many others. Flipside "Mr Creator" co-written by Valerie Simpson of Ashford & Simpson was taken up by The Apollas in 1967 on Warner Bros. and went on to become an all-time classic.
Review: Wah Dubplate cannot and will not be stopped. The incorrigible little bootleg unit marches on with its usual mishmash of funky, disco-friendly edits from the most improbable of producers out there and this latest outing is another minor success in what is a whole catalogue of hidden gems. Italy's Aldo Vanucci and Del Gazeebo turn up sounding wild and soulful; the farmer's opening edit of "Bobby's Grapevine" does the Mo-Town tricks, while the latter's re-visioning of "Billy's Missus" gives the original 'hey, Mrs.Robison!' a nice little dance makeover. Sweet as a nut.
Review: Raw Georgian soul from Ruby Velle and her ever ready Soulphonics: two of the most powerful songs from their recent sophomore album State Of All Things enjoy a little slice of 45 justice. Big full flavoured instrumentation, and an even bigger presence from Ruby herself, across the sides Ruby and co flex their full palette; "Broken Women" is so heavy and urgent it naturally carries a powerful and infectious rock feel while "Forgive, Live, Repeat" taps a little more into the early 70s with its extended organ blasts and more lyrical clarity from the provocative bandleader. Pay attention.
Review: Atlanta troupe Ruby Velle & The Soulphonics treat us to two of the many highlights from their recent sophomore album State Of All Things. Delivered on a limited white 45, both cuts surge with the full spectrum soul they've been developing over the last 12 years. "Call Out My Name", the triumphant Valli-esque album finale is a thumping yet vastly emotional northern soul shakedown while "Love Less Blind" shows the band in a slightly woozier, dreamer state as the band's clam-tight horn section get given the spotlight shine.
Review: The Voices Of East Harlem were an ensemble of vocalists who for Just Sunshine Records recorded two albums under the direction of Leroy Hutson and Curtis Mayfield. "Cashing In" is one of their most classic songs, a highly sought after track on original 7" fetches a small fortune on the collectors market. First recorded and released in 1973, it has all the hallmarks of a Leroy Hutson composition and an established audience that crosses the boundaries of northern, crossover and modern soul. The song is coupled here with "Take A Stand', another highly regarded and sought after modern soul room dance floor tracks, never previously released on 7" single until now
Review: Those who watch the X-Factor may remember Voices With Soul; the trio, which is made up of three female members of the Campbell family (Grace, Hilda and Corene) reached the last six of the TV talent competition back in the late noughties. Here, they're in full-on contemporary gospel mode, layering their impassioned, righteous vocals over a lushly produced, slow-burning backing track full of chiming synthesizer melodies, bustling synth bass and tumbling electronic sax solos. Arguably even better is the flipside "Promo Mix", which doffs a cap to classic British street soul - a homegrown 1980s variant that is constantly overlooked by dance music scholars - via tactile hip-hop beats and Soul II Soul style production.