Review: Originally released in 2002, this album remains one of Washington-based duo's most well-known albums, blending trip-hop, downtempo, and an eclectic mix of global influences. While it's often categorised as sophisticated lounge music, its world-fusion approach offers a real depth, from hypnotic opener 'Heaven's Gonna Burn Your Eyes', featuring Emiliana Torrini's airy vocals over a light, looping keyboard melody and deep bassline, onwards. The track's ethereal quality sets a contemplative tone and back s it up with dynamic shifts that make it equally as engaging. 'Facing East' brings in Middle Eastern violin phrases and tribal drums, adding a richer texture. Here, Thievery Corporation excels, weaving together global sounds into a flowing, immersive piece. Tracks like 'The Outernationalist' and 'Un Simple Histoire' fall into the duo's familiar patternipleasant but formulaic dub and bossa nova elements that, while polished, don't push boundaries. However, 'Meu Destino' and 'Exilo' set themselves apart thanks to the authentic performances from Patrick de Santo and Vernie Verla, allowing the music to breathe without overproduction. Helping to validate Thievery Corporation's signature sound, this is a beautifully produced work and somewhat of a landmark in the history of downtempo lounge-hop.
Review: World music and downtempo pioneers Thievery Corporation dropped their seminal It Takes A Thief album back in 2010 and it instantly became another one of their many classics. Drawing on sounds from across the globe from Indian tablas drums to Lebanese funk via Far Eastern strings, it's a cultured and laid-back listen rich in instrumentation and escapist grooves. The beachy bliss and gentle horns of 'All That We Perceive' and dubby swagger of 'The Richest Man In Babylon' are just two standouts among many.
Review: It Takes A Thief is the 2010 compilation from the electronic duo Thievery Corporation. Now reissued via Primary Wave, the album comes back again as a sore reminder of a rock-solidly wicked set of tracks, a collection specially selected by the dream team of Rob Garza and Eric Hilton for both longtime fans, and for music lovers who'd heard of Thievery Corporation but may have never listened to the band. It Takes a Thief features 'Lebanese Blonde,' the beautiful track notably used in the soundtrack to the controversial Zach Braff film Garden State, as well as 'Sound the Alarm', the funk-infused track that has since become a staple opening track for the band's live shows. Now released on vinyl for the first time, we're more than pumped to help get this one back in circulation.
Review: It Takes a Thief, released in 2010, is Thievery Corporation's first "Best of" compilation, curated by Rob Garza and Eric Hilton. This album is an excellent entry point for newcomers and a treat for longtime fans. Featuring standout tracks like 'Lebanese Blonde, from the Grammy-winning Garden State soundtrack, and 'Sound the Alarm,' a funk-infused live show staple, the compilation captures the essence of the duo's eclectic sound. The album spans their rich career, blending dub, trip hop and world music influences.
Heavens Gonna Burn Your Eyes (feat Natalia Clavier)
Love Has No Heart (feat Shana Halligan)
Ghetto Matrix (feat Mr Lif & Natalia Clavier)
Passing Stars (feat Elin Melgarejo)
Until The Morning (feat Natalia Clavier)
Depth Of My Soul (feat Shana Halligan)
Sweet Tides (feat Lou Lou Ghelichakhani)
Lebanese Blonde (feat Elin Melgarejo)
Weapons Of Distraction (feat Puma)
The Forgotten People (instrumental)
Marching The Hate Machines (feat Frank Orrall)
Review: Back in 2017, Thievery Corporation's Rob Garza and Eric Hilton performed a now legendary concert in their home city of Washington D.C in which their band was backed by a fully-fledged orchestra. Three years on, they've decided to commit the orchestrated alterations to album. The results are largely superb, with the pair's slinky dub, lounge music and hip-hop influenced grooves and traditional guest vocals now coming accompanied by orchestral arrangements that veer from the subtle and sympathetic to the swooping, soaring and grandiose. Some of the versions of Thievery Corporation classics are particularly potent, with "Weapons Of Distraction" and "Lebanese Blonde" - one of their most celebrated early cuts - standing out.
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