Review: The Innate label made a sizable impact with its first release - a killer various artists 12" with Mark Hand, Lerosa and others. Now it returns with another balanced mix of established and emergent artists, leading in with a stunning A side cut from A Sagittariun delivering what might be his most beautiful production to date - a swooning, snaking slice of melodious techno that brims with emotion and canny programming. After turning heads on the first Innate release, Gilbert returns with "Polynoid," a punchy, Lately bass-powered workout with lashings of Motor City soul heaped on top. Sean Dixon completes the package with "Our Love For Music," a pointed machine mantra that maintains the classic techno tone Innate is shaping up as its MO.
Review: The latest release on DJ Bone's Subject Detroit label is a split 12" featuring Esteban Adame and Santiago Salazar. This is how they do techno, Californian style, and you can tell it from the off. The beats are tough as hell, but there's a sun-kissed vibrancy to the synth work that positively leaps out of the speakers and shakes your cerebellum. Adame leads on the A side with "Guaguanco", an effervescent stomper that takes a turn for the deep when Frequencia jumps on board for a remix. Salazar is in a housey frame of mind on "October 17", letting smooth pads lead the way without losing that all-important impact. The "Dub mix" of the track actually beefs things up with a grinding lead synth pitched at big room scenarios while maintaining a steady tempo.
Luca Ballerini - "Amore & Psiche II" (Eduardo De La Calle remix) (7:11)
Review: Two years have passed since Adriatique founded the Siamese label. Naturally, the Zurich duo has decided the time is right to get some fresh remixes of classic cuts from the imprint's rapidly expanding catalogue. Fittingly, the A-side is taken up by Sebastian Mullaert's fine rework of Adriatique's "Patterns of Eternity", which maintains a fine balance between early morning deep techno hypnotism and drifting late night melodiousness. The Siamese Soundsystem's rework of Stereocalypse's "Lace Star" is a much more rolling techno workout, rich in bubbly electronic motifs and ear-catching shaker percussion, while Eduardo De La Calle's version of Luca Ballerini's "Amore & Psiche II" is deep, low-slung and mesmerizing.
Review: The third release on Verdant frames AOS and Sonitus Eco opposite each other for an original production and a corresponding remix, plumbing the depths of submerged techno to dazzling effect. "Hubble" is a soothing lullaby of machine soul, which then receives a shot of adrenaline for the snappier "Red Shift" version. "Supernova" has a tougher framework, but the synths continue to reach for the stars with uplifting results. Then the "Blue Shift" version of "Supernova" taps up a melancholic house approach that wouldn't sound out of place on an early Kompakt release.
Review: The seventh and final instalment of De:Tuned's brilliant Unboxed Brain series - an unashamed tribute to 1990s IDM and ambient techno featuring contributions from many of the artists who defined that scene - is predictably special. It features a slew of new remixes of previously released tracks, plus "Monolith", a previously unreleased ambient track from the Future Sound of London that's every bit as weird, wonderful and out there as the duo's greatest work. Elsewhere, Kirk Degiorgio (as Future/Past) and Mark Broom both drag B12's "World's End" towards the dancefloor (the latter providing a punchy electro re-make), while The Black Dog provides a brilliantly blissful, string-drenched ambient interpretation of Scanner's "Eros".
Review: Over two decades into its lifespan, Adam Beyer's Drumcode imprint keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. On Part 3 of A Sides Vol 7, Beyer brings in the scene's top guns to expertly execute some main room peak-time action. On the first side, it's an undeniably Dutch affair with Amsterdam hero Bart Skils stepping up to deliver the deeply hypnotic tunnel vision of "West Of The Moon", while veterans Secret Cinema & Reinier Zonneveld deliver the darkly druggy dancefloor drama of "Pain Thing". On the flip, Pig & Dan should need no introduction and are in fine form as always on the adrenalised "Pushing On" while ascendant Aussie Juliet Fox similarly impresses on "Wanted Me".
Stojche - "The Exchange" (Gian Hydrocity Refix) (5:40)
Review: Blackhall & Bookless have been pursuing a fantastic strain of house and techno via their Jaunt label for many moons now. They're back and celebrating 10 years with a series of fantastic remixes that highlight the scope of their artistic vision, and that of those close to them. Inland leads in with an oceans deep version of the label bosses' "Spirit", which is smartly followed up by Jonas Kopp's equally submersive take on Hiver's "Itria". Jasper Wolff and Maarten Mittendorff lets the swooning "Meandering Rivers" by Kaelan burst its banks and fill out an expansive landscape, while Stojche pings Gian's "The Exchange" out into an electro-speckled cosmos.
Review: Following up appearances by veterans such as Josh Wink, Hardfloor and Acid Rain (Milton Bradley), Dame Music takes no prisoners on the third installment of The Melting Pot, delivering another series of unrepentant 303 ultraviolence. Label chief Bloody Mary steps up to deliver the punishing and disorienting psychedelia of "Acetic" awash in gliding resonance from that little silver box plus clattering 909 mayhem. Splice then lunges straight for the jugular on "Tactile", a frantic session where the abrasive overdrive of the kick will have you begging for mercy. Finally, the legend Thomas P. Heckmann returns since his appearance on the series' first episode - he delivers the seething restrained fury of "The Space Between".
Review: UK dub techno maestro Steve O'Sullivan is back with another payload of deep immersion heaters under his Bluetrain guise, this time on the Future Primitive label. There's a deadly restraint at work on "Congo Shuffle", where the elements get reduced to needlepoint precision and the low end rhythm section stalks with purpose. "Invisible Guest" takes things in an explicitly dubwise direction, channelling serious Rhythm & Sound vibes for an immaculate head-nodder, before "Paralyzed Dub" slows down further into an end of the line skank for the weary to find solace in - masterful movements in the echo chamber from start to finish.
Review: Steve O'Sullivan's Mosaic train keeps on rolling, this time via the LTDX series which reaches its second station stop with two more dubbed out dancefloor delights for the deepest divers. O'Sullivan dons his Bluetrain guise to deliver the UK steppers-indebted "Armchair Analyst," which artfully folds subtle dubwise influences into its minimal techno construction. On the flip side, Roger Gerressen spaces things out good and proper with the slow-stalking groove of "Long Overdue," fusing the best elements of contemporary minimal and classic dub to create a fine extension of the Rhythm & Sound blueprint.
Heidi Sabertoorh - "So You Want To Take Back Your Will" (6:37)
Synapse - "Shiny" (locked groove) (0:30)
Somatic Responses - "Strategy Of Desire" (5:22)
John Selway - "Brainchild" (5:29)
Pointsman - "Dirty Shirt" (locked groove) (0:30)
Review: Seminal New York City imprint Serotonin lives on. John Selway and Jason Szostek present It's What We Live For: Volume 2 - the second in a series of compilations sharing their vision of sounds of tomorrow. Szostek himself dons the well known BPMF alias again for some fierce breakbeat techno action on "Zu Heib Fur Uns", the equally legendary Healy brothers aka Somatic Response still going strong - as heard on the slo-mo acid trance journey "Strategy Of Desire" and relative newcomer Heidi Sabertooth of Opal Onyx delivers some sludgy electro-punk antics on "So You Want To Take Back Your Will". There's some handy locked grooves on the electro-bass tip featured too by Synapse and Pointsman, which were pretty wicked too.
Review: Scott Fraser and Timothy J Fairplay's Crimes Of The Future label has had quite the banner year, ushering in various projects from the pair as well as seeking out like-minded contemporaries such as Perseus Traxx. The latest Crimes of the Future release introduces Bulb, another project bearing the label founder's finger prints along with a high profile third colluder in one William Burnett. Apparently laid down at WT Records HQ in the spring of 2014 whilst Fairplay and Fraser were committing Crimes in NYC, Bulb is a bold offering from the trio with two extended dancefloor workouts taking a side each. "Light It Up" pairs ghetto techno breaks with something from wayward Kosmiche studio experiments in deepest Germany, whilst "Dimmer Switch" plunges into a world of psychedelia and cavernous cave dwellings thanks to some dark ambient synthesis and stabbing drums.
Review: For the fourth release on their promising Wisdom Teeth imprint, founders Facta and K-Lone have turned to the combined talents of old pal Alex Coulton, Italian produer Chevel, and fast-rising studio boffin Simo Cell. Coulton kicks things off, delivering a deliciously heavy and floor-friendly concoction that sits somewhere between broken techno, contemporary bass music, and the kind of comforting deepness more associated with hazy house productions. Chevel does an excellent job of calming things down, layering up bleeping electronics and ambient textures to create something reminiscent of mid '90s IDM, before Simo Cell attempts to "Escape The Fate" on a creepy cut that combines fizzing hi-hats and wonky ambient melodies, with drum programming and musical touches borrowed from EBM and industrial
Review: Saucer-eyed rave revivalists Tone Dropout can usually be relied upon to deliver the goods, especially if you're looking for sweaty, energy-packed slabs of warehouse ready techno, acid and electro. The label's latest missive is packed to the rafters with such giddy and forthright fare, to the bleeping, mind-altering insanity of Dawl & Sween's acid-fired throb-job "Laser Guided", to the "Bleep and Breaks" pressure of Samuel Padden's bustling "Quad Damage", to the stripped-back machine techno heaviness of Daif's similarly bleepy "Mysterious Freakin History". Elsewhere, the Ascot/WW track sits somewhere between early breakbeat hardcore and ambient techno, while Skywave Transmission v XOTR's "Warehouse 101" lives up to its name. Serious heat!
Obsolete Music Technology - "High Top Fade" (6:32)
Specter - "Butters Whipped" (6:02)
Isoke - "Soul Glo" (3:10)
Damon Lamar - "Bermuda Triangle" (7:02)
Chicago Skyway - "Edged Out" (6:04)
Review: Perpetual Rhythms is already well-regarded as a bastion of quality amongst contemporary Chicago house labels, and now they've downright sealed the deal with this mammoth compilation from a stellar cast of local cats. There's too many to all list in detail here, so focusing on the highlights, Dcee leads things in with the tumbling cosmic jazz leanings of "Suavecito," Hakim Murphy teases with a spacious and daring exploration in the liminal zone between ambient and house, and Obsolete Music Technology gets invigorating with the bouncy "High Top Fade." Those tracks alone are enough to deserve your hard earned, but there's reams of other excellent forward-facing Windy City jams to sink your teeth into.