New releases today: Techno

Review: Drumcode supremo Adam Beyer has become increasingly more prolific in recent years, signalling a creative renaissance that recalls the undoubted quality of his work in the late 1990s and early 2000s. His first outing of 2024, which follows a quartet of EPs last year, is predictably strong and packed to the rafters with future Drumcode anthems. Fittingly, he starts with 'Let's Begin', where mutilated vocal loops, mind-mangling rave noises and unsettling melodic motifs dance atop a typically thunderous and breathless big room techno groove, before opting for a dirtier, acid-flecked groove, metallic noises and sped-up hip-hop vocal samples on 'Computerized' (hip-techno anyone?). To round things off, he goes darker and denser still on the loopy techno power of 'Red Room', which pleasingly also boasts the same Aisha vocal sample as the Orb's 'Blue Room'.

Review: Lawrence's Epiphany Remixes, a release from the German record label Giegling, presents four distinct interpretations of the title track. Each remixer brings a unique approach to the original piece, resulting in a diverse and captivating soundscape. Zoe Polanski's version transforms the track into a crystallized melody, creating a cold yet beautiful atmosphere. Lowtec's remix explores deep techno, delivering a smooth and dreamy ambiance with a touch of sadness. M Pittman Ladder's interpretation adds a gritty, chunky bassline, while Tobias' remix elevates the tempo, creating a pulsating and mechanical percussion elements. These remixes showcase the versatility of Lawrence's original composition, demonstrating how different artists can reinterpret and reshape it to create new and engaging experiences.

Review: Mosaic main man and peerless UK dub techno titan Steve O'Sullivan has paired off against Fletcher for this latest heavyweight 12". As ever the foundations are solid on the opener 'Passenger' - smooth drums and bass perfectly sit with one another, but this one really comes alive with the most impossibly subtle but inescapably uplifting little chords that suggest that no matter what shit you have going on in your life, things will be OK. It's a classic amongst many on this label. 'With That' is another tight, compelling and tech tinged dub roller with real bite and drive, and 'Treading Water' then blisses you out with its liquid chords and sense of endless infinite groove.