Review: Marco Pellegrino is Ancut, and here he make his debut on Wicked Bass with more fresh cuts that show off his ever evolving style. His opening statement is a strong one that finds him making his machines really dance - the drums are bumpy, the pads soulful, but there is a lithe looseness to the whole thing that stands it out. After "Sinergia", "Renaissance" is a more wonky late night tech house workout with twisted pads and spinning hi hats underpinned by double kicks. Innershades remixes with a slick Chicago energy and analogue hits, then "Stasis" trips you out with bubbly acid lines, smeared pads and the sort of dreamy emotions that capture your imagination at 4am.
Jared Wilson - "Lynnwood2 Northgate Transit Center" (6:39)
Sohrab - "Sinking" (6:42)
KCLF - "Reloaded 9615" (4:17)
Review: Undersound Recordings hit release number 15 with a various artist EP that packs four vital techno punches. Audio Quest's "The Mental Screen" kicks off with some old school techno that recalls the sound of legendary Dutch label Djax-Up. It's filled with metallic snare sounds and deep space bleeps. Jared Wilson of course brings the acid that has defined his output for years, and Sohrab get busy with a kicking number and some busy melody patterns. KCLF closes out with twisted bass and shiny chords that look back to go forwards with "Reloaded 9615".
Review: Modularz presents a new release by Japanese producer Hattori Hanzo - recorded in seclusion in a studio near the mountains of Mt.Fuji Japan - Hattori delivers a great body of work focused on Extremely functional tracks with lots of driving rhythms, space influenced hypnotic grooves with the right amount of tension and drama. This is a sure thing get it quick - TIP!
Review: Donnell Knox and Mark Hawkins, better known as D-Knox and Marquis Hawkes respectfully, team up for a collaborative EP on Sonic Mind that speaks to their respective roots in underground techno reaching back to the 90s. "Kalamazoo" is a tough and clattering jacker with out-of-phase organ lines to send your mind spinning, while "Not The DX100" brings things front and centre for a comparatively direct, acidic workout. "Halfway" ramps up the melodic content as a displaced vocal celebrates Kalamazoo's location between Chicago and Detroit, and then "Just Let Me Go" completes the set with a tough and bumping vocal house cut.
Review: Nite Fleit has had a barnstorming couple of years with drops on Planet Euphorique and Unknown To The Unknown, a team-up with Mall Grab on Looking For Trouble and now this rabid electro stormer on Helena Hauff's Return To Disorder label. Compared to some of the grungier, punk-inflected electro you'd expect to find on the label, this is bright, bold, big-room stuff with plenty of ravey motifs to move large masses of bodies. "Empty Nest Syndrome" is hyped up to 11 while "Naive" pivots around a hard as nails electro beat. Watch out for the mad arps on "Can't You See" and "Rebel Faction" too - they're gunning for your cerebellum and you should take heed.
Review: Over the course of their six-year career, French twosome Nummer have slowly morphed from fresh-faced angular techno enthusiasts, to makers of admired electronic music rooted in a widescreen and nuanced musical vision. Their growing maturity is much in evidence on "Night Confidence", an EP that effortlessly flits between deep, dreamy and delay-laden lo-fi deep house bliss ("Sea Junkies"), sleazy, acid-fired, alien-sounding late night house weirdness ("Hassen (Dub)"), extra-percussive fusions of Burrell Brothers style deep house and new age beauty ("Kyoto's Forest"), and the wonderful analogue/organic fusion that is rolling, outer-space house jam "Windchill". An inspired EP from a duo whose music is sounding fresher than ever.