The Reflex's reworks of million-selling disco, soul and pop hits may be sneered at by snooty, self-styled "collector" DJs, but the rest of us can't get enough of them. There's a reason for that, of course: they're invariably brilliant. Here he serves up two more gems guaranteed to start the party. On the A-side you'll find his legendary revision of the sparser LP mix of Wham's "Everything She Wants". The London-based Frenchman extends and dubs out the track's delicious machine drums and synths before introducing the late, great George Michael's fantastic vocals. The results are, of course, impressive. Over on the flip, he gets busy with Eddie Kendricks' classic "A Date With The Rain", making merry with the original's killer percussion, horns and reverb-drenched vocals.

Throughout his four year recording career, Larry "Bruce" McCarthy has managed to carve out a sonic space all of his own - one that mangles dystopian analogue techno, post-dubstep grooves, Young Echo style soundscapes, trippy electro and dub-wise sounds into thrilling new audio shapes. This unique musical mixture is the key to the success of debut album "Sonder Somatic", which cannily emphasizes the intoxicating, otherworldly side of McCarthy's output. Although there are a few dancefloor-focussed workouts on show - see the deep creep of "Baychimo", percussively punchy "What" and rugged "Cacao" - the majority of the album is more atmospheric and unusual, with clear nods towards fellow Bristol residents Young Echo, vintage IDM and the dub-fired electronica of Jay Glass Dubs.

Irish producer Ruff Cherry has so far left a small trail of breadcrumbs for any seekers switched on enough to follow, from an early 12" on A Sagittariun's Elastic Dreams to a pair of singles on Midgar, but now the mysterious artist lands on the increasingly intriguing Well Street label and the results are fantastic. "Siren" is an ear-snagging trip through driving but non-standard beat formations shot through with a dubby melancholy, while "Innocent" heads into weirder territory with more audacious sound design and plenty of voluminous bass swells. "Carousel" keeps things fractured and bleepy, while "Keeper" focuses on tribal percussive intonations and a brooding atmosphere to get fully immersed in.

After their first seismic collaboration back in 2016, DJ Bone and Deetron are back in action as The Storytellers and they've got six new mixes of impeccable techno for you to sink your teeth into. "That D Beat" comes first - a brittle, rasping monster of a track with frantic urgency and experimentation in equal measure, which then gets softened out a touch with the human elements that feed into the "Camouflaged" version. Deetron's standalone mix of "That D Beat" is a wholly different proposition made of deep, dubby synth expressions without losing the rhythmic energy of the original. "Blue Bird" is a gorgeous slice of machine soul that reaches for the stratosphere, only to take on a kind of bombastic heft when tweaked for the "Filtered" version. Then Bone does a powerful finishing move on "Blue Bird" that matches the strong melodic strokes of the track with his own uncompromising artistic signature - a match made in techno heaven.

Lee Norris' Norken project has been on prolific form of late, not least with plenty of reissues of classic material on Delsin and Neo Ouija, but here's something new from the seminal leftfield electro venture on new label Subconscious Algorithms. Norken fans will find much to love here, leading in with the wobbly synth strokes of "Coast 2 Coast" that positively cascades its gorgeous melodic content down upon your ear drums. "Heart Hertz" is no slouch in the emotional stakes either, especially when the lingering sustain of the string notes unfurl into the bubbling broth of machine-wrought harmonies. This is advanced electronics for sensitive system souls.

Following an excellent EP from Memphis, Animals On Psychedelics returns with more weird and wonderful party fare from the outer reaches. This time it's a various artists release that brings together all the producers involved in the label so far, while also introducing BPMF to the fold with the woozy, rubbery synth shapes of "Liza On Clouds." Jane Fitz and Dom Ahtuam's Invisible Menders project presents the rolling, psyched out melodics of "Three On Three," while Memphis pushes further into experimental territory with the wonderfully fractured "Altered States." That leaves it to Miro SundayMusiq to complete the EP with the wave-meets-Italo tones of "From Behind The Corner," a perfectly noirish flourish to finish a sterling record.

Having dropped some choice digi-only releases on Robsoul and Cross Section, rising British producer Jade Cox makes her first appearance on wax via Nail's 89:Ghost label, and she's making quite the statement of intent with these no-nonsense club workouts. There's a loopy, tracky feel to "Rush" that perfectly captures the energy of a killer peak time set, while "Get Up" takes a looser, funkier approach that should sit comfortably in all manner of warm up scenarios. "Night River" is a chugging, upbeat and soulful jam indebted to the unmistakable warmth of Detroit house, and "Things I Said" brings things full circle with a stripped back, percussive groover for DJs to get fresh with.

Needs is back with its fifth installment of charity-raising goodness from some seriously quality producers. This time the gauntlet is thrown down by the increasingly prolific DJ Normal 4, who wields some of his signature breakbeats over a cheeky synth that nods to Da Hool for a dark and deadly roller. Israeli duo Red Axes pop up fresh from outings on !K7 and Phantasy Sound for the worldly percussion and mystical atmosphere of "Treacksheni" before Bristol bass-wielding techno titan Hodge finishes the package off with the stunning, dramatic undulations of "Signal," making this a collection of tracks that all feed into the same vein of rhythmically adventurous, moody club music.