Review: Paris talents Armless Kid and Aes are back together sharing a hot slab of wax for the Luud label. Yes takes the a-side and gets us underway with deep cosmic house and sauced out breaks of jazz-tinged gem "Jhonedo." "WAYD" ups the ante with fluttering sheet metal snares and ticking hits that ride over bumpy kicks for a truly sci-fi adventure. Armless Kid goes for a scintillating techno cut with warped acid and manic percussion working you into a lather on"603" then a wonky house kicker on "604" that will unhinge any club.
Review: Oliver Moon introduces the Dancing With Strangers record label, alongside good friend and fellow DJ/Producer Paul Louth aka Agile Kind - who inaugurates the label here. While it may have been a long time between drinks for the veteran DJ on the production front (he's intermittently created music under aliases like Water Walk and Soulfish over the years) he proves that slow and steady wins the race on the "Pyramid EP". The emotive vibe of early '90s British IDM and US techno-soul is eminent throughout. From the sensual deepness of the title track or B side cut "Mime" which are reminiscent of classics by the likes of DaRandLand, not to mention the full throttle rework by legend Kirk Degiorgio under the As One moniker on the flip.
Review: Marco Pellegrino is Ancut, and here he make his debut on Wicked Bass with more fresh cuts that show off his ever evolving style. His opening statement is a strong one that finds him making his machines really dance - the drums are bumpy, the pads soulful, but there is a lithe looseness to the whole thing that stands it out. After "Sinergia", "Renaissance" is a more wonky late night tech house workout with twisted pads and spinning hi hats underpinned by double kicks. Innershades remixes with a slick Chicago energy and analogue hits, then "Stasis" trips you out with bubbly acid lines, smeared pads and the sort of dreamy emotions that capture your imagination at 4am.
Review: Electro heads take note, Gaetan Votion is here with his emergent Aquatronics alias looking to celebrate everything Drexciyan. From the project title to the sounds on this latest 12", you can hear the influence of Gerald Donald and James Stinson faithfully channeled - the important thing is Votion has done a good job of it. "Wave Gliders" is awash with rich, sweeping pads and underpinned by chunky bass synths, while "Ocean Myst" takes things under the waves with beautifully rendered aqueous atmospherics. "Deep Horizons" is a sweeter mood with powerful chord progressions at its heart for a highly emotional listening experience. "Twilight Dive" completes the set with a mellow mood for that brings a perfect sense of balance to this top drawer EP.
Review: Strap in for a wild techno ride on the first ever offering from Psionic. The new label kicks off with an EP from Astral Travel. The aptly named artist reaches for beyond the event horizon on "Sky's The Limit", with its punchy kicks and relentlessly wobbly bass. "As One" gets into a nicely mechanical groove built on stomping kicks and rigid synth movements that make for perfectly robotic funk and the trip closes out with "Orbiting." With its urgent drums that are smooth and silky and serene synth work, it's one for peak time techno cruising.
Jared Wilson - "Lynnwood2 Northgate Transit Center" (6:39)
Sohrab - "Sinking" (6:42)
KCLF - "Reloaded 9615" (4:17)
Review: Undersound Recordings hit release number 15 with a various artist EP that packs four vital techno punches. Audio Quest's "The Mental Screen" kicks off with some old school techno that recalls the sound of legendary Dutch label Djax-Up. It's filled with metallic snare sounds and deep space bleeps. Jared Wilson of course brings the acid that has defined his output for years, and Sohrab get busy with a kicking number and some busy melody patterns. KCLF closes out with twisted bass and shiny chords that look back to go forwards with "Reloaded 9615".
Review: Bochum Welt's 2019 album "Seafire" was arguably one of the strongest full-length sets that Central Processing Unit has released to date, which given the Sheffield-based label's track record is high praise indeed. This EP offers fresh interpretations of some of the album's many highlights. First up is a perfectly pitched radio edit of "More Light" a gorgeous slice of IDM bliss that recalls the halcyon days of Boards of Canada, which is later given a slightly chunkier - but no less beautiful - treatment by EOD and a bustling, club-ready electro re-fix, complete with Yorkshire bleeps, by veteran DJ/producer James Zabeila. Elsewhere, the ambient mix of "G1" is as luscious and blissful as you'd expect, while Teflon Tel Aviv's revision of "Color Me" is opaque, sun-kissed and more than a little spaced-out.
Review: When Braik made his debut earlier this year with an EP of retro-futurist breakbeat/tech-house/techno fusions, it was released on the most unlikely of formats: a CD-ROM. We suspect he'll get more praise and plays for this follow-up, which marks his first appearance on wax. There's much to enjoy throughout, from the chiming, acid-flecked deep breaks shuffle of opener "Breakund", to the funky acid bass, psychedelic electronics, creepy melodies and snappy house beats of closer "Jack O'Lantern". Sandwiched in between you'll the bold synth-string stabs, squelchy alien bass and jacking drums of "Intentos Fallidos", as well as the funky, sharply defined 21st century electro shuffle of "Buildin".