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This Week: Studio Equipment

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Items 1 to 17 of 17 on page 1 of 1
Cat: 699326 Rel: 20 Sep 18 • View all Crossovers
 
High-precision stereo 2-way/3-way/mono 4-way crossover with limiters
Notes: The CX3400 stereo 2-way/3-way/ mono 4-way crossover provides the ultimate in high-precision audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. CX3400 features include: Limiters on all crossover outputs for optimal loudspeaker protection; an adjustable Time Delay for proper phase-alignment of the drivers; High-Frequency (HF) horn equalization for constant-directivity compensation; and a mono 'Low Sum' Output (stereo modes only), which is ideal for your subwoofer applications.

When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX3400 crossovers accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection plus off Mute and Phase Invert switches, making troubleshooting even a large system virtually effortless!

Chances are if you're reading this, you already know what a crossover is and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you're bench-pressing your limit!) That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossovers function to divide these tasks between the various amplifiers and transducers.

The CX3400 provides three modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way stereo, for Left and Right Lows, Mids and Highs; and 4-way mono, for Lows, Low-Mids, High-Mids and Highs. For your convenience, the CX3400s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected and which controls are currently active.

When a driver radiates into open space via a horn, its efficiency increases. Over the past few years, constant-directivity horns have gained widespread popularity, since they are designed to produce consistent dispersion over their entire frequency range however, the higher the frequency, the lower the efficiency. To compensate for this, the CX3400 includes a switchable pre-EQ for CD horns that ensures a fl at frequency response, even before equalisation is applied. This pre-EQ raises the signal gain by 3 dB at 3.5 kHz, which then increases by 6 dB/oct. up to 22.5 kHz.
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 2 in stock $82.52
Cat: 699331 Rel: 20 Sep 18 • View all Studio mixers
 
Ultra-low noise 8-channel splitter/mixer
Notes: Designed to be a 'life-saving' piece of equipment, the MX882 V2 is an ideal addition to any audio engineer's or musician's toolkit. It is perfect for live performances, professional recording, CD and digital format production, and plenty more. The MX882 V2 distributes a stereo signal to several outputs in splitter mode, combines multiple signals into a stereo output in mixer mode, and adapts signal levels for a wide variety of audio applications to act as a buffer amplifier. Each of these functions can be performed simultaneously, resulting in an incredibly versatile rackmountable device.

With 6 mono channels available, the MX882 V2 can be used efficiently as both a mixer and/or a signal splitter. As an example, if you connect a stereo source to the Main Inputs of the device, you are able to route this signal to any of the mono channels that you have set to Split mode. Each channel can be set to Split or Mix mode, providing simultaneous mixing and splitting in your own desired configuration. When set to Mix mode, the input signals from any of the MX882 V2's six channels can be mixed down to the main stereo output, whilst dedicated Balance/Pan controls on each channel allow you to place each channel exactly where you want it in the output's stereo image. When in Mix mode, the stereo signal at the Main Input is sent to the Main Outputs automatically, enabling you to utilise up to a total of eight individual signals. The input signals at each mono input are still sent to their respective mono outputs, allowing you to use each channel as an individual matching amplifier. You can use the Level controls for the corresponding channels to adapt the levels at will, with each featuring a maximum gain level of +15dB.

Robust Construction & Pro-Grade Performance
Designed and engineered in Germany, the MX882 V2 is built to offer exceptional performance in a wide range of applications. The device can be used as a keyboard or drum submixer, a distribution amplifier for PA systems, and more. The V2 is equipped with an internal switch-mode power supply that offers low power consumption, noise-free audio performance, and automatic voltage switching for international usage. The MX882 V2 can be mounted in a standardized 19'' rack enclosure for transportation or storage, whilst the rugged metal chassis and housing provide excellent protection to the device's internal components.
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 5 in stock $85.27
Cat: 702737 Rel: 18 Sep 18 • View all Power cables & adapters
 
15 VDC, 1200mA output replacement power supply for NI products
Notes: For Use With:

Traktor Kontrol Z1, S2, S4 and S5
Traktor Audio 2, 6 and 10
Machine Studio
Komplete Kontrol S25, S49, S61 and S88
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 5 in stock $21.87
Cat: 702738 Rel: 18 Sep 18 • View all Power cables & adapters
 
40W 15 VDC, 2660mA output replacement power supply
Notes: Use With:

Traktor Kontrol S8 and D2.
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 5 in stock $21.87
Cat: 697806 Rel: 19 Sep 18 • View all Synthesisers
 
Hybrid synthesiser with monophonic & paraphonic modes of operation
Notes: Medusa hybrid synthesizer materialized from the genuine passion and a positive relationship between Dreadbox and Polyend synthesized in the proper way.

At first, there was a simple desire to add a sequencer and preset functionalities to the famous Dreadbox analog voices. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time.

Careful, Medusa might be dangerously absorbing and can drag you in for a long time.
The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.

Seems like a simple addition, but this fusion brings something that has never been available before.

The Build:

- All that analogue and digital functionality connected in one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.
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 8 in stock $851.36
Cat: 701540 Rel: 20 Sep 18 • View all Synth modules
 
Saber SEM classic audio filter module 8HP
Notes: Saber by Delta Sound Labs is a reimagined variation of the pioneering 1970's era SEM filter by Tom Oberheim.
This is a truly classic audio filter reworked as a compact and 100% skiff-friendly 8HP module.

The original SEM (Synthesizer Expander Module) was one of the world's first all-in-one synthesizers and it's unique 12dB/Octave multi-mode filter, imparted unique character to anything it touched.
Saber by Delta Sound Labs remains true to this design but features modern touches such as buffered low-pass, high-pass and band-pass outputs, each of which can be used at the same time.
All in all, this makes for a really flexible, great sounding addition to any Eurorack system.
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 2 in stock $149.78
Cat: 676691 Rel: 21 Sep 18 • View all Synth modules
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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 2 in stock $165.78
Cat: 702199 Rel: 19 Sep 18 • View all Synth modules
 
Analogue clap circuit with sharp, punchy sound 10HP
Notes: Erica Synths Clap is developed together with French company e-licktronic and it's our take on analogue clap circuits adapted for modular systems. Sharp, punchy sound, Accent & CV control over Tone make it distinctively expressive in studio and live performances.

Decay range 120ms - 1100ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Trigger level 5V
Trigger time 1ms
Accent CV level 10V
Power consumption 24mA@+12V, 20mA@-12V
Module width 10HP
Module depth 35mm
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 1 in stock $150.87
Cat: 690945 Rel: 20 Sep 18 • View all Synth modules
 
Compact drum mixer with compressor - 10HP
Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Mixer gain -+6dB
Power consumption 59mA@+12V, 36mA@-12V
Module width 10HP
Module depth 35 mm
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 1 in stock $172.74
Cat: 702201 Rel: 20 Sep 18 • View all Synth modules
 
Compact drum mixer with compressor - 10HP
Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Mixer gain -+6dB
Power consumption 59mA@+12V, 36mA@-12V
Module width 10HP
Module depth 35 mm
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 1 in stock $172.74
Cat: 702205 Rel: 20 Sep 18 • View all Synth modules
 
Drum Mixer with extended headroom and a dedicated drum compressor 14 HP
Notes: The Erica Drum Mixer offers clean sound with an excellent dynamic range. Seven level-adjustable inputs are available. An optical compressor gives the mix a more punchy character. Besides the main output, there is an Aux output with routing options. Thanks to this, it is possible to feed only a few selected drums to external effects.

Mixer gain -+6dB
Power consumption 65mA@+12V, 41mA@-12V
Module width 14HP
Module depth 35 mm
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 1 in stock $205.54
Cat: 690942 Rel: 19 Sep 18 • View all Synth modules
 
Dual drive & distortion module with two independent distortion circuits 10 HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavours of overdrive.
CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Furthermore, the output of the first section is normaled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit.
The module can be used in the stereo applications as well and it's not limited for drums only - it will turn any sound source into roaring monster.
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 4 in stock $241.62
Cat: 702185 Rel: 19 Sep 18 • View all Synth modules
 
Dual Drive for For extreme, distorted drums 10HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.

Audio output level -5V...+5V
CV level (full span) -5V...+5V
Power Consumption 58mA@+12V
58mA@-12V
Module width 10HP
Module depth 50mm
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 1 in stock $241.62
Cat: 702196 Rel: 19 Sep 18 • View all Synth modules
 
Snare drum module with sharp, punchy sounds, Accent & CV control 10 HP
Notes: If you like the snare of the TR-909, but desire more sound design possibilities, you will love the Erica Snare Drum module. It is based on the classic rhythm composer circuit made by Roland, but offers considerably more parameters. Some of which are voltage controllable. At last, you can shape the gorgeous, punchy sound of the 909 in a multitude of ways.

Decay range 150ms - 260ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Accent CV level 10V
Trigger level 5V
Trigger time 1ms
Power consumption 37mA@+12V, 35mA@-12V
Module width 10HP
Module depth 35mm
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 1 in stock $216.47
Cat: 702197 Rel: 19 Sep 18 • View all Synth modules
 
toms module with Massive, punchy sound, accent and tone CV 16 HP
Notes: Erica Synths Toms is developed in collaboration with the French company e-licktronick and it's our take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.

Decay range 370ms - 955ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Accent CV level 10V
Trigger level 5V
Trigger time 1ms
Power consumption 83mA@+12V, 76mA@-12V
Module width 16HP
Module depth 50mm
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 1 in stock $347.67
Cat: 703016 Rel: 18 Sep 18 • View all Effects pedals
 
Distortion/Sustainer effects pedal with compact enclosure
Notes: We have reissued the original Version 1 Big Muff and it's dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new Triangle Big Muff is a faithful re-creation of the original circa 1969 circuit now housed in a pedalboard friendly, die cast chassis.

Electro-Harmonix founder, Mike Matthews, stated: "The Big Muff Pi is the pedal we are best known for so I wanted to commemorate EHX's 50th Anniversary (1968-2018) by re-releasing V1, the very first Big Muff. Original pedals are now selling for hundreds of dollars and this reissue absolutely nails that creamy, violin-like sustain and musical tone at a price a working musician can afford.
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 3 in stock $101.13
Cat: 698454 Rel: 21 Sep 18 • View all Effects pedals
 
Filter pedal featuring four filter types
Notes: The Protostar's filter is a multimode circuit with a slope of -12 dB or -24 dB per octave and four characteristics, in detail low-pass, band-pass, high-pass and notch.
Values for the cutoff frequency and resonance can be set manually. Additionally, the cutoff can be modulated by the integrated LFO, an Envelope Follower or the control voltage input.

The LFO comes with parameters for speed and modulation depth, both are controllable via CV inputs. The LFO signal can be tapped off another jack of the Protostar's patch bay.
The Envelope Follower is editable in its threshold as well as attack and release times.

The ladder share one potentiometer. A bipolar knob alters the modulation value applied to the cutoff frequency. Again, the signal of the Envelope Follower can be tapped off the patch bay, but here you have two connectors for normal and inverted phase. Using the sidechain input, musicians can run external audio signals trough the Envelope Follower.

The Protostar's compressor comes with knobs for work intensity and the dry/wet mix.
Send and Return jacks allow to tie-in an external effect. Furthermore, an expression pedal can be connected to the unit. Thanks to the patch bay, it is possible to combine the foot controller with several parameters. Last but not least, the Protostar contains a feedback loop, which can only be influenced by control voltages.

KNOBS

Attack - How fast the envelope will react
to the incoming signal. Controls both
attack and release.

Threshold - How sensitive the envelope is to the
incoming signal.

Env Amt - Attenuverter that controls how much
the envelope will affect the frequency of
the filter, either negatively or positively.

Resonance - Synonomous with feedback or Q,
this is a boost of the frequencies around the
frequency cutoff.

Freq - Also known as cutoff, this knob's
position dictates the resting place of the
frequency cutoff.

LFO Rate - Make the LFO go faster or slower
with this knob.

LFO Amt - How much the LFO will affect the
frequency cutoff.

Compression - End of chain compressor squashes
the wet signal to suppress unwanted honks, and
resonant oddities.

Dry / Wet - Amount of unaffected vs. affected signal
coming through the output.

Sidechain - Direct input to the envelope follower.
Normalled to the input, use this to have the
envelope follow an external source.

Exp Out - Output for the expression pedal
input. Exp isn't connected to any control
internally and must be patched.

- Env Out - Always sending +5V until the
envelope is triggered, bringing the voltage
down to 0V and back.

+ Env Out - Sends a CV signal following the
envelope. Signal is 0V to +5V.

LFO Out - Constantly sends the triangle
wave LFO CV signal, reacts to LFO rate knob.

LFO Rate - CV input for control over LFO rate.
Sensitivity adjustable with internal trim pot.

LFO Amt - CV input for control over LFO amt.

Freq - CV Input for control over cutoff frequency.

Feedback - CV input for control over resonance.

Expression Input (back panel) - Plug a TRS
cable from any expression pedal into this, patch
the exp out to what you want to contol, and
express yourself.
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 1 in stock $348.77
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