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Two Weeks: Studio Equipment

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Studio Equipment

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Cat: 775080 Rel: 22 Jun 20
 
sampling module
Notes: Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Sample Playback

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs
Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 2? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Inputs and outputs are DC coupled so you can record and play out CV signals
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MRP:$523.40 SAVE 20%
 9 in stock $418.29
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quote 775080
Cat: 775085 Rel: 22 Jun 20
 
sampling module
Notes: Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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MRP:$780.68 SAVE 22%
 8 in stock $607.47
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quote 775085
ACL Pan Mix Mixer Module (synth module)
Cat: 776671 Rel: 30 Jun 20
 
mixer module
Notes: The ACL Pan Mix module mixes up to four different mono sources into a stereo output with panorama and gain control. It also includes an stereo aux input, which will be added unity gain to the sum for cascading purposes.
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MRP:$254.76 SAVE 17%
 3 in stock $212.30
ACL Sum Sum Mixer Module (synth module)
Cat: 776668 Rel: 30 Jun 20
 
mixer module
Notes: The ACL SUM SUM consists of two rows of six inputs that are summed into one output each.

It can be used as a stereo signal summer or two mono signal summers, either audio or CV.

The internal gain of each row can be switched between Unity gain, a gain of 0.5 (-6dB) or 0.33 (-9.5dB) using convenient dip switches on the back of the module.
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MRP:$170.26 SAVE 17%
 2 in stock $141.87
Cat: 780138 Rel: 08 Jul 20
 
Voltage controlled amplifier module
Notes: The AION MODULAR 902 VCA is an Eurorack clone of the classic Moog Modular 902.

The 902 is a Voltage Controlled Amplifier with balanced directly coupled inputs and outputs.

The 902 VCA can be used in any circumstances a voltage controlled variation of gain is desired.
Both audio or CV sources can be modulated by this module.

Both linear and exponential gain response are avaliable.

Specifications:
Power: +12 (50mA), -12 (30mA)
Depth: 20mm
Doepfer compatible

50 mA +12V
30 mA -12V
0 mA 5V
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MRP:$238.37 SAVE 19%
 1 in stock $192.32
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quote 780138
Cat: 780153 Rel: 08 Jul 20
 
Voltage controlled low pass filter module
Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V
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MRP:$319.08 SAVE 20%
 1 in stock $256.44
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quote 780153
Cat: 780136 Rel: 07 Jul 20
 
Filter coupler module
Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$317.82 SAVE 19%
 1 in stock $256.44
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quote 780136
Cat: 780111 Rel: 07 Jul 20
 
Reverberation module
Notes: When a dynamically varying signal is applied to the input of the 905, the output will consist of a series of closely spaced echoes, the subjective effect of which is similar to that of reverberation of sound. If a small amount of "echo signal" is mixed with a larger amount of "direct signal" (Reverberation Control set slightly clockwise), the effect of a typical concert hall is obtained. If the echo signal only is passed (Reverberation Control is set fully clockwise), an exaggerated echo suggesting a cave is obtained. The relative amount of echo signal and direct signal can be continuously changed from 100% direct signal to 100% echo signal.

Specifications:
Power: +12 (25mA), -12 (25mA)
Depth: 40 mm
Doepfer compatible
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MRP:$317.82 SAVE 30%
 1 in stock $223.85
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quote 780111
Cat: 780134 Rel: 08 Jul 20
 
Filter bank module
Notes: The 907A Fixed Filter Bank is a non-voltage controlled modifier which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cut-off points from low pass and high pass filters at either frequency extreme. A total of 10 overlapping filter networks are included.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$464.12 SAVE 19%
 1 in stock $374.15
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quote 780134
Cat: 780140 Rel: 07 Jul 20
 
Envelope generator module
Notes: The AION MODULAR 911 Envelope Generator is an Eurorack clone of the classic Moog™ Modular 911.

The 911 Envelope Generator (ADSR) generates the Control Voltage contours required for producing envelopes in conjunction with a voltage-controlled amplifier or a voltage-controlled Filter.

Attack time (T1), Decay time (T2), and Release time (T3) are all independently variable over a 2 millisecond - 10 second range, making the module suitable for very fast percussive sounds or long and evolving sounds.

The 911 Envelope Generator can be triggered by an external gate signal via the Trigger Input or manually by a push button.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible
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MRP:$238.37 SAVE 19%
 1 in stock $192.32
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quote 780140
Cat: 780115 Rel: 08 Jul 20
 
Envelope follower module
Notes: The Envelope Follower produces two functions which can be used separately or in conjunction. The follower circuit Signal Input presents a control voltage output (DC) proportional to the average amplitude of the AC input signal. The second function, a Schmitt trigger, generates a V-trigger above a threshold voltage (comparator), when a slowly varying or DC voltage is introduced at the control input jack. The normalling of the control input of the follower circuit to the control input of the Schmitt trigger circuit allows both control voltage and trigger to be generated from a single variable source.

Specifications:
Power: +12 (40mA), -12 (8mA)
Depth: 40mm
Doepfer compatible
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MRP:$258.55 SAVE 20%
 1 in stock $208.09
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quote 780115
Cat: 780149 Rel: 07 Jul 20
 
Voltage controlled oscillator module
Notes: The AION 921 VCO is a variable waveform generator which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both fixed and variable levels can be obtained from the front panel output jacks. Nominal frequency and range controls (octave) are found at the top of the module.

Voltage controlled rectangular width (VC-PWM) is set by the knob in the upper center (left) with the accompanying voltage input jacks.
Multiple frequency control inputs 1 and 2 can be plugged into this module in parallel. Control input 3 is used via the pot for linear frequency response (Liniar FM). All waveform outputs can be used if desired.

This is what we consider an improved version of the Moog 921 VCO, not a direct clone. Improvements were made concerning tuning and stability issues.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Auxiliary outputs:
2 jacks (one normal, one inverted) with selected waveforms (sine, triangle, sawtooth, inverted sawtooth rectangular and inverted rectangular).
Waveforms amplitude controllable from 0 to maximum.

Hard and Soft synchronisation selectable via a switch.
Synch must be "OFF" (center position) when synchronisation is not beeing used, otherwise it will sound out of tuning.

Specifications:
Depth: 40mm
Doepfer compatible.

30 mA +12V
30 mA -12V
0 mA 5V
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MRP:$464.12 SAVE 19%
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quote 780149
Cat: 780127 Rel: 07 Jul 20
 
Voltage controlled oscillator module
Notes: The AION 921ABB is a VCO-bank with two variable waveform generators which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both oscillators are controlled by the driver on the left side of the module. 3 control inputs for frequency and 2 control inputs for PWM, as well as manual operation for frequency and pulse width. Each of the two oscillators has a frequency adjust pot, an octave switch, the 4 waveform outputs and one exponential and one linear input for frequency control. A switchable synchronization input for each oscillator completes the operability.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Specifications:
Power: +12V (45mA) -12V (45mA)
Depth: 40mm
Doepfer compatible
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MRP:$728.97 SAVE 19%
 1 in stock $587.50
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quote 780127
Cat: 780146 Rel: 07 Jul 20
 
Noise & filters module
Notes: The AION MODULAR 923 Noise/Filters is an Eurorack clone of the classic Moog Modular 923.

The 923 Noise/Filters module provides a white noise and a pink noise source along with a manual Lowpass and a 6dB Highpass filter.

The two manual sweep filters, are single pole circuits with a frequency cutoff slope of 6dB per octave and a frequency range of 10Hz to 10KHz.

Any kind of noise color can be achieved using the white noise and filters together.

Specifications:
Power: +12 (35mA), -12 (35mA)
Depth: 40mm
Doepfer compatible
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MRP:$252.24 SAVE 20%
 1 in stock $202.84
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quote 780146
Cat: 780106 Rel: 07 Jul 20
 
Four channel mixer module
Notes: The 984 Four Channel Mixer is an AC coupled 4-input, 4-output matrix with bass and treble tone controls for each output channel. Each input has a separate attenuator for each of the four channels. Thus a mixer of 16 input attenuators provides maximum channel separation, or variable combinations of volume balance. Tone controls for each of the output channels can attenuate or emphasize bass or treble signals. Flat signal response is archieved with the control settings kept at "5" on the potentiometers. These are 2-pole active tone controls.

Input Impedance: 25k ohms
Output Impedance: 5k ohms
Inputs: Four input potentiometers per channel
Outputs: Four
Frequency Response: Audio only, AC couplet, DC and Low Frequencies are blocked.

Specifications:
Power: +12 (45mA), -12 (45mA)
Depth: 40 mm
Doepfer compatible
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MRP:$641.95 SAVE 19%
 1 in stock $518.14
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quote 780106
Cat: 780121 Rel: 07 Jul 20
 
Filter & attentuator module
Notes: The 991 contains 2 passive filters, one 6dB High Pass Filter and one 6dB Low Pass Fillter switchable in 6 positions. On the lower part of the module one finds an Attenuator. No power is required.

Specifications:
Depth: 30 mm
Doepfer compatible
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MRP:$191.70 SAVE 19%
 1 in stock $154.48
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quote 780121
Cat: 780130 Rel: 07 Jul 20
 
Attenuator module
Notes: The 995 Attenuator panel consists of three "passive circuits", each made of a 25k potentiometer between input and output. The signal input to the top attenuator is chained to the bottom two in series. Introduction of a plug into middle or bottom input breaks the normalling system: 1 to 1-2-3, 1-2 to 2-3, 1-2-3 to 1-2-3.
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MRP:$112.25 SAVE 19%
 1 in stock $90.38
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quote 780130
Cat: 780123 Rel: 07 Jul 20
 
Mixer module
Notes: The CP3 module is a 4 x 1 mixer with positive and negative outputs and a maximum gain of two. This mixer can combine both AC and/or DC voltages. The module has a switch which, in the ON position, allows unwanted spikes to be removed from the waveforms. There is also a passive multiple.

Input Impedance: 25k ohms
Output Impedance: 100 ohms
S/N Ratios: better than 60dB
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MRP:$325.39 SAVE 20%
 1 in stock $261.69
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quote 780123
Cat: 777032 Rel: 26 Jun 20
 
filter module
Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.
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MRP:$264.85 SAVE 16%
 1 in stock $221.76
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quote 777032
Cat: 777036 Rel: 02 Jul 20
 
LFO/envelope generator module
Notes: The Synthishaper module is made under license of the EMS and is a remake of the EMS envelope shaper known from VCS3, Synthi A and AKS.

It is a very unique modulator which can be used as a trapeze or triangle shape LFO and/or a attack-hold-decay envelope generator. For the real EMS feeling combine the 500e Filter with the 510 Trapezoid. The Trapezoid Generator has Attack, On, Decay, Off parameters. The "Off" parameter can determine a amount of time until the envelope can be re-triggered. A very short "off" time will make the unit loop, changing it into a LFO. VC of Decay time, Gate input and a manual trigger button. Two signal outputs that can be adjusted in level in polarity with one common knob. Additionally the module has an internal VCA which explains the Signal in- and output and is being controlled by the trapezoid signal.
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MRP:$343.05
 1 in stock $312.13
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quote 777036
Cat: 776867 Rel: 26 Jun 20
 
oscillator module
Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.
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MRP:$315.30 SAVE 17%
 1 in stock $262.75
Cat: 783286 Rel: 08 Jul 20
 
Large diaphragm condenser microphone
Notes: AT2020- best quality to price ratio in its class.

The AT2020 sets a new standard of performance and quality in studio condenser microphones at this price level. Its low-mass diaphragm is custom made for extended frequency response and superior transient response. With a very low intrinsic noise level, it is perfectly suited to current digital recording equipment. This microphone offers a wide dynamic range, and easily holds high sound pressure levels. Its rugged construction is designed to last for years.

Ideal for projects / home studio
At a very affordable price, the AT2020 is the best choice for a first cardioid condenser studio microphone, combining performance, quality, robustness and versatility.

High SPL handling
Its high sound pressure level (144 dB) and exceptional dynamic range make the AT2020 particularly versatile.

Robust Construction
Technical design and advanced manufacturing ensure compliance with Audio-Technica's strict standards of consistency and reliability.

Cardioid capsule
The O16 mm made to measure diaphragm, provides superior transient response over the entire frequency range.

The AT2020 is suitable for recording voice, instruments (percussion, piano, brass, winds, Leslie amp or guitar).

AT2020 swivel mounting
The AT8466 attachment comes with the AT2020 can be installed on a conventional microphone stand, or on a tripod.

AT2020 carry case
The AT2020 comes with a soft protective pouch for easy storage and transport.
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MRP:$112.25 SAVE 18%
 1 in stock $92.48
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quote 783286
Cat: 780211 Rel: 22 Jun 20
 
studio monitor
Notes: LYD 5, with its low-volume precision, is the ideal complement for any small studio set-up. It uses the same lightweight aluminium voice-coils in its handmade 5in MSP drive-units as our high-end hi-fi speakers, and pairs them with cutting-edge Class-D amplification as well as a 24-bit/96kHz signal path with advanced DSP.
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MRP:$460.34 SAVE 20%
 2 in stock $366.79
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quote 780211
Cat: 780219 Rel: 22 Jun 20
 
studio monitor
Notes: The distillation of Dynaudio's extensive speaker knowledge in a compact two-way nearfield design. Bass response as low as 45Hz thanks to DSP bass extension.

Supplier notes:
This monitor uses sophisticated DSP to extend or its curtail low-frequency response by 10Hz, while Position and Sound Balance controls let you fine-tune for total neutrality in your environment. Its larger 7in woofer helps extend bass, while the low-mass aluminium voice-coil, vented ferrite magnet and MSP driver take care of precision.



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MRP:$541.05 SAVE 15%
 2 in stock $457.19
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quote 780219
Cat: 780221 Rel: 02 Jul 20
 
Studio monitor
Notes: Larger version of Dynaudio's clever LYD series, combining DSP features with the brand's extensive analogue knowledge to create a mid-priced studio monitor with great performance.

Supplier notes:
Precision, power- and properly honest reproduction. With a pair of LYD 8s taking charge of your music, you can be assured a pitch-perfect performance.

With its 8in MSP woofer and state-of-the-art DSP, LYD 8 provides the kind of performance, precision and bass heft that dreams (and maybe hit albums) are made of. Like the rest of the range, these nearfield monitors let you tune their sound for their position in the room, feature handmade drivers, and contain advanced Class-D amps.
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MRP:$755.46 SAVE 17%
 2 in stock $629.55
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quote 780221
Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
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quote 700960
Cat: 780451 Rel: 23 Jun 20
 
Series module
Notes: The Erica Black CV Expander is the satellite module to our HADSR envelope generator, it allows each envelope parameter to be controlled via external control voltage CV.

With this module you get unpredictable, complex envelopes that are ideal for random drones. It is internally patched to the Black Envelope generator via a ribbon cable, supplied with the module.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability were the hghest priority. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

CV Input signal level; -10V - +10V
Power consumption: +15mA, -15mA
Module width: 8HP
Module depth: 25mm
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quote 780451
Cat: 780436 Rel: 23 Jun 20
 
Series module
Notes: Erica Synths Black Dual VCF is a dual multimode filter with CV control over cutoff and resonance for serious modular patches.

At the core of this VCF is a highly stable, custom multimode VCF chip AS3320 (produced in Riga, btw). This module can be used as two independent VCFs with simultaneous HP, BP and LP outputs, controls can be linked to stereo application and both VCFs can be chained in series or parallel to the summing output for ultimate modulations. Bonus feature - the 16 band spectrum analyser gives you visual feedback on what happens on summing output.

Technical specifications:

Audio output amplitude: 10 Vptp
CV input (full sweep): 10 Vptp
Panel width: 18HP
Module depth: 35mm
Power consumption: 40mA@+12V, 36mA@-12V

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quote 780436
Cat: 780437 Rel: 23 Jun 20
 
Series module
Notes: Erica Synths Black Pre-fade Listen Expander is a satellite module for Erica Synths Black Stereo Mixer.

Since modular performances are often about uncertainty, unpredictability and sudden filter resonance screams that can kill loudspeakers, it's good to know what is it that you are about to fade into your modular mix and this is where the Black PFL Expander comes in! You can monitor each of four Black Stereo Mixer inputs or any combination of them before mixer level knob takes effect.

NB: Black PFL Expander is designed to work with both Erica Synths Black Stereo Mixer V2 and V3. The module doesn't have a PSU connector therefore it can not be used on it's own.

Technical specifications:

Power consumption:+15mA, -7mA
Module width: 12HP
Module depth: 25mm
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quote 780437
Cat: 780450 Rel: 23 Jun 20
 
Series module
Notes: Erica Syths Black VC EG Expander takes the Black VC EG to the next level - it outputs gates or CVs for each active stage of the envelope so you can design some really advanced patches. Inverted and bipolar envelope outputs are also available.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

NB: This expander module can be connected only to the Black VC EG. It will not work as a standalone eurorack module.
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quote 780450
Cat: 780432 Rel: 23 Jun 20
 
Fusion series module
Notes: Erica Synths Fusion Ring Modulator - a classic design ring modulator with germanium diode ring + vacuum tube to boost and shape audio and carrier signals.

Germanium diodes enrich the sound by adding extra harmonic content meanwhile vacuum tube adds evilish overdrive to audio and carrier signals. As a result you get one of the most versatile ringmodulators around!

All Fusion modules by default are configured to work with regular eurorack PSU.

Configurable power supply - standard eurorack +-12V conection OR eurorack +-12V plus Erica Synths Tube heater PSU

Due to the fact that cold tube heaters have lower resistance, Fusion modules have significant power consumption peak at startup, when power consumption almost doubles for 1-2 seconds. This is not a problem with linear PSUs that have power inertia, but may cause switching PSU internal protection turn off the power supply. Please make sure your PSU has some headroom before installing multiple Fusion modules.

Specifications:

Input signal level: up to 20V ptp
Output signal level: 10V ptp
Mixer GAIN: 1
Power supply: bipolar +-12V , eurorack standard
Power consumption: Eurorack PSU configuration: 160mA@+12V, 10mA@-12V
Module width: 12HP
Module depth: 25mm
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quote 780432
Cat: 780433 Rel: 23 Jun 20
 
Fusion series module
Notes: The core of Fusion VCA is a Russian miniature pentode 1>24B with power consumption comparable to an LED.

Unique audio and tube control circuits have been developed so Fusion VCA sounds like nothing you've heard before.

Feedback adds harmonics to the original signal and acts similar to cutoff knob on VCFs and Deform knob controls amount of distortion in germanium diodes based circuit.

All Fusion modules by default are configured to work with regular eurorack PSU.

Due to the fact that the cold tube heaters have lower resistance, Fusion modules have significant power consumption peak at startup, when power consumption almost doubles for 1-2 seconds. This is not a problem with linear PSUs that have power inertia, but may cause switching PSU internal protection turn off the power supply. Please make sure your PSU has some headroom before installing multiple Fusion modules.

Erica Synths Fusion series modules are designed combining vacuum tubes and semiconductors therefore they bring warm, powerful sound and overdrive possibilities of vacuum tubes into your modular system. Erica Fusion series consist of range of modules used in sound shaping circuit - VCO, Mixer, real Ringmodulator using audio transformers and germanium diode ring, VCF, VCA and Analogue Delay/Flanger.

Audio input level: up to 20V ptp
CV input level: -10V - +10V
Signal attenuation: -80dB
Panel width: 12HP
Module depth: 35mm
Power supply: 21mA@+12V, 32mA@-12V
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quote 780433
Cat: 780435 Rel: 24 Jun 20
 
Fusion series module
Notes: Erica Synths Fusion VCF is Erica Synth's take on a four pole lowpass filter. Each side of the double triode drives signal between 2nd and 3rd stage of the filter, while germanium diodes are used to limit the output signal.

With this module you'll get an ultimately deep sounding VCF with a unique character. Ingenious resonance volume compensation circuit and filter slope selection makes it ideal for live performances. Bonus feature - 3 input mixer with dedicated mixer output. Try patching the MIX OUT into one of the mixer inputs, increase the input level until the mixer goes into self-oscillation and use the filter to alter the drone, you have! The Fusion VCF is an instrument on it's own!

All Fusion modules by default are configured to work with regular eurorack PSU.

Due to the fact that cold tube heaters have lower resistance, Fusion modules have significant power consumption peak at startup, when power consumption almost doubles for 1-2 seconds. This is not a problem with linear PSUs that have power inertia, but may cause switching PSU internal protection turn off the power supply. Please make sure your PSU has some headroom before installing multiple Fusion modules.

The Erica Synths Fusion series modules are designed combining vacuum tubes and semiconductors therefore they bring the warm, powerful sound and overdrive possibilities of vacuum tubes into your modular system. Erica Fusion series consists of a range of modules used in sound shaping circuit - VCO, Mixer, a real Ringmodulator using audio transformers and germanium diode ring, VCF, VCA and Analogue Delay/Flanger.

Technical specifications:

Audio input level: up to 20V ptp
CV input level (full cutoff span): -10V - +10V
Panel width: 14HP
Module depth: 35mm
Power supply: bipolar +-12V, eurorack standard
Eurorack PSU configuration: 35mA@+12V, 170mA@-12V

NB - start-up power consumption for few seconds is -250mA
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quote 780435
Cat: 781481 Rel: 26 Jun 20
 
Voltage source module
Notes: The QSlider is an analog CV source with four 60 mm faders.

The control range of the four sliders can be set with two min/max controls.

The Min control sets the output voltage at zero position of the slider and the Max control sets the output voltage at the end position of the slider. The slider now controls between these two voltages. This allows you to limit the control range and still have the full control range of the slider available.

At a second output socket the inverted voltage is available (Min and Max are reversed). So the slider can also be used as a crossmix fader.

Two common channels can be operated uni- or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any place (with approx. 40cm long connection cable). This way several modules can be mounted seamlessly next to each other.

HP : 18
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quote 781481
Cat: 781995 Rel: 07 Jul 20
 
Sequencer module
Notes: Little Melody is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of its parts.

Little Melody's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Little Melody is quantized chromatically for fast set up and continuously pleasing results.
The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down..

Product Specifications
Depth: 35mm
Width: 12HP
12V draw: 20mA
-12V draw: 16mA
5V draw: 0mA
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quote 781995
Cat: 763087 Rel: 08 Jul 20
 
USB audio interface
Notes: IK Multimedia proudly announces AXE I/O SOLO, a new entry in its range of AXE I/Or high-end guitar interfaces with advanced tone-shaping features.

Developed for guitar players who want to record the best possible sound on a budget or on the go, AXE I/O SOLO is a compact 2-in/3-out USB audio interface that features IK's high-end PURE microphone preamp; an instrument input with proprietary tone-shaping options; an exclusive Amp Out to incorporate real gear into a recording setup; and 24-bit, 192 kHz converters with a wide dynamic range, for pristine recordings in all musical genres.

AXE I/O SOLO can also act as a controller for use with IK's included AmpliTuber or other favourite guitar-friendly software, offering a complete, affordable solution for players who want the best possible tone for their tracks.

AXE I/O SOLO offers IK's high-definition, Class A PURE mic preamp, designed for transparent and clean recording. An extended, flat frequency response captures the full tonal range of voices and instruments without colouring the sound. A best-in-class dynamic range ensures ultra-quiet recordings.

Proprietary tone-shaping options let users dial in the perfect settings for their instruments or coax a wider range of tones from a single instrument:

First, an active & passive pickup selector adapts instantly to any instrument. The active channel bypasses unneeded gain stages, ensuring the signal is always as direct and uncoloured as possible.

Next, AXE I/O SOLO offers both a PURE circuit for pristine, transparent sound and a JFET circuit for adding warmth and harmonics, all within a single device.

Finally, IK's proprietary Z-Toner impedance-adapting circuit lets users adjust the input impedance to interact with their guitar's pickups: at the maximum impedance, sounds are tighter, sharper and more precise, and at lower impedances the sound becomes thicker and bolder.

These controls give guitars even more sonic character - with just a few minutes' experimentation, users can dial in a sound that perfectly fits the mix.

AXE I/O SOLO offers a streamlined re-amplification setup in a single box. A front panel Amp Out lets guitar and bass players incorporate real amplifiers and stompboxes without the need for an external conversion box. This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

AXE I/O SOLO preserves the best-in-class dynamic range, ultra-low self noise and wide, extended frequency response of the original AXE I/O, ensuring premium sound quality for recording both instruments and vocals.

1/4" balanced outputs and a headphones out provide comprehensive connections, and a "blend" knob mixes direct and processed signal for zero-latency monitoring. In addition, AXE I/O SOLO also features two dedicated inputs for controller pedals and switches, plus MIDI In/Out, offering a range of options for real-time control over amp modelling plug-ins or recording software.

For seamless, out-of-the-box recording and processing, AXE I/O SOLO comes bundled with AmpliTube 4 Deluxe, IK's powerful guitar and bass tone studio for Mac/PC/iPhone/iPad, as well as a suite of T-RackS mixing & mastering plug-ins and Ableton Live 10 Lite recording software.
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quote 763087
Cat: 781101 Rel: 08 Jul 20
 
MIDI keyboard controller
Notes: Compact universal MIDI keyboard controller with audio output.
iRig Keys 2 gives you more ways to connect & control all of your gear, in any situation. With improved compatibility for the latest mobile devices, full MIDI input and output, multiple power options, a stocked software bundle and a stylish new look, this new and improved controller is ready to play when you are.

iRig Keys 2 is a 37-key (3 octave) USB/MIDI keyboard controller with velocity-sensitive keys that connects to all of your devices: iPhone, iPad, Android and Mac/PC as well as any other MIDI compatible device. Packed into an ultra-compact size, it's the perfect way to unleash
your creativity on the go.

Control more
iRig Keys 2 adds MIDI input and output so you can control stand-alone gear like UNO Synth and other analog synthesizers, UNO Drum and other drum machines, and more. When connected to a computer or mobile device, it acts as a MIDI interface for all your gear, streamlining your rig into one compact unit.
You can run iRig Keys 2 off your computer or mobile device, USB power supply or even USB battery packs, so it's perfect for on-the-go rigs.

Be heard
Never worry about compatibility issues again. iRig Keys 2 works right out of the box with iPhone, iPad and Mac/PC, plus it's compatible with most Android devices*, even the latest models. A new headphone output lets you connect speakers or headphones, so you're never stuck using your device's built-in speakers.
Whether you want to practice silently or blast through a sound system, iRig Keys 2 has you covered.

Limitless potential
Best of all, iRig Keys 2 works with hundreds of popular music apps for iPhone, iPad, Android and Mac/PC.
Whether you want to learn to play, practice your chops, compose a song or perform live, and more, there's a never-ending stream of apps waiting to fuel your inspiration.

Convenient control
iRig Keys 2 hosts a number of useful controls - from modulation and pitch bend wheels, a volume output control, octave up/down buttons, program up/down buttons, a set button, an ALT button, and a data push encoder.

Plus, you can program custom settings to 4 assignable knobs for easy access to your favorite performance parameters.

An Edit mode lets you transpose the keyboard, customize touch sensitivity, change MIDI channel, customize knob assignments and more - and then save these into Sets using the Set button to recall them in a snap.

Where to next?
iRig Keys 2 is designed for portability, so it can travel anywhere you do. It's smaller than other 37-key keyboards on the market, and runs off your device, a USB wall charger or USB battery pack, meaning there's no bounds to your creativity. Head outside, get inspired in your hotel room, practice in the classroom - no matter where your musical journey takes you,
iRig Keys 2 will be along for the ride.

Cutting-edge software bundle
iRig Keys 2 includes IK's award-winning Mac/PC sound & groove workstation, SampleTank 4 SE, giving you over 2000 sounds to create cutting-edge tracks right out of the box.
It also unlocks free apps like SampleTank FREE for iPhone iPad, iGrand Piano FREE for iPhone, iPad and Android, and iLectric Piano FREE for Android.
*Requires micro-USB to OTG or micro-USB to USB-C cables, sold separately.

Specs:

37 full-size keys with velocity

Device Connector: micro-USB
MIDI Input: 2.5mm TRS Jack
MIDI Output: 2.5mm TRS Jack
Headphone Stereo Output: 1/8" TRS Jack
External Pedal Input: 1/4" TRS Jack

Volume: knob
Octave: up/down buttons
Program: up/down buttons
Setup: button
1 assignable data push encoder
4+4 assignable knobs
Pitch bend wheel
Modulation wheel

Conversion: 16 or 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
Power: USB bus powered when used with computer or mobile device, USB power supply or USB battery packs* (see note)

* Note: iRig Keys 2 sinks very little current from the power source to maximize battery life. However, some USB battery packs may automatically switch off when the load is very light. If you plan to use iRig Keys 2 in stand-alone MIDI mode powered by an USB battery pack, make sure you use one that can stay ON even when nothing is connected.

Package includes
iRig Keys 2
Lightning to micro-USB connection cable (60cm/23.6")
USB-A to micro-USB connection cable (60cm/23.6")
USB-C to micro-USB connection cable (60cm/23.6") (only iRig Keys 2 Mini)
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
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quote 781101
Cat: 762129 Rel: 08 Jul 20
 
In-ear monitor headphones
Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with their renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Upping the driver count to 3, the MP-320 now allows us to seperate the frequency spectrum even more with a precision 3-way crossover. By utilizing dynamic drivers, excellent clarity and imaging has been achieved, while maintaining the excellent low frequency response of dynamic drivers.
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quote 762129
Cat: 762338 Rel: 02 Jul 20
 
Analogue synthesiser
Notes: In the spirit of continuous improvement, Moog Music is transitioning production of the award-winning Sub Phatty analog synthesizer to make way for a new standard: the Subsequent 25. Implementing upgraded sonic modifications and functional improvements, the new Subsequent 25 becomes the standard production model moving forward.

Subsequent 25 builds on the success of its predecessor by implementing the ultra-popular paraphonic functionality of Duo Mode, upgrading to wood side pieces, and featuring the familiar Subsequent series of user-requested performance adjustments.
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quote 762338
Cat: 763063 Rel: 29 Jun 20
 
MIDI keyboard controller
Notes: At the core of GXP88 is a newly designed and carefully balanced keyboard action. Its 88 semi-weighted full-size keys with velocity and aftertouch deliver a nice, firm touch and great playability.

The GXP88 gives keyboard players all the right expression options needed for live and studio work, featuring pitch bend & modulation wheels, an expression pedal socket and a 1/4" TRS jack for connection of 2 footswitch pedals. The rear panel also includes a 5-pin MIDI out jack and an external power supply socket for powering the unit when not connected via USB.

The streamlined no-fuss control panel is based on the successful Nektar Impact GX-series, enabling advanced DAW integration with extended transport control, track selection and volume control as well as options to open/close DAW windows and navigate songs. In addition, GXP88's user interface also has 14 assignable illuminated RGB buttons for direct MIDI program- and bank-selection.

The new Key Repeat engine adds an intuitive real-time tool for creating inspiring rhythmic elements. Repeat is directly controllable from GXP's illuminated RGB buttons: Once the Repeat mode is engaged, the buttons allow for direct selection of Repeat Rates, Accent, Interval, Swing and routing aftertouch or modulation to velocity. When Repeat is active, the second encoder turns into a dedicated tempo control, unless synchronization is set to external MIDI clock.

In combination with Nektarine, Impact GXP88 gets powerful master keyboard functionality: Up to 16 VST or AU instrument-plugins can be loaded into Nektarine's 16 slots for simultaneous use. GXP88 brings instant patch recall to hybrid or software-based keyboard setups with direct patch control from GXP88's RBG patch buttons and the ability to define keyboard zones, layers and splits for all hosted plugins. All plugin settings and combinations can be saved in a single Multi-patch for recall at the touch of a button. Nektarine can run as VST, AU or AAX plugin in any compatible DAW or be used as stand-alone application.

GXP88 works with any MIDI software on OSX, Windows and iOS and can also be used as a standard MIDI controller for external MIDI gear right out of the box.
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quote 763063
Cat: 782214 Rel: 29 Jun 20
 
Desktop analogue modular snythesiser
Notes: Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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quote 782214
Cat: 782211 Rel: 07 Jul 20
 
Eurorack analog synthesiser module
Notes: The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The SV-1b is not a semi-modular synthesizer with limited signal path options. Each module within the SV-1b can be used independently to the rest of the system. The SV-1b is pre-patched (normaled) internally so patch cables are not necessary to get started. But as soon as you begin patching, you will appreciate the unrestricted creativity of the 53 patch points and 21 knobs. By breaking each module of the SV-1b out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

Smooth and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
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MRP:$718.88 SAVE 17%
 1 in stock $599.06
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Cat: 777568 Rel: 26 Jun 20
 
adaptor for Wireless GO
Notes: The Interview GO is a handy adaptor that converts the Wireless GO transmitter into a compact handheld microphone for reporting to-camera or interviewing in the field. It features a sturdy attachment for the Wireless GO's cold shoe clip to secure the mic in place, plus a high-density windshield for reducing plosives and protecting the capsule from wind when recording outdoors.

Adaptor Dimensions (mm)
Diameter: 23
Width: 42.9
Height: 237

Windshield Dimensions (mm)
Depth: 73.3
Width: 73.3
Height: 81.6

Weight (g):
Adaptor: 84
Windshield: 8

Compatible Microphones: RODE Wireless GO
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MRP:$31.53
 2 in stock $28.64
Cat: 777565 Rel: 26 Jun 20
 
magnetic clip system for Wireless Go
Notes: The MagClip GO is a powerful magnetic clip system that allows for easy positioning of a Wireless GO transmitter on talent. Clothing can be sandwiched between the magnet and clip for total flexibility. It can even be used to place the mic discreetly on an object in a scene or on a stage to capture dialogue.

Clip Dimensions (mm):
Depth: 19.7
Width: 35.1
Height: 5

Magnet Dimensions (mm):
Depth: 17
Width: 26
Height: 2

Weight (g):
Clip: 5
Magnet: 9

Compatible Microphones: RODE Wireless GO
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MRP:$18.92
 6 in stock $18.14
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 08 Jul 20
 
Radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$162.69 SAVE 21%
 2 in stock $129.26
Cat: 781120 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$727.71 SAVE 14%
 2 in stock $627.43
Cat: 781122 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$727.71 SAVE 14%
 3 in stock $627.43
Cat: 781127 Rel: 08 Jul 20
 
Processor module
Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma
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MRP:$296.38 SAVE 23%
 3 in stock $229.11
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quote 781127
Cat: 781124 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$606.64 SAVE 16%
 1 in stock $511.83
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quote 781124
Cat: 781126 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesiser and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$606.64 SAVE 14%
 1 in stock $519.19
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