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Wednesday 23 September 2020
Endorphin.es Queen Of Pentacles 7 Voice Analogue Drum & Percussive Syntheiser Module
Cat: 791289 Rel: 23 Sep 20 • View all Synth modules
 
7-voice analogue drum & percussive synthesiser module
Notes: Queen of Pentacles is a complex 7 voice analog drum/percussive synthesizer module based around:

3 analog discrete TR-909 circuits with advanced noise spectrum animation

4 zero latency microSD card sample players - including a set of freshly recorded samples for modern electronic music using handcrafted Paiste 602 15" and 18" cymbals

Effect processor as found in famous Grand Terminal/Milky Way/Blck_Noir

The new Queen of Pentacles covers the range of Dance/EDM/Techno music styles and is inspired by the famous TR-909.

The module offers seven drum sounds. Three drums are analog - bass drum, snare drum and clap. The other four drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

There are 7 sounds in the drum kit. 3 drums are analogue - bass drum, snare drum and clap. These 3 are generated analogue for the following reason: each sound has its own binary noise generator and really - each time they are triggered the flavor is unique - they simply never repeat. At the same time they don't phase out each other as in the original 909, which is great - for example in the situation when reinforcing the clap on 2nd and 4th with an additional beat of the snare.

The other 4 drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

Back then when Endorphin.es launched BLCK_NOIR, they introduced the next product line with black panels, as people liked the new styling. Now, along with continuation of the black panels comes another leap forward: New aluminum knobs suit the design perfectly.
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MRP:$637.25 SAVE 19%
out of stock $516.16
WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 23 Sep 20 • View all Synth modules
 
filter module
Notes: SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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 6 in stock $242.14
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quote 776823
Sequenz Korg Wavestate Minilogue & Microkorg Keyboard Soft Case
Cat: 768133 Rel: 23 Sep 20 • View all Keyboard bags & covers
 
keyboard soft case
Notes: A soft case that can hold units such as the wavestate or the microKORG.

This is an ideal soft case for transporting small KORG keyboards such as the wavestate, minilogue, minilogue xd, or microKORG. Thick cushioning securely protects your valuable instrument, yet the case is amazingly lightweight at less than 500g. The case material is the popular black camouflage, projecting a mature ambience.
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 8 in stock $46.98
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quote 768133
Fulltone Full-Drive 3	Overdrive With Boost Pedal
Cat: 782842 Rel: 23 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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MRP:$223.04 SAVE 29%
 1 in stock $157.45
Maxon RTC600 Real Tube Series Compressor Pedal
Cat: 783428 Rel: 23 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The RTC600 is like taking the finest studio-grade tube compressors and "squeezing" them all down into a single stompbox.

The RTC600 starts out with the same patented DBX compression circuit used in Maxon's popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost "glassy" compression with very low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600's dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

With up to +30 dB of clean Gain, the RTC can be used as a clean booster or as an attenuator to clean up an already dirty amp.

The Addition of Attack and Release controls to the circuit allow for a wider variety of compression effects, including "Brick Wall" limiting and "Soft Knee" compression.

The RTC600 features an internal charge pump circuit that bumps the incoming voltage up to 25 volts, providing massive headroom and full-range frequency response. The RTC600 can be used with any instrument and for a variety of applications - it can be sent into an amp's front end, placed in an effects loop, or used as an outboard processor for home recordings.

The RTC600 features True Mechanical Bypass switching using a 3PDT switch. The RTC600 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

For studio-quality compression in a compact Stompbox, the RTC600 is the only REAL choice.

Rack tube compressors of this quality can cost thousands of dollars more than the RTC600.

TECH TALK:
The RTC600 features a completely new and improved circuit from its predecessor, the RCP660.

5 controls adjust the compression effect -

Threshold: Variable, 0dB to -40dB
Output gain: Variable, 0dB to 30dB
Compression Ratio: 1:1 to 1:Infinity
Attack time (for 20dB gain increase): Variable, 20mSec to 600mSec
Release time (for 20dB gain decrease): Variable, 140mSec to 700msec

A Gain reduction LED lights when the reduction is 4dB or more.

The RTC features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTC600 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTC600 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Max Output Level: +20dBu (at 1 kHz)

Residual Noise: -94dBu or less (Input shorted, IHF-A weighted)

T.H.D. +N: 0.02% or less (at 1 kHz, -10dBu output)

Controls:
THRESHOLD 0dBu to -40dBu
RATIO 1:1 to infinity: 1
GAIN 0dB to +30dB
ATTACK (for 20dB gain decrease) 20mSec to 600mSec
RELEASE (for 20dB gain increase) 140mSec to 700mSecSwitch: BYPASS/EFFECT (Mechanical True Bypass using 3PDT switch)I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED REDUCTION LED (When REDUCTION LED lights, compression is more than 4dB.)

Internal Circuit Voltage: 25 VDC (i12.5V) (DC to DC Converter)

Power Consumption: 240mA/9VDC

Dimensions: 121 (W) × 152(D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 580g / 1.3 Lbs. (without AC adaptor)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu=0.775Vrm
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MRP:$444.80 SAVE 15%
 1 in stock $375.96
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quote 783428
Old Blood Noise Endeavors Black Fountain Oil Can Delay Pedal
Notes: The Black Fountain reflects back to the days before digital delay, emulating the sounds of the famed and elusive "oil can delay" units. These units emphasized a chorus-like modulation on the repeats of the effect signal as well as a beautiful and warm repeat cycle.

The Modern mode emulates the classic long delay "oil can" units such as the Morley EDL, Tel-Ray Model 10 and Fender Echo-Reverb. The Time and Repeat controls mimic the functions of the vintage units, while the Fluid control introduces modulation based on the characteristic "wobble" of the electrostatic delay platter. The Vintage mode is similar in function to the Modern mode, but has a grittier and gainier feel to the repeats. Both the Modern and Vintage mode have a delay time of 800 milliseconds.

The Organ Tone mode is based on the Tel-Ray Deluxe Organ Tone, Fender Dimension IV and other short-delay "oil can" units. The vintage units had a fixed delay time of approximately 20 milliseconds, which is implemented here, but the Black Fountain goes above and beyond the original units by incorporating variable Rate and Depth controls for the modulation effect. In addition, the Mix control is capable of dialing a 100% wet signal so a vibrato effect may be produced. The Organ Tone mode also features a simple reverb that mimics the single-spring tank in the original Deluxe Organ Tone effect. The Organ Tone mode has a delay time of 211 milliseconds.

The Black Fountain now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC
60 mA
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MRP:$240.88 SAVE 18%
 1 in stock $198.61
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quote 782065
Monday 21 September 2020
Tangerine Dream: Itinerary: The Concert Memorabilia 1970-2014 by Brad Duke
Cat: 779750 Rel: 21 Sep 20 • View all 书
 
10x12" memorabilia collection in coffee-table book format
Notes: This complex work is a painstakingly detailed and incredibly massive exhibit of Tangerine Dream's paper past. Presented in a 10x12" (ca. 25x30 cm) coffee-table book format - specifically designed to sit beside Edgar's Force Majeure autobiography perfectly, "Itinerary" has a scope of about 452 pages, and contains over 1,100 images of TD's posters, flyers, tickets, passes, programs, invitations, contracts, stage plots, spreadsheets, memos, itineraries, telexes, receipts, press releases, etc. - all of which has been described by one of the world's leading collectors of music memorabilia to be "the most astonishing collection of memorabilia by one band" he's ever seen.
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 4 in stock $83.90
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ALM Pip Slope Mk2 Compact Envelope Generator Module
Cat: 792489 Rel: 21 Sep 20 • View all Synth modules
 
envelope generator module
Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.

The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.

Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.

Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
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out of stock $99.83
Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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MRP:$401.47 SAVE 13%
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quote 781603
Maxon ASC-10  Ambient Stereo Chorus Ten Series Pedal
Cat: 783260 Rel: 21 Sep 20 • View all Effects pedals
 
Ambient stereo chorus pedal
Notes: The ASC10's chorusing effect is set especially wide in the stereo spectrum, offering a lush tonality that actually sounds like two guitars playing at once.

The extended operation range of the Rate and Depth controls conjure up everything from gorgeous 12-string simulations to punch-drunk rotary speaker spins.

Stunning on clean sounds and aggressive on distorted tones, the ASC10 is equally at home in the front-end or the FX loop of an amp.

Dual, phase-inverted outputs allow for panning of the ASC10's effect between two amps or tracks, or run mono from output B for a more dramatic chorus effect.

TECH TALK:
The ASC10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: RATE, DEPTH

Switch: Bypass/Effect

Indicator: Bypass/Effect LED, RATE LED

Maximum Input Level: 4dB (400Hz)

Equivalent Input Noise: -100dBu or less (Input shorted, IHF-A weighted)

Delay Time: 4.6mSec to 7.6mSec

Rate Frequency: 0.33Hz to 8Hz

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 20mA max. / 9VDC

Battery Life:
9VDC manganese battery 15 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 30 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 56(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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MRP:$210.29 SAVE 26%
 1 in stock $156.11
Maxon BD-10 Hybrid Bass Driver Ten Series Pedal
Cat: 783267 Rel: 21 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: The BD10 Hybrid Bass Driver brings Maxon's 40+ years of experience in Overdrive design to the world of the Bass Guitar. But guitarists, don't despair; the BD10 works equally well with six strings as it does with four!

The BD10 was designed in cooperation with Masaki - a prominent Japanese Bassist who has played with world-class musicians such as Carmine Appice, Gus G, and John Petrucci, and is also a founding member of the Japanese heavy metal band Animetal.

Masaki's aggressive approach to the Bass includes fluid soloing, manic slapping & popping, energetic fills, and crashing chords for punctuation. He required an overdrive that could keep up with this energetic playing style while still retaining low-end punch and authority.

The BD10's symmetrical clipping path provides sustained, harmonically-rich saturation that retains note clarity and expressiveness even at maximum settings. Aggressive yet dynamic, the BD10 can articulate fast playing techniques such as the multi-finger picking and two-handed tapping that Masaki is famous for.

The BD10 can cover a wide variety of distorted tones, from semi-dirty boosts to punchy, tube-like grind all the way to super-saturated shred. Distorted sounds can then be blended with Dry signal using the independent Clean and Drive Level controls.

Fine tuning the balance between Clean and Distorted signals, the user can obtain the ideal mix for their particular playing style and equipment. Use a pick? Turn up the Drive for chunky chugs. Play with your fingers? Boost the Clean for more clarity and articulation of your notes.

Clean signal can be boosted up to +6 dB above unity gain, allowing the DB10 to be used as a clean or semi-clean booster or as a linedriver for your signal chain.

Since the BD10's circuit is based on Maxon's legendary 808 design, it can also be used with Guitar. The dual tone controls allow the user to dial in the lows that are typically lost with 808-style pedals, while the ability to blend clean and dirty signals can simulate the sound of a dual-amp rig as well as pedals like the Klon Centaur and Voodoo Labs Sparkle Drive.

Compact, versatile, and musically expressive, the BD10 Hybrid Bass Driver is a worthy and welcome addition to the Maxon family of world-class Overdrives.

TECH TALK:
The BD10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.
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Maxon Compact Series AD-10 Analogue Delay Ten Series Pedal
Cat: 783247 Rel: 21 Sep 20 • View all Effects pedals
 
Analogue delay pedal
Notes: The AD10 takes Maxon's 30+ years of experience in analog delay design and offers it up in one compact, WYSIWYG pedal.

The AD10 delivers up to 600 milliseconds of gorgeous, organic delay that doesn't get in the way of your original guitar tone. Delay repeats are tuned to perfection with a subtle yet distinct distortion and none of the high-frequency whistle associated with over-clocking of the delay circuit.

The AD10's minimalist control interface makes it incredibly easy to dial in a variety of usable delay effects including double-tracking, faux reverb, tight rhythm slapbacks, and longer delays for solos.

The AD10 retains its distinctive sound even when stacked with overdrives and distortions. It works equally well in the front end or the FX loop of an amp and excels at the runaway feedback self-oscillation that everyone now expects from an analog delay.

TECH TALK:
The AD10 features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: DELAY, REPEAT, BLEND

Switch: Bypass/Effect

Indicator: Bypass/Effect LED

Equivalent Input Noise: -95dBu or less (Input shorted, IHF-A weighted)

Delay Time: 35mSec to 600mSec

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 30mA max. / 9VDC

Battery Life:
9VDC manganese battery 16.5 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 33.5 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 56(H)mm (with protrusion)

Weight: Approx. 330g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms* Be sure battery is firmly connected to battery snap with the correct polarities.
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MRP:$210.29 SAVE 29%
 1 in stock $148.85
Maxon CP-101 Compressor Reissue Series Pedal
Cat: 783403 Rel: 21 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The CP101 is the perfect solution for players who need a compressor that doesn't get in the way of their tone. Its optical circuit has a slow, smooth reaction time that allows your initial note attack to pass through without being compressed, creating a more natural picking feel.

The CP101's 4:1 compression ratio is so subtle that it's easy to forget that it's on - until you turn it off, that is. While it is on, you'll notice note levels that are smoother and more consistent, chords and arpeggios that are tighter and more focused, and sustain that will last for days.

One thing you won't notice is the hiss and noise associated with VCA compressors - the CP101 has one of the lowest noise floors available in a stompbox Compressor, even with its Level and Compression controls set to max.

With its natural picking response, transparent effect and low-noise operation, the Maxon CP101 is the perfect compressor for players who hate using compressors.

TECH TALK:
At the heart of the CP101's circuit sits a single CdS (Cadmium Sulfur) Photocoupler. This light-sensitive component varies resistance based on the input signal to control the amp gain, increasing level as the input signal weakens.

Many other compressors accomplish this task using a VCA (voltage controlled amplifier), but the multiple transistors packed into a VCA inevitably lead to high noise levels, which means lots of "hiss" from your rig. The CP101's optical circuit keeps the noise floor low - so low that you can even run it after a distortion and still retain near-silent operation.

The CP101 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Sustain, Level

Switch: Normal/Effect

Max Input Level: 2 dBu

Max Output Level: 0 dBu

Noise (IHF-A): -110 dBu

Max Compression: 42 dB

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 11 mA (9V) / 12 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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 1 in stock $122.14
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quote 783403
Maxon DB-10  Dual Booster Ten Series Pedal
Cat: 783269 Rel: 21 Sep 20 • View all Effects pedals
 
Booster pedal
Notes: A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing.

The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response.

The Vintage (Right) channel is Maxon's take on the classic Treble Booster circuit. It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum.

Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order. Place an overdrive or distortion in-between the channels for additional tonal options - super-saturated overdrive that can then be level-boosted for solos, etc.

One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously.

Independent status LED's indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options.

Compare to "booster" pedals out there such as Suhr Koko Boost, Exotic Rc Booster, Ac Booster, Ep Booster, Pigtronics Class A boost, Fulltone Fat Boost, Tc Boost etc...

TECH TALK:
The DB10 features mechanical true bypass switching on both channels via two x Fujisoku 3PDT switches.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Controls: Vintage LEVEL, Clean LEVEL

Switch:
Vintage Bypass/Effect (3PDT True Bypass)
Clean Bypass/Effect (3PDT True Bypass)

Indicator: Vintage Bypass/Effect LED, Clean Bypass/Effect LED

Gain:
Vintage 6 to 19dB at 400Hz
Clean 0 to 21dB at 400Hz

Equivalent Input Noise:
Vintage -95dBu or less (Input shorted, IHF-A weighted)
Clean -105dBu or less (Input shorted, IHF-A weighted)

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Power Consumption: 11mA / 9VDC

Battery Life:
9VDC manganese battery 41 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 67 hours 25 deg C (TOSHIBA 6LF22)

Dimensions (whole): 70(W) x 113(D) x 54(H)mm (with protrusion)

Weight: Approx. 290g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms
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MRP:$210.29 SAVE 18%
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quote 783269
Maxon FE-10 Fuzz Elements Ether Ten Series Fuzz Pedal
Cat: 783277 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: Water's powerful parametric EQ covers a massive frequency range from a hefty 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

From Sizzling, scorching highs that accentuate the upper octave harmonic to big, beefy bottom that's perfect for Bass Guitar: These are just two of the limitless possibilities that Ether's versatile EQ can offer.

When true-to-spec vintage clones aren't enough, Ether takes a classic vintage Fuzz and turns it into a modern-day monster.

Ether takes the classic Super Fuzz sound and modernizes it with a powerful parametric EQ stage that can create a limitless variety of new fuzz effects.

The FE10 Ether takes the Fat channel of the FA10 Air and combines it with a parametric equalizer to create unlimited variations on the classic Super Fuzz sound.

TECH TALK:
The FE10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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MRP:$184.80 SAVE 17%
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quote 783277
Maxon FEA-10 Fuzz Elements Earth Ten Series Fuzz Pedal
Cat: 783281 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: David Gilmour's go-to dirt box, the EH Ram's Head Big Muff helped to define classic rock guitar tone in the 1970's.

The FEA10 Fuzz Elements Earth captures all the grit, grind & girth of that fuzzy fiend in a pedalboard-friendly format that's a fraction of the cost of an original Ram's Head.

Aptly named, Earth is simply massive sounding, with a fat, tight bottom; harmonically rich yet warm top-end; and the subtle yet sublime "sag" that allows notes to smoothly blossom into rapturous, singing sustain.

Like an original Ram's Head, there's simply not a bad sound to be found in this pedal at any control setting - there are merely variations of awesome.

The FEA10's tone was "modeled" on a handful of the best-sounding Ram's Heads from a variety of studios & vintage guitar shops around Tokyo. It could take you years and cost you thousands to seek out vintage units with this level of sound quality and consistency.

Maxon has done the leg work, now all you need to do is plug into Earth and rock!

TECH TALK:
The FEA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783281
Maxon FF-10 Fuzz Elements Fire Ten Series Fuzz Pedal
Cat: 783302 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: The AF100 Bee Baa was Roland's answer to the gnarly, nasty guitar boxes coming out of the USA & the UK in the late 60's and early 70's.

A combination of transistor Fuzz, Octavia, and Treble Booster, the Bee Baa's massive metal housing & triple stomp switches provided ample evidence that this pedal was not to be trifled with.

Even Maxon was hard-pressed to reproduce the AF100's might in their compact chassis format. Opting to stick with the Fuzz aspects of the Bee Baa, they decided to leave out the Treble Boost section of the circuit when developing this next Fuzz Elements model.

The FF10 Fire produces two distinctly different yet equally aggressive fuzz tones based on the AF100's signature sounds.

In normal mode, the FF10's three controls can dial in thick & muscular transistor tones akin to a great-sounding Big Muff, but with improved midrange response and superior note clarity & clean-up.

Activating the Notch switch scoops mids & accentuates the upper octave harmonics dramatically, creating sizzling, searing sustained tones that are perfect for lead work.

As on the original AF100, Maxon kept the Notch setting foot switchable, allowing the user to toggle between these two titanic tones in mid-song.

Smaller & less expensive, but just as effective as the original it was inspired by: Fuzz Elements Fire brings the heat.

TECH TALK:
The FF10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783302
Maxon FW-10 Fuzz Elements Wind Ten Series Fuzz Pedal
Cat: 783306 Rel: 21 Sep 20 • View all Effects pedals
 
Fuzz pedal
Notes: Manufactured under a myriad of brands, this circuit can be found in the Vox Tonebender Professional MKII, Marshall Supa Fuzz, RotoSound Fuzz Box and the rare Rangemaster Fuzzbug. Yet whatever the name, everyone can agree on one thing - this was the guitar sound of early classic rock.

Perfect for replicating the timeless tones of Beck, Page, & Clapton, the FW10 Fuzz Elements Wind captures all the magic of the original Mk II Tonebender and adds a little modern mojo of its own.

Wind offers an edgy, aggressive tone with plenty of midrange sizzle, yet it cleans up beautifully with your volume knob and offers excellent note definition even with complex chords.

Maxon also added two tweaks to this classic circuit to make it more versatile. First; a Vintage/Hot switch that selects between the Gain level of the original and a higher Gain setting. Vintage serves up 100% Tonebender, while Hot offers more sustain for solos or to drive you amp over the edge.

Wind also features a selectable input buffer that works to provide a more accurate, uncolored recreation of the guitar input signal. In short: It's your sound, just dirtier.

The original Sola Sound Tonebender was used by some the greatest guitar players of the 60s and 70s.

If you're looking to worship at the altar of rock's holy trinity, Fuzz Elements Wind will be your guide.

TECH TALK:
The FW10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.

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quote 783306
Maxon OD-9 PRO+ 	Overdrive Nine Series Pedal
Cat: 783326 Rel: 21 Sep 20 • View all Effects pedals
 
Overdrive pedal
Notes: In 9-volt setting the Pro+ sounds and functions like the standard OD-9 with the added option of a healthy +3 dB of midrange boost at approximately 800 Hz (actual frequency is dependent on Control settings) - great for cutting through a band during solos.

When set to 18-volts the OD-9 Pro+ becomes an 800-pound Gorilla, offering up beefier lows, tighter saturation, improved dynamics and a chunky, aggressive pick attack that will make your amp sound and feel like it just took a Viagra. Switch on the Mid Boost in this mode and let your solos breathe fire.

Don't just play like the pros - play with the Pro Plus.

The Nine Series Overdrive Pro+ takes Maxon's classic OD-9 circuit and serves it up with two side orders of Whoop-Ass in the form of 9/18 volt operation and a Mid Boost switch.

TECH TALK:

The OD-9 Pro+ starts with a jFET buffer which simultaneously offers high input impedance and low impedance into the rest of the pedal - this helps to preserve high-end clarity in the signal.

The first tone stage is the Mid Boost feature: A switchable Op Amp with clipping diodes in the feedback loop. When this stage is not in the signal path the pedal behaves like a standard OD9. With this stage in the path it adds subtle gain and definition to the sound, similar to a cascading gain stage.

From here it's on to the standard OD-9 circuitry: A clipping Op Amp with diodes in the feedback loop that clip the signal gradually as well as a high pass filter that keep the low frequencies from being distorted as much as high. Next there comes a passive LP filter and then an active tone stage. After the tone stage it's through the Volume pot, an Op Amp boost stage which bumps the signal 3X and then sends it to the output.

The Pro+ also utilizes an NJM2374A voltage conversion chip that changes the 9V power input into 9V+ and 9V-, increasing the headroom of the Op Amps (9V to 18V swing) and giving a bigger, chunkier sound to the overdrive.

The OD-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch - Input is switched to ground when bypassed.

NOTE ON POWERING THE OD-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible

If it is not possible to connect to a high current jack, you can power the OD-9 Pro+ by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -116 dB or less (input shorted IHF-A weighted)

Maximum Gain: Normal 43 dB (at 1.5 KHz), Boost 46 dB (1 KHz)

Controls: Drive, Tone, Level, Boost/Normal switch, 9/18 volt operation switch

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption:

35 mA (9 V) / 32 mA (10 V) at 18 volts
27 mA (9 V) / 27 mA (10 V) at 9 volts

Battery Life:
Manganese Dry Battery approx. 3 hours
Alkaline Dry Battery approx. 8 hours

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783326
Maxon OOD-9 Organic Overdrive Nine Series Pedal
Cat: 783327 Rel: 21 Sep 20 • View all Effects pedals
 
Oerdrive pedal
Notes: Offering the same warm, open-sounding overdrive as the OSD-9 but with a more pronounced high-frequency response, the OOD-9 is perfect for "livening up" a dark-sounding guitar or amp.

The OOD-9 reacts smoothly to input level changes, offering a highly interactive response to player dynamics. Perfect as a stand-alone dirt box or for pushing an amp, the OOD-9 can also be stacked with other OD's to add clarity and character to their tone.

The OOD-9 offers up all these classic sounds in Maxon's indestructible, industry standard 9-Series chassis. Modern-day utility features such as mechanical true bypass switching and a voltage regulator have also been added to provide smooth, consistent performance.

Providing mild, transparent overdrive that doesn't step all over your original tone, the OOD-9 Organic Overdrive truly lives up to its name.

The OOD-9 takes Maxon's resurrected OSD-9 circuit and replaces the NOS 741 Op Amps with current-production NJM (JRC) 4558's.

TECH TALK:
The OOD-9 signal path starts with a 2SK246 jFET buffer which provides a high input impedance and low output impedance into the 1st Op Amp - a NJM (JRC) 4558. This 1st Op Amp is set up to provide a 20 to 120x gain in signal.

After the 1st Op Amp we have a pair of diodes to ground, just like classic boxes such as the MXR Distortion+, Pro Co Rat and Boss DS-1. From here it's into another NJM4558 with an amplification factor of 10 to boost the signal back to a high enough level to drive the input of an amplifier if necessary - a feature that the Dist+ and DS-1 do not offer.

From here the signal is routed to a 4558 Op Amp unity gain amplifier, a volume control voltage divider, and then another unity gain 4558 to provide a low impedance output.

The OOD-9 uses a NJM2374A Voltage converter to stabilize the operating voltage at 9 VDC regardless of the voltage level coming off the battery, providing a smoother, more consistent operation and tonality.

The OOD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE OOD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the OOD-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 41.5dB (700Hz)

Equivalent Input Noise: -107dB or less (IHF-A)

Control: DRIVE, LEVEL

Operating Voltage: 9V

Power Consumption: 18mA/DC 9V, 18mA/DC 10V

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life: Manganese dry battery 10.5 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery 23 hours 25deg C / 77deg F (Panasonic 6LR61G)

Option: Maxon AC adaptor (Maxon AC210N for North America)
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quote 783327
Maxon PT-999 Phase Tone Phaser Reissue Series Pedal
Cat: 783418 Rel: 21 Sep 20 • View all Effects pedals
 
Phaser pedal
Notes: With its single knob, the PT999 Phase Tone looks deceptively simple. Yet packed into this tiny blue box is a host of the most authentic 70's-era phasing effects available in a current production unit.

The secret behind the PT999's timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974. While many "reissue" effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

By adjusting the lone Rate control, a wide variety of expressive phasing nuances can be coaxed from the PT999 - all of them whisper quiet and amazingly transparent. Its minimalist circuit doesn't get in the way of your guitar tone - it simply accentuates it, working equally well to spice up clean or distorted sounds.

If you demand classic phase shifting effects without compromising your guitar's signature tone, the PT999 Phase Tone has no equals.

The PT999 is the easiest way to replicate classic 70's phasing tones without dropping $300-500 (or more!) for a vintage Phase 90.

TECH TALK:
The PT999's four-stage phasing circuit offers 720 degrees of phasing sweep variable from .2 to 14 Hz (cycles per second). The PT999's FET's (Toshiba #2SK246) are carefully sorted and matched by hand to produce the smoothest phasing sweep possible with low noise. Unlike some phasers, the PT999 runs negative feedback of the signal to each phase-shifting FET for less signal distortion.

The four-pole shift of the PT999 creates a chewy, organic phase with a subtle drive to the signal. The 4 phasing Op Amps work together to emphasize this phase point, as each successive one accentuates the notch of the previous, creating a very resonant effect. The subtle drive and resonance really bring out pick attack and add a degree of real, dirty dimensionality.

Internal trimmers adjust center frequency and width of the phasing sweep (factory calibrated, we recommend adjustment of these trimmers be left to a qualified technician).

The PT999 features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Rate

Switch: Normal/Effect

Max Input Level: 0 dBu

Noise (IHF-A): -80 dBu

Speed Frequency: 0.2 Hz 14 Hz

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 12 mA (9V) / 14 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 270 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon SM-9 PRO+	Super Metal Distortion Nine Series Pedal
Cat: 783351 Rel: 21 Sep 20 • View all Effects pedals
 
Distortion pedal
Notes: Over the past 10 years Maxon effects have become key ingredients in the guitar rigs of countless metal bands. Notable artists such as Killswitch Engage, Arch Enemy, Shadows Fall and All That Remains have come to rely on Maxon overdrives for their brutal guitar tones on stage and in the studio.

The irony here (pun intended) is that Maxon has never offered a pedal tailored to the needs of the metal guitarist - until now.

Introducing the Maxon SM-9 Pro+ Super Metal - specifically designed for high-gain distortion tones, the SM-9's flexible saturation circuit can churn out everything from classic NWOBHM crunch through to the throaty chunk of today's drop-tuned metal extremes.

Developing such a pedal was no easy task, and the Pro+ was on the drawing board for years before Maxon felt it was ready for release. Several unique "tricks" were incorporated into its design to create a pedal that is as versatile as it is merciless.

Forgoing the use of conventional tone controls, the SM-9 instead features Scoop and Edge knobs to dial in the riffage.

The Scoop control is a mid-band elimination filter with a range from 200 Hz - 2 KHz. This control adjusts the frequency range where the pedal's midrange cut is centered.

Once the amount of mid scoop is determined, any high-end loss can be dialed back in using the Edge control - a Hi-cut shelving filter continuously variable between 2-15 kHz.

These two controls are highly interactive and work much like a parametric equalizer - Adjusting both knobs simultaneously allows the user to find the perfect mix of brutality and clarity.

The SM-9's Gain control adjusts the degree of saturation the pedal provides. This control is actually a dual-ganged pot that increases the amount of distortion while simultaneously boosting the upper midrange band up to 20 dB at 1 kHz.

By boosting and cutting specific frequency bands in relation to Gain, the SM-9's controls allow the user to sculpt brutal, beefy guitar tones that retain note clarity and definition.

The Pro+ also offers switchable 9- or 18-volt operation. In Classic mode, the SM-9 runs at the incoming 9 volts DC, greatly extending battery life. Switching to stabilized 18-volt operation increases headroom, frequency range, and dynamic response of the pedal.

Using the SM-9's controls and voltage options, an almost unlimited variety of monstrous high-gain tones can be dialed in. Whether you're a full-time metal maniac or just need the occasional "nuclear blast" without the bulk or volume of a full stack, the Maxon SM-9 Pro + Super Metal will deliver the goods.

The SM-9 Pro+ offers all the might and majesty of a high-gain amp stack at a fraction of the size and cost.

TECH TALK:
The SM-9 Pro+ features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE SM-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the SM-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 52.5dB (4 kHz)

Equivalent Input Noise: -60dB or less (IHF-A)

Control: GAIN, SCOOP, LEVEL, EDGE

Switch: Bypass/Effect, Voltage Switch (9V/18V)

Indicator: Bypass/Effect LED, 9V LED, 18V LED

Internal Circuit Voltage: 9VDC / 18VDC (DC / DC Converter)

Power Consumption: 12mA/9VDC, 42mA/18VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 600g (including battery, excluding AC adaptor

Power Supply: 6F22 / 6LR6 9V battery x 1 or Maxon AC adaptor

Standard Accessory: AC adaptor AC2009,user's guide

Battery life:
9VDC manganese battery 27 hours @ 25 degrees C (Panasonic 6F22NB)
9VDC alkaline battery 50 hours @ 25 degrees C (Panasonic 6LR61G)
18VDC manganese battery 1.3 hours @ 25 degrees C (Panasonic 6F22NB)
18VDC alkaline battery 6 hours @ 25 degress C (Panasonic 6LR61G)Option: AC adaptor (Maxon AC210N)* OdB = 0.775Vrms
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Old Blood Noise Endeavors Dark Star Pad Reverb Pedal
Notes: There's a gentle hum, a soft light somewhere in the darkness. And it grows. A little hope that you're not the only one in a vast universe. Isolated, alone and dying. When there's truly nothing making noise, what do you hear? Is it nothing? Or is it the softness, the growing of a voice that resides below the normal hum and frequency of the universe. The voice of the Dark Star.

The Dark Star is what we would use to create long reverberated pads. The noises underneath the lead. The mood setter. That's the Dark Star. The way a song feels. That's because of the Dark Star.

At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay Feedback. In Crush, you've got a pitch control for +/- an octave and then a control for Bit Crush. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.

The Dark Star has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.

The Dark Star now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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quote 782069
Old Blood Noise Endeavors Mondegreen Weird Delay Pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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Old Blood Noise Endeavors Whitecap Asynchronous Dual Tremolo Pedal
Notes: Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous modulations, smooth sines, phase flipped undulations, textural rhythmic drifts - it's all there in the Whitecap.
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quote 782187
Old Blood Noise MAW XLR Microphone Effects Manipulator Vocal Pedal
Cat: 782148 Rel: 21 Sep 20 • View all Effects pedals
 
Vocal manipulator pedal
Notes: What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It's the new multi-tool for effects lovers on stage and in studio.
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quote 782148
Old Blood Noise Minim Reverse Modulated Delay/Reverb Pedal
Cat: 782151 Rel: 21 Sep 20 • View all Effects pedals
 
Delay/reverb pedal
Notes: Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rever. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse section selectable between normal speed or double speed. Sat next to the Rever, it's like a long lost sibling. Put both on your board and see how well they get along.
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Old Blood Noise Visitor Parallel Multi-Modulator Pedal
Cat: 782184 Rel: 21 Sep 20 • View all Effects pedals
 
Multi-modulator pedal
Notes: Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new sounds in a single pedal format. Further strangeness occurs with the delay offset of the secondary modulation and the interaction of the secondary rate and the primary depth.
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quote 782184
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