Review: Three years have passed since Alessandro Adriani impressed with his debut album, an industrial, EBM, techno and neo-trance inspired set that marked the Berlin-based Italian as a producer on the rise. "Morphic Dreams", his belated sequel, may explore some of the same influences, but Adriani's vision seems far more widescreen. Check, for example, the decaying urban ambience of "Casting The Runes", the buzzing and bubbling synth-wave throb of "Raindance", the tactile slo-mo bliss of Simon Crab collab "Dust/Mist" and the grandiose, rising intensity of dystopian soundscape "Crow". There are, of course, a number of muscular, EBM-influenced club cuts, with the Nitzer Ebb-esque "Dissolving Images" and fizzing "Storm Tree" standing out.
Review: There's a decidedly rushing, saucer-eyed feel to Ellen Allien's latest album, her eighth since launching the BPitch Control label at the dawn of the century. The Berlin veteran shows no desire to soften her sound or move away from the dancefloor, delivering an eight-track set that giddily charges between neo-trance (the loved-up "Empathy" and tech-trance throb-job "Free Society"), post-dubstep electro (the swirling "MDMA" and atmospheric "Exit To Humanity"), raging acid ("Bowie In Harmony"), decidedly muscular techno (the arpeggio-driven heaviness of acid fired smasher "Love Distortion" and the creepier "Electronic Joy") and bubbly acid electro (superb closing cut "Stimulation").
Review: Having seemingly ditched the Bwana alias with which he made his name, Nathan Micay seems to be maturing as a producer. "Blue Spring", his long anticipated debut album, is undeniably his most positive, melodious and well-rounded work to date, with Micay offering up a range of tracks that wrap colourful and tuneful synthesizer lines around a variety of club-ready and downtempo grooves. It's a hugely entertaining and impressive set, with highlights including the psychedelic acid techno throb of "The Party We Could Have", the melodic neo-trance rush of "Blue Spring", the exotic breakbeat shuffle of "Ecstacy Is On Maple Mountain" and the ambient bliss of "Romance Dawn For The Cyber World".