Tags: Psychedelic Soul

Review: Spacetalk Records returns from a period of hibernation with something special: a new collection of ultra-rare, little-known nuggets from label co-founder Danny McLewin AKA Skyrager. Unlike his previous compilations as part of Psychemagik, there's no killer concept behind Traces of Illusion, just a desire to share some of the dusty obscurities he's found during years of determined crate digging. Musically, it's a mixture of psychedelic folk, leftfield synth-pop oddities, blue-eyed soul, acid-fried blue-eyed soul, Balearic boogie, Americana, ambient jazz, AOR, late 80s dancehall-soul and even a spot of grizzled progressive rock. In other words, it's as educational as it is entertaining, and packed to the rafters with private press treats and impossible-to-find curiosities.

Review: Elia and Elisabeth Fleta Malloi is the sisterly Colombian twosome known for their pop ditties as Elia y Elizabeth. Their Alegria album is a much loved record for deep diggers that got reissued a couple of years ago, and Razor N Tape have served up a selection of tunes and remixes from it. Now we get the original pressed up to its own 45 rpm courtesy of Vampi Soul. It is a sunny bit of easygoing soul with plenty of orchestral grandeur, big horn energy and the gently lilting vocals of the sisters up top. These are gloriously feel-good sounds from this superb duo.

Review: Disco-pop outfit Say She She are having a massive breakout year in 2023 and after a big gig at Glastonbury it continues with this, the arrival of their second album, Silver, which comes via Karma Chief Records. The female-fronted group bring to mind the magic of the golden era of disco - namely the Studio 54 sound - here with 16 tunes packed with mesmerising harmonies and operatic hooks. It's elegant and lavish and comes with plenty of vital perspective from the group's experiences as modern femmes, such as an urgent call to action to support the protection of women's rights and preserving the right to birth control.

Review: Disco-pop outfit Say She She have been having a huge year in 2023. The have broken out to new levels of acclaim and are sure to go even higher this September when their sophomore album Silver lands on Karma Chief Records. It's a record featuring 16 cuts of "feverish, operatic, and entirely mesmerizing harmonies" very much distill the glory of disco's brightest emotions. There is a special sense of Studio 54 era magic here with vocals that address pressing topics and draw on the group's experiences as modern femmes.

Review: This is the sixth instalment of the Record Club series, which celebrates the eclectic and diverse music collection of Mr Bongo, the most eminent record label and store to specialize in world music, funk, soul, jazz and more. Record Club Vol. 6 contains 20 lesser-known originals from various countries and genres - exhaustively, these treasured numbers hail from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada - all while aiming to evoke the feeling of impressing your crush by way of home-dubbed cassettes in lieu of flowers. Neat!

Review: LA threesome ASHRR aka lead vocalist Steven Davis and producer-musician-vocalists Josh Charles and Ethan Allen are back with a brilliant new album for Ralph Lawson's superb 20/20 Vision Recordings that finds them working by the old mantra of 'art for art's sake'. This effortlessly eclectic record collides electronic soul, post-punk, space disco and indie-dance and is rich in melancholic melody, hazy, late-summer moods and late-night dancing. The vocals bring an indie edge to jangling delights like 'Please Don't Stop The Rain' while 'What's Been Turning You On' is a laidback and languid groove for lazy sessions.

Review: New Mexico musical stalwart, John Wagner, is best known in these parts as the producer of Freddie Chavez's Northern Soul classic, 'They'll Never Know Why'. Throughout his career, John produced various styles of music, flying the flag for the New Mexico sound. His longtime friend and collaborator, the singer, songwriter and multi instrumentalist David Nunez, released a couple of albums in the 70s with John on production duties. Prior to these LPs, a batch of unreleased songs were recorded and recently unearthed from John's archives. Izipho Soul is now honoured to play its small part in preserving the musical legacy of Albuquerque, New Mexico, with two of Nunez' songs freshly pressed on a 7" single!

Review: You always know what you are going to get from Mr Bongo's Brazil 45 series and that is pure fire in musical form. This 100th release suggests the label has no intention of slowing down nor is it running low on top source material. This one from As Meninas on the A-side has beautiful female vocal-group arrangements with flutes that soar up top and plenty of ass-shaking samba shuffles down low. It's a tune that oozes soul and charm and was first released back in 1967. It's a super sweet but short song that is backed with 'Brasileiro' on the flip. It's taken from Jorginho Telles' self-titled 1971 album on Copacabana Records and mixes up raw guitar sounds with r&b vibes into something unusual and alluring.

Review: There could have been no better way to escape the Soviet than through the music of the Groove of ESSR compilation series which now returns with a second volume. This time Funk Embassy serves up 11 cuts from between 1973 and 1984 and they are a mix of dance floor-ready sounds and more pensive material for somewhere else. Most of these tunes are getting their first-ever release here and the 12" comes with a 30-page booklet featuring some great background as well as thoughts from some of the artists. The likes of likes Gilles Peterson and DJ Tahira played tunes from the first one which tells you how good this series is.

Review: Time Capsule exposes a few of the myriad pathways in Japan's 70s psychedelic soul wormhole, when a bountiful crop of music emerged from musicians inspired by homespun hero Haruomi Hosono's Happy End project, as well as the meandering ballads emerging from the dissolution of the 1960s protest movements. From the charming, Hosono-esque Francophile lounge funk of Hiroshi Kamayatsu's 'Have You Smoked Gauloise?' to the Tadashi Goino Group's strikingly sparse drum machine n' synth incantation 'Jikan Wo Koero Go Beyond Time', almost sounding like Goino is flanked by Vega and Rev at times, to the theatrical, almost duul-esque closing ballad 'Heya No Naka In The Room', the heads at Time Capsule assemble a compelling and kaleidoscopic anthology of forgotten Japanese gems.

Review: Acid Jazz has got an ongoing deal to issue and reissue music from Benin funk supergroup Orchestre Poly-Rythmo de Cotonou and the latest fruits of that is this reissue of their Le Sato album. It is a follow-up to the one they dropped back in 2021 and is another section of traditional voodoo ceremonial music from the group from the mid-seventies. The name of the album is taken from the large ceremonial Sato drum, which is played with wooden stick beaters at special ceremonial occasions. Here it can be heard in all its glory making traditional rhythms and deeply ritualistic grooves that will leave you in a trance.

Review: Led by the trio of Piya Malik, Sabrina Mileo Cunningham and Nya Gazelle Brown, Say She She are a band who draw on their diverse backgrounds to create a mesmerising fusion of sounds. Say She She's sophomore album, Silver, was recorded live to tape at Killion Sound studio and produced by Sergio Rios. Silver, embodies a raw authenticity that harks back to the analog era while infusing it with a contemporary edge. Drawing inspiration from the likes of Rotary Connection, Asha Puthli and Grace Jones, Say She She concocts a sonic cocktail that is both nostalgic and forward-thinking. The album radiates with joyous energy and spiritual depth, as evidenced by its infectious rhythms and thought-provoking lyrics. Say She She fearlessly tackles important issues with wit and charm, inviting listeners into a world of quirk and adventure. Silver is a celebration of modern femininity and a reminder of the beauty that surrounds us. With its intoxicating blend of humour, sincerity and musical innovation, Say She She have crafted a work that is as timeless as it is timely.

Review: Soyuz follows up their 2022 debut Force Of The Wind with a stark but subdued reissue of their second album, Ii, released three years earlier in 2019. The album captures a pivotal evolution in the band's career, the recordings giving a snapshot of what would become their sound on Force Of The Wind, yet with echoes of avant-psychedelic-pop footprints from yester years. Produced at a time when bandleader Alex Chumak had moved from Minsk to Kyiv, torn between the need to try something new and the homesickness it brought about, Ii nicely captures the slow burn of homesickness extended across a long bouts of travel and transience, through stylistic recollections of Mikita Arlou, Ethiopian jazz and Italian library music.