New releases last four weeks: Soundtracks

Review: British band Archive unveils their soundtrack for the new French film Voleuses (Thieves) on NetFlix under the English title of Wingwomen, in the UK. The soundtrack offers a unique blend of electronic, avant-garde, post-rock and progressive rock and draws from diverse musical influences throughout, with the the London-based ensemble delivering an immersive landscape that mirrors the story of Carole and Alex, two adept thieves battling for liberation in the film. This one comes on audiophile vinyl and is a great accompaniment to the move itself.

Review: Michael Giacchino, a decorated Academy Award-r winning composer, delivers a commanding yet tender score for J.A. Bayona's moving film The Society of the Snow. It recounts the harrowing true tale of the 1972 Uruguayan flight that crashed in the remote Andes, and the ensuing battle for survival. Amid despair, the film champions hope which is a sentiment echoed in Giacchino's emotionally charged score. Balancing poignancy with optimism, the music navigates a delicate path that amplifies the film's power. Bayona and Giacchino's collaboration yields a cinematic masterpiece that will surely resonate as one of the year's most compelling narratives.

Review: Earnest, atmospheric, romantic-gothic guitar pieces from Alain Goraguer, whose Rare Soundtracks & Lost Tapes hears a collection never heard before on vinyl. Goraguer is best known as a collaborator and ghostwriter of Serge Gainsbourg, as well as the scoring composer for the surrealist sci-fi animation film Fantastic Planet. At around the same time of the making of these two indelible compositions, Goraguer also wrote two similar, but less publicly-oriented scores, both of which appear on this record in a back-to-back fashion. An array of breathy flutes, eerie backing synth counterpoints, and shaky percussions all combine to cloud the glasses on this beautifully bittersweet album-length hypnosis.

Review: Dave Grusin's score for the whodunit comedy Murder by Death masterfully blends traditional and modern elements. Grusin's intent to approach the comedic affair seriously resulted in a thematic and delightful score that captures the film's eclectic nature. Paying homage to British murder-mystery roots while pushing boundaries, Grusin created a unique and charming musical landscape. The score's first-ever vinyl release allows audiences to fully appreciate Grusin's artistry, highlighting the perfect balance between tradition and innovation that characterizes his work.

Review: An iconic soundtrack to a classic blaxploitation flick, JJ Johnson and Martha Reeves & The Sweet Things turned a collective head when they simultaneously composed their core themes for Willie Dynamite, directed by obscure director Gilbert Moses. This ineluctable screen treat stars Roscoe Orman and Diana Sands in a quintessential portrayal of early '70s New York pimping, with the central character's foibles giving rise to a latent conscience when he comes into contact with a young social worker. As is often the case with the blaxploitation genre, Willie Dynamite begins with the lead character cruising down the streets of New York in some kind of fancy car, and 'tracked by the central theme: the theme of Reeves' 'Willie D' is clear as day, lyrically portraying D's hustle as 'magic', "never treating two girls the same", "it's no different from any other industry". 'Keep On Movin' On' contrasts this with a note of modesty, signaling the movie's inevitable tonal shift; nor should you miss the B-side instrumentals 'Willie Chase' and 'Parade Strut'.

Review: The original Bridgit Mendler soundtrack to the citrine teen drama movie of the same name sees a full version on vinyl LP this spring. Notable not only for its inclusion in the contemporary musical film, but also for its chart-topping success, the ten songs that make up the many acts of this high-school drama were destined to charm the pubescent masses, coinciding with the film's overarching theme of the school's students transcending use of after-school detention to musical effect, in order to overcome their personal struggles. Imagine Glee meets The Breakfast Club; a cabal of songwriters including Ali Dee, Maria Christensen, Bryan Todd and Jeannie Lurie lay down an array of sure-to-be hits for Mendler to perform on behalf of the cast here.

Review: Emilie Levienaise-Farrouch's All of Us Strangers soundtrack is a superb trip through plenty of highly atmospheric landscapes that blend delicate piano melodies with haunting electronic textures. Each track paints a vivid portrait, evoking a sense of introspection and emotional depth that only heightens the scenes in the movie. Levienaise-Farrouch's narrative captivates and guides the audience through a range of moods from tranquil introspection to moments of poignant intensity, and as such this soundtrack showcases her exceptional talent for composition and storytelling.

Review: If you like the idea of recreating the magic of Bond in your living room then this reissue of the soundtrack to the epic Spectre should get you excited. The OST to the twenty-fourth James Bond film arrives here via Decca on double white vinyl and Thomas Newman's electrifying orchestral score from the 2015 blockbuster as never sounded better. It amplifies the adrenaline-fuelled action as Daniel Craig takes on the iconic role of 007 for the fourth time and the album also includes an instrumental rendition of Sam Smith's Bond main title song, 'Writing's On The Wall'.

Review: Fargo Year Five is the fifth instalment of the acclaimed series Fargo and it debuted on screens back in November 21, 2023, and rolled out ten more gripping episodes. Continuing the tradition, Jeff Russo crafted the captivating music for this season, as he did for the preceding four. Notably, Russo clinched the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special in 2017 for his exceptional work on Fargo. Besides his prowess in television composition, Russo is revered as one of the founding members of the band Tonic, showcasing his multifaceted talent across various facets of the music industry, and this score is as good as all the ones that came before it.

Review: Howard Shore is well known for some of the most riveting soundtracks to dramatic movies the last 30 plus years. Many consider him to be one of the most important movie composers in the last half century. And his credits are impressive to say the least. Included are music for Lord of the Rings, Silence of the Lambs, Philadelphia, Aviator, The Score and many, many more. Not to be outdone, is the soundtrack for the cult classic Se7en starring Brad Pitt and Morgan Freeman. Coming in a beautifully designed gatefold and pressed on blue and teal marbled vinyl 2xLP that also comes with an insert. An amazing package, fitting for an amazing soundtrack.

Review: For the first time ever, this new silver vinyl release combines the iconic music from all the three Hobbit films into a comprehensive collection all masterfully performed by The City of Prague Philharmonic Orchestra. Howard Shore's award-winning compositions for this as well as The Lord of the Rings trilogy have captivated audiences worldwide, often accompanied by live film screenings. The meticulous attention to detail in bringing Tolkien's world to life through music is legendary, incorporating diverse musical styles and instruments to evoke the rich landscapes and characters of Middle-earth. From 'Song Of The Lonely Mountain' to 'Protector Of The Common Folk', this journey through cinematic composing is truly extraordinary.

Review: Shame On Dry Land (Syndabocken) is an award-winning Swedish movie that picked up the Guldbagge prize for best feature film soundtrack in 2024. That soundtrack has been written and produced by sometime Studio Barnhus associate and mythical young artist Baba Stiltz. It arrives on vinyl for the first time here and is a dense affair with plenty of esoteric stylings as you would expect of a man with a famously hard-to-pin-down sound. It goes from heavy and dark to airy and Mediterranean and needs to be heard nice and loud for the best effect.

Review: Final Symphony II delves deeper into the cherished melodies of the Final Fantasy series. Renowned composers Roger Wanamo and Jonne Valtonen skillfully craft rich and intricate arrangements of Nobuo Uematsu's iconic compositions from FF5, 8 & 9. Additionally, Masashi Hamauzu offers a captivating suite inspired by his monumental original score for Final Fantasy XIII, while Valtonen sets the tone with his atmospheric opening piece 'In a Roundabout Way - Fanfare'. Pianist Mischa Cheung shines brightly in the spotlight, captivating audiences with his masterful performances in 'For the People of Gaia' and the emotive solo arrangement 'You Are Not Alone'.

Review: The Mean Girls"soundtrack encapsulates the vibrant energy of the iconic teen comedy with a diverse array of tracks. From anthems like Renee Rapp's 'Meet The Plastics' to Auli'i Cravalho, Jaquel Spivey, Angourie Rice, Tim Meadows & Cast Of Mean Girls's 'Revenge Party', the album mirrors the film's mix of humour and heart. Renee Rapp & Megan Thee Stallion 'Not My Fault' is another standout that complements the film's narrative and overall, the soundtrack serves as a nostalgic trip back to the early 2000s, capturing the essence of Mean Girls and its cultural impact in a catchy and fun compilation.

Review: An exact dozen Bollywood musical gems, expertly curated to reflect a multitude of styles and sounds within the full spectrum. Tracks from movies such as Blackmail, Apradh, Junglee, Priya, Bhoot Bungla, and Sholay all make appearances, many of which are names that should be familiar to fans of 'world cinema' - for want of a less lazy label - even if the soundtracks themselves are not. Spanning the later mid-20th Century, everything here was recorded between 1958 and 1984, and as such Bollywood Nuggets can be taken as a window on how tastes and demand changed during that time, while certain totems remained. Featuring artists such as Mohammedd Rafi, Kalyanji & Anandji, P Susheela & SP Balasubrahmanyam, and RD Burman, it's a fantastic overview and a fascinating deep dive.

Review: There's niche, then there's niche. Universal Japan dive into the latter with a huge celebration of nostalgic sounds - a good chunk of the scores created for Konami's early video game catalogue. The definition of chip music, the album initially presents itself as the kind of release you'd discover and appreciate after spending some time exploring the many contemporary tracks which take inspiration from, but don't totally emulate, classic arcade and console titles. Remarkably, it quickly becomes clear the opposite might be true. Yes, there's something utterly naive and rather basic, compressed and unpolished about what's here. But then it's hard not to find yourself rapidly getting involved with 'Blank Mask (Stage 3 BGM)''s oddly hypnotic bleeped hook, becoming lost in the endless spirals of melody on 'Aircraft Carrier (Stage 6 BGM)', or feeling real joy at the celebratory 'Seisan'.

Review: With roots that date back to 1967, when Weekly Manga Action magazine decided to take a punt on a new character, master thief Lupin III, grandson of gentleman robber Arsene Lupin, and his criminal gang, Takeo Yamashita and Otomo Yoshihide's collaborative soundtrack has cult status written all over it. While not made to accompany the core Lupin III series, the music here featured on the critically acclaimed Lupin Zero, a saga that takes us back to the early years of the protagonist - a young boy opening the door on a life of crime in mid-1960s Japan. On record, that sounds like a flamboyant and intoxicatingly heady brew of jazz, psychedelic rock, electronic experimentation and pure groove. As vivid as both the original printed cartoons and the subsequent screen adaptations that continued the legacy.

Review: Let's face it, Hollywood director Christopher Nolan broke the mould with his re-envisioning of Batman. Taking things closer to the original comic books, themselves forced to 'go soft' by censors in the early-1950s, his films payed direct tribute to the saga's direction from the mid-1970s onwards. A trilogy of movies that were visually arresting, tonally dystopian, and viciously unhinged. It's not clear if we'll ever get a superhero (or anti-hero) film series of that class and calibre again, the world on screen so immersive you quickly feel like a Gotham native. A big part of that universe-building comes through the music, which enlists two of the greatest names in the history of soundtracks to help weave the tales. Hans Zimmer has composed for more than 150 films, James Newton Howard in excess of 100. This compilation of their shared caped crusader efforts proves why they're so well respected.