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This Week: Studio Equipment

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Studio Equipment

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Items 1 to 38 of 38 on page 1 of 1
1010 Music Bluebox Compact Digital Mixer & Recorder
Cat: 793767 Rel: 14 Jan 21 • View all Studio mixers
 
Compact digital mixer & recorder
Notes: Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case
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MRP:$633.45 SAVE 14%
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2hp Drum Machine Powerful Rhythm Section Lunchbox System
2hp
Cat: 797220 Rel: 11 Jan 21 • View all Drum machines
 
Complete modular percussion system
Notes: The essential sounds for a full modular percussion section, kick, snare, and hat, with onboard mixer to help your drum machine sit in the pocket.
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MRP:$806.21 SAVE 27%
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2hp Picnic Basket Versatile Modular Lunchbox System
2hp Picnic Basket Versatile Modular Lunchbox System (complete modular synthesiser system)
2hp
Cat: 797226 Rel: 11 Jan 21 • View all Synthesisers
 
Modular synthesiser system
Notes: 2hp's flagship system bundles three voices, filtering, reverb, modulation sources and step sequencing into an ingenious lunchbox format. Tasty.

Supplier's Notes:
The Flagship Lunchbox.
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MRP:$1,471.19 SAVE 28%
 1 in stock $1,064.89
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2hp Synth Voice Classic Analogue Voice Lunchbox System
2hp
Cat: 797212 Rel: 11 Jan 21 • View all Synthesisers
 
Complete synthesizer voice system
Notes: Complete synthesizer voice with analog VCO and VCA, multimode filter (lowpass, highpass, and bandpass), and ADSR envelope for sound shaping.
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MRP:$733.54 SAVE 18%
 1 in stock $603.28
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Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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quote 767533
Tascam US-1x2HR High-Resolution USB Audio Interface
Cat: 798791 Rel: 12 Jan 21 • View all Audio & MIDI interfaces
 
High-resolution USB audio interface
Notes: Quality audio interface in a small box from this, the baby of Tascam's high-resolution US-HR range. Simple 2-in, 2-out design with sampling rates up to 192 kHz / 24-bit.

Supplier's Notes:
High-Resolution USB Audio Interface (2 in / 1 mic, 2 out)

The US-1x2HR is the smallest member of the Tascam US-HR series of high-resolution USB audio interfaces. It has one mic and one instrument input and is therefore particularly suitable for simple and intuitive guitar/vocal recording with a computer. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for podcast creation and live streaming. Last but not least, it is a perfect solution for feeding an amplifier system with music from a computer in high quality, for example for a birthday party.

The compact US-1x2HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing audio right away. The lightweight interface is ideal for mobile recording and production using an iPhone or iPad* with the included Cubasis LE so you can take it to your practice room, use it to report from a live event, or capture nature sounds outdoors.

All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won't move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with.

A recording environment with low noise and great audio performance is a relevant factor for vocal and, in particular, wind instruments. The US-1x2HR features an Ultra-HDDA microphone preamplifier with a very low noise level that makes this interface the ideal tool for recording with a condenser microphone. You can also plug in your electric guitar or bass directly using the line/instrument input and use plug-in effects on your computer recording (DAW) software. Or connect any instrument or hi-fi amplifier's line output to the line input.

The US-1x2HR is also a great tool on the road: Combine it with an iPad and you can capture nature sounds, stream interviews from live events, or simply record your ideas with high quality wherever you go.

Even if you're not so familiar with recording equipment, the US-1x2HR's user-friendly design enables you to use it right away.

The US-1x2HR can improve your sound when playing music from your computer. No matter if you create your own dance music using software synths and other plug-ins or if you are the DJ on a birthday party - with its high audio quality and separate controls for headphones and line outputs (loudspeakers) the US-1x2HR easily turns your computer into a perfect-sounding playback device.

You may have noticed that your sound system is not very loud when powered directly from a computer. When using the US-1x2HR to feed your power amplifiers, its high line output level ensures you get the maximum power out of your sound system.

Instead of a computer, you can also use an iPad or iPhone together with the US-1x2HR to make music. Performance has been tested with not only the bundled digital audio workstation (Cubasis LE3), but also with other popular recording software - you can continue to use them even if you change DAW software.

The Settings Panel, which is installed on your computer, comes with a variety of functions. You can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment.

For online broadcasting, Internet communication and other live streaming applications, the US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer (each can be set to mono or stereo) and send that mix to the broadcasting or other software on the computer. A software slider allows to adjust the final "broadcast" volume independently from the unit's line output level setting.

Maximum input level (Mic/Line/Inst): +10 dBu / +20 dBu / +3 dBV
Maximum input gain (XLR/TRS): 58 dB / 45 dB
Maximum output level: +6 dBV
Mic preamp equivalent input noise: 128 dBu
S/N ratio: 109 dB / 110 dB
Distortion (THD+N, mic to computer): 0.0013%
Crosstalk: 95 dB
Power supply: USB / DC 5 V, 700 mA
Power consumption: 1.8 W
Overall dimensions (W x H x D): 146 mm x 55 mm x 120 mm
Weight: 623 g
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Tascam US-2x2HR High-Resolution USB Audio & MIDI Interface
Cat: 798798 Rel: 12 Jan 21 • View all Audio & MIDI interfaces
 
High-resolution USB audio & MIDI interface
Notes: High-Resolution USB Audio/MIDI Interface (2 in, 2 out)

The US-2x2HR is a member of the Tascam US-HR series of high-resolution USB audio interfaces. It provides two mic/line/instrument switchable inputs and two balanced line outputs as well as MIDI I/O to your Windows or Mac computer or your iPhone or iPad. This interface is ideal for music creation and home recording with high demands on simple operation and studio-quality sound. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for podcast creation and live streaming.

The compact US-2x2HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing audio right away. This interface can also be used for mobile production or live streaming using your iPhone or iPad with the included Cubasis LE. Simply put, the US-2x2HR helps you create and distribute great-sounding audio wherever you go.

All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won't move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with.

If you're a musician, producer or home-recordist who needs a solid, uncluttered, easy-to-use audio interface with superb sound quality, the Tascam US-2x2HR can be your reliable partner for many years.

The Ultra-HDDA (High-Definition Discrete Architecture) mic preamps used on the US-HR series feature a discrete construction. They have a higher number of components and are far away from mass-produced preamps. Their EIN (equivalent input noise) rating, which measures the absence of noise, is truly low for the US-2x2HR and US-4x4HR. Combined with a newly improved audio circuit and support for sampling rates up to 192 kHz, our in-house developed microphone preamplifier delivers enhanced audio performance with the most transparent and low-noise sound, reflected in a signal-to-noise ratio of 110 dB.

One issue when recording using a computer is latency, which is when audio signals are delayed through digital circuitry. Another is setting up the driver software that is used when connecting an audio interface to a computer. In order to eliminate these problems, our driver software introduces only very little latency and is easy to install. Furthermore, by making the external structure of these interfaces as simple as possible, the Tascam US-2x2HR and US-4x4HR allow users who are not expert users of audio equipment to operate them without concern.

The Settings Panel, which is installed on your computer, comes with a variety of functions. You can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment.

For online broadcasting, Internet communication and other live streaming applications, the US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer (each can be set to mono or stereo) and send that mix to the broadcasting or other software on the computer. A software slider allows to adjust the final "broadcast" volume independently from the unit's line output level setting.

Instead of a computer, you can also use an iPad or iPhone together with the US-2x2HR/US-4x4HR to make music. Performance has been tested with not only the bundled digital audio workstation (Cubasis LE3), but also with other popular recording software - you can continue to use them even if you change DAW software. Since these units include MIDI inputs and outputs, you can connect MIDI keyboards, drum computers etc. to play sounds on the iPad or computer and thus expand your personal orchestra.

Maximum input level (Mic/Line/Inst): +10 dBu / +20 dBu / +10 dBV
Maximum input gain: 56 dB
Maximum output level: +20 dBu
Mic preamp equivalent input noise: 128 dBu
S/N ratio: 108 dB / 110 dB
Distortion (THD+N, mic to computer): 0,0013 %
Crosstalk: 95 dB
Power supply: USB / DC 5 V, 700 mA
Power consumption: 1.75 W
Overall dimensions (W x H x D): 186 mm x 65 mm x 160 mm
Weight: 1.1 kg
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MRP:$212.52 SAVE 25%
 3 in stock $159.36
2hp Effects Rack High Fidelity Effects Chain Lunchbox System
2hp
Cat: 797223 Rel: 11 Jan 21 • View all Effects units
 
High-fidelity effects chain
Notes: The ultimate effects send to bring your sounds to life. With DSP onboard each effect, high fidelity processing can turn your dry sound into an ethereal sonic landscape using our most popular effects modules.
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MRP:$880.25 SAVE 24%
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After Later Audio 3:1 Mixer Module
Cat: 805161 Rel: 14 Jan 21 • View all Synth modules
 
Audio mixer module
Notes: The 3:1 Mixer has two section of 3 inputs to a single output. Each section has an LED indicator indicating activity on the output. Section 1 is normalled to section 2 so it can easily behave as a 6:1 mixer as well.
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After Later Audio Alan 6HP Turing Machine Redesign Module
Cat: 805272 Rel: 14 Jan 21 • View all Synth modules
 
Register-based sequencer module
Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.
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After Later Audio Atom 18HP Elements Redesign Module
Cat: 805274 Rel: 14 Jan 21 • View all Synth modules
 
Modal synthesiser
Notes: This is a new build of a micro Mutable Instruments Elements. It features jack lights that can be turned on/off via a jumper on the back. This module comes loaded with the most recent firmware, with the new Chords mode that unlocks a whole new world of potential.

These modules use tall bushing potentiometers to offer a more stable feel. You can see the difference in the last picture. You will feel much less wiggle with the tall bushing (left) than with traditional trimmer style (right).

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
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After Later Audio Benjolin V2 Dual Oscillator & Multimode Filter Module
Cat: 804979 Rel: 14 Jan 21 • View all Synth modules
 
Dual oscillator/multimode filter module
Notes: Revised take on the excellent Benjolin dual oscillator and filter from Rob Hordijk, featuring the 'rungler' stepped CV generator and extensive output options.

Supplier's Notes:
Benjolin V2 - Rob Hordijk's latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.

This latest revision adds:

Reworked oscillator and filter sections

All levels are adjusted to eurorack standards

Two different steps modes (8/16 and 127)

Double and single clock rate

Externally clockable

External filter input with blend control

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MRP:$396.25 SAVE 11%
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After Later Audio Blend CV/Audio Mixer and VCA Module
Cat: 805043 Rel: 14 Jan 21 • View all Synth modules
 
CV/audio mixer & VCA module
Notes: CV/Audio Mixer and Dual VCA

CV sections

Blend has two CV sections each with:

Input (normalled to a +5V signal):
Attenuverter
Output

CV Mixer section

Blend takes the outputs of the two CV sections and offers the following:

Min output
Max output
Comparator output (level brought down to 4.5V)
Sum output

The min and max sections do not attempt to be precision min/max measurements. They will be within two diode drops of the actual min or max voltage.

VCA Sections:

There are two VCA sections that are also have a mix output. The CV input for each VCA is normalled to the output of a CV section. The VCA circuits are LM13700 based so they will slightly color the sound. The response curve is nearly linear but offers a slight exponential curve.

Power:

40 mA +12V
40 mA -12V

25 mm deep
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After Later Audio Bog Module
Cat: 805027 Rel: 14 Jan 21 • View all Synth modules
 
Random CV generator/audio module
Notes: An 8HP redesign of the Erica Synths Swamp module which was originally inspired by the famous Wiard Wogglebug module. Bog has moved the smooth range switch to the front panel and added an input for the S&H circuit (commonly called the Heart input).
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MRP:$274.22 SAVE 17%
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After Later Audio BOSC CEM3340 Based Oscillator Module
Cat: 805048 Rel: 14 Jan 21 • View all Synth modules
 
Triangle core oscillator module
Notes: CEM3340 Based Oscillator

A triangle core oscillator that is based on the same CEM3340 chipset used in legendary synths (SH-101, Prophet 5, MemoryMoog). Offers a wide frequency range from 80s cycles up to 40kHz.

Four waveform outputs (TRI, SAW, PULSE, SINE)

V/OCT tracking over 5+ octaves

Linear FM with attenuator

Choice of hard sync or soft sync (set via jumper on back)

PWM attenuator and input (normalled to 5V)

LFO/VCO switch will change from audio rate to LFO rate (choice of two LFO timings, 8 sec or 80 sec, via jumper on the back)

Size: 6hp
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After Later Audio Cara 10HP Micro Marbles Redesign Module
Cat: 805377 Rel: 14 Jan 21 • View all Synth modules
 
Random sampler module/rebuild of Mutable Instruments Marbles
Notes: Cara (uMarbles)

This is a new build of a micro version of Mutable Instruments Marbles. It retains all the functionality of the original full-sized module but takes up less space. It comes with jack lights that can be disabled via a jumper on the back.

These modules use tall bushing potentiometers to offer a more stable feel. You can see the difference in the last picture. You will feel much less wiggle with the tall bushing (left) than with traditional trimmer style (right).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Width: 10HP
Depth: 34mm
Height: 3U
Power Consumption: +12V: 80mA -12V: 20mA
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MRP:$303.01 SAVE 17%
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After Later Audio Clouds Full-Size Redesign Module
Cat: 805394 Rel: 14 Jan 21 • View all Synth modules
 
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: Clouds

This is a new build of a Mutable Instruments Clouds. This module is identical to the now discontinued factory made Clouds. This module loads parasites 2.01 Firmware by default.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
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MRP:$212.52 SAVE 16%
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After Later Audio DVCA Dual VCA 4HP Veils Redesign Module (1U format)
Cat: 805416 Rel: 14 Jan 21 • View all Synth modules
 
Dual VCA module/rebuild of Mutable Instruments Veils
Notes: Dual VCA (dVCA) - 1U Intellijel Format

DVCA is a dual VCA based on the Mutable Instruments Veils. It features two separate voltage controlled amplifiers, both with a gain and a response curve potentiometer, that is variable from linear to exponential. The outputs are normaled, so when no patch cable is present on output 1, output 2 will contain both signals, allowing the module to be used as a mixer. Several DVCAs can be daisy-chained for voltage controlled mixer operation.

Comes with jack lights that can be disabled via a jumper on the back.

The panel is an After Later Audio black panel with gold accents.

The module is fully assembled and tested. Eurorack power cable included.
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MRP:$145.34
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After Later Audio DVCA Dual VCA 4HP Veils Redesign Module (eurorack format)
Cat: 805403 Rel: 14 Jan 21 • View all Synth modules
 
Dual VCA module/rebuild of Mutable Instruments Veils
Notes: DVCA

DVCA is a dual VCA based on the Mutable Instruments Veils. It features two separate voltage-controlled amplifiers, both with a gain and a response curve potentiometer, that is variable from linear to exponential. The outputs are normalized, so when no patch cable is present on output 1, output 2 will contain both signals, allowing the module to be used as a mixer. Several DVCAs can be daisy-chained for voltage-controlled mixer operation. It comes with jack lights that can be disabled via a jumper on the back.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled and tested. Eurorack power cable included.
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quote 805403
After Later Audio Envy ADSR Style Envelope Generator Module
Cat: 805053 Rel: 14 Jan 21 • View all Synth modules
 
ADSR-style envelope generator module
Notes: ADSR Style Envelope Generator

An ADSR style envelope generator based on the CEM3310 chipset, found in many classic synthesizers (Pro One, Prophet 5, MemoryMoog). We have added a small twist, end of attack and end of release delayed triggers. The module offers this rich set of features packed into 6HP.

Attack, Decay, Sustain, and Release controls with CV inputs for each.

Threshold controls the required gate level to trigger the envelope

Time range is configurable via jumper on back (shortest attack is 0.5ms and longest is 750ms)

End of attack delayed trigger

End of release delayed trigger

Length of the gate signal controls the length of the sustain phase

Retrig the attack while the gate is still high

Size: 6hp
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After Later Audio Filthy Multimode Filter Module
Cat: 805057 Rel: 14 Jan 21 • View all Synth modules
 
Multimode filter module
Notes: A multimode filter offering LPF, BPF, HPF, and NOTCH simultaneous outputs in 6HP.

Low pass filter (4 pole)

Band pass filter

High pass filter

Notch filter

Two audio inputs

Two FM inputs with an attenuverter for FM1

v/oct tracking for cutoff CV

CV over Resonance

Resonance will reach self-oscillation

Size: 6hp
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After Later Audio G&T Gates and Triggers Module (1U format)
Cat: 805032 Rel: 14 Jan 21 • View all Synth modules
 
Audio gates & triggers module
Notes: Take your gates and generate triggers and take your triggers and generate a gate.

Gate to Trigger section:
Takes a gate signal and give a trigger output on both the rise and fall of that gate. The IN LED will illuminate while the gate input is high.

Trigger to Gate section:
Takes a trig signal to start a gate signal and is normalized from the fall output in the Gate to Trig section. The gate length knob controls the gate length. The fall output will generate a trigger at the end of the gate. The OUT LED will illuminate while the gate output is high.

This is in the 1U Intellijel format.
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MRP:$102.83 SAVE 17%
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After Later Audio Knit 6HP Plaits Redesign Module
Cat: 805451 Rel: 14 Jan 21 • View all Synth modules
 
Micro sized macro oscillator module
Notes: This is a new build of a micro sized Mutable Instruments Plaits called Knit.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 6HP
Depth: 25mm
Height: 3U
Power Consumption: 12V: 50mA -12V: 5mA
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After Later Audio Monsoon 12HP Clouds Redesign Module
Cat: 805454 Rel: 14 Jan 21 • View all Synth modules
 
Texture analogue synthesiser
Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA
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quote 805454
After Later Audio Morcom Expander Module (for Alan module)
Cat: 805517 Rel: 14 Jan 21 • View all Synth modules
 
Expander module for After Later Alan
Notes: Morcom Expander for micro Turing Machine (Alan)

An expander for After Later's Alan module (a smaller version of the Turing Machine) that exposes the pulse outputs from the main Alan module. You get 7 seven random outputs and then 4 that are derived from other 7 outputs. When 1 and 2 are high then the 1+2 outputs is high. You can get some great rhythmic effects using these in conjunction with the main stepped CV output.

The module comes with the required cable to connect to the main module. The panel is designed to compliment Alan, After Later's micro version of the Turing Machine.

The module comes with a 1 year warranty.
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After Later Audio Mult Buffered Multiple Module (eurorack format)
Cat: 805154 Rel: 14 Jan 21 • View all Synth modules
 
Buffered/active multiple module
Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.
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After Later Audio Peaks Full-Size Redesign Module
Cat: 805528 Rel: 14 Jan 21 • View all Synth modules
 
Envelope/LFO/tap LFO/drum generator/rebuild of Mutable Instruments Peaks
Notes: This is a new build of the Mutable Instruments Peaks module. This module is identical to the now discontinued factory-built Peaks. Peaks offers a unique approach to CV and adds in some tweak-able drum options as well. Stock firmware is loaded by default. Dead Man’s Catch available on request.

The module is fully assembled and tested. Eurorack power cable included.
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After Later Audio Pique 4HP Peaks Redesign Module (eurorack format)
Cat: 805530 Rel: 14 Jan 21 • View all Synth modules
 
Envelope/LFO/tap LFO/Drum generator/rebuild of Mutable Instruments Peaks
Notes: Pique (uPeaks)

Pique is a micro version (4HP) of the popular Peaks module from Mutable Instruments. It can be an ADSR-style envelope generator, an LFO and a drum emulator.

The module is calibrated, comes with a power cable, and a one year warranty.
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After Later Audio Popple Stereo Multimode Filter Module
Cat: 805174 Rel: 14 Jan 21 • View all Synth modules
 
Stereo multimode filter module
Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.
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After Later Audio Rainier Module
Cat: 805025 Rel: 14 Jan 21 • View all Synth modules
 
ADSR-style evnvelope generator/LFO/drum module
Notes: An 8HP version of Mutable Instruments Peaks that adds CV inputs and attenuverters for each of the four parameters and adds attenuverters for each of the outputs.

It can be an ADSR-style envelope generator, an LFO and a drum emulator.

Additional Dead Man's Catch firmware modes:

Basic (original modes):
Envelope
LFO
Tap LFO
Bass/Snare Drums

Alternative ENV:
Double attack envelope
Repeating attack envelope
Looping envelope
Randomized AD envelope
Bouncing ball envelope

Alternative LFO:
Frequency-modulated LFO (folded sine FM)
Frequency-modulated LFO (random FM)
Varying wave shape LFO ( folded sine WS mod)
Varying wave shape LFO ( random WS mod)
Phase-locked loop oscillator

Alternative TAP Mini-sequencer
ModSequencer
Pulse Shaper
Pulse Randomizer
Turing Machine
Bytebeats

Alternative DRUM
FM drum Generators
Randomized bass and snare drum generators
Randomized high hat
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After Later Audio Steps Random Looping Stepped CV and Burst Generator Module
Cat: 805036 Rel: 14 Jan 21 • View all Synth modules
 
CV/burst generator module
Notes: STEPS has three functional blocks:

Internal clock:
Rate control and output

Burst generator:
Pulses output which generates 8 pulses on every trigger
Gate output which is high during the burst event
EOB output which fires at the end of a burst event

Random Looping Stepped CV Generator:
R.gate output outputs a random gate during a burst event
Random stepped output or a loop of 8 steps.
Steps output with attenuverter. The Steps output is held low while there is no burst event.

You can either use this as a random stepped CV source or as a repeating 8 stepped CV source. You then can trigger the burst generator to play the 8 step loop or 8 random steps. All of this can use the internal or external clock signals. To get more complex patterns you can daisy chain STEPS modules together by tying together their clocks and sending EOB to TRIG. This way you can generate 16 step patterns (or longer).

When first turning on STEPS, you will need to run the module in RAND mode for at least 8 steps to fill the shift register with data.

A caveat about STEPS:
If a trigger is received off beat from the internal clock, the first step duration will be shortened.

Power:

75 mA +12V
65 mA -12V

Size: 25 mm deep
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After Later Audio Tilt Function Generator and ADSR Envelope Generator Module
Cat: 805039 Rel: 14 Jan 21 • View all Synth modules
 
Function generator/ADSR envelope generator module
Notes: This is the After Later Audio take on the classic Slope Generator module first introduced by Serge back in the 1970s. The module is really a jack of all trades as it can be a slew limiter, envelope generator, oscillator (both LFO and audio rate), and function generator.

This stays true to the original design by offering both a unipolar and bipolar output while adding separate controls for exp/log for both rise and fall and a gate/sustain function to get full ADSR envelopes.

The rise output is high during the rising portion of the cycle and fall output is high during the falling portion of the cycle.

Use the IN input to get standard slew limiter functionality.

Use the GATE input to trigger an ADSR envelope and then use the sustain control to control the level of the sustain. Rise will control the attack and fall controls both the decay and release times. You can also use the GATE input while using a cycle mode and this will adjust the 0V level to the sustain level. This gets some great effects with audio rate frequencies on the on the rise/fall controls.

There are two rate modes controllable by a jumper on the back. The module is set to AUDIO mode at the factory.
LFO mode - 10min/cycle to 115hz
AUDIO mode - 75s/cycle to 1.2kHz

Power:

55 mA +12V
30 mA -12V
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After Later Audio uO_C 8HP Ornament & Crime Redesign Module
Cat: 805541 Rel: 14 Jan 21 • View all Synth modules
 
CV generator nmodule/rebuild of Ornament & Crime
Notes: uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.
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After Later Audio uT_U 8HP Temps Utile Redesign Module
Cat: 805543 Rel: 14 Jan 21 • View all Synth modules
 
Multimode clock generator module/rebuild of Temps Utiile
Notes: uT_U

This is a new build of a micro Temps Utile, a smaller version of the Temps Utile.

Feature set:

Clock Generator with 7 modes selectable per channel
Trigger sequencer/sequence editor
Clock division/multiplication
LFSR
Random w/ threshold
Euclidian
Logic (AND, OR, XOR, NAND, NOR, XNOR)
Burst
Channel #4 only (DAC): random, binary, "Turing", logistic, sequencer/arpeggiator

The module is fully assembled, tested, and calibrated. Eurorack power cable included.
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After Later Audio uTides V2 8HP Micro Tides2 Redesign Module
Cat: 805549 Rel: 14 Jan 21 • View all Synth modules
 
Tidal modulator module/rebuild of Mutable Instruments Tides V2
Notes: uTides v2

uTides is a micro version (8HP) of the Mutable Instruments Tides v2/2018. It retains all of the original functionality of the full size version, both software and hardware. Its core is a triangle function generator and waveshaper that can be used as an LFO, oscillator, AD-style envelope generator (EG), and AR-style EG. Tons of utility nicely packed into 8HP.

The module is calibrated, comes with a power cable, and a one year warranty.
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Erica Synths Pico Multi 2 Buffered Multiple Pico Series Module
Cat: 807936 Rel: 12 Jan 21 • View all Synth modules
 
Active buffered multiple eurorack module
Notes: Small but perfectly formed, a clever multiple from Erica's compact Pico range. Active buffering to prevent signal loss and two-part A and B setup for 1-3 plus 1-2 or 1-5 configuration.

Supplier's Notes:
Erica Synths Pico Multi is an advanced replacement for stackable patchcables - it's highly accurate active buffered multiple that will work for signal splitting in any circuit, including driving several VCOs in tune from one CV source.

Two independent active buffered multiples 1-3+1-2 or 1-5 configuration.

Technical specifications:

Max input level: -10V - +10V
Power consumption: +20mA, -14mA
Module width: 3HP
Module depth: 35mm
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Jomox ModBase 09 MkII Bass Drum Module
Jomox ModBase 09 MkII Bass Drum Module (bass drum synth module)
Cat: 795617 Rel: 15 Jan 21 • View all Synth modules
 
Bass drum module
Notes: The mightiest Bass Drum - MK II

Tune Varies the pitch envelope of the VCO

Pitch Basses as low as 10Hz reach up to 175Hz

Decay Up to 2 sec

Harmonics Enrichment of harmonics of the VCO - for the hardest kick drums on planet earth

Pulse Change of the pure pulse part of the attack - gate time affects this parameter also

Noise Change of the pure noise part of the attack - gate time affects this parameter also

Attack Level of the mixing of Pulse and Attack

EQ Filters the bass drum with a low pass filter - for soft and 808ish kick drums

Gate T Varies the gate time from 0.1ms to 16ms

Compr Compression of decaying envelope - for slim and clicky kicks and all the depth that is needed

MetNze Metalized noise. A complex digital multitone pattern of 499 different combinations feeds the attack noise

CV1-CV4 can route the external 0-5V CV signals to any of the above parameters including LFOs. Also negative amounts are processed.

LIN.FM This is a true analog dedicated CV FM modulation input for the bass drum VCO. It only works linear-wise and does not offer musical semitones across the CV scale.

ACC This is a CV input for the kick drum accent / velocity. This input may also trigger the kick drum dynamically if the ACC trigger mode is set and the sequencer is able to generate dynamic pulses.

LFO The ModBase 09 has 2 LFOs that work on the pitch of the bass drum. The LFO always starts syncronous to the gate trigger.

The wave forms are: saw up, saw down, sine+/-, triangle+/-, rectangle+/- and portions of it.

MIDI The midi controllers of this module are identical to the Alpha Base/XBASE999/MBase11. All parameters including LFOs can be remotely controlled by Midi CCs.

Bus Env Is the programmable level of the audio out signal from the bus on the back mixed to the Kick Drum VCA envelope. Works with experimental Jayemsonic modules.

140 mA +12V
80 mA -12V
0 mA 5V
53 mm deep
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Supercritical Neutron Flux 8 Pole Variable Character Filter Module
Cat: 790485 Rel: 15 Jan 21 • View all Synth modules
 
Variable filter module
Notes: The Neutron Flux 8 Pole Variable Character Filter is a 12hp skiff friendly eurorack filter module with a stereo analog core and digital control over it. The controls are familiar filter module controls (cutoff, bipolar FM, mode, drive) with some added spice and no complexity.

The special stuff is in these controllable features:

Character: This control blends between five vintage influenced classic filter characters: Fat, Crisp, Liquid, Sour and Mean. Coming later in a firmware update, the Neutron Flux will also have two user banks for more specialized filter characters which can be replaced via audio update.

Overdrive: You can switch the drive circuit to have a +20dB boost and have the drive pot to sweep from clean via warm saturation to extremely hard distortion.

Stereo: This control spreads the cutoff between L and R channels and induces drift. This way a mono signal can be split into wide stereo.

Two 4 pole filter cores: These can be run in stereo, mono to stereo or chained as a 8 pole mono filter for almost LPG-like steep slope. Both of them have their own drive circuits so you can have the overdrive stage in the front, in between or both.

The module can be used in many different ways. It can do classic LP/HP/BP filtering. It can self-oscillate in different waveforms. It can provide analog warmth and process something coming out of your DAW. It can act as a stereo distortion. It can spread your mono signal to a wide spatial stereo soundscape. It can do formant stuff and other wild characters. It can do audio-rate deep FM (1V/oct and FM CV's are all analog).

Power consumption: 250mA at +12 V and 100mA at -12 V
Depth: 25mm
HP: 12
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