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This Week: Studio Equipment

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Cat: 689034 Rel: 19 Jun 18
 
Expansion pack for the Koma Elektronik Field Kit FX
Notes: Its all about the things you connect to the Field Kit FX! To get you started, Koma Elektronik decided to offer an FX Expansion Pack with a bunch of handy cables, contact mic's and spring tank that you can use and connect to create your own signature sounds.

The Field Kit FX Pack contains:

1 x Spring Reverb Tank
1 x Delay Feedback Path Cable
1 x Big Contact Microphone
1 x Small Contact Microphone
1 x KOMA Elektronik Attenuator Cable
3 x 3.5mm Patch Cables
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 3 in stock $77.36
Cat: 694278 Rel: 22 Jun 18
 
24x28 audio interface featuring versatile connectivity, DSP console-style mixing & high-resolution audio
Notes: The MOTU 8pre-es takes the styling and feature set of the 828es - including dual LCD screens, Monitor Control and built-in Talkback - and complements it with 8 high quality microphone pre-amps.

Equipped with renowned ESS Sabre32 DAC technology and a new front panel design, the 8pre-es connects to a Mac, PC or iOS device over Thunderbolt or USB with low latency, high performance drivers to deliver 52 channels of audio I/O, 48-channel mixing and DSP effects, including Classic Reverb, modelled analogue EQ and vintage compression modelled after the legendary LA-2A.

Eight mic/line "combo" inputs provide transparent preamps with superb 129 dBu EIN, 118 dB dynamic range and remote control for individual gain/pad/48V phantom power.

Control room features include a built-in talkback mic with front-panel "talk" button and "A/B" speaker select buttons.

The AVB port allows for additional I/O options such as MADI or AES/EBU to be easily added to the system via an Ethernet cable connection.

Advanced extras include flexible routing and splitting, system expansion, audio networking, stand-alone mixing, Wi-Fi control from mobile devices, DC coupled analogue outputs and AudioDesk workstation software.
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 3 in stock $1,325.29
Cat: 675762 Rel: 20 Jun 18
 
Stylish, ultra-portable recorder with wireless listening & remote control - red
Notes: The R-07 packs mission-critical recording features into a stylish and ultra-portable device that goes anywhere life takes you. High-resolution audio, one-touch Scene memory, and Hybrid Limiting ensure great sounding recordings no matter what the situation. And wireless listening and remote control mean you can record with less wires in more places.

Beyond the Smartphone:

While a smartphone can cover some basic recording situations, for reliable and professional results you really need a dedicated recorder. But a lot of recorders are bulky, complicated, and require an array of wires and adapters. The R-07 is simple and intuitive, goes anywhere, and provides mission-critical recording functions leaving your phone free to do what it does best.

Beauty and Brains:

The R-07 looks great, sounds superb, and fits comfortably in your hand or your pocket. It's easy to use yet provides truly professional results with one-touch recording setup. Its next-generation Bluetooth capabilities mean you can control, monitor and listen back wirelessly using supported smartphones, smartwatches and Bluetooth speakers. It comes in three stylish colours and runs on two AA batteries or USB bus power.

Set the Scene:

A recorder as compact and go-anywhere as the R-07 could end up in a lot of different recording situations. Whether it's on-location interviews, on-the-road demos, classrooms, boardrooms, field recording, or just about anything else you can imagine, the R-07 can automatically apply the ideal settings. When you select a Scene, the sample rate, record mode, limiter, low cut, and input level instantly adjust to their optimal settings. And you can alter any of the settings and save them for next time, so you'll never miss that magic moment.

Designed for a Wireless World:

The R-07 uses the latest Bluetooth technology with Qualcomm aptX for enhanced streaming performance. Remote control from your smartphone or from supported smartwatches. Manage recordings and ensure what's being recorded is exactly what you want, even while the R-07 is in its prime recording location, and out of reach. Listen on wireless headphones or Bluetooth speakers - all while cutting cable clutter and staying out of the way of your recording subjects.

Safe and Sound:

With Dual Recording and Hybrid Limiting, you'll never ruin a vital recording due to overload or clipping. And you won't have to worry about artefacts from aggressive limiting either. The R-07 can make two simultaneous recordings - one at full level and another at a lower level with increased headroom. If there's unexpected clipping in the main recording, you can replace that section with a portion of the lower-level backup recording. Hybrid Limiting can even handle this automatically, so you get all the safety of limiting with none of the downsides.
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 2 in stock $216.65
Cat: 675763 Rel: 20 Jun 18
 
Stylish, ultra-portable recorder with wireless listening & remote control - white
Notes: The R-07 packs mission-critical recording features into a stylish and ultra-portable device that goes anywhere life takes you. High-resolution audio, one-touch Scene memory, and Hybrid Limiting ensure great sounding recordings no matter what the situation. And wireless listening and remote control mean you can record with less wires in more places.

Beyond the Smartphone:

While a smartphone can cover some basic recording situations, for reliable and professional results you really need a dedicated recorder. But a lot of recorders are bulky, complicated, and require an array of wires and adapters. The R-07 is simple and intuitive, goes anywhere, and provides mission-critical recording functions leaving your phone free to do what it does best.

Beauty and Brains:

The R-07 looks great, sounds superb, and fits comfortably in your hand or your pocket. It's easy to use yet provides truly professional results with one-touch recording setup. Its next-generation Bluetooth capabilities mean you can control, monitor and listen back wirelessly using supported smartphones, smartwatches and Bluetooth speakers. It comes in three stylish colours and runs on two AA batteries or USB bus power.

Set the Scene:

A recorder as compact and go-anywhere as the R-07 could end up in a lot of different recording situations. Whether it's on-location interviews, on-the-road demos, classrooms, boardrooms, field recording, or just about anything else you can imagine, the R-07 can automatically apply the ideal settings. When you select a Scene, the sample rate, record mode, limiter, low cut, and input level instantly adjust to their optimal settings. And you can alter any of the settings and save them for next time, so you'll never miss that magic moment.

Designed for a Wireless World:

The R-07 uses the latest Bluetooth technology with Qualcomm aptX for enhanced streaming performance. Remote control from your smartphone or from supported smartwatches. Manage recordings and ensure what's being recorded is exactly what you want, even while the R-07 is in its prime recording location, and out of reach. Listen on wireless headphones or Bluetooth speakers - all while cutting cable clutter and staying out of the way of your recording subjects.

Safe and Sound:

With Dual Recording and Hybrid Limiting, you'll never ruin a vital recording due to overload or clipping. And you won't have to worry about artefacts from aggressive limiting either. The R-07 can make two simultaneous recordings - one at full level and another at a lower level with increased headroom. If there's unexpected clipping in the main recording, you can replace that section with a portion of the lower-level backup recording. Hybrid Limiting can even handle this automatically, so you get all the safety of limiting with none of the downsides.
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 2 in stock $215.54
Cat: 692503 Rel: 18 Jun 18
 
Reproduction of the legendary British diode lowpass filter - 8HP
Notes: Module A-102 is a reproduction of the legendary low pass filter design that uses diodes in the filter stage as frequency controlling elements - resulting in "strange" resonance behaviour and frequency response, as resonance and frequency are not independent from another.

As for the rest, the A-102 is identical to the A-120 Moog low pass filter, the A-103 (18dB TB303 Filter) i.e. the same controls, inputs and outputs. Only the filter sound is different:

- Manual control of filter frequency
- 3 CV inputs (CV1, CV2, CV3), 2 of them with attenuator (CV2, CV3)
- Input level control
- Resonance control up to self-oscillation (depends upon the frequency setting for the A-102)
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 1 in stock $88.22
Cat: 692505 Rel: 18 Jun 18
 
Quad resonance filter - 20HP
Notes: A-104 is a fourfold formant filter as used in the Mixtur Trautonium by Oskar Sala. It is made of four parallel resonance filters, each filter can be switched to low pass or band pass or off. Frequency, resonance and level are controlled for each filter separately (no voltage control). The frequency range for the filters is about 50Hz...5kHz. The filter audio inputs are very sensitive so that distortion may intentionally be used to create new sounds - if desired.

The A-104 is a versatile module for sound modification. In the first place it is used for reproduction of resonances (e.g. the vocal-like effects known from the Trautonium). In combination with the subharmonic generator A-113, the Trautonium Manual A-198 and some other A-100 modules, one obtains a Trautonium replica.
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 1 in stock $143.56
Cat: 692506 Rel: 18 Jun 18
 
Voltage-controlled low-pass filter with 24dB/octave slope - 8HP
Notes: The A-105 is a 24dB low pass filter that bases on the SSM 2044 chip that was used amongst others in following units: Korg Polysix, Korg Mono/Poly, Fairlight II, PPG Wave 2.2 und 2.3, Emu SP-1200, Siel DK600, Siel Opera 6. The first Prophets used the SSM2040 - the precedessor of the 2044 - that generates a very similar sound. The filter convinces with a very powerful sound. The resonance starts quite early to colour the signal and makes a big range of sounds possible up to self-oscillation. The latter provides a very clean sine wave - no wonder, because the SEM2044 chip wasn't designed only as a filter core but also as a sine wave oscillator.

The A-105 is based on the patented so-called "true open loop design" which generates a very fat sound. The filter works with a slope of -24dB per octave and provides voltage controllable resonance up to self-oscillation. The audio input is sensitive so you can distort the audio signal at the input if desired. there's a volume control at the audio input, potentiometers for setting the cutoff frequency and resonance as well as attenuators at the CV inputs for cutoff and resonance.
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 1 in stock $114.95
Cat: 692507 Rel: 19 Jun 18
 
MS20 low/high-pass filter - 14HP
Notes: Module A-106-1 is a unique low/high pass filter and has its origin in Doepfer's experiments to build an MS20 filter clone. In contrast to other filter designs, it has different audio inputs for low and high pass, but only one audio output. The type of filter (12dB low pass, 6dB high pass or any mix) is defined by the shares of the audio signal fed to the corresponding inputs. Even two different audio signals can be used as low and high pass input. A special feature is the polarizer at the high pass input that allows to add/subtract the high pass to/from the low pass share, leading to pseudo band pass and notch responses.

Another special feature is the clipping controls, which allow independent adjustment of the positive and negative clipping level. The resonance goes up to self-oscillation, but with a clearly different behaviour than on other filters. At certain resonance and clipping settings the self-oscillation generates rectangle or short sawtooth shaped pulses.

In general, the A-106-1 is a very strange and awesome filter and far away from being perfect (e.g non-linear control scale, self-oscillation with all sorts of waveforms except sine, a lot of roaring, rattling, noise or other unpredictable sounds at high distortion and resonance settings, high distortion or audio level overrides the resonance, significant CV feedthrough). But the A-106-1 has a lot of character - probably much more than any other filter of the A-100 - and is able to generate filter sweeps which are not possible with any other filter.
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 1 in stock $124.14
Cat: 692508 Rel: 19 Jun 18
 
Multimode filter based on the filter circuit of the Oberheim Xpander - 12HP
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types (those filters of the A-107 that were available in the Xpander) with 8 filters available simultaneously. The toggle switch Filter Group is used to switch between 2 filter groups.

These filter types are available:

- 1L (6 dB low pass)
- 2L (12 dB low pass)
- 3L (18 dB low pass)
- 4L (24 dB low pass)
- 1H (6 dB high pass)
- 2H (12 dB high pass)
- 3H (18 dB high pass)
- 2B (6 dB band pass)
- 4B (12 dB bandpass)
- 2N (notch)
- 3A (allpass)
- 2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
- 3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
- 2N1L (combination of notch and 6 dB low pass)
- 3A1L (combination of allpass and 6 dB low pass)

The module features voltage-controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self-oscillation is possible.

All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2) and one without attenuator (FCV1, ~ 1 V/octave). In addition, voltage-controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available.

The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages.
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 1 in stock $153.27
Cat: 692509 Rel: 18 Jun 18
 
Voltage controlled filter with 36 filter types - 26HP
Notes: This module contains 26 very different filter types which can be combined each after the other. You can morph or switch between those filter chains manually, with control voltage or with a clock signal. 15 filter types are known from the Oberheim Matrix 12 and there additional 21 new filter types.

The filters are organized in two groups of 18 filters each. The transition between different filter types within one group can be soft (morphing) or hard (switching).

The transition between the different filter types is controlled by two parameters: Filter Step (marked Step at the front panel) and Morphing Time (marked Morph at the front panel). For both parameters manual control, one CV input with attenuator and one CV input without attenuator are available.

The 36 filter types can be arranged in filter chains (resp. filter sequencer or filter orders) so that this sequence of filters is passed through while the control voltage changes from 0V to +5V. Each chain consists of 32 steps. 64 filter chains can be programmed by the user and stored in the non-volatile memory of the module.

Of course, the standard VCF controls are available: cut-off frequency and resonance. Both are voltage controllable. For the filters of the first group (1-18) self-oscillation is possible, the filters of the second group (19-36) do not feature self-oscillation.

The filter design is 100% analogue (CEM filter chip). Only the morphing control and memory managing is carried out by a microcontroller.
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 1 in stock $279.48
Cat: 692510 Rel: 19 Jun 18
 
Classic Moog voltage-controlled lowpass filter - 12HP
Notes: Module A-108 is a completely new voltage-controlled low pass filter based on the well-known transistor ladder (Moog ladder). The module has internally an 8-stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition, it features a band pass output (i.e. band pass with transistor ladder). In the factory, the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB.

Resonance (Emphasis or Q) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additional modules into the feedback path (e.g. VCA for voltage-controlled resonance or phaser/frequency shifter for phase/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket.

The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are equipped with attenuators.

The filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self-oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds.

In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage-controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).
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 1 in stock $149.22
Cat: 692511 Rel: 19 Jun 18
 
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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 1 in stock $153.64
Cat: 692512 Rel: 18 Jun 18
 
Basic voltage-controlled oscillator for the A-100 modular system
Notes: Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

All other features are essentially the same as for the A-110-1.

Explanation of the jumpers and trimming potentiometers:

- JP2: CV connection to A-100 bus
- JP3: range of Tune control (installed = about 4 octaves, not installed = about 1/2 octave)
- JP4: AC/DC coupling of the linear FM input (installed = DC coupling, not installed = AC coupling)
- P5: 1V/Oct scale
- P6: frequency offset
- P7: high-end trim
- P8: adjustment +1 Oct. range switch
- P9: adjustment -1 Oct. range switch
- P10: temperature VCO heater

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!
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 1 in stock $114.95
Cat: 692514 Rel: 18 Jun 18
 
Basic voltage-controlled oscillator for the A-100 modular system - black front panel
Notes: Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

All other features are essentially the same as for the A-110-1.

Explanation of the jumpers and trimming potentiometers:

- JP2: CV connection to A-100 bus
- JP3: range of Tune control (installed = about 4 octaves, not installed = about 1/2 octave)
- JP4: AC/DC coupling of the linear FM input (installed = DC coupling, not installed = AC coupling)
- P5: 1V/Oct scale
- P6: frequency offset
- P7: high-end trim
- P8: adjustment +1 Oct. range switch
- P9: adjustment -1 Oct. range switch
- P10: temperature VCO heater

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!
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 1 in stock $129.32
Cat: 692515 Rel: 18 Jun 18
 
Thru-zero quadrature VCO with Sine/Cosine core - standard edition
Notes: This analogue VCO is well versed in the art of deep and beautiful thru-zero frequency modulation, allowing the frequency to stop when CVs with 0V are applied, and even to go backwards when modulated with negative CVs.

The term "quadrature" refers to simultaneously available sine and cosine waves at individual outputs. The VCO is sine based i.e. no waveshaping is used to derive the sine; for that reason, the sound is really clear and shows a minimum of distortion and overtones.

The module has two control sections:

The exponential section consists of the XTune control, the 1V/Oct input and the XFM input with the corresponding attenuator XFM.

The exponential control voltage is the sum of these three voltages. The linear section consists of the LTune control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages.

The main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine/cosine core. The sine/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.

With it's both control possibilities, linear and exponential, as well as it's thru-zero ability, the VCO is perfectly suited for all types of FM applications.
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 1 in stock $130.43
Cat: 692516 Rel: 18 Jun 18
 
Thru-zero quadrature VCO with Sine/Cosine core - special edition
Notes: This analogue VCO is well versed in the art of deep and beautiful thru-zero frequency modulation, allowing the frequency to stop when CVs with 0V are applied, and even to go backwards when modulated with negative CVs.

The term "quadrature" refers to simultaneously available sine and cosine waves at individual outputs. The VCO is sine based i.e. no waveshaping is used to derive the sine; for that reason, the sound is really clear and shows a minimum of distortion and overtones.

The module has two control sections:

The exponential section consists of the XTune control, the 1V/Oct input and the XFM input with the corresponding attenuator XFM.

The exponential control voltage is the sum of these three voltages. The linear section consists of the LTune control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages.

The main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine/cosine core. The sine/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.

With it's both control possibilities, linear and exponential, as well as it's thru-zero ability, the VCO is perfectly suited for all types of FM applications.
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 1 in stock $121.08
Cat: 692521 Rel: 19 Jun 18
 
Voltage controlled oscillator, switchable between LFO & VCO modes - 14HP
Notes: The successor of the good old A-111 High End oscillator is an utterly precise analogue VCO/LFO with an extremely big frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms. With linear and exponential FM, pulse width modulation, two simultaneous types of sync and attenuators on all CV inputs, the module is really well-appointed.

Not less than four frequency controls make tuning an ease:

- Switch for LFO or VCO range
- Octave rotary switch with six positions
- Fine tuning control (approximately one octave range)
- Coarse tune control (approximately one semitone range)

The oscillator has a frequency range of at least fifteen octaves (0.0001 - 40Hz in LFO mode, 0.5Hz - 20kHz in VCO mode) and has perfect Volt per octave tracking over at least ten octaves, typically in the range of 20Hz to 20kHz. Frequencies below 25Hz are visualized with a two-colour LED.

An 1V/octave input without attenuator is expanded by two scaleable FM inputs, one for linear and one for exponential frequency modulation. Using a jumper, you can decide whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and sine are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

The A-111-2 features not only one but two inputs for oscillator synchronisation - one for hard and one for soft sync, which both differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $229.91
Cat: 692522 Rel: 19 Jun 18
 
Voltage controlled oscillator, switchable between LFO & VCO modes - 14HP
Notes: The successor of the good old A-111 High End oscillator is an utterly precise analogue VCO/LFO with an extremely big frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms. With linear and exponential FM, pulse width modulation, two simultaneous types of sync and attenuators on all CV inputs, the module is really well-appointed.

Not less than four frequency controls make tuning an ease:

- Switch for LFO or VCO range
- Octave rotary switch with six positions
- Fine tuning control (approximately one octave range)
- Coarse tune control (approximately one semitone range)

The oscillator has a frequency range of at least fifteen octaves (0.0001 - 40Hz in LFO mode, 0.5Hz - 20kHz in VCO mode) and has perfect Volt per octave tracking over at least ten octaves, typically in the range of 20Hz to 20kHz. Frequencies below 25Hz are visualized with a two-colour LED.

An 1V/octave input without attenuator is expanded by two scaleable FM inputs, one for linear and one for exponential frequency modulation. Using a jumper, you can decide whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and sine are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

The A-111-2 features not only one but two inputs for oscillator synchronisation - one for hard and one for soft sync, which both differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $261.96
Cat: 692518 Rel: 18 Jun 18
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $164.69
Cat: 689041 Rel: 19 Jun 18
 
Front panel for the Koma Elektronik Field Kit
Notes: Use this panel to mount your Field Kit in your Eurorack System.

Please note: This only includes the Eurorack Panel, NOT the full Field Kit.
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 2 in stock $35.37
Cat: 689037 Rel: 19 Jun 18
 
Front panel for the Koma Elektronik Field Kit FX
Notes: Use this panel to mount your Field Kit FX in your Eurorack System.

Please note: This only includes the Eurorack Panel, NOT the full Field Kit FX.
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 2 in stock $35.37
Cat: 689031 Rel: 19 Jun 18
 
Electroacoustic workstation - boxed version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 More than 10 in stock $243.16
Cat: 689032 Rel: 19 Jun 18
 
Electroacoustic workstation - Eurorack version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 2 in stock $243.16
Cat: 676565 Rel: 19 Jun 18
 
Complex 16-step CV sequencer - 10HP
Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 5 in stock $275.23
Cat: 676568 Rel: 19 Jun 18
 
4-channel mute for audio & CV signals
Notes: Muta Jovis is a 4HP switchable quad mute. The inputs are circularly normalled so a single input can be sent (and muted) to up to four outputs. Switches and LEDs that indicate channels that are outputting signal leave no doubt about the state of each channel. MJ was designed with gates/triggers in mind.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 3 in stock $88.42
Cat: 676569 Rel: 19 Jun 18
 
Three-input stroboscopic tuner module - 4HP
Notes: Soleo Vero is a 4HP stroboscope tuner for up to three oscillators. Patch directly through the SV to avoid patching and repatching. Stroboscope allows tuning across a range of octaves on the fly...and even without audio monitoring. No more bumped oscillator surprises! Optional mode allows tuning to either the 440Hz and 432Hz standards.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 2 in stock $202.27
Cat: 687377 Rel: 19 Jun 18
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 2 in stock $380.23
Cat: 687381 Rel: 19 Jun 18
 
Compact Eurorack module based on System-100m's 110 VCF, VCO & VCA module
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 510 SYNTH:

With the SYS-510, designing your first modular setup or integrating classic Roland sound into your existing modular rig has never been easier. Based on the vintage SYSTEM-100m's 110 VCO, VCF, and VCA module, the SYS-510 brings together the best aspects of the SYSTEM-500 into a single voice module. It contains three pristine oscillator waveforms, classic Roland low pass filter with hi-pass switches, and a VCA with multiple outputs. It has inputs for external signals and modulation, and output jacks for both Eurorack and line-level audio. At 20hp and internally normalled for cableless operation, the SYS-510 is an essential building block, whether you're an experienced user or just diving into modular synthesis.
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 3 in stock $374.63
Cat: 687379 Rel: 22 Jun 18
 
Versatile Eurorack module based on System 1000m's 150 & 165 modules
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYS-555 LAG / S&H:

Channelling inspiration from the Roland SYSTEM-100m's 150 and 165 modules, the SYS-555 is a five-in-one powerhouse that brings core utility functions to your modular setup, but with some new and interesting twists. The SYS-555 contains both traditional and non-traditional modulation sources applicable to any imaginable configuration or setup. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.
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 3 in stock $357.02
Cat: 693966 Rel: 21 Jun 18
 
Mini Windjammer specifically designed for the Rode Video Mic GO
Notes: The Mini Windjammer for the Rode Video Mic GO provides excellent wind isolation for capturing audio in high-wind environments. Made from high-quality synthetic fur specifically designed for wind isolation, easy-to-fit slip-on fur covers for use when recording outside with the built-in microphones found on portable cameras, external camera mics and handheld reporter microphones.
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 More than 10 in stock $36.60
Cat: 693156 Rel: 20 Jun 18
 
Digital multi modulation pedal with 11 different algorithms
Notes: MOD FACTORY MKII contains 11 algorithms straight out of Mooer's award-winning MOD FACTORY PRO. All the usual suspects are there, such as Chorus, Flange, Trem and Phase, but it also sports a cool new low-bit effect and ring modulator that have proven very popular with the PRO version.

The signal to noise ratio has been greatly improved over the original and your guitar tone will remain full and present when you turn the pedal on. To enhance the experience even further, real-time tap tempo and acceleration functions have been added and can be accessed via the soft touch, momentary footswitch.

MOD FACTORY MKII also has an option for SERIES/PARALLEL. The SERIES/PARALLEL switch toggles between serial and parallel internal signal chain routing. This effectively provides 2 very different sounds from each modulation type.
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 1 in stock $80.04
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