New releases today: Soul

Review: Lee delivers two powerhouse performances from his album Sentimental Fool. 'Two Jobs' channels the conviction of James Brown with Bobby Bland's swing, showcasing Lee's command and swagger. The track's deep piano intro and frantic shuffle captivate listeners with a sound few can replicate. On 'Save Your Tears for Someone New,' Lee delivers a masterclass in rhythm and soul, his ferociously soulful voice shining in this dark r&b ballad. With each note, Lee proves why he's considered one of the best soul singers alive, leaving listeners wanting more.

Review: Octave Japan collaborate with legendary illustrator Hiroshi Nagai to oversee and handle the artwork for a rare single reissue. Sourced from the vaults of the OG T.K. Records, to whom Nagai has been listening since day dot, The Perfections' super rare 1973 cut 'Love Storm' is a swelling romantic soul sundry from the Milwaukee muses, with impressive vocal glidings from the band's lead singer Harold Stewart lending to an unexpected mondegreen - we first heard "can't keep living this lifestyle" as the incorrect lapsus of "can't keep living this love storm". On the B-side comes Funky Nassau's 'Bahama Soul Stew', a much-loved modern rarity first released in 2005, much-loved indeed thanks to its 4x4 swag-bag and mellifluous Hammond dexterities.

Review: Stop Hurting Me Baby by Purple Mundi, originally released in 1972, is a soulful gem from the 1970s soul group hailing from Miami, Florida. This sought-after record, reissued in 1978 with the B-side 'I Can't Understand,' shows the group's undeniable talent and soulful voice. With its smooth melodies and heartfelt lyrics, the song captivates listeners with its timeless appeal. The reissued version preserves the rare quality of the original pressing, making it a must-have for collectors and fans of vintage soul music. Purple Mundi's Stop Hurting Me Baby continues to shine as a standout rare track in the funk and soul genre, delivering soul-stirring vibes that is still being discovered today.

Review: Man of Mine encapsulates the soulful essence of Betty Wright's talent, making it a standout track on this 7" single release. Originally released in 1977, the song remains in high demand on the modern soul scene, attesting to its enduring appeal and timeless quality. Wright's emotive vocals, backed by lush instrumentation, create a captivating listening experience that resonates with audiences across generations. With its infectious groove and heartfelt lyrics, Man of Mine exemplifies the soul genre at its finest, showcasing Wright's talent as a vocalist and storyteller. This single serves as a fitting tribute to Betty Wright's influential contribution to funk, soul music and disco.

Review: 'Everybody Loves the Sunshine' represents a pivotal moment for Roy Ayers and Ubiquity, marking a departure towards a funkier and more laid-back sound in 1976. With its languid tempo and dreamy atmosphere, captures the essence of summer with its joyful lyrics and hypnotic groove. Ayers' vibraphone melodies intertwine seamlessly with the band's instrumentation, creating a mesmerizing sonic landscape that resonates with listeners. The song's universal appeal lies in its ability to evoke a sense of warmth and nostalgia, making it a timeless classic that continues to enchant audiences across generations.

Review: Mukatsuku has got another little treasure on its hands here with a tune from MBE and UK Soul legend Omar. It dates back to 2004 and has never been on 7" before having become something of a classic after original release on 12". Dons like Gilles Peterson and IG Culture were early supporters of the driving, peak time broken beat sound and the tune was often a highpoint of Omar's live sets. It has never been released as an instrumental either - until now. Both tunes now together on one 45 make for an essential cop for soul fans and, as always, there is strictly no repress on this one so move fast.

Review: Jalen Ngonda himself can personally vouch that he is 'Here To Stay'. At least, as much is true for his inclusion on the Daptone roster: his latest 7" here commands a gorgeously breezy vocal performance, a formerly hidden gem recorded during the Come Around And Love Me sessions. A throwback to Motown in two parts, the record is also backed up by the sweet and joyous 'If You Don't Want My Love'.