Review: Wah Dubplate cannot and will not be stopped. The incorrigible little bootleg unit marches on with its usual mishmash of funky, disco-friendly edits from the most improbable of producers out there and this latest outing is another minor success in what is a whole catalogue of hidden gems. Italy's Aldo Vanucci and Del Gazeebo turn up sounding wild and soulful; the farmer's opening edit of "Bobby's Grapevine" does the Mo-Town tricks, while the latter's re-visioning of "Billy's Missus" gives the original 'hey, Mrs.Robison!' a nice little dance makeover. Sweet as a nut.
Review: Raw Georgian soul from Ruby Velle and her ever ready Soulphonics: two of the most powerful songs from their recent sophomore album State Of All Things enjoy a little slice of 45 justice. Big full flavoured instrumentation, and an even bigger presence from Ruby herself, across the sides Ruby and co flex their full palette; "Broken Women" is so heavy and urgent it naturally carries a powerful and infectious rock feel while "Forgive, Live, Repeat" taps a little more into the early 70s with its extended organ blasts and more lyrical clarity from the provocative bandleader. Pay attention.
Review: Atlanta troupe Ruby Velle & The Soulphonics treat us to two of the many highlights from their recent sophomore album State Of All Things. Delivered on a limited white 45, both cuts surge with the full spectrum soul they've been developing over the last 12 years. "Call Out My Name", the triumphant Valli-esque album finale is a thumping yet vastly emotional northern soul shakedown while "Love Less Blind" shows the band in a slightly woozier, dreamer state as the band's clam-tight horn section get given the spotlight shine.
Review: The Voices Of East Harlem were an ensemble of vocalists who for Just Sunshine Records recorded two albums under the direction of Leroy Hutson and Curtis Mayfield. "Cashing In" is one of their most classic songs, a highly sought after track on original 7" fetches a small fortune on the collectors market. First recorded and released in 1973, it has all the hallmarks of a Leroy Hutson composition and an established audience that crosses the boundaries of northern, crossover and modern soul. The song is coupled here with "Take A Stand', another highly regarded and sought after modern soul room dance floor tracks, never previously released on 7" single until now
Review: The latest missive from crate-digging reissue imprint Rocafort Records shines a light on the halcyon period of Evasion Disques, an imprint founded by members of rebellious French rock band Les (Faux) Freres in the late 1960s. Comprising 12 little-known cuts released on the label between 1970 and '73, the collection does a terrific job in highlighting the wide-eyed, psychedelic era brilliance of some of the label's now forgotten artists. Listeners can expect to hear a mixture of bluesy psychedelic rock, low-down Gallic funk, dream pop, Ramsey Lewis style excursions (see Hand's brilliant "Shifting Leads") and slightly kitsch instrumental workouts guaranteed to put smiles on faces.