Tags: Analogue synthesisers

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).

Notes: The Mother-32 is a distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.

Drive synchronized sound with Mother 32's powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32's voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device.

The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.

During the prototype phase, Moog worked with 3 unique synthesists: Erika (Interdimensional Transmissions), Max Ravitz (Ghostly International), and Bana Haffar to produce a video that explores Mother-32's vast capabilities. Through performance and sound design, each artist displays the extensive vocabulary found within Mother-32. All patches were performed live, with no overdubs.

Specs

Sound Engine: Analogue
Polyphony: Monophonic
Keypad: 13 Note
Step sequencer: 32-Step with 64 Sequence Locations, Keyboard and Step Edit Modes
Sequencer panel controls: Tempo, Swing, Run/Stop, Hold, and Reset
Sound sources: 1 Oscillator With Pulse and Saw Waveforms, 1 White Noise Generator, 1 External Audio Input
Oscillator range: 8Hz-8KHz (16KHz max with LFO/CV)

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.

Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: As a stand-alone instrument, Mavis is a straightforward analogue synthesizer with patchable modular utilities and the unmistakable Moog sound and quality. Easily remove Mavis from its case and it becomes a 24-point CV controllable module (44hp) ready to be installed into your Eurorack system or alongside Moog's other semi-modular instruments.

Mixing the familiar with the exotic, Mavis features Moog's legendary oscillator and filter circuits alongside a diode wavefolder - the first analogue wavefolder to appear on a Moog instrument. Combining traditional subtractive synthesis with additive wavefolding and oozing with personality, Mavis' clever presentation of synthesis modules and utilities ensure deep creative synergy and musical connection.

Mavis is a powerful, fun, and low-cost Moog that makes learning synthesis or expanding an already-advanced studio setup approachable for anyone looking to explore classic analogue sound in a new way.

Get closer to the circuits at the heart of Mavis and come away with a Moog analogue synthesizer that is uniquely "yours". No soldering is required and can be completed by any skill level in an afternoon.

A powerhouse on its own, Mavis was also designed to enhance any interconnected Moog semi-modular setup or Eurorack system. In 44HP, the synthesizer offers incredible value with two oscillators, full ADSR, ladder filter, sample and hold, wavefolding, attenuators, mixer, mults, and much more for more complex musical arrangements.

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allows for intricate dialogue between them.

Built-in keyboard with Glide and KB scaling

As a standalone instrument or as a 44HP Eurorack module, Mavis adds an expressive 1 v/o controller to any setup with the flexibility to dial in experimental new pitch relationships via the KB scale knob and explore musical intervals that go beyond the established standards.

Full Range Analog Oscillator

A Voltage Controllable Oscillator with PWM (Pulse Width Modulation), Waveform mixing, and Mod Source mixing, delivers rich harmonic character and motion.

Voltage Controlled Filter

Sculpt your sound with the -24-dB Moog Low Pass Ladder Filter, delivering the sonic power behind the distinct sounds of Moog basslines and leads.

Audio Rate LFO and 4-Stage Envelope Generator

Mavis uses crossfaders in its modulation routing instead of switches, allowing you to blend between a variable shape LFO and four stage envelope generators for interesting and unusual modulation contours.

Wavefolding and Modular Utilities

Mavis features Moog's first-ever wavefolding circuit, allowing for additive synthesis to sit alongside traditional subtractive synthesis, unlocking sounds not heard from a Moog before. Mavis also features a broad modular utility section complete with attenuators, offsets, mults, and a flexible DC-coupled mixer providing the tools needed for creative patching and sound design.

Patchable Sample and Hold (S+H) circuit:

Generates a random CV pattern that can be patched to modulate other parameters, including setting Mavis into a "random sequencing" mode of performance.

24-Point Patch Bay

Mavis is eager to play along with other voltage-controlled devices (especially with Moog's other semi-modular instruments), and its useful collection of utilities and flexible control voltage routing allow for intricate dialogue between them.

Protective Cover

Mavis includes a fitted protective cover for use during studio downtime or taking your instrument on the go.

Specs

Type: Semi Modular Analog Synthesizer - Operate standalone or as 44hp Eurorack module
Polyphony: Monophonic
Keypad: 1 Octave Keypad w/ Glide and Scaling
Sound sources: Analogue Voltage Controlled Oscillator (Mixable Saw/Square)
Filter: Analogue -24dB Moog Low Pass Ladder Filter
Envelope: 4-stage Analog EG (Envelope Generator)
Wavefolder: Diode Wavefolder
LFO: Analogue LFO (Mixable Triangle / Square)
Modular utilities: Sample and Hold, Attenuators, Offsets, Mults, and a flexible DC-Coupled Mixer
Patch bay: 24-Point Patch Bay (3.5 mm)
Accessories: Protective Cover, Patch Cables, Calibration Tool, and Nut Driver Included

Notes: Boutique analogue goodness inspired by chthonic demi-goddesses. Obviously. Six-voice synth engine with fully analogue signal path plus digital reverb. Compact and powerful with a lush, distinctive sound.

Supplier's Notes:
Nymph(e)s are chthonic demi-goddesses who not only personify nature but are regularly associated with the wild.

They inhabit rivers, springs, woods, groves, fields, caves, mountains and valleys.

They preside over fountains, sacred wells and fresh water.

The Polyphonic Synthesizer N Y M P H E S was developed during the obscure pandemic times and we really hope that it will bring a pinch of happiness on your face. Dreadbox have attempted to condense an ambitious idea in a small and compact box, without any compromise in the quality of the final instrument.
The result is stunning and ethereal ...

Features per Voice

1x VCO with Wave Forming
1x Sub Oscillator
Noise generator
1x LFO per voice with: Key track, Fade In and Fade out, 5 waveforms and wide frequency (into the FM range)
2x Envelope Generators
24dB/octave Low Pass Resonant Filter with accurate tracking
6dB/octave High Pass Non-Resonant Filter

Common

Voice Features

1x common LFO (named LFO2) that can target any and multiple parameters with different amount to each one at the same time , with: Key track, Fade In and Fade out, 5 waveforms and Wide Frequency (into the FM range)
7x active Chords that you can edit, modulate and store on each preset
Modulation wheel, Velocity and Aftertouch (monophonic) can target any and multiple parameters with different amount to each one at the same time

Specifications & Connections:

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via USB or DIN5
1/4 MONO TS Jack Out
1/8 Headphones Out

Dimensions: 24 x 12.5 x 3.8 cm
Weight: 0.85 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with either USB HOST or DIN5 midi output
Monitor, Amp or Headphones

Included in the box

USB cable (A to B)
DIN5 to 3.5mm adapter (specs as found at midi.org)
Quick Start Guide
Menu Map

IMPORTANT NOTE:
True power consumption is at 310mA. Some computers cannot deliver that much current. Please make sure that your device has sufficient current for Nymphes before connecting it- otherwise if you want to connect it with a computer, you will need a USB splitter or a powered USB hub.
When using a USB adapter, always make sure it can deliver 1000mA or more.

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.

Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.

OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.

OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.

OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Amazing value from this little Eurorack-compatible analogue synth. Loosely Moog-inspired semi-modular East Coast subtractive design with MIDI control and great sound.

Supplier's Notes:
East Beast

Fully analogue East Coast style semi-modular synthesizer

What's the first thing you think of when you hear the word "synthesiser"? Close your eyes and think about.

Anyway, for a lot of people, the word synthesiser invokes visions of big filter cutoff knobs, envelope generators, and importantly, big fat-sounding voltage-controlled oscillators. These are the hallmarks of East Coast-style synthesis.

East Beast is a fresh take on these old-school concepts with a few beastly twists thrown in here and there.

Furthermore, you can pop East Beast out of its included enclosure and it transforms right into a 40HP eurorack module
East Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, is a part of their 5th generation of analogue oscillators stemming from a super-serious 10 years of continued research into analogue oscillator development.

Its circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Most of the filters you are used to hearing are transistor ladder filters or copies of transistor ladder filters. East Beast's filter is not one of those. Pittsburgh's whole goal of making this filter for East Beast was to create a filter that's creamy smooth with no dead spots, a very common phenomenon in all filters, but check it out. This one's got no dead spots. From nasally to biting and elsewhere, it's all one large sweet spot.

East Beast's filter is a multi-mode filter, meaning it can be used as a low pass filter, high pass filter, bandpass filter, or a combination of the three for an even wider sonic palate.
Shape the beast in your own image
To further sculpt the sounds Cre8audio has included an envelope generator & LFO. The custom envelope circuit creates a snappy, percussive attack for expressive performance. The dual range LFO opens up a wide range of LFO and audio rate modulation possibilities.

Get patched.
Semi-modular means that the East Beast will work without any patch cables or anything. But what fun is that? Who doesn't want to have their own personal spaghetti mess of cables sticking out of their synthesizer to get wacky with?
East Beast has basically 9 different patchable modules (Oscillator, filter, envelope, VCA, LFO, multi-mod tool, sequencer, MIDI to CV converter, and button keyboard) with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. All for your patching pleasure.

As well as this, East Beast has MIDI in and a fancy MIDI thru so you can chain multiple MIDI monstrosities together- you can plug in a MIDI controller into East Beast and do as you wish.

But wait, there's more! East Beast includes quite a few additional performance features. You can dive in and dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module

Width when used as a module = 40hp
Depth when used as a module = 25mm
213mA power draw when running +12V rail
151mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x East Beast, 1x East Beast wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtail, and love (love's presence likely, but not guaranteed)

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: Mono Lancet '15 might be small-sized device, despite it is a bona fide analogue synthesizer.

Two oscillators and a noise generator are the foundation for its sound. Together with the musical lowpass filter and VCA it's capable of producing warm and precious sounds full of character.

Beside its audio qualities Mono Lancet '15 has a dead simple and intuitive user interface. Each parameter has its own control. We are absolutely convinced that you will quickly learn how to realize your sounds with Mono Lancet '15 without thinking about what you do.

Expandable with Modular Dock:
Mono Lancet '15's functionality can even be enhanced using the optional Modular Dock eurorack module. It offers various in- and out-connections to the individual sections of the synthesizer. With just a few additional modules you can multiply the strong sound base of Mono Lancet '15.

Mono Lancet '15 is manufactured in our Elektroakustischen Manufaktur in historical Vogtland. For us it is not only a piece of high-quality analogue technology but rather a musical instrument, handmade with love and passion.

Ships with UK 3-pin power supply.

For audio demos, please visit - http://www.vermona.com/en/products/synthesizer/product/mono-lancet-15/

Notes: Cracking value in this brutalist beauty manufactured by Bristol's Future Sound Systems. Interesting features like wave-shaping VCOs and Sallen-Key filter make it the ideal starting point for a bigger modular setup.

Supplier's Notes:
Malevolent has been designed by Paul Whittington in collaboration with Bristol based synth manufacturer Future Sound Systems who have provided the analogue circuitry, and Ben Supper who developed the control interface:

Paul has a had a long career in developing products for some of the biggest names in the industry and is now using his expertise to build instruments, bringing in talents from friends he's made during his tenure in development.

Future Sound Systems are a renowned Bristol based synthesizer manufacturer, who are responsible for some of most forward-thinking designs on the market, they specialize in modular and semi-modular synthesizers & their design prowess is very apparent in Malevolent.

Despite its diminutive size, Malevolent sounds big, aggressive and is capable of everything from soaring leads, huge bass sounds, percussive phrases, weird sound FX and more.

It's form factor, user interface and price point make it a great option for those taking their first step in the modular domain, but it's unique sound, extensive modulation capabilities and the options for integrating seamlessly with other synthesizers, makes it a great option for experienced user who's looking for something a little different.

Modular Pure Analogue Synthesiser

Pure Analogue signal path designed by Future Sound Systems
Pure VCOs

19 Outputs and 19 Inputs for 3.5mm mono jack cable patching
Normalised signal path for immediate sound Malevolence
Additional rear panel line out
Additional headphone out


2 Voltage Controlled Oscillators
Saw / Triangle / Pulse outputs plus Mix for each oscillator
1V/Oct pitch control input
Shape control / pulse width modulation input
2x Frequency Modulation inputs
Coarse / Fine tune control
Shape mod amount control
FM1 and 2 mod amount controls
Shape control
Selectable waveforms for the mix output
Individual osc level control


LFO (Low Frequency Oscillator)
Triangle / Square wave outputs
Rate control

2x Envelopes
Individual ADSR controls for each envelope
Individual gate inputs
Individual envelope outputs


Multi-mode 2 pole VCF (Voltage Controlled Filter)
Low pass / Band pass / High Pass individual inputs
2x Frequency Modulation inputs with amount controls
Filter cutoff
Filter resonance


Mixer
Noise w/level control
Aux input w/level control


VCA (Voltage Controlled Amplifier) with overdrive control
Compatible with Eurorack standard 1V/Oct gear
Monophonic and patchable allowing individual pitch control of each VCO and gate control of each envelope
USB bus-powered
MIDI In / Out
Headphone out
Line out
Analogue clock in & out


USB-MIDI to 1V/Oct CV & gate conversion
All pitch and gate control is fully analogue
Analogue clock In / Out


Multi-function Joystick control
Left / right for pitch bend
Performable portamento
Performable vibrato
This is in addition to the analogue LFO
Latching hold mode


Arpeggiator
6 arpeggiator types
Up, Down, Up/Down 1, Up/Down 2, Played & Random
Auto clock sync
Detects analogue / MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Selectable sync rates when clock detected
Rate / sync control
Latch
6 Octave range
Analogue / MIDI / USB-MIDI Clock output when arpeggiator is running


Keyboard Control
32 Velocity-sensitive mini-keys
Octave shift +/- 4 octaves
Pitch output
Velocity output
Gate output
Local Off mode for DAW use


Includes:
5 Patch cables

Power Supply (9V 600mA)
USB C lead

Getting Started Guide


Weights and Dimensions:

Product (unboxed):
490 x 250 x 80 mm
2.61 kg

Product (boxed with contents):
690 x 320 x 160 mm
3.70 kg

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: Cost-effective all-in-one bundle from Moog: two semi-modular instruments, mixer, cables, accessories and educational materials. Just add speakers or headphones and you're all set.

Supplier notes:
Moog Sound Studio: A complete analog synthesis studio in a box. Everything necessary to start patching today. All you need is a pair of headphones!

Ready to take the next step in your analog synthesis journey? The Moog Sound Studio has you covered. Moog Sound Studio is an all-inclusive bundle of semi-modular synthesizers and accessories created to provide users with all of the equipment, cables, accessories, and educational tools needed to enter the world of analog synthesis for the first time or to continue to explore sound in an immersive new way. All you need is your own headphones or personal speaker and you're ready to get started!

Moog's Mother-32 and DFAM synthesizers are a perfect pairing to anchor any electronic studio. Mother-32 is a versatile performance and production synthesizer with a powerful step sequencer and 64 slots of sequence memory. Its classic Moog synth voice delivers raw analog sound, deep Moog bass, and soaring synth leads, forming an excellent compliment to DFAM's rich analog rhythms and percussive patterns. Equally impressive on their own, these synths become truly magical when combined into a single system. By patching Mother-32 and DFAM together, a symbiotic sonic relationship is formed that unlocks new capabilities and empowers new ideas.

Along with a duo of semi-modular analog synthesizers, each Moog Sound Studio includes a personal stereo summing mixer with 3-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included are a series of guided exercises, exploration games, experimental patch sheets, imaginative studio art, and more to outfit your studio and take your synthesis skills to the next level. And of course, all of the cables and accessories needed to connect everything are included as well!

Moog Sound Studio takes the magical environment and hands-on learning experience of Moog installations found at events around the world and presents them in a way that empowers you to explore synthesis with joy and confidence from the comfort of your own home or studio.

This is an exciting time to be a part of the growing synth community. The Moog Sound Studio is here to provide a meaningful electronic experience that informs, inspires, and nurtures synthesists at any point in the creative journey.

Mother-32
Mother-32 is an intuitive and expandable semi-modular synthesizer that adds raw analog sound, powerful sequencing, and extensive interconnectivity to any creative, electronic, or modular ecosystem. Mother-32 Excels at: Classic analog bass & leads and powerful step-sequencing with pattern memory.


DFAM
DFAM (Drummer From Another Mother) is a semi-modular analog percussion synthesizer that empowers an expressive hands-on approach to percussive pattern creation. DFAM Excels at: Rich electronic drum patches and organic analog sequencing that breathes.

Personal Stereo Summing Mixer and Instrument Cables
This 4-input analog summing mixer (1/4" IN, 1/8" stereo OUT) features selectable mono or stereo configurations for versatile routing options, and the built-in 3-way power distribution hub supplies power throughout your Moog Sound Studio conveniently from a single power supply. The included instrument cables come in lengths and colors to compliment the system and reduce clutter.

2-Tier Rack Kit
Conveniently stack both synthesizers and the summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity.

Cable Organizer and Custom Patch Cable Set
The included patch cable organizer connects to the two-tier rack or mounts directly to any wall, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables has been selected in lengths, colors, and quantities to maximize system patchability.

Guided Exercises, Exploration Games, and Experimental Patch Sheets
Learning synthesis doesn't have to be intimidating! Included games and educational materials allow the player to explore at their own pace while enjoying the journey. Developed with artists who know these instruments best, these detailed and fun exercises are designed to accelerate your synthesis experience by exploring new skills to support your ongoing synthesis practice - A perfect jumping-off-point for beginners or source of inspiration for the seasoned pro.

Studio Art
All original artwork, created by Jim Stoten (M32/DFAM) and Philip Lindeman (SUBH/DFAM), has been thoughtfully designed to aid users in the exploration of new imaginative worlds. The characters, poster, and objects that accompany each Moog Sound Studio come together to transform any space into an immersive creative environment.

Notes: A beautifully realised instrument drawing on West coast and East coast synthesis concepts to create something new and beguiling. Three oscillators, smooth filter and Buchla-style dynamics controller.

Supplier's Notes:
Taiga Paraphonic Modular Synthesizer

Taiga is a complete, modern, modular instrument that allows us to explore beyond the boundaries of a traditional analog synthesizer. The sound of Taiga can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth of the unique Dynamics Controller. These enable you to not only create sounds that would be traditionally expected from an analog synthesizer, but also to explore new sonic textures and performance possibilities.

Taiga oscillators

Waveforms generated by the three Taiga oscillators stretch beyond the basic geometric shapes and sounds associated with analog synthesis. Taiga waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga.

The Pittsburgh Filter

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analog delay tuned to enhance the source material by repeating it over and over. Echos utilize a pair of bucket brigade delay chips to produce a classic voltage-controllable analog delay effect that helps to place the sounds of Taiga in a simulated environment.

Open Architecture

Taiga has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 60 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Complete Set of Modular Tools

Taiga includes a host of fully modular, analog, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga toolset is deep enough for any type of sonic exploration.

Taiga features and other info:

Paraphonic synthesizer with unique additive elements

Fully patchable - use Taiga's components as separate modules with external devices or reroute its internal patching.
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
Clock-synced arpeggiator
3x Pittsburgh Modular Synthesizer developed 100% analog oscillators
Oscillator waveforms - sine, triangle, and saw - Waveforms can be combined
3x Pittsburgh Modular Synthesizer 6 stage wave folder/shaper circuit - folds inputted waves back onto themselves to increase harmonic content
Oscillators include frequency modulation (FM)
Noise generator - pitched somewhere between pure white and pink noise. Perfect for percussion or adding a bit of edge to a sound.
Variable state, multi-mode "Pittsburgh No-Dead-Spots" filter (lowpass, bandpass, highpass, modes can be combined)
Sample & Hold circuit
2x Analog ADSR / envelope generators
Pittsburgh dynamics section - an alternative to an envelope generator and a VCA, the dynamics controller is a Pittsburgh Modular invention that adds a dimension of control over a vactrol-less lowpass gate circuit, adding release time. (read more on this in the user guide)
Dual range analog LFO with square and triangle wave outputs.
LFO Range High: 2 Hz to 500 Hz Low: 41 seconds to 5 Hz
Dual Channel Mixer - 2 channel mixer and a 3 channel mixer joined together, capable of mixing both audio or control voltages.

Notes: Synth meets sequencer in this limited-edition Noir version of Arturia's excellent MiniBrute. Semi-modular design and extensive patch bay offer a wide variety of sound design options.

Supplier's Notes:
The MiniBrute 2S Noir Edition is a thrilling hybrid synthesizer enhanced for the modern musician. Combining raw analog power, an intuitive triple-layered step sequencer, a modular-worthy patch bay, and a stealthy black exterior, MiniBrute 2S Noir delivers the Brute Factor, and then some.

Pure synth power

A powerful standalone instrument, MiniBrute 2S Noir has massive synth potential that's intuitive, accessible, and fun to use. Whether you're a seasoned pro or new to the world of synthesis, you'll find its layout easy to understand, quick to master, and hugely inspiring. Thanks to its analog semi-modular architecture, you have hands-on control of every parameter, so you can sculpt your oscillators, sweep your filters, sync your LFOs, and control your envelopes on the fly to create a sound that's uniquely yours, bound only by your imagination.

Discover the modular world

Open up exciting new possibilities by rerouting MiniBrute 2S' signal with the modular patch bay. Better still, patch it to your existing Eurorack system and explore new connections, then sequence and shape with MiniBrute 2S' myriad of controls. With this synth at your command, your creative workspace will become a experimental sound laboratory.

Step in line

Featuring an awesomely powerful, triple layered step-sequencer, multi-mode arpeggiator, and high-quality performance pads, MiniBrute 2S Noir perfectly suits adventurous electronic musicians who want to take their creations further than ever before.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: Strictly limited-edition full-scale reissue of an underrated analogue classic from 1973. The miniKORG 700FS is a classy monophonic instrument with aftertouch and spring reverb.

Supplier's Notes:
Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W

Notes: Updated version of Erica's superb EMS-inspired synth, featuring a powerful dual oscillator synth architecture, piano roll sequencer, modulation matrix and recordable joystick.

Supplier's Notes:
Based on lessons learned from the SYNTRX, Erica Synths decided to create an instrument that would integrate even deeper into contemporary electronic and experimental music setups and cover sonic territory from daunting drones to powerful basslines and glitched noisescapes - the SYNTRX II is a new dark horse for experimental sonic rides.

The SYNTRX II is the culmination of Erica Synths' analogue sound design circuits - two perfectly stable main oscillators with waveshapers, a modulation oscillator with 1V/oct tracking, a versatile multimode filter, supercharged external instrument inputs with an envelope follower, a unique, great-sounding ring modulator, a recordable joystick, built-in piano roll sequencer and stepped modulation sources, all arranged around Erica Synths' signature matrix mixer and topped off with powerful FX on their new DSP platform.

"The SYNTRX 2 is awesome, a very different instrument from V1. My first synths were the VCS3 and the AKS and are still among my favorites today. The Syntrx 2 is pushing the boundaries of possibilities & experimentations much beyond the original analogue version. The Syntrx 2 is an instant classic". - Jean Michel Jarre

Features

Two perfectly stable main oscillators with CV-controlled waveforms
Modulation oscillator with variable waveforms
Highpass and Lowpass filters in series
Free running or gate synced sample and hold circuit
Multi-colour noise generator
DC coupled instrument inputs with signal inversion and envelope follower
Ring modulator of unique design
Looping trapezoid envelope generator and VCA
Two output VCAs
Signal meter with a dedicated audio/CV output
FX section with great sounding Delay and Reverb developed in collaboration with 112db.com
Recordable Joystick
Analogue patch matrix with 3 attenuation levels in each patch point
254 patch memory
Piano roll sequencer and two stepper modulation sources
DIN5 MIDI Input and MIDI Thru
Two assignable outputs
Headphone output
Dimensions: 309mm x 457mm x 115mm (with the joystick in centre position)
Weight: 3.9 kg

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late

Notes: Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: A massive semi-modular system in a small case with the footprint of a laptop. Cascadia has MIDI in/out/thru/USB, Eurorack compatible signal levels and pro-level audio I/O to interface with the rest of your studio or get your studio started.

Modern Analog Architecture
Cascadia is packed with a mix of classic East and West Coast synthesizer blocks. Normalized connections let you get straight to the sounds inside. Or, let your imagination run wild and patch any of the modules together however you choose. Make small tweaks to the architecture, or re-route the entire synth to your likingithe choice is yours!

Two Precision Analog VCOs
VCO A is Thru-zero FM-ready with a dedicated Index VCA, Sub Oscillator, PWM and Soft/hard sync.
VCO B is a combo VCO/LFO with 4 simultaneous outputs
Six Channel Waveform Mixer
Two patchable (normalled) inputs
Noise generator with multiple algorithms.
Optional asymmetric soft clipping on the mix output.
Liquid-Sounding, Cascaded 4-Pole Multimode Filter
Eight Modes: LP1, LP2, LP4, BP2, BP4, HP4, NT2, Phazor.
Additional dedicated outputs for LP4 and HP4.
Input Level Knob for fine control of filter input and resonance balance and added drive.
Multiple FM inputs and a QM input, all with attenuators.
Wavefolder Circuit
West Coast-style parallel wavefolder.
Normalled into the auxiliary input on the VCA in parallel with the filter.
Dual Digital Envelopes
ENV A is a versatile east coast style ADSR / AHDSR envelope generator with a hold function and dynamic level/time control. Normalled to the VCA to instantly shape your sound.
ENV B is a complex, multimode function generator with a West Coast style AR/ASR/Cycling AR, a beat syncable LFO, Burst generator modes, and the Entropic Sequence Generator (added in 1.3). Normalled to the filter for instant FM without patching.
VCA A and Output Path
VCA A is a linear VCA with auxiliary input.
Global Output Mixer with overdrive circuit and bypassable asymmetric soft clipping.

Expansive Utilities Sections
Cascadia also features a whole host of utilities for getting the most out of your patches.

The Utility Row
Sample and hold circuit with white noise normalled to the input.
Slew/Envelope follower.
Attenuverter/Mixer with multiple outputs.
Triple triangle LFO with rate control, rate input and divided outputs.
Triple buffered multiple.
Precision adder.
Signal inverter.
Bi-polar > Unity level shifter.
Expression level control for modulation the TRS expression input on an FX pedal.
Ring Modulator.
VCA B / LPF (LPG) i Auxiliary VCA and 4-Pole Diode Ladder VCF combination for additional dynamics.
The Top Row
Easy to access Pitch, Gate, and Velocity CV inputs.
Pedal Send and Return FX loop with Wet/Dry control, phase inverter and Line/Pedal level switches.
Output Mixer with Overdrive.
Eurorack Level Main output with level control for interfacing with other modular gear.

The Outside world i MIDI, Pedal and Audio I/O
Cascadia is equipped with a ton of I/O to get it connected to the rest of your gear.

Rear Panel
14" Stereo Headphone jack.
14" Balanced Output Jack.
14" Balanced Input routed to a slider and output on the main panel for patching anywhere into Cascadia.
14" TS Pedal FX Send Return and 14" TRS Expression Out.
MIDI DIN In/Out/Thru and USB-MIDI all routed to the MIDI > CV Interface on the top panel.
MIDI > CV Interface
Deeper MIDI configuration is available with our Intelljel Config App (link below). MPE Support has been added in v1.4 and supports the Ableton Live 12 Tuning systems. Dual Mono mode (added in 1.3) allows an additional channel to send it's own Pitch/Gate signal on the CC/MOD outputs. All modes support MIDI Portamento.

MIDI Pitch / Velocity Outputs and Learn Button
MIDI Gate / Trig Outputs
MIDI CC / Mod i Learnable and assignable to any CC or Channel Pressure
MIDI LFO i Multimode LFO synced with MIDI or Tap Clock
MIDI CLK i Dividable MIDI clock with alternate Tap Clock functionality.
Cascadia comes ready to play.
The normalization behind the panel allows for a ton of exploration without ever adding a patch cable; there is years of material to explore in Cascadia and years more when you start patching. We've included everything you need to get started: 14 assorted patch cables, USB-A to USB-C cable, and an international power supply.

Expand and Customize
In addition to additional patch cables, we have additional options for swapping the wooden cheeks for metal side cheeks or a rackmount kit with a storage trayigreat for an effects pedal or patch cables.

Specs
In the Box Cascadia Semi-modular Synthesizer
14 Patch cables i 4×10cm, 4×15cm, 4×30cm, 2×45cm
USB-C to A cable
Intellijel cable tie
15V/1.2A AC Adaptor (Euro/American prongs included)
Height 66mm (from rubber foot to top of knobs)
Width 348mm (including wood end cheeks)
Depth 246mm (front to rear jacks).
Power 15V DC/1.0 A (minimum), center-pin-positive.

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: Expanded, pro take on IK's excellent compact analogue synth. Dual-filter, three-oscillator paraphonic design with 64-step sequencer, effects and capacitive keyboard (also available with premium keybed).

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro Desktop gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro Desktop can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro Desktop offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro Desktop, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro Desktop provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro Desktop offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro Desktop offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank 4, Miroslav Philharmonik, MODO BASS, MODO DRUM, Syntronik 2, and T-RackS 5.

Dimensions:
Size (W x D x H): 25 x 14 x 5 cm, 9.84 x 5.5 x 1.96 in.
Enclosure: Plastic
Weight: 700 g, 1.54 lb
Power: USB Power

Packaging includes:
UNO Synth Pro Desktop
1x Micro USB to USB Cable

Notes: This is a special one. Seven-voice, four-part multitimbral analogue goodness from this boutique Argentinian brand. Stunning sound and depth, combining vintage fatness with contemporary precision.

Supplier's Notes:
The GS e7 is a subtractive synthesis polyphonic analogue synthesizer. The sound generation is carried out in a total analogue way. Each voice has two voltage controlled oscillators (VCO), a noise source, a mixer, a voltage controlled filter (VCF) and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two envelopes (EG) of the ADSR type. In addition, it incorporates an effects processor with chorus and delay.

The GS e7 interface was designed to be simple and intuitive.

It also has MIDI connections, USB, balanced stereo audio outputs, headphone output and CV inputs.

*** Please note: This synthesiser comes with a US type A mains lead with UK plug adapter. ***

Specs

Polyphony: 7
Multitimbral: 4 parts
Oscillators: 2 voltage controlled analog oscillators (VCO) with sub-oscillators. Hard sync.
Oscillator Waveforms: Triangular, Saw-Tri, Sawtooth, Pulse with PWM. It is possible to mix the pulse with the other waveforms.
Filter (VCF): 24dB / Oct low pass filter (4 poles) with resonance control.
Envelopes: 2 (Attack, Decay, Sustain, Release), Velocity to Attack
LFO: 3
LFO waveforms: Triangular, Ascending ramp, Descending ramp, Square, Sample and Hold
Effects: Chorus, Delay
Presets: 512 programmes, 128 multi
Conennections: MIDI IN, MIDI OUT, MIDI Thru, USB, Pitch CV, Cutoff CV, Gain CV, Ext input, Audio Out (L/Mono, R, 1/4" TRS balanced), Headphones
Power supply: DC 12V 3A
Dimensions: 520mm x 190mm x 108mm
Dimensions (with packaging): 620mm x 290mm x 230mm
Weight: 4.6 kg (estimated)

Notes: Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: Reissued version of one of Dreadbox's back catalogue synths, the Erebus is a paraphonic design with two VCOs, a characterful low-pass filter, built-in delay and updated snappy envelopes.

Supplier's Notes:
Dreadbox's most unique sounding analogue synthesizer is finally back, warmer and snappier than ever!

All you synth lovers, the time has come to dive into the Erebus...

All Analogue Paraphonic Synthesizer
Faithful Reproduction of the Erebus V1
2 Oscillators with 2 Waveforms each
Separate Glide controls and Hard Sync function
2-pole Low Pass pre-fed Filter
1 ADSR envelope and a AR Amp Envelope
Snappier than the V1

OTA VCA
Lo-Fi Delay effect
Wide Range LFO
15 patch points for an astonishing and spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Ethereal & Dreamy

Warm sounding Oscillators
Classic Dreadbox Filter
Snappy Envelope Generators
Lo-Fi Delay effect to expand your sound
CV outputs: Envelope, LFO, Mod Wheel, Gate, CV1, CV2
CV inputs: Osc1, Osc2, Echo, Cutoff, CV, Gate, LFO Rate, PW, VCA

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 1 kg

Requirements:

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box:

Erebus Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter
1x Ribbon cable

Notes: A collaborative effort between the techno icon and one of the best synth brands around, the Bullfrog is designed to encourage newcomers to analogue synths while secretly packing killer sound and some innovative features.

Supplier's Notes:
Introducing Erica Synths X Richie Hawtin Bullfrog

Learn. Produce. Perform

Created by Erica Synths & Richie Hawtin, Bullfrog is an educational electronic music instrument designed to captivate and inspire both youth and professionals alike. Bullfrog invites you to unlock musicality while combining the thrill of electronic music production with a comprehensive learning experience.
Bullfrog is a classical subtractive synthesiser - it consists of several "modules" for sound generation - VCO, NOISE GENERATOR - and treatment - VCF, VCA/DELAY, as well as "modules" that generate control and modulation signals to control them - ENVELOPE GENERATORS and SAMPLE & HOLD. The Bullfrog will not make the sound on its own unless it is patched - using eurorack patch cables to interconnect the "modules" or by inserting voice cards that create internal connections between the "modules" in a specific way and add extra functionality, like sampler/looper, sequencer, groovebox, etc. This approach better helps to understand functionality of a subtractive synthesizer and the principles of sound design with instruments like these.

In order to provide a well rounded understanding of the functionality of this synthesizer and sound synthesis in general, a comprehensive user manual is created to accompany the learning process.

Electronic music with its rich traditions and innate sense of exploration at core is ever popular, with artists and fans stretching around the globe. For me, one of the most exciting parts of creating electronic music is the playful exploration that leads one deep into their own imagination. Whether the intention to create completely imagined or real-life inspired sounds, the route one takes to create is always personal and often surprising. It is within these experiments where the beauty of synthesis really comes alive and which often unlocks a new sense of creativity and purpose.

Whether someone's experience with Bullfrog points them down a career in electronic music or not, the goal is to both nurture the love for electronically produced sounds and promote the accessibility of learning and understanding the basics of sound synthesis.

Erica Synths believe that the hands-on approach and problem solving that is innate to synthesis on a semi-modular synth like the Bullfrog, contains life lessons that go beyond what we can hear.

Bullfrog encapsulates the foundations of synthesis and is built with an immediate, intuitive design and a unique expandable architecture that grows and expands together with the user's imagination. This instrument feels at home anywhere - as an educational tool in music and physics classes, as an addition to your basement studio or even as a tool for performance on a stage.

What's included:

BULLFROG synthesizer
Universal 12VDC wall wart adapter
User manual
10 patch notes stencils
10 patch cables
3 pre-patched voice cards
3 DIY voice cards with adjustable offset
Delay effect with adjustable delay time and feedback amount
Two looping attack-sustain-release envelope generators (EG)
Sample & Hold circuit with an individual clock
Manual gate button
Voicecard slot
Built in speaker
DIN5 MIDI input
USB connector

What's included

BULLFROG synthesizer
Universal 12VDC wall wart adapter
User manual
10 patch notes stencils
10 patch cables
3 pre-patched voice cards
3 DIY voice cards

Notes: The Analogue-only variant can ONLY be used via CV/Gate like the original CMU-810. MIDI is NOT available on this device.

Fully assembled and Calibrated.

The MSW-810 is a faithful recreation of the CMU-810 Monosynth which was designed as a synth expander for the 1983 CMU-800 computer music production system. At its core however, is the tone generator of the MC-202.

Specifications:

VCO

AS3340 Based
Range: 16'/8'/4'/2'
Pulse Width Modulation: 50% to Min
PWM Mode: ENV/Manual/LFO
Modulation Depth
Tune

Sound Mixer

Level Control Sliders: Square, Saw, Sub-OSC, Noise
Sub-OSC Waveforms: 1 oct down, 2 oct down, 2 oct down PWM

VCF

AS3109 Based
Cutoff Frequency: 10Hz to 20kHz
Resonance: 0- Self Oscillation
ENV Depth
Modulation Depth
CV Follow: 0-100%

VCA

Gate or Envelope

Envelope

Attack time: 1.5 ms to 2 s
Decay time: 2 ms to 10 s
Sustain Level: 0-100%
Release Time: 2 ms to 10 s

LFO

Rate: 0.1Hz to 20 kHz
Delay Time: 20 ms to 0.7s
Rate Indicator

VCA + Mixer

Level Control Sliders: Synthesizer, Input 1, Input 2, Output
VCA Bypass Switch
VCA Response: Lin/Exp

Jacks
Synth CV in: 1V/Oct, 0-7V, 3.5mm TS
Synth Gate in: 0-12V, On>2.5V, 3.5mm TS
VCA CV In: Lin 0.83 to 5V, Exp 0.83-4.58V, 3.5mm TS
Input 1: Unbalanced 1/4" TS
Input 2: Unbalanced 1/4" TS
Synth Out: Max -6 dBm, Unbalanced 1/4" TS
Mix Out: Max -10 dBm, Unbalanced 1/4" TS
Headphone Out: Stereo, 9-150 ohm, 3.5mm TRS
Accent In: 0-5V, 3.5mm TS

Power
9V DC, 500 mA, Tip positive. 120-240V Included

Dimensions
13"x2.5"x8"

Includes: Universal power supply, MSW-810 Synthesizer

Notes: Astrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.

Compact synthesizer ideal for harsh noise and drones, three independent oscillators with rate control -a fourth oscillator is the sum of the three previous ones plus noise mixer of the four oscillators + noise

Six controls to select the type of noise on the fourth oscillator

Harmonics

Six band filter/eq
Feedback and level control

Distortion

Distortion level
Feedback
Two band tone control

Power supply

Transformer 24 v positive to the center (included with the device)
1/4" mono jack output

Notes: Creative little desktop noise synth based on some unique ideas. Generate tones with conventional oscillator, noise source and oscillating delay feedback, then mix it all through a final delay.

Supplier's Notes:
Synamodecs Levitate is a desktop synthesizer that is made for noise and experimental music making.

It's divided into three blocks Legus, Neura and Nxpctd. Legus consists of two delays in series. Those delays offer time, level, feedback and dry/wet parameters. Due to it's layout it is capable of generating sounds without any input signals. The ouput of the first delay can modulate the delay time of both or just the other one. The Neura section is a sound and noise generator with frequency, texture and waveform controls and outputs on two different independent outputs. Last but not least the NXPCTD block is a third delay through which the Legus ad Neura pass through. It gives control over dry/wet, time and feedback control.

Additionally the Levitate offers an external audio input for extra fun.

All in all a fun little box for weird and crazy sound exploration. Dc power adapter included.

Dimensions: 20 × 30 × 10 cm

Notes: The Synadrone consists in four combined oscillators that create powerful and organic sounds.

The mix of the four oscillators as well as their arrangement can be varied by acting on the switches. Oscillators modulate each other in a complex way, but you can control the results of this modulation manually with the pots.

The oscillation section includes after the oscillation section a low pass filter with cutoff and resonance controls.

Cutoff and resonance allow to change from very powerful and "full" bass sounds to delicate and very refined highs.

It has the option to send the filter output signal to a delay, with repeat and level controls.

The Synadrone also incorporates a built-in LFO with rate and level controls to modulate the delay time.

Specifications:
Power supply +9v (center Positive)
4 oscimodulations
Filter - cutoff - resonance
LFO
Analogue delay

Notes: Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center

Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: Originally released in 1970, Minimoog Model D was the world's first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modulesimeaning that it could be played instantly and intuitively with no patch cables required. It was quickly embraced by a diverse roster of performers, with artists like Herbie Hancock, Kraftwerk, Rick Wakeman, Sun Ra, Piero Umiliani, Giorgio Moroder, Bernie Worrell, and Gary Numan all shaping unique sounds and forging new musical genres using the instrument.

More than a half-century since its invention, Minimoog Model D is back in production at the Moog factory in Asheville, North Carolina. An exceptional sonic tool and one of the most beloved and iconic synthesizers ever designed, it returns to the hands of synthesists of all kinds and serves as inspiration for the next generation of electronic musicians.

The three-oscillator, monophonic, analog synthesizer is securely housed in a locally sourced Appalachian cherry cabinet and hand-finished aluminum chassis. Sounding as vibrant and deep as ever, its legendary low-pass ladder filter, powerful oscillators, and rich saturating mixer retain the exact component placement and through-hole design of a 1970s-era Minimoog Model D.

While no changes have been made to the original sound engine or audio signal path, the 2022 Minimoog Model D includes a series of popular functional modifications that expand this legendary instrument's sonic capabilities. These modifications include a dedicated analog LFO with triangle and square waveshapes, a premium Fatar keybed with velocity and after pressure available via top panel CV jacks with onboard trimpots, MIDI integration, and a mixer feedback modification which allows the Minimoog Model D to overdrive and scream with the turn of a knob. And, for the first time in its history, the Minimoog Model D now features a spring-loaded pitch wheel with center deadband, allowing for improved playability and wild performance flourishes. This newest edition also includes updates to the MIDI functionality, allowing for improved modern studio integration.

SPECS
NUMBER OF KEYS
44
KEYBOARD RANGE
F0 to C4
KEYBOARD ACTION
Synthesizer (Spring)
NOTE PRIORITY
(Low, High, Last): User Selectable
SOUND SOURCES
3x Oscillators, Noise Generator and External Audio Input
OSCILLATOR FREQUENCY RANGE
0.1 to 20 kHz (In Six Overlapping Ranges)
OSCILLATOR STABILITY
(short term) > 0.25 %
OSCILLATOR WAVEFORMS
Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: Based on the legendary Roland Jupiter-8, the ISE-NIN is a synth with the attention to detail we've come to expect from Black Corporation. Eight voices, fully analogue, with MPE support. Beautiful.

Supplier's Notes:
ISE-NIN (pronounced ee-seh-nin) features eight voices, each consisting of 100% analogue voltage controlled oscillators, analogue lowpass and highpass filter, noise generator, two ADSR envelopes and a VCA. 2 different presets can be layered, making richer sounds, but limiting voices amount to 4 per layer. Each layer has its own fully assignable velocity and poly-aftertouch controls and global MPE settings.

Furthermore the synth offers full MIDI/USB control and the ability to store 128 presets per bank across 10 banks. Sophisticated microtuning with a support of ODDSound MTS-ESP and a signature arpeggiator integrates this classic synth concept seamlessly into the future of your modern studio needs.

Design: 19" / 4U
Polyphony: 8
Sound Generation: Analogue
MIDI interface: 1x In, 1x Out/Thru
Storage Medium: Internal
USB-port: Yes
Effects: No
Arpeggiator: Yes
Number of Analogue Outputs: 2
Digital Output: No
Display: Yes

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Inspired by the legendary Roland TB-303, the B1 is a bargain-priced analogue acid and bass synth, featuring a built-in sequencer plus saturation and delay effects to bring your sound to life. Incredible value.

Supplier's Notes:
Donner B1 Analogue Bass Synthesizer & Sequencer with VCF, Saturation and Delay Effects

In order to provide better use experience, Donner B1 analog bass synthesizer has made unprecedented innovation in the operation interface, provide simpler and more intuitive interface for all music lovers. And this innovation won the 2022 reddot design award.

Beginner-Friendly Synthesizer Interface

Donner have optimized the sequencer of this synthesizer to be easier and more intuitive to use. Easily edit your own sequences with 128 sequence presets covering a range of musical styles, and 128 user programmable presets.

Silicone Tactile Keyboard with Backlight

The Donner B1 sequencer features modern silicone keys with a color changing backlight, making them a joy to play. In addition to sequencing, you can also play your synth lines live with the keys.

Classic Deep Bass Tone With Saturation and Delay Effects

The B1 allows you to dial in classic deep bass tones such as, distortion and tape delay. It will give you the taste of being one of the famous EDMs, Hip-Hop DJs or producers.

Flexible and Versatile Music Studio at Your Fingertips

The B1 controller connects to your DAW via USB-MIDI for use as a MIDI keyboard, and the MIDI IN/OUT interface connects the B1 to your external MIDI devices for sequencing or as a MIDI controller.Connect external sound sources using the 1/8" audio input. The 1/4" TS mono Main Out carries the main output signal. The 1/8" headphone jack is perfect for monitoring your sound. The B1's audio I/O options have you covered.

The B1 controller & sequencer features all of the deep bass and acid synthesizer sounds of the classic synth, but brings it back in a more intuitive format. Our B-1 bass synth gives you the perfect combination of retro and new school cool.

Specifications

Number of Voices: Monophonic
Type: Analog
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm - 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor: 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): AUX in: maximum input +5 dBu, Sync in: More than 2.5V
Number of Voices: Monophonic
Type: Analogue
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): 3.5mm TRS

Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.

The following modules are included in the basic system 3:

1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP

The following Patch cables are included:

5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red