Notes: The i2-Mini 32 BT masterkeyboard is a very compact USB masterkeyboard for all musicians, who are looking for a very compact small masterkeyboard which is small enough to take it with you in your hand luggage. Also with its Bluetooth function you do not need any cables to work with Apples iOS.
Of course you can work with USB MIDI, and with a DIN MIDI adaptor you can connect all your standard MIDI equipment. The DIN MIDI adaptor comes with the i2-mini 32 BT keyboard. You will find beside the 32 dynamic minikeys the most important functions in direct access: Octave +/- buttons, Transpose +/- buttons, Volume slider, Pitch Bend and Modulation Wheel are provided with the Miditech I2-Mini 32.
Notes: The i2-Mini 32 Plus Keyboard is a USB master keyboard in ultra-compact format, but with medium sized keys. Smaller than normal piano keys, but the keys are larger than normal mini keys. This makes the keyboard much easier to play, but the keyboard remains very compact - ideal for on the go.
In addition to 32 velocity-sensitive mini keys, this keyboard provides direct access to the most important functions:
Pitch bend, modulation wheel, octave +/- buttons, TAP, ARP, and CHORD buttons facilitate access to important master functions. Transpose, Velocity and Scale are programmed from the keyboard. The arpeggiator can also be adjusted. Especially the arpeggiator increases the fun factor of the i2-mini 32 PLUS immensely. In battery mode you are also ready for mobile use.
Notes: The MIDISTART MUSIC 25 comes in a black aluminium case! It is fully USB powered and works class compliant under Windows XP, Vista, Windows 7 and Mac OS X - this is real plug 'n' play! It combines great look with extensive functionality to an attractive price!
Notes: MIDI masterkeyboards with dynamic minikeys are much more popular today as the keyboards with 25 normal sized keys. The minicontrol-32 offers more keys as the normal sized masterkeyboards at a very compact size. The minicontrol-32 offers 32 dynamic minikeys, 4 free assignable controller v-pots, 8 free assignable drum trigger pads, octave and transpose buttons, and much more. A volume slider gives you fast access to the volume level. With its class compliant driverless USB MIDI technology you can work easy, without any driver installation with Mac OSX, Windows 7,8,10 and iOS and Windows Tablets.
On top of this great features you will find the miditech free software bundle as download licences, a powerful software package to create your own music!
Notes: A-133-2 is the slim version of the A-133 but has some additional features and improvements available compared to the A-133.
Module A-133-2 can be used for a lot of applications: as a simple VCA, or a voltage controlled polarizer/attuverter, or a voltage controlled inverter up to a DC coupled ring modulator. In principle the module contains two special voltage controlled amplifiers (VCAs) that allow both positive and negative amplification.
The overall amplification is definded by the sum of the voltage generated by the Man control, the external control voltage CV and the position of the CV control which works as an attenuator for the external control voltage. Without external CV the amplification is +1 when the Man control is fully CW. In the center position the amplification is zero and fully CCW it's -1 (i.e. the incoming signal is inverted). By means of the external control voltage CV the manually adjusted amplification can be modulated. CV can be both positive or negative (i.e. bipolar) to obtain positive or negative amplification values controlled by the external CV.
In addition the CV signal can be modulated via the modulation control input Mod by means of another control voltage. The Mod socket is normalled to +5V, i.e. a constant positive voltage is used as modulation CV provided that no plug is inserted into the Mod socket.
The current amplification is displayed by a dual color LED (note: it's not a signal display but indicates the amplification, probably yellow = positive amplification, red = negative amplification)
voltage controlled amplifier (VCA) with pure positive overall amplification (Man + CV)
voltage controlled inverter with pure negative overall amplification (Man + CV)
voltage controlled polarizer/attuverter overall amplification changing between positive and negative (Man + CV)
DC coupled ring modulator with offset feature, the "classical" ring modulator corresponds to Man=0 and symmetrical audio signals for In and CV
additional effects by means of the modulation feature of the CV signal (using the Mod input)
Notes: Module A-183-4 is a fourfold level shifter. A level shifter is required if the level of a digital control signal has to be increased or decreased. A typical application is the conversion of a gate, trigger or clock signal with +5V voltage level (tolerance range +2...+5V) to +12 voltage level. The output voltage level can be set by means of a jumper to +12V or +5V. The factory setting is +12V. But it can be changed to convert also a higher to a lower level (e.g. +12V to +5V). But this application is required rarely. The output level setting by means of the jumper is global, i.e. it is valid for all four units and cannot be set individually for each unit. The four output signals are displayed by means of LEDs.
The outputs and inputs of the four sub-units are normalled via the switching contacts of the input sockets, i.e. the output signal of the upper unit is used as input signal of the unit below provided that no patch cable is inserted into the input socket of the lower unit. That way the module can be used also as clock/trigger/gate buffer or buffered multiple for digital signals. For this the signal that has to be buffered is connected to input 1. The buffered (and possible level shifted) signal appears then at all four outputs.
Voltage thresholds for the input voltages:
voltages below +0,8 V are treated as "low"
voltages above +3 V are treated as "high"
Converting the levels of digital control signals (e.g. gate, trigger, clock) to another voltage level (+12V or +5V)
buffering and duplicating digital control signals (e.g. gate, trigger, clock)
Important note: the module cannot be used for analog signals.
Notes: The MIDI THRU 7 interface is a MIDI Thru box and multiples the incoming MIDI signal to a maximum of 7 MIDI Out ports. To power the MIDI Thru 7 you need an optional USB DC adaptor. In the current version 2 we have increased the stability and reliability of the data transmission.
Notes: There once was a time where all the streets were grey and dark, filled with dust, dirt and lifeless existence. Humankind was lost and slowly losing its belief in the beauty of the world. Until one day, something began to tower above the smoke-filled chimneys. Something with a serene and clear clang that steered the people out of the darkness and towards the enlightenment they had craved. Open your ears and hear the sweet chime coming from the graceful Belfry Buffer.
The Belfry Buffer is KMA Audio Machines' take on a high-fidelity studio-quality buffer that'll keep your signal safe from the tone-sucking constraints of long cable-runs and epic pedalboards the size of a small spaceship. This leaves your instrument sounding as crisp, clear and natural as if it was going straight into an amp and nothing else.
Belfry sports a unique multi-path design with two buffers running in parallel in order to greatly reduce noise (123dB signal-to-noise ratio and a mind-bogglingly low Total Harmonic Distortion rating of 0,0007%) and to push the output stage for a supremely free-flowing signal.
The Belfry's high 1Meg input impedance ensures that even pedals with a high output impedance can be used before it without any issues, while the low 200Ohm output impedance will guarantee a full frequency spectrum, independent from what's coming after the Belfry.
Hence you won't experience any tone colouration such as the dreaded over-pronounced and shrill highs, which can be typical for many lower quality buffers. With the Belfry, you will simply sound like you again. Nothing less, nothing more.
Powered by a standard 9V DC power supply, the Belfry internally converts this to 18V for massively increased headroom. This helps you preserve your precious core signal and consequently tone, including all the sparkling highs and that nice round and punchy low-end.
In addition, Belfry sports a super-small housing in order for it to fit on or even under your pedalboard without any problems.
So, plug in to the Belfry Buffer and hear your tone ring out as clear as a bell again.
Studio-Quality Dual Buffer - Perfectly restores your tone with zero colouration
Supremely low Total Harmonic Distortion of 0,0007%
Signal-to-noise ratio of 123dB
Extremely small footprint - Will fit on or under any pedalboard
Powered by opt. 9V PSU
(9V DC, centre -, 2.1mm, ~10mA current draw)