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A Sides Vol 12 Part I (12")
Cat: DC 293V1. Rel: 13 Feb 24
Review: Mighty European powerhouse Drumcode rolls out more of its techno tsunamis here with part one of the 12th volume of its A Sides collection. The boss himself, Adam Beyer, offers up one of the biggest cuts - 'Heading South' is a surging, straight-up techno weapon rippled with deft synths that ever forever on the move. Danny Avila's 'My Crew' (feat Flowdan) is built on a foundation of earth-shattering kicks and rolling bass with hellish stabs and vocal fragments making for an intense atmosphere, and Simina Grigoriu's 'Flight Tracker' is the sort of quick-moving techno sound to lock you into a trance. Add in LAAT's 'The Age Of Juno' (oi oi!) and you have a very useful and high impact EP of contemporary techno.
… Read morePlayed by: Juno Recommends Techno
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Review: With a career reaching back some 20 years, Bart Skils has remained committed to the art of the techno 12", with not a single album to his name. Instead, his focus has been on a staggering hit list of legendary labels from Pure Plastic to 100% Pure, Break New Soil, and since 2012, primarily Drumcode. As part of Adam Beyer's core contingent he's played a major part in shaping the sound of the label, and so he continues on this exemplary two-tracker. 'Roll The Dice' is a muscular yet lean workout for the bigger kinds of spaces, playing around with some monotonal vocal threads and laying down the b-line throb you expect from a Drumcode A side. The flip offers something a little different as 'Into The Clouds' takes some looped guitar licks as a vessel for transcendence, atop a steady trucking techno undercarriage, of course.
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Review: Bart Skills is a veteran techno producer and Drumcode is a veteran techno label, but neither shows any signs of age here with Weska also joining in for a pair of highly potent and weaponised new cuts. They take up one side each and first is 'Something More' with its sweeping blasts of white noise, factory floor sound effects and unrelenting drums that will demolish any dancefloor. 'Palm Strings' then carries on the party with a more stripped-back sound initially, but eventually, the rising synths take over as the gritty drum loops pound away below. A pair of big room monsters for sure.
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Review: Drumcode's main brain Adam Beyer hardly needs any introduction, but newcomers to the label might be surprised that his outfit has its sights set on putting out single-sided releases at the minute. 'Legend' is Beyer's kick-off for 2023, following up the completion of his own home studio with an inspired production run. An ascendant fast-build to sublime ecstasy, the track characteristically locks into a deep arpeggiated saw line at its drop; an example of Beyer flaunting his ability to juxtapose massive pre-drop space with post-drop minimality.
… Read morePlayed by: Juno Recommends Techno
in stock $15.29
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Review: Adam Beyer seems to be in a superb run of late and this is his second vinyl outing in as many months. Desert Queen is pure Beyer, and pure Drumocde - drum-led techno for the main room with sweeping synths and grand vocals that are designed to impact crowds of thousands. The A-side actually brings a touch of trance energy and hard techno funk with its slamming, flat-footed drums, coarse synths and brightly lit arrangements. 'Soulful' then flips the script with a more funky groove that rocks back and forth and has funky basslines and a pitched up r&b vocal that works strangely well in the unusual context.
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Review: You have to respect Adam Beyer for still being a real techno overlord these days. He has been on the scene almost since day one, as has his trusty Drumcode label, and they are both still winning over new generations of fans with their direct to dancefloor style. This latest missive is another monster starting with the hard and heavy drums of 'Robotic Arms' which comes with just enough detail from the sic-fi vocals and synths to get you locked, then the anthemic 'No Hate' is sure to become a big one for Beyer with its rolling drum funk and repeatable vocals. A Trippy Mix is a more wild and frankly better version.
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Review: Techno team-ups don't come bigger than this, as Drumcode's overlord of all things mega-tech Adam Beyer links up with Chicago's agent provocateur Green Velvet to give you your next stadium shaking anthem. This isn't the first time Beyer and Velvet have worked together - you could find them on the 2018 track 'Space Date' for one thing - but there's a sense 'Simulator' will become their calling card as a formidable double act. It's simply huge, catchy as hell and full of all the fireworks you could wish for from a super-sized techno workout, all guided by Velvet's unmistakable voice ducking and diving around the expertly engineered mix.
… Read morePlayed by: Juno Recommends Techno, Rave Energy
in stock $15.03
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A Sides Vol 12 Part 2 (12")
Cat: DC 293V2. Rel: 20 Feb 24
Review: The big room techno don that is Adam Beyer is back with more potent techno weaponry on his own Drumcode label, this time with part two of the 12th volume of his A-Sides series. His 'Take Me There' is first up in remix form and Carl Cox flips it into a surging peak time roller. Matt Guy's 'Give Me What I Want' is an emotive banger with big synth energy and reverberating vocals while ADHS's '2STEP' hits hard with its flaming drums and trance-y synths. Kaiserdisco then brings dark, stomping warehouse energy to their raved-ready 'Get On The Dancefloor.'
… Read morePlayed by: Juno Recommends Techno
in stock $15.03
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Review: Gavin Harris, otherwise known as Eli Brown, has been on the fast track to the premier league, big-budget stadium tech over the past five years, snapped up by Skream on Of Unsound Mind, Toolroom Records, Moon Harbour, Alan Fitzpatrick's We Are The Brave, Lee Foss' Repopulate Mars - the list goes on. After delivering a four-track EP to techno industrial mega complex Drumcode last year, he's back with a not-so-subtle reinterpretation of LFO's iconic bleep techno 'Freak', originally released in 2003 on Warp. If you're craving a smoothed out, reliably rolling version of Mark Bell's masterful, mind-twisting original, look no further.
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Review: Drumcode don't just do huge-room heaters, you know. 'When The Lights Go Down' is a strong case for the label's darker side, seeing to a generous three-track contribution from Neapolitan producer and DJ Roberto Capuano. The artist eschews an overindulgence in detuned trance saws for reese basses here, preferring to revel in the wealths of space offered by repeated kick drums and large reverberative spaces - as opposed to high-endy, sizzly sounds. The title track is the star, thanks to its riveting vocal line and guard-throwing rhythmic messups, which occur at the same time.
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Review: 'Don't Stop' is not only the title of this new EP from Charles D, but so too something of a mantra Drumcode label head Adam Beyer seems to live by. Its output has never really slowed despite 20 odd years of business and still it is up there with the best of the best when it comes to potent main room techno. This latest trio of tricks kick off with 'Don't Stop' which is a hard edged banger with buzzing and serrated synths. 'No Escape' is another raw cacophony of sound with dark vocals lost in the synth storms and 'Choir's Palace' sets down with some slightly trance-like energy that will get hands in the air.
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A Sides Vol 12 Part IV (12")
Cat: DC 293V4. Rel: 27 Feb 24
Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Review: Befitting of the label's name, Drumsauw aka. Joseph Sutherland keeps to the Code with a fresh three-tracker of megatechno heaters. Starting things off with the entraining but no less driving dreamer 'Focus', we're met with riveting sixteenthy knocks and dour breakdowns, a formula devoutly followed throughout; the B offers up two further alarmist pummellings of the third kind, with 'Set Back' repeatedly jabbing the podiatric floor with pressurised weight-kicks and offhand "push it" voxxes, and 'Escape' continuing to sound said alarm while insisting that we "escape" the laboratory, now quarantined to sift out those hesitant to dance.
… Read more! low stock $15.03
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Review: Drunken Kong is a long-serving techno partnership from Dimpy and Kyoko Singh which first came to light with a series of records from Tronic around 2015. Their sound is reliably taut and big-room minded, making it a perfect fit for Adam Beyer's Drumcode family, and they more than step up to the occasion with this big, bold four-tracker. 'It's Then' is a driving anthem peppered with haunting vocal touches and a slamming rhythm section, while 'I Want To See' keeps up the pressure while letting the build ups take their time for the ultimate tension and release. 'That's It' is a nasty, electro-fied workout and 'Need It' keeps the drama turned up to 11 thanks to another spellbinding voice cutting through the mix.
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Review: .Drumcode's sub series Drumcode Limited hits a 30th release this July as Oscar Escapa steps-up with three booming new cuts. There is no messing about here as the opener will sweep everything in its wake out of the way like a techno tsunami. It has urgent siren sounds and yelping vocals which add to the drama. 'Shake' has more hefty low ends that will rattle both ribs and walls and plenty of FX and percussive iciness adding to the intensity. 'Lights' shits down with a Millsian-style melodic techno mind melter. It's an urgent and arresting cut to close a fine EP. ,
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Review: Returning to Drumcode for the umpteenth time comes Marco Faraone, offering up two tracks, 'Dangerous' and 'Pressure', both of which evoke gargantuan factory rooms and processing plants. The first track is a clean and pulsatory loomer, with essences of tech house and big room sprinkled in, as we're continually reminded that whatever awaits us round the corner, "it's dangerous". 'Pressure', meanwhile, is a surreal judderer, with giant metallic girders sounding to grind against each other as a ghostly voice speaks of diversity, of "different kinds of people", coming together as one.
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Emergency (12")
Cat: DCX 007. Rel: 06 Feb 24
Review: Adam Beyer's Drumcode is one of techno's most iconic outlets and it deals only in big room tackle for blowing minds. This sub-series no hits volume seven and welcomes new schoolers Marco Faraone, Eli Brown and Layton Giordani for a pair of punchy new cuts. 'Emergency' is a blast from the off with brain-frying synths and big, boisterous drums. On the flip, 'When I Push' is just as driving and driven, with rising synth tension and rolling snares over the solid kicks. Another winning slab from Drumcode, then.
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Review: ***B-STOCK: Slight surface marks ***
Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
… Read moreAlan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
in stock $12.43
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Review: Drumcode's Elevate series hits a third instalment here and this time it is a three tracker with solo cuts from three big names. Tini Gessler kicks off with 'Nothing Expected' which is a teeth-gritting and white knuckle techno roller. Marie Vaunt serves up monstrously large and slamming kicks on 'Technology' and then runs them through with brutal synth lines that spray about with their own dark energy. It's a truly edgy cut before BEC's 'Humanoid' layers up hard tech drums that slam down firmly with a warped lead which leads you late into the night. A trio of high impact weapons, for sure.
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Review: Layton Giordani hails from New York, and since 2017 he's been nurtured by the Drumcode stable as a reliable source of epic techno for the biggest crowds around. His new release is a short, sharp two-tracker which features two very different offerings from this highly decorated new-wave techno titan. 'Phantom' is a massive, grinding beast driven by full-fat synths, dramatic breakdowns and explosive drops - if you appreciate Drumcode, you know what the deal is. Things get mixed up on the flip as 'Thrillseeker' nudges the tempo up, toys with a nimble rhythm section and pings some tripped out effects and playful sample juggling around the frequency range. It's an intriguing look into the other side of Layton Giordani.
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Review: HI LO has had some huge collabs with Filth On Acid boss Reinier Zonneveld and now makes a step up to Adam Beyer's mighty Drumcode with more of his maximal techno sounds. 'Crescendo' is a raw slammer with hard edge and raw drums hitting hard beneath incendiary hi-hats and flashes of bright synth and twisted acid. It's a main room weapon of the highest order. 'Open Your Mind' is more ragged and unhinged, it's stark hits and bulky broken techno drums beneath a raucous mix of percussion and saw-tooth synths. No messing with these two.
… Read more! low stock $15.29
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Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".
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A Sides Vol 11 Part 6 (12")
Cat: DC 2716. Rel: 03 May 23
Review: Adam Beyer's esteemed Drumcode resurfaces this week with the next installment in the A Sides series. We're already up to Vol 11's sixth part, and this one seriously means business. Take for instance Hungarian techno hero Jay Lumen's 'Astronaut' featuring the pummelling cyclicality of its muscular bassline that's reinforced by truly visceral kicks. Elsewhere, Dutchman LAAT (Elevate/Tronic) is sure to have you reaching for the lasers on the steely and acid-inflected power on 'Call Of The Tribes' while the enigmatic Zimmz will properly elevate you to maximum euphoria on the trance-influenced energy of 'Qualia'.
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Final Chapter (Charles D Remix) (limited 12")
Cat: DCX 006. Rel: 11 Jul 23
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Review: Following a standout contribution to the 'Elevate' compilation, Mha Iri steps up for her Drumcode EP debut. Continuing Scotland's grand techno tradition, the Edinburgh-based DJ/producer is one of 2023 breakout artists; her debut EP on the label is a tantalising prospect, with 'The Unexpected' playing with trademark light-and-dark motifs, mixing up sharp percussive elements with ethereal melodies, before a ripping bass drop takes the energy up a notch. 'Let The Good Times Roll', meanwhile, is a slick accompaniment, as atmospheric techno gets supercharged via a punchy rap vocal and laser-kissed chords.
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A Sides Vol 12 Part V (12")
Cat: DC 293V5. Rel: 12 Mar 24
Review: Strap in for another rollercoaster ride through the Drumcode tech-scape as we get an authoritative workout from four essential new talents. First up is Mha Iri, whose 'Bel' centres around a catchy vocal hook and darkly seductive synth snarls, before Marco Faraone nods back to some classic Wildchild and locks it to a steely pulse. Balthazar & JackRock offer up something epic on the B-side with the towering electro house synth touches of 'Andromeda', and LO'99 links up with Ray Foxx to round the record out with the playful vocal hiccups and undulating big room groove of 'Skydance'.
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Elevate Part 1 (12")
Cat: DC 2771. Rel: 06 Jun 23
Review: The always hard-hitting Drumcode kick off a new series here under the name Elevate. It welcomes new school techno tastemakers to serve up their own scintillating main room sounds with Siona label boss and prog house 2.0 figurehead Miss Monique going first. Her serene chords douse you in trance tinged lushness as the deep beats roll on. Chelina Manuhutu's 'Amsterdam Rave' is a more rock solid warehouse roller and Anna Reusch runs with that vibe on her booming, all-consuming techno kicker 'Let Me Take You There'. There is then some flashy acid lines from DJ Dee on her 'Freaking Out'. A fine, all-female fronted EP from Drumcode.
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Review: Main room techno doesn't come any more authentic and impactful than when served up by Drumcode, which is a label that has long been dealing in exactly that. For this new dancefloor weapon, label boss Adam Beyer has called upon Oscar L for two of his finest. First up is the fizzing, texturally rich and overwhelming sound of 'Again' which is always on the rise and powered by slamming great big kicks. 'Driving Into Techno' is another purely physical and functional workout with some nice saw tooth synths bringing a little funk.
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Review: It is a testament to Adam Beyer's enduring love for techno that he continues to serve up choice cuts from his long-running and influential Drumcode label on vinyl. He looks to the talents of Victor Ruiz and Modea for this new two-track 12". Firstly the pair hook up for 'Bloom', a cavernous techno sound that sweeps dancefloors off its feet and floats them amongst subtly uplifting chords while the drums toll on. There are epic melodic overtones to the flip side track 'Contrast,' too. This one will get heads held high, hands in the air and crowds fully taken in with its celebratory atmosphere - until the monstrous drums and acid arrive, that is.
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Review: For big-room techno, there are few finer labels out there right now - or ever - than Adam Beyer's monstrous Drumcode. The boss himself dropped a huge EP not so long ago and now turns to Space 92 for the latest aural assault. The artist serves up just two tracks but both are hugely weaponised affairs, starting with 'Time.' It is lacerated by gurgling synth lines that fire across its face like lasers, while the rolling beats and edgy stabs all build the tension. On the flip is 'Voyager' which is an acid-laced pumper with non-stop drum funk and flat-footed kicks to make huge club rooms march as one.
… Read morePlayed by: Juno Recommends Techno
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Review: Adam Beyer's Drumcode remains out in front of the pack when it comes to big room techno. Whether going to new school artists or old school legends the results are always the same - epic and explosive. This time out we get both on one EP with Teenage Mutants going first with 'Dark Clouds (feat Heerhorst & Peter Pahn). It has synths fired from a hadron collider as they shoot over the face of the acid and bass-laced drums. On the flip side is the mighty Slovakian Umek with 'Footmachine,' a dark and heavy banger with flat-footed drums and all sorts of cosmic synth turbulence. Potent stuff for sure.
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A Sides Vol 11 Part 3 (12")
Cat: DC 2713. Rel: 25 Apr 23
Review: The all powerful Drumcode label still does a fine line in big room techno after countless years and even more releases of the stuff. This third part of the A Sides collection brings together a towering selection of names from that scene including Tiger Stripes with the smooth cruise that is 'Altar'. Veterans Pig & Dan vs Gregor Tresher get more intense with frosty loops and dubby hits building a vibe and Wehbba ups the ante with acid daubs and fizzing drums on 'The Next Step.' Nicole Moudaber's 'Come To My Beat' (feat Romina) then hammer home a hefty techno groove.
… Read morePlayed by: Juno Recommends Techno
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Review: Adam Beyer's Drumcode label is very nearly at its 300th release, which is a fine achievement by anyone's standards. Here he taps up Veerus for more of the Swedish imprints signature main room techno tackle and he doesn't fall short. 'Cycle' is full of the sort of drama you expect from this label - flat, driving drums, synths fired from a machine gun, strobe lit pads and frazzled textures to make for exciting and impactful experiences. 'It's Funky' on the flip is another big one with thunderous clasp and drums all sweeping dancers off their feet.
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A Sides Vol 11 Pt 2 (12")
Cat: DC 2712. Rel: 19 Apr 23
Review: Drumcode's A Sides series has been a great source of contemporary techno potency and there is no signs of it slowing down yet. This is the second part of the 11th volume and it has three fresh names. Veerus opens up with 'Lights On Me' which is a dark tune with a tense energy and celestial chords keeping you in suspense. Ramiro Lopez then offers the more loopy and hypnotic 'Yo Mas' with its hooky vocals bring an exotic feel. Anna Reusch shuts down with a flat footed stomper that will get your jaws clenched on 'Deeper.'
… Read more in stock $14.26
