Review: The latest missive in the L.I.E.S. ongoing series of collaborative EPs brings together Cititrax regular An-I (AKA sometime leftfield disco maverick Doug Lee) and Berlin-based experimental electronics maverick Unhuman. The pair begins in forthright fashion, moving from the racing drum machine heartbeats, rhythmic noise and mangled yelps of "Five To Nine", to the doomy bass, triple-time beats and clanking metallic hits of post-punk number "Hate Thy Neighbour". Over on side B they mutilate electro beyond almost all recognition on the alien insanity of "Entschuldigung" before lolloping towards a conclusion with the fuzzy industrial funk thrust of "Cannibals".
Review: For the latest single on Umwelt's essential Rave or Die label, the Lyon-based producer finds himself sharing vinyl space with Perc Trax regular Ansome. The South London producer handles side A, assaulting the senses via distorted breakbeats, chilling, held-note horror strings and gory electronic riffs on the industrial techno insanity of "Vakuum". Umwelt's track, "Affres", explores similar sonic territory, though his use of macabre audio loops, redlined electronics and rapid-fire, ray gun drumbeats gives the track a much more rolling and hypnotic feel. Both cuts are wild-eyed and aggressive in tone, even if they are every bit as sci-fi as classic Detroit cuts.
Review: Italy's TGP label has been a strong presence in the more wayward division of the house and techno game since 2010, and this has been thanks to the persistence and unifying vision of its most regular artists. Here, they team up in fine style on the label's third instalment of the TGPEXTRA series, with Claudio PRC and UNC leading the pack with "CXXV", a sombre, minimalistic techno deviation with just the right hint of dubby haze. "III" by Blazej Malinowski is an equally sparse and aqueous affair, stretching cold beats and placid stars of bass over a consistently shifting backdrop of soft harmonies and industrial sonics.
Five Times Of Dust - "Computer Bank" (The Floor mix) (7:12)
Five Times Of Dust - "Armoured Car" (6:57)
Unovidual & Tara Cross - "Like I Am, Comme Je Suis" (The Floor mix) (7:11)
Unovidual & Tara Cross - "Imponative" (3:28)
Review: Thanks to the eternally revered Minimal Wave imprint, out of NYC, Mark Phillips and Robert Lawrence's Five Times Of Dust project is going through a bit of a revival. The duo had first released some post-punk cassettes back in the 80s, and they clearly have not been forgotten. On this new remix EP, "Computer Bank" is given a makeover in the form of a The Floor remix, who proceeds to add all sorts of quirkiness over the tune's tough, heavy bass and driving rhythm; "Armoured Car" breaks the 4/4 in favour of something much closer to the band's original drum machine style. Once again, on the flip, we have a remix of "Like I Am, Comme Je Suis" by The Floor, who throws up a gnarly electro bass onto shady, neo-romantic vocals, and the whole things is finished off by "Imponative" from Unovodual and Tara Cross, who produce a slow, heady industrial groove for the dancefloor.
Review: P-Balans is a new imprint in the Future Nuggets emerging constellation. A tehnodelia ramification within the Bucharest electronic scene that will host rising names like Khidja and Borusiade while introducing new characters like The Holy Fix (Camil Dumitrescu, co-member of Delusion Men) and Utopus (Ion D, producer of Steaua de Mare, Raze de Soare, Anahore?ii among others) already featured on "Sounds on the Unheard from Romania vol. 2". Keeping the same strategies of fusion and diffusion as Future Nuggets, P-Balans will explore the space traversal to techno, entering and exiting the dark halls of the club through multiple doors.
Blue Vulva & The Electronic Crooner - "Vulbitch Bazaar"
Review: Minuendo keep things interesting on this latest various artists 12", primarily focusing on Owen Jay and Brian James on the A side for two tracks of adventurous experimentation on the wild frontier of minimal house music. The wobbly synth running through "Niko's Groove" is a real head turner, while "Imagery" nudges the grand tradition of dub house into a new pocket of ambience that draws you in immediately. There's a lovely, classic deep house joint from Untitled called "Seafood", and then Blue Vulva & The Electronic Crooner completely flip the script on the B2 with rowdy acid burner "Vulbitch Bazaar".
Review: There are no prizes for guessing the sort of music that defines Rave Or Die. Next up with some dynamite club tracks are Stranger and Umwelt, who take one side each of this new marbled 10". Stranger's "Motief" is a techno crescendo that builds on hard hitting techno drums. The urgent synths and increasingly brash hi hats work you into a manic state that is all consuming. Umwelt then gets even more abrasive with caustic synths and retro rave stabs, slapping metallic hits and pounding broken kick drums all forcing you to move on "Shut Up & Dance". This is truly arresting stuff once again from Rave Or Die.
After The Cremation (Area Green Green Grass version) (4:23)
Pankow (SW Electrofunk mix) (5:36)
Steamed Up Window (Skookum Reminiscence) (4:06)
Review: Mystery production unit UD returns to Kimochi, one of the more overlooked imprints of the last few years, with four new cuts and a rather fine selection of remixers to boot! The mood is pensive and the sounds are atmospheric throughout, where tracks like "Lollipop Robot" or "Adapter" stand somewhere between ambient and electro-acoustic. The remixes give the tracks slightly more dancefloor weight, and both Area Green Grass and label regular Skookum contribute with a set of pretty killer reinterpretations a-la outsider house, but the silent killer is most certainly SW's remix of "Pankow". The SUED records co-owner fixes up a wonderfully bizarre concoction of sounds and shapes, moulding them into a dubby, sparse and cinematic twister. Another fine slice of Kimochi, beautiful artwork and all.
Review: The Kimochi label has been steadily releasing quality output over the last four years and they've been responsible for introducing us to a pool of new talent from the ambient corners. This latest beautifully presented 12" comes in their usual house style and comes from UD, an unknown artist who has already released one EP for the label last year. "Muy Casera" starts things off with colourful minimalism thanks to its glitchy sonics, while "Meticulous" breaks the groove and takes the beeps to an irregular tempo. "After The Cremation" is looser and more heavily focussed on cinematic pads, whereas "Pankow" takes subtle bursts of noise and places them above grey-scaled low frequencies. There's some special appearances on the B-side in the form of two remixes by Leipzig's Mix Mup and Sued's SW: the former gives his own version of "NFL CC DUB", a slow and chuggy beat burning below mild pads, whereas the latter interpretation of "Dewy" contains that classic SUED sound, a bag of rickety percussion and rich soundscapes. Don't miss it, gone before you know it.
Review: Russian label Mosaique has thus far carried some serious heat from artists like JASSS, Caron and Savage Grounds, and now they're shifting their nightmarish electro tendencies back to the various artists format of their Universe series. Umwelt leads the charge on this second installment with the eerie machine snarl of "Fallen Empire", followed up by two versions of the devilish "Sleep When You Die" by Moralez & The Horrorist. Alessandro Adriani is first up on the B side with the driving, noirish techno pulse of "Cosmic Transmissions," and then Morah rounds things off with the squelchy, spiky workout "Track 5".
Review: Pitch black antics by Greek industrial noise terror (and Liber Null main man) Unhuman, alongside Dutch modular maniac Derk Reneman aka Roberto Auser for this collaboration between imprints Gooiland Elektro and Enfant Terrible out of Holland. Unhuman (Emmanouil Simotas) takes care of the A side of the release, immediately treading the left hand path on the slow burning acid sludge of "Faces Of Death", followed by the seething EBM reduction of "Seven Days". On the flip, Auser lunges straight for the jugular on the brooding and contorted techno experiment that is "Avalon", followed by the pummelling four to the floor grindcore of "Unexplained".