Review: The past few years have seen Keiran Whitefield develop a rep for hardware-based techno under his Ansome name, with his live sets complemented by a growing 12" discography featuring slamming records for Mord, South London Analogue Material and Mindcut. It was no surprise to see Ansome align with UK daddy Perc Trax last year, a union inaugurated with the no-holds-barred 12" The White Horse. Attempting an album is seen as a right of passage for techno artists, so here comes Ansome with his debut long player for Perc Trax, Stowaway. Ten tracks deep, Ansome's debut LP mixes up the type of 5am wall shakers he is known for with an exploration of more spacious and atmospheric tracks.
Massimiliano Pagliara - "I Am Running All My Drum Machines At Once & Dancing"
Mike Dunn - "A Groove"
Playground Productionz - "Orgy"
Eli Escobar - "Tension" (vinyl mix)
Alcatraz Harry - "Ode To Frankfurt"
Lory D - "Deep Acoustic"
Tomahawk - "Forever Free"
Anno Stamm - "A Night Out With Therese"
Denis Sulta - "Dubelle Oh XX"
Konakov - "Clonki" (part II)
Mr G - "Transient"
Basic Channel - "Q11" (part I)
Fango - "Vena Cava"
Tessela - "Up"
Ricardo Villalobos - "Logohitz"
Dean & Deluca - "A2"
Robert Hood - "The Pace"
Overmow - "Convulsions"
POM POM - "POM POM 18 B2"
Review: Up next on DJ Kicks' acclaimed mix series is Numbers doyen and Glaswegian iconJackmaster. In his own words, the 24-track mix sees the charismatic Scot 'delivering an honest journey, unearthing a serious passion for the obscure boundaries of house and techno.' This double LP lifts out eight of the tracks most other DJs will want to get their mitts on, and joins the dots between his hometown of Glasgow with Denis Sulta's festival destroying bass driven epic "MSNJ", then NYC; with Eli Escobar's gutsy EBM-flavoured 'Tension (vinyl mix)". Berlin's status as a dance music mecca is referenced with Dutch transplant Anno Stamm's dark house stomper "A Night Out With Therese" and the legend himself Ricardo Villalobos, with his minimal techno classic from 1996 "Logohitz". DJ Kicks throw in a CD of the mix too!
Review: More unreleased and remastered content from dub techno veteran Steve Hitchell aka Radius' Obsolete Machines and Interpolation Tapes projects. Said to have been restored from cassette live recordings between 1995-2000, the project has been on hiatus since 2001. The demos were initially sent to Rod Modell and Mike Schommer shortly after they launched the label, but passed it on to Octal Records for release. Sadly, that didn't materialise. Modell and Schommer dedicated a generous portion of their time remastering the release. From the introspective and personal dub of "Soul Rotation" (unreleased tape mix), the glacial and cavernous immersion of "Culture" (original 12" mix) and not to mention some powerful soundscapes from the great north of Michigan in the form of "Interpolation Tape" Parts One & Six.
Review: As with the Surkit Chamber reissue by A.r.t.l.e.s.s, this collection of tracks from unsung hero Martin Bonds is jaw-dropping purely for the age of the music against how advanced it sounds. Detroit radiates out of every ounce of this original techno, whether in subtle rhythms as on "Sundog", or in blindingly bright layers of futuristic melody as on "Vessels In Distress". Even if you sometimes find really early Detroit techno production to lacking some punch, this and any other Reel By Real material will put paid to that. Just try denying the awesome power of the bassline on "Serene". Highly recommended.
Review: As 2015 draws to a close, Stephen Porter member Katsunori Sawa releases his debut solo album for the intriguing Weevil Neighbourhood. It's a pleasingly varied affair, with the Japanese producer touching on numerous styles whilst retaining a crackly, late night atmosphere throughout. After opening with the evocative, creeping ambience of "Beginning", he moves onto the shuffling, hypnotic dancefloor spookiness of "Escape", and elastic minimalism of "Immediate Awareness". "Anxious Kid" is a tribal-tinged dash of IDM darkness, while "Antagonist" is thrillingly difficult to describe. Arguably best of the lot, though, is closer "Unauthorized Page", which bristles with industrial textures, surging rhythms and complex percussive arrangements.