Two legendary producers joined production forces in 1999 to create one timeless track that sees the light of day again here. Ron Trent and old friend Chez Damier were co-owners of one of the most important house labels of all time - Prescription Records - and they re-teamed up for this deep house classic for Ron's first full length album Primitive Arts. For the remix package, Atjazz deliveres an extended remix that amplifies the groove while maintaining the soulful depth of the original. Atjazz's signature melodic refinement and rhythmic precision shine through, making this version more uplifting yet hypnoticia lush reinterpretation that still respects its deep-rooted heritage. On Side-B, two more Ron Trent gems receive modern reworks. First up, 'Berlin Night in Paris' (Fred H Remix) transforms the 2017 track from 'Spaces and Places' EP into a chord-driven, tech-house-infused journey. Lastly, 'Cry' (Sourires Remix) delivers an atmospheric deep house experience, rich in space and emotion. Subtle yet powerful, this remix explores introspective tones, balancing melody and groove with a meditative feel. Together, these remixes further reinforce the already vast legacy of Trent and Damier in deep house history.

One of the flagship albums by Aaron Funk aka. Venetian Snares (alongside Songs About Cats, Higgins Ultra Low Track Glue Funk Hits 1972-2006, Winnipeg Is A Frozen Shithole and The Chocolate Wheelchair Album), Rossz Csillag Alatt Szuletett marks itself out in his sonography as a breakcore album which, aside from its lobotomising breaks, features mostly classical strings and brass. Gloomy and melancholic, the album's title translates from Hungarian to "Born Under A Bad Star", i.e. "cursed from birth", and the record transmits a superstitious chain of influence, with track 3 covering Budapest composer Rezso Seress' 'Gloomy Sunday', which was said to have inspired the suicide of the original musician's own girlfriend. Renditions of Mahler, Stravinsky, Paganini, Prokofiev and Edward Elgar all follow in morose but energetic fashion, demonstrating the Canadian IDM artist's quirkily sized collection of drill bits.

Based in the Bay Area, Now are a DIY pop group channelling the offbeat glamour of 80s UK cassette culture and jangly mod experimentalism. This release shows them at their most refined and surreal-channelling The Soft Boys one minute and whispering beat poetry in a velvet dive bar the next. 'The Ballad of Joy Bang' shuffles along like a soundtrack to a B-movie daydream, while 'Pointe Shoes' and 'Join Our Treasure Hunt' pair melodic guitar hooks with cryptic, diaristic lyrics. The duo's knack for brevity sharpens their charm-few tracks break the three-minute mark-but every detail feels fussed over, from the fluttering Mellotron feel of 'Careening' to the lo-fi shuffle of 'Morning Trains Like Mirrors'. With members drawn from Cindy and Thunder Boys, the sound is steeped in Bay Area DIY but looks across the Atlantic for its ghosts. Equal parts sweet and sardonic, this is outsider pop that rewards close listening and soft focus.

This latest collection from Yugoslavia's Jugoton label provides a revealing snapshot of the country's diverse and often overlooked musical legacy. With remastered tracks drawn from the label's extensive vaults, it offers a fascinating blend of rare grooves, soul, and jazz, alongside the quirky folk-disco fusion that emerged in the wake of Tito's death. From the funky, breakbeat-driven 'Zlatokosa' to the smooth jazz textures of Bosko Petrovic's 'Trogir by Day', the compilation captures a musical landscape both nostalgic and ahead of its time. Artists like Novi Fosili and Josipa Lisac contribute to a sound that is distinctly Eastern Bloc, yet remarkably universal in its appeal. The selection not only highlights the richness of Yugoslavian music in the late 70s and early 80s but also reflects the cultural shifts of the era. It's an evocative listen, brimming with the kind of unexpected pleasures that continue to excite collectors and newcomers alike.

Few have the depth and breadth of knowledge about music that Anglesey-based punk historian and author Jon Savage has, so to delve into the themed compilation he has put together is an education. Sticking to the idea of doing a musical voyage through the theme and idea of Space, Savage has clearly hit the brief. The Byrds 'C.T.A' sounds like an alien encounter; Devo's 'Space Junk' is quite timely in a lyrical sense, since experts are saying space is becoming a new frontier for war and there's satellite jams. There are some classics that you'd expect here - like Sun Ra - and it's great seeing leftfield icons Wooden Shjips included with their mesmerising cut 'Space Clothes' as theirs is contemporary psychedelia at its finest.

Two cornerstones of rare Amazonian (!) cumbia appear together on 7" for the first time, as Vampisoul resurrect these wildly sought-after versions of 'Sonido Amazonico'. On one side is a hypnotic, percussion-heavy take by Ranil Y Su Conjunto Tropical, first and only released on LP. Led by Raul Llerena, this Iquitos band helped forge the sound of psychedelic cumbia through Llerena's Producciones Llerena imprint, now a holy grail label for collectors of such trove-bound tropical rarities. On the inverse comes Los Wembler's de Iquitos - of equal stature as one of the genre's most enduring groups - bringing their stomping rhythmoids to the same track; it also just so happens to remain one of their most defining anthems. The UK's not the only "jungle scene" out there - just listen to these killer, understoried sonic forests.

Helsinki-based sextet Soft Power return with their fourth release i a richly detailed and expansive jazz-rock record that confirms their standing as one of Finland's most original ensembles. Formed in 2015, the group continues to push forward with a sound rooted in Nordic jazz and progressive traditions, but always shaped by clarity, control and sharp melodic thinking. It's a new release that leans into modal harmony, rhythmic intricacy and instrumental colour, without ever tipping into excess. 'Zeppelin' unfurls with measured power, while the title track 'Space To Breathe' delivers a slow, immersive build full of harmonic subtlety and textural weight. Lush electric keys and layered horns give the record its warmth, while tight ensemble playing keeps the edges crisp. There's a sense of atmosphere here that's as important as any solo or theme i a carefully built tension between groove, abstraction and mood. Without falling into pastiche, the band channel the mysticism of 70s European fusion and reshape it for the present, offering a record that's cool, grounded and quietly complex. A standout addition to the Finnish jazz-rock catalogue and a clear sign that this group continues to grow with purpose.

Key playing master Byron The Aquarius returns to Star Creature with 'Jamajama', a slick 7" dripping in synth-heavy funk and future-facing deep house of the sort that has made him a real standout in recent years. On the A-side, Byron delivers a left-field jazz-funk burner that's packed with squelchy, bass-rich, and weirdly elegant vibes that perfectly straddle the line between two-step and house grooves. Flip it over and you get a lush nu-boogie banger featuring Steven Klavier on vocals, and his disco-laced touch has lit up tracks from Soul Clap to Eli Escobar so you may well be familiar. It's a tight, genre-blurring gem from one for heads, dancers, and divas alike.